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1969 Orgasmo HOT MOVIE
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Transcript
00:00:00All right, let's go.
00:00:11All right, let's go.
00:00:24Come on, please.
00:00:27Over here.
00:00:29Just be gone.
00:00:30One more.
00:00:31Smile, please.
00:00:32Get down.
00:00:32Over here, Senora West.
00:00:33Smile.
00:00:34Brian!
00:00:35Get down.
00:00:36Captain, dear.
00:00:37How are you?
00:00:38Hold in a minute.
00:00:45Is it true your husband left you $200 million?
00:00:47The stage was set the night we met, for fate had planned it so.
00:01:06And just one look was all it took to set my heart aglow.
00:01:15Wholeheartedly, with all of me, I proved how love should be.
00:01:24And the days we shared, when you still care,
00:01:29was such sweet ecstasy.
00:01:32But then, but then, I don't know when you turned up me.
00:01:41And you lied to me, and so hopelessly.
00:01:50I hate the pride, and hide inside, where you'd soon be gone.
00:01:58But hoping, yet, you'd not forget, that I'd still wait for you.
00:02:07On and do me.
00:02:09On and do me.
00:02:11On and do you.
00:02:12On and do you.
00:02:13On and do you.
00:02:16On and do you.
00:02:18On and do you.
00:02:20On and do you.
00:02:21Welcome, Senora West.
00:02:22This is Teresa, your guardian angel.
00:02:23Depend on her to take care of all your wants and pleasures.
00:02:25She's efficient as an IBM.
00:02:26Your guardian angel depend on her to take care of all your wants and pleasures. She's efficient as an IBM
00:02:32How do you do Teresa?
00:02:33Gracias, signora. Please call me Terry. I stay some months in London so I know some English. Are you thirsty?
00:02:39Make us a cold drink, Teresa
00:02:43Look silence and harmony
00:02:45The village is only a few kilometers. The marina is just 20 minutes if you like boating. Oh
00:02:52I'm afraid I won't feel up to the sea
00:02:54All right
00:02:57Well, here we are. No one will bother you here. Oh, it's lovely
00:03:04Really lovely
00:03:09Brian you've been perfect wait before saying so. Oh the house is beautiful. Oh
00:03:19Brian now you can turn out pictures by Catherine some sort just the way you did when you were a promising young artist in the
00:03:26New York
00:03:29Too much time has passed since then
00:03:32I'm afraid I've lost my spirit. Don't worry. Be grateful that the future will hold whatever your heart desires
00:03:38There's been so much pain
00:03:40The sorrow will diminish the future will lessen the misery you're now enduring
00:03:46Remember you can take courage from the memory of Robert
00:03:49Robert
00:03:50And now that he's dead
00:03:52How do I pick up the pieces?
00:03:54Oh
00:04:00Oh no
00:04:01Isn't there anything stronger to drink in this house?
00:04:03Of course
00:04:04I'm sorry
00:04:05I'm sorry
00:04:09Oh try to understand Brian
00:04:11I'm so low I need something to pick me up once in a while
00:04:16I know that I can pull myself together in time
00:04:20But I need a little freedom after what I've been through
00:04:23I think I ought to remind you that this kind of freedom isn't very good for your nervous system
00:04:27I'm worried that things could be messy due to a problem turning up in the formal procedure in New York
00:04:31I don't ever want to go back to New York
00:04:32I don't ever want to go back to New York
00:04:40So have you liquidated the estate?
00:04:42My dear girl, I've told you ten times
00:04:44Two petroleum companies, four television stations, a chain of department stores
00:04:48They're not items you can unload as you would a truck
00:04:50It's a big job and I need time
00:04:52All right, Brian
00:04:54I'll rely on you
00:04:56The only thing that might cause a grievance
00:04:59Is the family mansion on Lake Michigan
00:05:02I've just heard from relatives of Robert
00:05:04Oh, a horrible cold old barn
00:05:09I could never stand being there
00:05:11The letter was from Robert's two old aunts
00:05:13They're dead set against selling it
00:05:15Why don't they buy it?
00:05:16Because they consider it property of the family
00:05:21Oh, it's not important to me
00:05:23I'll give it to them
00:05:24This you could do
00:05:26Of course, on the other hand
00:05:27It might be best to get the two old ladies out of our hair promptly
00:05:31I'd recommend you take it easy
00:05:32And don't worry so much
00:05:34I'll telephone from New York
00:05:36And assign our best attorneys to settle the probate
00:05:38Oh, thank you, Brian
00:05:40You're a treasure
00:05:41Teresa
00:05:53Senora
00:05:54Take that thing away
00:05:56I don't want it in here
00:05:57It's messy in the cellar
00:05:59I don't care where you put it
00:06:00As long as I never have to see it or hear it
00:06:03Here are the pills, Senora West
00:06:16A journalist has telephoned to see you
00:06:20Oh, questions, questions
00:06:23I'm sick of them
00:06:24They can go to hell
00:06:26Oh, I've got such a headache
00:06:28Better try resting
00:06:31Salve, gente
00:06:32Buongiorno, signore
00:06:33Come stane il bambini?
00:06:34This is Senora West's villa
00:06:35What is it you want?
00:06:36Please, I need tools and a telephone
00:06:37But you know that I'm cordially penitent, Senora
00:06:39You see here a daring poor pilgrim and a miserable guy
00:06:41I'm sorry but it's impossible to help
00:06:42Please, countess, be nice
00:06:44I tell you, I can fix them all alone
00:06:45My passion is automobiles
00:06:46Well, I've already told you
00:06:50Well, I've already told you that
00:06:51Sí, Senora West
00:07:05Give the young man what he needs, and then send him away.
00:07:14Bravo, Senora West.
00:07:17Offer to me?
00:07:20Get her that rose.
00:07:23Pick it and take it to Mrs. West.
00:07:28My name's Peter Donovan.
00:07:35Screwdrivers.
00:07:41Flyers.
00:07:48It's a matter of speaking the same language.
00:07:57Well, that does it.
00:07:59You mean you've finished so fast?
00:08:01Not on your life.
00:08:03It's inexorably broken.
00:08:05Have to get a new part.
00:08:06Oh.
00:08:08For your wonderful eyes.
00:08:10By the way, why don't you let me see them?
00:08:12Is it necessary?
00:08:13Not at all.
00:08:14I'll take you on your word.
00:08:15No.
00:08:16The word wasn't enough.
00:08:25All right.
00:08:26Never mind.
00:08:27How far is it to town?
00:08:28I don't know.
00:08:29Two or three miles.
00:08:30Maybe four.
00:08:31Marvelous.
00:08:32I was afraid it was 50.
00:08:33I'm sorry about having to leave the car here, but I'll be back tomorrow morning with the mechanic.
00:08:40It's all right.
00:08:41Would you like me to have Teresa drive you in?
00:08:43No, no, no.
00:08:44I prefer walking on my hands.
00:08:45I'm sorry about having to leave the car here, but I'll be back tomorrow morning with the mechanic.
00:08:48It's all right.
00:08:49Would you like me to have Teresa drive you in?
00:08:50No, no, no.
00:08:51I prefer walking on my hands.
00:08:52Well.
00:08:53So long.
00:08:55Bye.
00:08:56Bye.
00:08:57Bye.
00:08:58Bye.
00:08:59Bye.
00:09:00Bye.
00:09:01Bye.
00:09:02Bye.
00:09:03Bye.
00:09:04Bye.
00:09:05Bye.
00:09:06Bye.
00:09:07Bye.
00:09:08Bye.
00:09:09Bye.
00:09:10Bye.
00:09:11Bye.
00:09:12Bye.
00:09:13Bye.
00:09:14Bye.
00:09:15Bye.
00:09:16Bye.
00:09:17Bye.
00:09:18Bye.
00:09:49Bye.
00:09:50Bye.
00:09:51Bye, â…¥.
00:09:52Bye.
00:09:53Bye.
00:09:54What are you doing here?
00:09:57I'm trying to sleep and then I just happened to bump into the horn. I'm sorry.
00:10:00Why don't you go into town?
00:10:02I don't understand. Didn't you go into town?
00:10:05You bet. Six miles, 7,000 lira to pay for a new part.
00:10:09And if the mechanic had come, it would have taken 12. I just had seven.
00:10:13I see. In other words, you didn't have the money for a hotel room.
00:10:16It happens at least once in your life.
00:10:21Just a moment.
00:10:26Yes? Hello?
00:10:29Oh, it's you, Brian.
00:10:31I was afraid you wouldn't call.
00:10:34Saturday. Perfect.
00:10:37Let's see. Today is...
00:10:39Wednesday.
00:10:44Yes, that's right. Wednesday.
00:10:47All right, dear. I'll see you then.
00:10:50Right. Goodbye.
00:10:53Haven't you been taught that it's rude to enter a house without being invited?
00:10:57I was just looking. After all, masterpieces are to be looked at.
00:11:00Otherwise, why bother painting them?
00:11:03Well, I paint for myself.
00:11:05Besides, I'm not a professional.
00:11:08It's perfect.
00:11:09You used a mirror, right?
00:11:11You've got a rather unusual belly button, just like the Botticelli Venus.
00:11:16Oh, stop it.
00:11:17Besides, what do you know about painting?
00:11:29You're not an art critic, are you?
00:11:30Why not? What do you know about me?
00:11:32You're right. In fact, I'm not a critic, not even an intellectual.
00:11:37But I've forgotten all my manners. I'm hungry as a wolf.
00:11:46And wolves do not apologize. Could I, Mrs. West?
00:11:48Good-bye, Mrs. West.
00:11:49Oh, wait a minute.
00:11:53All right, stay here.
00:11:55But don't touch anything.
00:11:57That's all I could find. But it should be enough for a wolf.
00:12:09I didn't feel I should wake the housekeeper.
00:12:11You needn't have gone to the trouble.
00:12:13Here's a drink if you feel like it.
00:12:26There. You can settle down here.
00:12:29I hope you'll forgive me if I don't have a pair of pajamas your size.
00:12:34I always sleep naked, and I like the women I sleep with who sleep naked, too.
00:12:39I see. Well, good night.
00:12:43Good night.
00:12:44Good night.
00:13:13Good night.
00:13:14Good night.
00:13:23I don't want that old witch to catch on to anything.
00:13:26Well, I do.
00:13:28You're a free woman. What's more, you pay her.
00:13:31Why are you afraid of her?
00:13:32One has to be afraid of everything these days, especially when one's happy.
00:13:39Besides, things are not easy for me now.
00:13:44But you are a widow, aren't you?
00:13:47As of seven weeks.
00:13:48I suppose you loved your husband very much, didn't you?
00:13:54He died suddenly in a car crash.
00:13:57Very wisely. Otherwise, we wouldn't be here.
00:14:00Poor Robert.
00:14:02He was a good man, but closed.
00:14:06All he ever thought about was money.
00:14:08And you married him for money?
00:14:10No. I needed affection.
00:14:12I thought an older man could give it to me.
00:14:15But all he knew how to give was money.
00:14:21You want some advice to save your soul?
00:14:23Mm-hmm.
00:14:24Give away all the money you've got, but not to the poor, to somebody richer than you.
00:14:29We need not create rich people any more than there already are.
00:14:38She's coming back later.
00:14:40Well, Mrs. West, have a nice trip and give London a smile.
00:14:50If you're ever in the neighborhood, do stop in.
00:14:54Goodbye.
00:14:56Clear everything away, Teresa.
00:14:59That's all for tonight.
00:15:10Peter?
00:15:32Is that you, Peter?
00:15:38Peter?
00:15:40Peter?
00:15:45Oh, no.
00:15:47Are you afraid of getting dirty?
00:15:57Oh, yes. Dirty me.
00:16:05Hello?
00:16:06Catherine?
00:16:07Brian?
00:16:08Shall I meet you, Brian?
00:16:09I'd prefer to drive.
00:16:10Wait for me there.
00:16:11Don't forget you're meeting Robert's aunts.
00:16:12Oh, yes.
00:16:13Don't worry.
00:16:14I'll wear the soberest dress I have.
00:16:15Fine.
00:16:16See you in London.
00:16:17Right.
00:16:18Bye.
00:16:21Peter, hurry.
00:16:22You've got to leave right away.
00:16:25Okay, but what's your trouble?
00:16:26Oh, I'm in a terrible rush.
00:16:28If you stay, I'll never get to London.
00:16:30Look, please don't be offended, Peter.
00:16:32But I would like you to be in a position of independence until I get back.
00:16:36Here, take it.
00:16:40Were you used to being paid before you married the rich man?
00:16:43Oh, forgive me.
00:16:44It's just my maternal instinct.
00:16:47Please go now, quietly.
00:16:48Okay, my would-be mother.
00:16:54When I get back from London, will we see each other again?
00:16:57It's up to you.
00:16:58If you want me, just call.
00:16:59Piazza Navona 19, top floor.
00:17:01There's no phone but the mailman comes.
00:17:03The mailman comes.
00:17:26We've reached an accord that's perfectly rational.
00:17:28The result is that the family mansion becomes your property.
00:17:31In exchange, are you disposed to renounce all legal demands on the estate of your nephew, Robert?
00:17:36I think so.
00:17:37No, no, that's not so.
00:17:38I'm not going to renounce the legacy we expected.
00:17:40I would absolutely contest any attempt to oppose the will of the family.
00:17:44Mr. Osborne, could we buy the house?
00:17:46Legally, yes, but you'll have to meet the police.
00:17:48Then it's simpler to do as I say.
00:17:51On the contrary, the West Mansion is worth more than mere money.
00:17:54But Catherine was his wife.
00:17:55It had the honor of having Lincoln as a guest one night.
00:17:57After all, it is the West family's oldest possession.
00:18:00And we cannot forget the sentimental value.
00:18:02We cannot equate sentimentality with economics.
00:18:05Let's hear what Catherine has to say.
00:18:07My dear aunties, the only thing I know is that my poor Robert would have wanted me to give you the family house.
00:18:17Oh, no, irregardless.
00:18:19We Wests don't want any charity, legal or personal.
00:18:21But Janet, don't be too offended.
00:18:22It was just and generous of our preciousness.
00:18:24I have no leases.
00:18:25Our poor dear Robert is gone.
00:18:27She's only the widow of my nephew.
00:18:28Poor Robert.
00:18:29He never lived to enjoy his life.
00:18:31A young woman and an older man, it wasn't right.
00:18:33Oh, my God.
00:18:34Don't forget the food of my nephew.
00:18:39But why did he drive himself so hard?
00:18:43You, you, Catherine.
00:18:44Please, a glass of water.
00:18:46Here's his telegram.
00:19:01This is from the brokers for Delta Petroleum.
00:19:07For the Pasadena residents, I can hope for the best, even better than New York.
00:19:11These are the Brazilian oilies for the council to administer during litigation, etc.
00:19:17You can rest assured that you'll be even richer.
00:19:19Oh, you must be mad.
00:19:20Oh, where's my angel?
00:19:22Come on, Princess, you're invited to dinner.
00:19:25By whom?
00:19:26A lonely man who's fascinated by you, but who feels he's not worthy of your attention.
00:19:41Hello?
00:19:42Telegram?
00:19:43Destination, please.
00:19:44Uh, Rome.
00:19:45Piazza Navona, 19.
00:19:46Urgent.
00:19:47Yes?
00:19:48The message, please?
00:19:49Uh, yes, yes, please.
00:19:50No, I'm sorry.
00:19:51I've changed my mind.
00:19:52Oh.
00:19:53Oh.
00:19:54Oh.
00:19:55Oh.
00:19:56Oh.
00:19:57Oh.
00:19:58Oh.
00:19:59Oh.
00:20:00Oh.
00:20:01Oh.
00:20:02Oh.
00:20:03Oh.
00:20:04Oh.
00:20:05Oh.
00:20:06Oh.
00:20:07Oh.
00:20:08Oh.
00:20:09Oh.
00:20:10Oh.
00:20:35Oh.
00:20:36Oh.
00:20:37Oh.
00:20:38Oh.
00:20:39Oh.
00:20:40Oh.
00:20:41Oh.
00:20:42Oh.
00:20:43Oh.
00:20:44Oh.
00:20:45Oh.
00:20:46Oh.
00:20:47Oh.
00:20:48Oh.
00:20:49Oh.
00:20:50Oh.
00:20:51Oh.
00:20:52Oh.
00:20:53Oh.
00:20:54Oh.
00:20:55Oh.
00:20:56Oh.
00:20:57Oh.
00:20:58Oh.
00:20:59Oh.
00:21:00Oh.
00:21:01Oh.
00:21:02Oh.
00:21:03Oh.
00:21:04Oh.
00:21:05Oh.
00:21:06Oh.
00:21:07Oh.
00:21:08Oh.
00:21:09Oh
00:21:39Oh
00:22:09Let me out
00:22:13Let me out
00:22:15Let me out
00:22:17Teresa
00:22:21Teresa
00:22:23Help
00:22:25Senora West
00:22:27Oh there
00:22:29Oh Teresa
00:22:31What caused you to scream?
00:22:33There's someone in the house Teresa
00:22:35Come along
00:22:37Come on
00:22:39Come on
00:22:49But I tell you I can't have been dreaming
00:22:51The shower was on
00:22:53The window was open
00:22:55But look there, the painting was always there
00:22:57Somebody must have taken it upstairs
00:22:59You're not well tonight
00:23:01You're feeling terribly anxious
00:23:03But it's only temporary
00:23:05Don't drive yourself crazy
00:23:07In other words, you don't believe me
00:23:09How can I?
00:23:10When you depend so much on pills to help you escape from reality
00:23:13You need rest, Senora West
00:23:15Go to your room
00:23:17You'll feel better soon
00:23:37There
00:23:39Come on
00:23:41Did you see that?
00:23:43I can't sleep
00:23:45Look at you
00:23:47Look at you
00:23:51You're in trouble
00:23:53You need some trouble
00:23:55I'm not
00:23:55You need some trouble
00:23:56You're in trouble
00:23:57You don't have to be
00:23:58I don't know
00:23:59You have to be
00:23:59You're in trouble
00:24:00You're in trouble
00:24:01You're in trouble
00:24:02You're in trouble
00:24:03Hello?
00:24:11Hello?
00:24:14Hello?
00:24:33Hello?
00:25:03And the mountain came to Muhammad.
00:25:15You might have at least called.
00:25:20Do you hear anything?
00:25:24It was cut off two months ago.
00:25:27No, I'm angry with you.
00:25:38No, not here.
00:25:41Yes, here. I didn't make any fuss about your damn rich house.
00:25:45I live here. I bring my women here on this bed.
00:25:48Women like that?
00:25:52You're worse than she is.
00:25:54Much worse.
00:26:00Yes, that's right.
00:26:01I'm worse than she is.
00:26:03I'm worse than all of them.
00:26:07Oh, yes.
00:26:08Yes, yes, you saw us.
00:26:15Thanks, dear lady. I'm sorry about this.
00:26:17Blouses, signore.
00:26:26Put it on the bill.
00:26:28Hey!
00:26:32Are you trying to lose me after depriving me of a roof?
00:26:34I don't find it funny. Why don't you behave decently and apologize?
00:26:39Well, I didn't ask you to come play to Rome.
00:26:41Oh, stop it, Peter. I find the whole thing very distasteful.
00:26:45You're right. I'm sorry. Take them.
00:26:47Take them.
00:27:00Teresa, prepare the guest room.
00:27:04Mr. Donovan is spending a week with us.
00:27:17Hey, Eva!
00:27:18Ciao!
00:27:19Come on!
00:27:21I'd like you to meet my sister.
00:27:22I'd like you to meet my sister.
00:27:52I'd like you to meet my sister.
00:28:19Oh, what's wrong?
00:28:20Ah, Theresa, don't bother.
00:28:23Go to bed and get some sleep.
00:28:25I'll sleep.
00:28:31In my day, I was fabulous.
00:28:37In my day, I was famous for rock and roll.
00:28:40This is your day, Catherine. Ours is yet to come.
00:28:44Peter's right.
00:28:46I'd give half my life to resemble you during the other half.
00:28:52If you only knew the admiration,
00:28:54the enormous attraction I feel for you,
00:28:57the melting sensation I get looking at you,
00:29:00so feminine, so beautiful.
00:29:10There, touching you to be sure you're real,
00:29:13that's a thrill.
00:29:16Oh, Ava.
00:29:18You have so much inside,
00:29:20if you can even give it away to someone like me,
00:29:23rich with no purpose in life,
00:29:26who doesn't deserve it.
00:29:32Well, then.
00:29:34and put inside.
00:29:36If that's the way it's to be,
00:29:38teach me how to be young.
00:29:40But hoping yet,
00:29:42you'd not forget
00:29:44that I'd still be young.
00:29:46Good for you. Come on.
00:29:48Oh, it's wonderful to be young.
00:30:04And you lied to me
00:30:08And so hold me
00:30:11Oh, it's wonderful to be young
00:30:12I hid the pride and love inside
00:30:17And where you'd soon begun
00:30:21But hoping it told you'd not
00:30:25Oh, no, you monster, don't use the flash
00:30:28You'll burn everything out on me
00:30:29And we'll turn out looking dreadful
00:30:31It has a special film that takes photos in this light
00:30:34Now, you can do whatever you want
00:30:39Does it have an automatic shutter?
00:30:41Of course
00:30:42Come on
00:30:52All together, a family group
00:30:54So, Ava, how do you like the house?
00:31:02It's lovely here
00:31:03Silent, enchanting
00:31:05It reminds me of our grandparents' house
00:31:08In Beverly Hills
00:31:09It's an old dreary house
00:31:11Full of old folks and dogs
00:31:12Oh, he's lying
00:31:14I bet he's longing to go back
00:31:17He's always doing that
00:31:18When he loves something
00:31:19He says he hates it
00:31:21Mmm, at last
00:31:25Not for me, thank you
00:31:30I am no teetotaler
00:31:34But when I drink on an empty stomach
00:31:36I don't trust myself to drive
00:31:37But where do you have to go?
00:31:39Well, back to Rome, I suppose
00:31:41Oh, not at all
00:31:42I've already arranged dinner here
00:31:44Unless you have something more important to do
00:31:47I don't think there is anyone more important than you, Catherine
00:31:50At least for the moment
00:31:52Oh, well then, come on, have a drink
00:31:56You won't be driving anywhere tonight
00:31:58You need some love
00:32:00Just tell me
00:32:01Oh, yeah
00:32:03Yeah, anytime
00:32:06You're feeling down
00:32:10Just tell me
00:32:11Yeah, anytime
00:32:12I'll come around
00:32:15Just tell me
00:32:17Don't worry
00:32:18Baby, cause I'm one
00:32:23I'll be there
00:32:25And I'll be there
00:32:25To turn your sadness
00:32:27Into fun
00:32:29Late at night
00:32:32When it's dark
00:32:34And so cold
00:32:37Girl, I'll promise you
00:32:39The warmest
00:32:40And to hold
00:32:43So anytime
00:32:44You need some love
00:32:47Just tell me
00:32:48Yeah, anytime
00:32:50You'll feel alone
00:32:52You'll feel alone
00:32:53Just tell me
00:32:54Don't worry
00:32:56Baby, cause I'm one
00:33:00I'll be there
00:33:03To turn your sadness
00:33:04Into fun
00:33:07Late at night
00:33:10When it's dark
00:33:12And so cold
00:33:14Girl, I promise
00:33:17You don't want this
00:33:18Ain't too hard
00:33:20Any time
00:33:23You need some love
00:33:25Just tell me
00:33:26Yeah, anytime
00:33:28You feel alone
00:33:31Just tell me
00:33:32Don't worry
00:33:34Girl, don't
00:33:37I'll be there
00:33:39And I'll be there
00:33:41To turn your sadness
00:33:42Into fun
00:33:45Why don't you
00:33:47Tell me, baby
00:33:48Come on
00:33:50And tell me
00:33:51Why don't you
00:33:53Come on
00:33:53Tell me, baby
00:33:54Come on
00:33:56And tell me
00:33:57Why don't you
00:33:59Come on
00:33:59Tell me, baby
00:34:00Why don't you
00:34:02Tell me
00:34:03Come on
00:34:05And tell me, baby
00:34:06Come on
00:34:08And tell me
00:34:09Why don't you
00:34:11Tell me, baby
00:34:12Oh, I wish I didn't feel so tired.
00:34:38It's a pity to break up a night like tonight.
00:34:40Look, I've got some pills that make you stop feeling tired.
00:34:44I took one in the nightclub.
00:34:47It should be taken with four fingers of whiskey.
00:34:50Let's go.
00:34:56Eva, I'd like to give her a kiss.
00:34:58May I?
00:34:59You must.
00:35:00Oh, not now, darling.
00:35:03You must never say no to a guest, Catherine.
00:35:07You must never say no to a guest, Catherine.
00:35:11You must never say no to a guest, Catherine.
00:35:15Why should you hide when you make love?
00:35:17There's so many ridiculous and repulsive things.
00:35:19And love is the most beautiful in the world.
00:35:21Quite right, sis.
00:35:22Just think, there's people who count their money in public.
00:35:24People who slug each other in the world.
00:35:25You must never say no to a guest, Catherine.
00:35:27Why should you hide when you make love?
00:35:29There's so many ridiculous and repulsive things.
00:35:32And love is the most beautiful in the world.
00:35:35Quite right, sis.
00:35:36Just think, there's people who count their money in public.
00:35:38People who slug each other in the ring.
00:35:40People who make war.
00:35:42How long is it since you've made love, sis?
00:35:45I never remember the last time.
00:35:47I only think of the next.
00:35:49What you've done in the past seems like nothing.
00:35:52Come back to me.
00:35:53I'm sorry.
00:35:54I'm sorry.
00:35:55I'm sorry.
00:35:56I'm sorry.
00:35:57I'm sorry.
00:35:58I'm sorry.
00:35:59I'm sorry.
00:36:00I'm sorry.
00:36:01Nothing compared to what you like to do.
00:36:05Now, I order you to go to bed.
00:36:07I will take your word for it.
00:36:10Come on, Catherine.
00:36:31Wake up, darling.
00:36:32It's four in the afternoon.
00:36:33Oh, let me sleep.
00:36:34Please.
00:36:35Come on.
00:36:36You've got to wake up.
00:36:37Oh.
00:36:38Oh, I can't.
00:36:39You'll end up harming yourself.
00:36:41Take this.
00:36:42You'll feel better in a moment.
00:36:50I can't you'll end up harming yourself
00:37:00Take this you'll feel better in a moment
00:37:20Your move Catherine
00:37:28Yes, yes, here she is
00:37:42Hello, hello Brian, how are you?
00:37:50No, don't worry, they're two kids from Boston
00:37:54Yes, the children of a friend of mine
00:37:56Tomorrow evening
00:37:58Perfect, till tomorrow night then
00:38:02No, I'll come there
00:38:04Right, bye
00:38:06Try and leave us and I'll bump you up
00:38:09Stop that, moron
00:38:13But Peter, it was only a joke
00:38:16I don't tolerate jokes with guns
00:38:17And I don't tolerate brutality
00:38:21You prefer she'd shot you, you idiot
00:38:22How dare you speak to me like that
00:38:25And you keep your voice down
00:38:26All of Brooklyn comes out in you
00:38:28Brooklyn
00:38:40I don't want you two to quarrel because of me
00:38:51I don't want you two to quarrel because of me
00:39:05Oh, it's not because of you
00:39:07It's because of me, come on, let's drop it
00:39:09Oh, that's too easy
00:39:11Is that what you did as a little boy?
00:39:13Always
00:39:13But he means it when he says he's sorry
00:39:16Well, there's nothing really to be sorry about anyway
00:39:20Oh, stop it, Peter
00:39:23Good night
00:39:35Good loving
00:39:37Perhaps, dear Catherine, worry comes from caring
00:39:49That's very sweet of you, Brian
00:39:52But there's really no need to worry
00:39:54I feel much better now
00:39:56You know, these two youngsters have been marvelous for me
00:39:59They've given me a new perspective on life, on youth
00:40:04That's so
00:40:06To be young requires the company of the young
00:40:08Excuse me, I didn't mean to sound like such an old man
00:40:11Oh, that's not true
00:40:12But I must tell you frankly, Brian
00:40:15I have no intention of getting married again
00:40:18I'm not asking you to marry me
00:40:21No, but you were about to when I stopped you
00:40:24Anyway, you'll always be closest person to me
00:40:28I'll never let you go
00:40:30I have always felt the same way about you
00:40:33What's that?
00:40:36Oh, it's just something for the digestion
00:40:38I've had a problem with my liver lately
00:40:41That's why I would like to go home early if possible
00:40:58You're a child
00:41:01I don't know
00:41:01Oh, you're a child
00:41:02You're a child
00:41:03Oh, that's why I went for it
00:41:03How a child
00:41:04¿Quéür da quindi harina
00:41:04Yeah?
00:41:04I love you
00:41:05A tuve da privilegio
00:41:06Iã‚·arga
00:41:07Au reira
00:41:20Hala
00:41:21Nine
00:41:22Welcome back, you tramp.
00:41:52Oh, no, no, no, no, no.
00:42:22No, no, no, no, no, no, no, no, no.
00:42:40Can you talk, Signora West?
00:42:43Can you say anything?
00:42:45What happened?
00:42:48Are you all right, Signora West?
00:42:51Do you feel any better?
00:42:53This is Teresa.
00:42:56Please, say something.
00:42:58Do you want me to make you a cup of hot tea?
00:43:04Ah, good.
00:43:06Here, drink.
00:43:13Can you say anything?
00:43:15You may have a concussion.
00:43:20I just tripped, Teresa.
00:43:30It's nothing. I'll be all right.
00:43:35Go back to bed. We'll look after her.
00:43:38Come on.
00:43:39We didn't lie to you before.
00:43:51My father and Ava's father were good friends.
00:43:54Our mothers, too.
00:43:55To the point that they divorced and married each other.
00:43:58So we grew up together.
00:44:00School together. Vacations together.
00:44:02Bed together.
00:44:03Ever since we were children.
00:44:05It's disgusting.
00:44:07You've deceived me so.
00:44:10You've helped us yourself.
00:44:13Why?
00:44:14Are you jealous of something?
00:44:17I'm the one who should be.
00:44:19But jealousy does not exist.
00:44:21Especially in the particular situation we're in.
00:44:24Why did you come here, Ava?
00:44:30I wanted to see who was stealing Peter from me.
00:44:34And when I saw you, I realized he was right.
00:44:39And you made me fall in love, too.
00:44:43I made you fall in love.
00:44:45There are all kinds of love.
00:44:49And all sorts of pleasures.
00:44:51When you came, we were thinking about you as if you were here with us.
00:44:55I was here with you.
00:45:15I love you.
00:45:45I love you.
00:46:15I love you.
00:46:17I love you.
00:46:19I love you.
00:46:20I love you.
00:46:21Just some sleep.
00:46:22I love you.
00:46:52I love you.
00:46:53I love you.
00:46:54I love you.
00:46:55I love you.
00:46:56Tell me, Catherine, before making up your mind, did you like it?
00:47:06I love you.
00:47:07I love you.
00:47:08I love you.
00:47:14¶¶
00:47:44Hey, turn it up!
00:47:46It can.
00:47:59No! No! No! No! No! No! No! No! No! No! No! No! No!
00:48:08No! No! No! No! No!
00:48:10Ready because I'm the one
00:48:13And I'll be there
00:48:15Turn your set...
00:48:17So, to the third question
00:48:28What do you think of yourself?
00:48:31Well, what do I think of myself?
00:48:35When I think of myself, I wanna vomit
00:48:41But I'm happy because I realize it
00:48:45You see, you two don't realize how nauseating you are
00:48:51There, I've told the truth
00:48:54Oh!
00:49:00That makes us both more nauseating
00:49:05Why did you do that?
00:49:07Get out of the way! Let's drink
00:49:09Come on, it's all over, Catherine
00:49:12It's only a game
00:49:13Yes, a game
00:49:15Game of truth
00:49:16And I told the truth
00:49:18You won't screw me anymore with your drugs
00:49:22You slimy little bastards
00:49:24You won't have my neck
00:49:26Go find somebody else for your degenerate games
00:49:30And get out of my house
00:49:32I never wanna see you again
00:49:34You filth
00:49:36I loathe you!
00:50:06Martino, do you hear me?
00:50:09Take this away!
00:50:21Don't forget
00:50:22Open the gate at 5 sharp
00:50:24But before and after that
00:50:26Don't open it for anyone
00:50:31Uh...5 o'clock?
00:50:335
00:50:34Very...
00:50:36What's the meaning of this?
00:51:06Leave at once
00:51:27All right
00:51:28How much do you want?
00:51:29She asks how much we want
00:51:31How much does she think she's worth?
00:51:33I knew it was blackmail
00:51:35I haven't got time to lose
00:51:37I'm expecting guests
00:51:38Say what you want and get out!
00:51:40We don't want your money
00:51:41We don't want your money
00:51:42We want you
00:51:43We want you
00:51:53It was certainly fortunate for Catherine that when Teresa suddenly walked out on her, she discovered you too
00:51:59No doubt it's very peaceful in this desert
00:52:01Desert
00:52:02Desert?
00:52:03Miss West?
00:52:04What do you mean?
00:52:06This is an earthly paradise
00:52:07I'm majoring in botany
00:52:10I've never seen any places rich in fungi of all kinds
00:52:13Oh really?
00:52:14What are your interests seeing you in it, Annemann?
00:52:16Well...
00:52:17Music
00:52:18Photography too
00:52:19But actually I'm sort of, um...
00:52:21Well, an old fashioned girl
00:52:23And I think I am too young to take a serious interest in anything
00:52:27I feel much pleasure
00:52:29Whenever I hear such words from the younger generation
00:52:32No, no, not at all, young lady
00:52:33Continue on with those principles
00:52:34And you'll wind up like us
00:52:36Taking care of alcoholics
00:52:37Without ever having had the pleasure of getting drunk
00:52:42Are you feeling better, dear?
00:52:43Oh, much better, thank you
00:52:45In fact, I jotted down the notes you asked for
00:52:48What papers?
00:52:49About the oil company
00:52:50If you start losing your memory, Brian
00:52:52I'll be forced to hire another attorney
00:52:54Oh, yes, I forgot, I'm sorry
00:53:10Good, then it's possible to proceed
00:53:12Now these are the details concerning the sale of the villa
00:53:16Now, your approval is necessary to complete the matter
00:53:20Please, sign here
00:53:21We expect to see you in London, Cathy
00:53:23Bye
00:53:24Bye
00:53:25See you in Michigan
00:53:26Maybe in the springtime
00:53:28And also, I'm very grateful for the concern
00:53:30You've shown for Catherine
00:53:31For us, it's a pleasure, Mr. Sanders
00:53:33Catherine is so sweet and unhappy
00:53:35I'll telephone tomorrow from the airport
00:53:37Don't forget
00:53:38Please call
00:53:39Hmm
00:53:40Ciao
00:53:41Come back alone as soon as you can
00:53:54I'm in danger
00:54:01Shut the gate
00:54:02Here, give this to her
00:54:03Magnificent!
00:54:04It would even give a kick to the rotting Mr. West
00:54:05Hmm
00:54:06You'd give all your stinking millions to have a taste of this
00:54:09Wouldn't you, Catherine?
00:54:10We don't want them
00:54:11We like you
00:54:12Sweet and agreeable as you were long, long ago
00:54:15That's all over now
00:54:16And I don't feel like drinking
00:54:17You're a liar, Mrs. West
00:54:18You do feel like it
00:54:19Except you're also afraid
00:54:20This is the most exciting moment of your life
00:54:22Why don't you surprise me and ask to have a drink?
00:54:23Stop it
00:54:24What do you promise me if I let you drink?
00:54:25What do you promise me if I let you drink?
00:54:26What do you promise me if I let you drink?
00:54:56Stop it
00:54:58Stop it
00:54:59You hear that?
00:55:00She wants to stop before we've even started
00:55:07Hello?
00:55:08Brian!
00:55:09Hello, Brian, can you hear me now?
00:55:13Oh, no, no, no, please
00:55:15Please
00:55:19Oh, no, no, no, don't hang up, Brian, stay on the line
00:55:26What?
00:55:32Hello, Brian?
00:55:35Oh, the letter
00:55:36Oh, it's nothing important
00:55:38I just wanted to hear about the dividends
00:55:43Oh, well, it was nothing important
00:55:45I just wanted to know about the dividends
00:55:49Yes, I'm fine, bye
00:55:56Oh, no, turn it down, please
00:55:59Having a little trouble, huh?
00:56:00Come on
00:56:01Go to bed
00:56:02Go on to bed
00:56:03Don't worry
00:56:04We want to be alone
00:56:06Come on
00:56:07Move it
00:56:09And I'll be there
00:56:11Turn your sadness in
00:56:18Girl, I'll promise you who won us
00:56:21Time to hold so anytime
00:56:25You need some love
00:56:28Just tell me
00:56:55No
00:56:56Wait, I want to sacrifice
00:56:57The way we have a place
00:56:59And we can't take care of each other
00:57:01Who can take care of each other
00:57:03And we can't even put
00:57:05For everyone
00:57:07In another room
00:57:09The way we have a place
00:57:11Deer
00:57:12For everyone
00:57:13Or too
00:57:14In another room
00:57:15We'll be there
00:57:16Let me know
00:57:17We'll be there
00:57:18We'll be there
00:57:20In another room
00:57:21We'll be there
00:57:22We'll be there
00:57:23Let's go.
00:57:53Stop it! Stop it! Let me out of here!
00:58:02Stop it! Let me out of here!
00:58:04I'm one.
00:58:06I'll be there.
00:58:08Turn your sadness.
00:58:10Stop it! Let me out!
00:58:12Let me out of here!
00:58:14Tell me, baby.
00:58:16Come on, tell me.
00:58:18Why don't you come tell me, baby?
00:58:22Come on, tell me.
00:58:25Oh, no! No! No!
00:58:29Tell me.
00:58:31No!
00:58:33Tell me, baby.
00:58:35Come on, tell me.
00:58:37Come on, tell me.
00:58:38Come on, tell me, baby.
00:58:40Come on, tell me.
00:58:42Come on, tell me, baby.
00:58:44Come on, tell me, baby.
00:58:46Come on, tell me.
00:58:48What's happening?
00:58:50He shut itself in!
00:58:52Catherine, what have you done?
00:58:54What have you done? What are you doing?
00:58:56I want to leave.
00:58:57I want to get out of here.
00:58:58Where are the keys?
00:58:59You're sick, Catherine.
00:59:00Come on.
00:59:01Let's go home.
00:59:02Come with me.
00:59:03I don't want to.
00:59:04I want the keys.
00:59:05Where are the keys to my car?
00:59:06I'll give you the keys.
00:59:07Come with me.
00:59:08They weren't there before.
00:59:10You're suffering from hallucinations, Catherine.
00:59:12You can't go away.
00:59:14Not in this state.
00:59:15Come on, be good.
00:59:17I don't want to make my car.
00:59:19I want the keys to my car.
00:59:20I'll give you the keys.
00:59:21I'll give you the keys.
00:59:22I'll give you the keys.
00:59:24Come with me.
00:59:24They weren't there before.
00:59:29You're suffering from hallucinations, Catherine.
00:59:31You can't go away.
00:59:32Not in this state.
00:59:34Come on, be good.
00:59:40Peter, Peter, look, by God, he might fall.
01:00:00Please, Peter, go get him, please.
01:00:02Where?
01:00:03Up there, up there.
01:00:06Oh, the same old story.
01:00:08I'll try from up above.
01:00:09Wait.
01:00:10Where are you going?
01:00:16No, wait.
01:00:18Wait.
01:00:19Stop.
01:00:20Stop.
01:00:50Wait a moment.
01:01:04Oh, thanks.
01:01:06Is it yours?
01:01:06Yes, she's been missing since this morning.
01:01:09I'm living down the way.
01:01:14Where are you going?
01:01:15Go back to bed.
01:01:16No, let me buy.
01:01:18No!
01:01:19No!
01:01:20Let me buy!
01:01:21No!
01:01:22Let me buy!
01:01:23No!
01:01:24No!
01:01:25You!
01:01:26Bill!
01:01:27Damn you!
01:01:28You!
01:01:29Stop it!
01:01:30No!
01:01:31Bitch!
01:01:32Damn you!
01:01:33Me!
01:01:34Stop it!
01:01:38Stop it!
01:01:39I'm leaving now.
01:01:40See you later.
01:01:41Thanks again.
01:01:46Who's that?
01:01:47Oh, the senor.
01:01:48Listen to me first by here.
01:01:50We talk a little.
01:01:51Here.
01:01:52Go on to town and get some cigarettes.
01:01:53Go on.
01:01:54Oh, no.
01:01:55Don't beat me.
01:01:56No.
01:01:57Oh, no.
01:01:58Don't beat me.
01:01:59No.
01:02:00Oh, no.
01:02:01Oh, no.
01:02:02Oh, no.
01:02:03Don't beat me.
01:02:04No.
01:02:05Oh, no.
01:02:06Oh, no.
01:02:07No.
01:02:08No, please.
01:02:09Oh, please.
01:02:10Oh, no.
01:02:11Oh, no.
01:02:12Oh, no.
01:02:13Oh, no.
01:02:14Oh, no.
01:02:15Oh, no.
01:02:16Oh, no.
01:02:17Oh, no.
01:02:18Oh, no.
01:02:19Oh, no.
01:02:20Oh, please.
01:02:21Oh, please.
01:02:22Oh, no.
01:02:23Oh, no.
01:02:24Oh, no.
01:02:25Oh, no.
01:02:26Oh, no.
01:02:27Oh, no.
01:02:28Oh.
01:02:29Oh.
01:02:30Oh.
01:02:31Oh, my God.
01:03:01Martino!
01:03:07No, don't go away!
01:03:09Don't leave me!
01:03:11Martino!
01:03:14Wait!
01:03:16Martino!
01:03:19Don't go away!
01:03:21Don't leave me!
01:03:24Martino!
01:03:27Gratio, gratio, senora.
01:03:29Thank you very much.
01:03:34Bye.
01:03:45Martino, Martino, Martino...
01:03:48There's not a drop left in the house.
01:04:06Have you forgotten all our wonderful evening?
01:04:18Where's the telephone?
01:04:19We're against technological progress, and we don't want to be disturbed.
01:04:26Oh, put the telephone back at once.
01:04:29I want to order some whiskey.
01:04:31Eva's gone in to lay in a supply, but if you're really thirsty, I'll see what I can do.
01:04:36And I warn you, there's a padlock on the gate.
01:04:44Here we are!
01:05:02But if you want a drink, you've got to be nice.
01:05:04No, no, don't come any closer.
01:05:07Well, I was just trying to be nice.
01:05:10The fact is that we really don't have any more fun with you because you're a poor, demented drunk!
01:05:17What
01:05:30Does anyone give you some joy?
01:05:32For me, you go!
01:05:35Walk the inside!
01:05:36What are your España trying for?
01:05:39What do you want me to buying with you?
01:05:41while changing your dog!
01:06:13Hey, bring me a glass now.
01:06:32Uh, yes.
01:06:43Actually, you're a pretty nice girl.
01:06:55Get up.
01:06:59Stand up.
01:07:00Give me the keys to the gate and the keys to the car.
01:07:11Don't do anything silly, Catherine.
01:07:20Stop there.
01:07:23Throw me the keys and then lock yourself inside.
01:07:26Don't do anything.
01:07:56Don't do anything.
01:07:57Don't do anything.
01:08:01Come on.
01:08:03Come on.
01:08:05Come on.
01:08:13Oh, my God.
01:08:43Oh, my God.
01:09:13Damn the day I ever got the idea of using red dye.
01:09:22You can thank me for having thought of putting in those blanks.
01:09:26How is she?
01:09:28She's just waking up.
01:09:30The sedative was weak.
01:09:33Be careful, huh?
01:09:35This isn't the moment.
01:09:37Don't worry.
01:09:38It's pure science.
01:09:43Hello?
01:09:58Yes?
01:09:59West residence.
01:10:01Ah, good evening, Mr. Sanders.
01:10:03She's gone to Rome with my sister.
01:10:06She's gone to do some shopping.
01:10:07I see.
01:10:13Well, I hope she'll be back by that time, okay?
01:10:17Be seeing you soon.
01:10:18I'm sorry, darling, but I had to stop you from saying anything funny.
01:10:27You've done too many funny things already.
01:10:31Now, Mr. Sanders is on his way, and you've got to get rid of him.
01:10:36Brian's coming here?
01:10:37Quite right.
01:10:41You have to behave, and if you say one thing, we spill the beans.
01:10:45But no.
01:10:47Our little Cathy will be perfect.
01:10:49Now, get up and get yourself into shape.
01:10:52God save you if you let yourself be seen in this condition.
01:10:55No, later.
01:10:56Now, you've got to get up and get dressed.
01:11:02Now, you've got to get up and get dressed.
01:11:26I'm terribly sorry, but I absolutely must be in New York tomorrow morning.
01:11:45I don't know what to say, Mr. Sanders.
01:11:47Every time they go to Rome, they get lost in the shops,
01:11:50go to the movies, stop buying some restaurant.
01:11:52Quite frankly, I'm pretty fed up with trying to keep up with those live wires.
01:11:56Maybe it's better that way.
01:12:00Catherine needs a little distraction.
01:12:02How is she now?
01:12:03Well, I don't know really what to say.
01:12:05Sometimes she seems perfectly well.
01:12:07And then she gets sudden fits of depression.
01:12:11Forgive me, Mr. Sanders.
01:12:12Perhaps I shouldn't, uh...
01:12:13No, no.
01:12:13Tell me the truth, I beg you.
01:12:15Well, when she gets sad, she drinks a lot.
01:12:18And when she drinks a lot, she says she wants to die.
01:12:22Then, uh...
01:12:22Then she takes, uh...
01:12:26Sleeping pills, and she sleeps for 24 hours a day.
01:12:31Yes, we really must convince her to take a cure.
01:12:34I'm very worried, and I'd be very grateful, Mr. Donovan,
01:12:37if you'd always keep me informed.
01:12:39In any case, I'll be back in a week at the most.
01:12:41What about the power of attorney?
01:12:49And tell Catherine to sign this and dispatch it immediately to the office of Carlini,
01:12:53who's my correspondent in Rome.
01:12:55And should Signora West have need of clarification,
01:12:58this is my number to telephone.
01:12:59Mr. Donovan, you've been of considerable help.
01:13:03Now, what Catherine wanted to know is what the total dividends come to.
01:13:06Tell her these papers concern 120 million from the Italian branch.
01:13:11I see.
01:13:11120 million.
01:13:13What was that?
01:13:19Ah, the cat's up to his old trick of trying to steal a bottle of milk.
01:13:25Oh, well, tell Catherine, uh, Mrs. West, to call me.
01:13:28Goodbye.
01:13:29Goodbye, gentlemen.
01:13:30See you, Mr. Sanders.
01:13:31Keep your millions, you filthy rich.
01:13:52Telegramma.
01:13:58Too bad you're so crazy.
01:14:00You're so beautiful.
01:14:02I could have loved you and made you happy.
01:14:06All the fault of whiskey.
01:14:10Would you like to make love one last time?
01:14:19Only you and me.
01:14:30Oh, my God.
01:14:34Oh, my God.
01:14:37Oh, my God.
01:14:38Let's go.
01:14:57Catherine, your dinner is ready.
01:15:08Help! Help!
01:15:16Let me out!
01:15:17I'm going mad!
01:15:19I'm going mad!
01:15:3420 pills.
01:15:35It'll be a painless suicide.
01:15:38I think it does not.
01:16:00Dr. Tim.
01:16:03It is our sad duty to inform you of the death of your legal representative, Brian Sanders.
01:16:33Oh, no. In a plane crash, returning home office. Oh, God. Oh, God, no.
01:16:46This is it. Let's wait at least ten minutes.
01:17:09Okay.
01:17:11Let's wait.
01:17:15Let's wait.
01:17:17Let's wait.
01:17:21Let's wait.
01:17:23Let's wait.
01:17:27Let's wait.
01:17:29Let's wait.
01:17:31Let's wait.
01:17:35Let's wait.
01:17:39Let's wait.
01:17:49Let's wait.
01:17:51Let's wait.
01:17:53Let's wait.
01:17:55Let's wait.
01:18:05Let's wait.
01:18:07Let's wait.
01:18:09Let's wait.
01:18:21Let's wait.
01:18:23Let's wait.
01:18:27I don't know.
01:18:57I don't know.
01:19:27I don't know.
01:19:57I don't know.
01:20:27Bye-bye, Catherine.
01:20:42The party's over.
01:20:52Woo-hoo!
01:20:53Come on.
01:20:54Uncle Brian, lend us the car.
01:20:56Absolutely.
01:20:56I'm going to get into the water.
01:20:57I'll explode.
01:20:58The beautiful day for swimming.
01:20:59Brian, see you, darling.
01:21:01Ciao.
01:21:01See you later.
01:21:03See you later.
01:21:03See you later.
01:21:33We're running out of gas.
01:21:37What do you care?
01:21:38We got 3,000 oil wells out in Texas.
01:21:41We can double the price of oil and be less traffic on the road.
01:21:44Listen to this.
01:21:49Listen to this.
01:21:51Catherine saved it, too.
01:21:52Any time.
01:21:55You feel a lot like this.
01:21:58Don't worry.
01:22:01Go, cause I won.
01:22:05I'll be there.
01:22:07Turn your sadness into fun.
01:22:10The stage was set the night we met
01:22:21For fate had planned it so
01:22:25And just one look was all