It's All Gonna Break Movie Trailer HD - Plot synopsis: Kevin Drew and Brendan Canning helped turn Toronto into an indie-rock mecca in the mid 2000s. Not unlike the story of Seattle’s grunge explosion: Cobain in flannel. Or the New York revival led by The Strokes. The movement they created marked the apex of Toronto’s metamorphosis from a sleepy metropolis to a beacon of hipster cool largely driven by the city’s endlessly inventive music scene. “It wasn’t so hard to be an artist around 2000 in Toronto,”says Broken Social Scene’s Jason Colette in“It’s All Gonna Break,”a new documentary about the band in this era. “Rent was cheap. The creativity was on fire.”
One of the band’s friends, Stephen Chung, had a camera. He wasn’t setting out to make a documentary—he was a participant, immersed in the expansive Broken Social Scene family of wildly talented artists. Before the iPhone era, Chung captured the raw, unguarded chemistry of the band: late-night jams in cramped apartments before soaring rents, the boundless creative energy of the time, and the beautiful chaos of something none of them saw coming—Lollapalooza, Letterman, film soundtracks, critical acclaim, and global success.
For years, the footage sat unseen, tucked away until the moment was right.
Now, with fresh interviews from Kevin Drew, Brendan Canning, Leslie Feist, Emily Haines, and band members, It’s All Gonna Break opens the time capsule of never before-seen footage that captures the intimacy and magic of the era. This isn’t just a retrospective—it’s a front-row seat to Broken Social Scene’s rise, their reckoning with fame, their defiance of convention, and how they came to define a generation of indie rock. Chung’s kaleidoscopic visual diary is a remarkable coming-of-age story of friends and artists forging their path, growing up together, and creating something unforgettable on their own terms.
DIRECTED BY:
Stephen Chung
FEATURING:
Kevin Drew
Leslie Feist
Brendan Canning
Emily Haines
Amy Millan
One of the band’s friends, Stephen Chung, had a camera. He wasn’t setting out to make a documentary—he was a participant, immersed in the expansive Broken Social Scene family of wildly talented artists. Before the iPhone era, Chung captured the raw, unguarded chemistry of the band: late-night jams in cramped apartments before soaring rents, the boundless creative energy of the time, and the beautiful chaos of something none of them saw coming—Lollapalooza, Letterman, film soundtracks, critical acclaim, and global success.
For years, the footage sat unseen, tucked away until the moment was right.
Now, with fresh interviews from Kevin Drew, Brendan Canning, Leslie Feist, Emily Haines, and band members, It’s All Gonna Break opens the time capsule of never before-seen footage that captures the intimacy and magic of the era. This isn’t just a retrospective—it’s a front-row seat to Broken Social Scene’s rise, their reckoning with fame, their defiance of convention, and how they came to define a generation of indie rock. Chung’s kaleidoscopic visual diary is a remarkable coming-of-age story of friends and artists forging their path, growing up together, and creating something unforgettable on their own terms.
DIRECTED BY:
Stephen Chung
FEATURING:
Kevin Drew
Leslie Feist
Brendan Canning
Emily Haines
Amy Millan
Category
🎥
Short filmTranscript
00:01All you ask for in life is just to try to make it simple,
00:05and this band is not that.
00:07A warm welcome to Broken Social Scene!
00:16There was some kind of renaissance going on around 2000 in Toronto.
00:20The creativity was on fire.
00:22There was the freedom to just do whatever the hell you want.
00:25So we just started hanging out in the basement.
00:27It became a real hub real fast.
00:30It was basically guest after guest.
00:32There was something about the camaraderie that was just super fun.
00:36You knew that you were a part of something that was just really awesome.
00:40Those early jams, I remember feeling like the storm was gathering.
00:45These shows happened, and they were really great.
00:48It started to feel like something that had its own identity.
00:51I remember just wanting it to happen so badly,
00:54wanting to make the record, wanting to rehearse.
00:56When the Pitchfork review came in, it was like a different world.
00:59We were on the road, and everywhere we went, it was basically just sold out.
01:06Our lives were just kind of like...
01:15That sprawling collective of musicians coming and going, that's hard to sustain.
01:20This is terrible. You guys got left behind.
01:22It's really difficult to put that much chaos on stage.
01:25I remember the band broke up over and over again.
01:27It's all gonna break. That's what we were experiencing.
01:30So you finish this rough cut of the film. What happens after that?
01:34They said, this movie will never see the light of day.
01:40There's this sort of now-ness to it.
01:42We're living. This is what we do.
01:44We all wanted something to happen, and it did.
01:49It changed all of our lives.
01:51We all wanted a challenge to...
02:03We all want to go around the world to get ready for a living shell.
02:07There was always a bit of pressure on the vintage
02:10We're here.
02:11We can throw it out every clock.
02:13I'm ability to see this in anвести system.
02:15We set according to mind the graphics model.