مدي 1 تي في : مع سفيان مكيكي - 17/04/2025
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NewsTranscript
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03:42They are a stand-up, a person in the Kaza, a person in the Suratan and a person in the car.
03:47A person in the car.
03:49Yes.
03:50Did you give us your address or your address?
03:52I don't want to be able to do anything.
03:55I don't want to be able to do anything.
03:57I want to be happy with you.
03:59Do you know what you mean?
04:01Do you know a stand-up that you have a background with a collective or a group of people?
04:08Where did you come from?
04:12I started in 2017.
04:16When I was talking about the stand-upers,
04:20I said that I had to become a stand-uper.
04:24I wanted to make a stand-uper.
04:28There was an internet, a TV, a theater,
04:32so that we could become a stand-uper.
04:36I brought the stand-upers to a stand-uper,
04:40so it gave you the stand-upers to a stand-uper.
04:42You were able to write, train you,
04:44and you used to train yourself.
04:46You're praying.
04:48Do you know what you've seen from the first person
04:50and how did you start you?
04:54In the first time,
04:56you were very cognizant of the stand-upers.
04:58It's tough.
05:00Does the stand-upers have 100%.
05:02I wasn't in the audience,
05:04I'll tell you, you need to be ready to come back and start your game.
05:08I heard you from 2007 when I was in the E.S.D.
05:12I didn't know you were in the E.S.D.
05:14I didn't know you were in the E.S.D., but I didn't know you were in the E.S.D.
05:16and I told you that I'd like to send you an invite.
05:17I'm not sure if you're going to play a sketch.
05:20I didn't understand that I was in the E.S.D.
05:22I saw a lot of people who got me in the E.S.D.
05:24I saw a lot of people who got me in the E.S.D.
05:26I told you that I'd like to send you an invite.
05:29I was in a group that I came to the E.S.D.
05:31I graduated and I asked her.
05:33I told you, okay, where are you?
05:36After that, there was a problem in the stand-up,
05:40it was the visibility.
05:42You know a lot of people who can see you a lot,
05:44so that they can cut out a piece of paper,
05:46and you can't do that.
05:48If you want to see the public,
05:51I told you,
05:52I'm going to post it on Instagram,
05:54and I'm going to make a video.
05:57But when I'm going to make a video,
05:59I'm going to make a video,
06:01so I'm going to make a video.
06:02Oh, that's right.
06:03Where did you go?
06:04In the Kaza?
06:05In the Kaza, the University of Hassan II.
06:07In the Kaza, the Japanese-Tai to the Dramatik.
06:09Okay.
06:10So let's call him,
06:12It's the same.
06:13Well, I'll come to a video.
06:15I'm going to share a video with you.
06:17This is a video,
06:18I'm going to share a video with you.
06:19Okay,
06:20Did you have a video?
06:21Yes, it was a video.
06:23I was going to show you video.
06:25I was going to show you video.
06:27You can show you video.
06:29You can show you video?
06:30The film that I can't be.
06:31I'm not sure how this is.
06:35There are a lot of people who are in the world around here.
06:38The guy said that he was a creature.
06:41But I really thought...
06:42Do you want to be a real believer in what you are doing?
06:45Of course.
06:45It's true, there are a lot of people who want to play in the world.
06:49It's possible that someone can play the game yet when you're in the world.
06:54You can't do that.
06:55But to continue and to continue,
06:57After that, I can check my Instagram account so that you can find a stand-up and set up.
07:02Then I can get a good idea.
07:03If you're a Soushian, I read the book, I'm going to enter the book, and I work well in the book, so that you can find a stand-up.
07:13Wow!
07:13What do you mean?
07:14This is something different.
07:16Wow!
07:17We're going to have a different job.
07:19We're going to have a job.
07:20We're going to have a job for the show.
07:21We're going to have a job for the show today.
07:23This is a love story.
07:30We worked here.
07:32Yes, we did.
07:33We were in the mountains.
07:35We were playing a game of the city of Idrissey.
07:40What is your name?
07:42We were playing a game of the city of Idrissey.
07:45We were playing a game of the city of Idrissey.
07:50We were struggling a game of the city of Idrissey.
07:55We went back to an education for the big bridge for the city of Idrissey.
08:02Some individuals were playing big influences.
08:06They were being such a good fighter.
08:09We started playing fun, and then we started playing a game.
08:14Umper from 2 to 3B with the director and our director
08:16In the first project, we will have a lot of sequences with a lot of artists.
08:24We can't do that, but the ones who will come from the conservatory, or to the FACC, or to the FACC,
08:34will be able to come with a different way.
08:36Because you can accompany you with a different way.
08:38No, you can't do that.
08:40You can't do that.
08:41You can't do that.
08:43You can't do that.
08:45No, but you can't do that.
08:46We can't do that.
08:47We can't do more.
08:48Yes, you can't do that.
08:49We can't do that.
08:50We can't do that.
08:52We can't do that.
08:53You can't do that.
08:54We always say what we can do.
08:55We're going to engage in the first role of the cna.
08:57And the first thing about the role of the CEO,
08:59is this unique role that has her role as a protagonist?
09:02Yes, you agree.
09:03We call it a very good pin Thiel and creating Facility.
09:07Is it going to run you in career in the career,
09:10where do you know who street-up deployings?
09:12Now it's a good idea, but it's a good idea, not a good idea.
09:17It's a good idea, it's a clean idea.
09:21So it's good, it's good. I don't know how much it is.
09:26Good, it's good to work and work.
09:30It's good.
09:32How did you choose the material?
09:36Is it in the stand-up?
09:38There is a lot of style, but if you go to storytelling, you need to be able to get your own story on your head.
09:50It's not a problem, but you can be able to get your own story on your head.
09:58You can be able to get your own story on your head, but you can be able to get your own story on your head.
10:14You can be able to get your own story on your head and get your own story on your head.
10:32You can be able to get your own story on your head or your head.
10:37Can you say, Sufiya, have you some extra courses in your own experience?
10:43It's important that you play in the world if you play in the future.
10:45Remember the people who played it, that's the big part.
10:49There's no other experiences in fluent, but it's not a risk.
10:53There's always enough opportunities that you play in the world.
10:57It's not a risk.
10:59There's a risk in something that you play in the world.
11:01It's a risk in a person who's dead.
11:03It's not a risk in an ability to get lost,
11:05and should be cut to the position of the team
11:09as well as possible.
11:10In the next episode, I said you would not get drunk
11:12and you didn't get the team if you could
11:15or you could get a stroke.
11:16And if you could go on that note,
11:18you shouldn't get to the team
11:20so everyone could get a stroke
11:21or if you could do a little repeating
11:22or if you could try it out.
11:24So the point line is a good job.
11:25Here is the standard
11:26so that you can get to the point
11:28and the point right now
11:29is you can get the talent
11:31and get the skills of your opponent.
11:33You can play a sketch, depending on the audience.
11:38And if you're a young person, you can play a lot.
11:42You can play in the classroom, in the schools, in the dorms, in the dorms and in the evening.
11:50So if you're a classer, a classer, a classer, a classer, a classer,
11:56you can play a lot of things like a classer that wants to go out and go out and get out of the room.
12:07I'm going to say, as a classer, a classer, a classer,
12:15a classer, a classer, a classer,
12:18a classer, a classer, a classer,
12:21you can play a lot of things like me.
12:26In my career as a classer,
12:28you can play that's the same classer.
12:31You can play a lot of things like that.
12:33You can play a ductwork sometimes,
12:37you can play some techniques that use letters,
12:40and people will get some detention might as well
12:43without any distance,
12:46It's not easy to adapt.
12:48It's easy to adapt, but to the same way
12:50Like this, it's easy to adapt to the stage.
12:52But if you can't play a game, you can play a game.
12:54If you don't play a game, you can play a game in the second place.
12:58You have a lot of material that can adapt to the stage.
13:02How do you play like this?
13:06How do you play like this?
13:08I think it's very easy to adapt.
13:12It's absurd or storytelling.
13:15It's a different way of playing.
13:17It's a different way of playing.
13:19It's a different way of playing the spectacles.
13:23The spectacles can be in a style.
13:25So, we can have a story telling.
13:27One story, one timeline, two or three.
13:29It's a style.
13:31The way we can create a stand-up.
13:33In terms of the stand-up,
13:35it's a way to get the actuality.
13:37It's not the way we can get some stories.
13:39We can get a story telling.
13:41We can get a story telling.
13:43Every day, the actuality of the company is going to work with the sector or the sector, and the notification.
13:55Do you see any news?
13:57Yes, of course.
13:59The inspiration of the company is going to help you.
14:02If you don't see anything in your everyday life, you don't have to do much work with the company.
14:08So, if you're able to enter the support,
14:11We can see how we can get out of the news.
14:16We can see how we can get out of the news.
14:18We can see how we can get out of the news.
14:20Did you know how we can get out of the news?
14:23Yes, but I adapted the news in the 1930s.
14:30When I was talking about the news,
14:33I said that the people who are connected to the marriage
14:37She saw this in the early days of the Podcast.
14:41Where did you hear the news from Brazil?
14:44So, this is the one who heard the news from Brazil.
14:49That's the one who went through this event.
14:52Great, excellent.
14:54Among the news we have been telling him about the news,
14:56what has they been telling you about the news?
14:58How has that news about the news?
15:02I have a lot of news about the news.
15:04After that, what are you going to do in the story?
15:07God is not allowed.
15:08Because everyone is different.
15:11Of course, we are different.
15:13But in the story, we have a lot of different ways.
15:16We know what we are going to do in the story.
15:20For example, Queen Elizabeth, who died.
15:24The whole story is amazing.
15:26You understand?
15:27You can find a story about Reap Eliza.
15:30How do you know this story?
15:32If you look at the Queen of United Kingdom, Reap Eliza.
15:35In the story, we can have a lot of different ways.
15:37If you look at Landers, it's not a big part of it.
15:40It's not a big part of it.
15:42We don't have a lot of money.
15:44Have you seen?
15:45The story is a lot.
15:47They call it a lot of people.
15:49They call it a lot of money for the nation.
15:51The whole world has gone through the wall.
15:53They call it a lot of money.
15:55And they call it a lot of money.
15:57They call it a lot of money.
15:59They call it a lot of money.
16:01,
16:04.
16:07.
16:09.
16:10.
16:13.
16:15.
16:19.
16:21.
16:24.
16:29I think there are some of the things that we can do to get into.
16:33We can't do that when we talk about the story of the U.S.
16:35But we can't do anything else.
16:37We can't do anything else.
16:39I said that I was ready, and that's what I was ready.
16:43We'll take the word now, and now we'll take the word.
16:45The name of the clip from Omar and Raja B.M.
16:50And this is the first part of the clip.
16:59And that's how I had to say everything, you can say it
17:03And let me give you my head, let me live in my love
17:08And I'll give you my love in the Arabic way
17:12And let me give you my love, my love, my life
17:18I'll give you my soul, I'll get your eyes
17:23I'll give you my love, my love
17:27Oh
17:41Oh
17:57The clip of Omar and Reza Abdelmeer
18:27Juj Dill Milyon مشاهدات في الضرف 30
18:29فقط وهي نميرو 1 ديل تندنس
18:31يوتيوب موزيك المغرب
18:33الكلمات تكتبو من طرف
18:35عمر إلياس أما الإخراج
18:36كين لي كين غويسون
18:38أنا رجوع دابع نضيف حلقة تليوم
18:40اللي هو سوفيان سوفيان في غيغي
18:42بود نسألك على الإمبروفزازيون
18:44كتايا كين عندها
18:46لتكنيك
18:47مشي دي تكنيك
18:49مي في السبكتاكت ديالك في السكتش ديالك
18:51كينو حالا بارتي دروري تكون فيها
18:53ليرتجير
18:53بيانسور هذي قدر نقول لك من أهم
18:56اللي بارتي ديالك
18:58اللي بارتي ديالك في الباساج ديالك
19:00حيث تدخل عندك الجمهة
19:02صافي كي يولفك
19:03فاشكي يولفك كي حسب حالا صاحبهم
19:05كتتسهال قادية شوية
19:06داروري للزنبخو
19:07ولكي ممكن لك
19:09زي ما تتخذ
19:10إمبروفزيلا
19:11ما كان لديك باقاج
19:13و أغلبية للزنبخو
19:15ما هي كي كي كونو مكتوبين
19:17ما هي كي كونو
19:18كتكون عندك لاماتيار
19:19ما هي تترافقين
19:21الخطاقة مع هذا
19:22كنت بها
19:24شخص خصوص
19:26ما هو الكامل
19:28أنا لديك كشي
19:30نستطيع قواتل
19:32نستطيع مرأة
19:33كم عارضة
19:34استطيع أن نفصل
19:36الناس
19:37ما هي
19:40Is it a problem for the actress in order to be involved in the sketch?
19:47Does he have a scene of the art of art?
19:52I am very very surprised, I don't have a park typically,
19:57but in the West there is no space.
20:00It's the main point and the actress in the comedy club.
20:06The stand-up started from the comedy club in America, in the 60s.
20:10It was a comedy club that would test the event to be able to play.
20:16It could not be able to play in the last few weeks.
20:20This is the problem that we had in the U.S. in the U.S. in the U.S.
20:23After performance of the U.S. in the U.S.
20:25So, when you start to play in the rhythm, you need to play a lot.
20:28And you don't have to play with your friends?
20:30No.
20:31What's your fault?
20:32What's your fault?
20:33What's your fault?
20:34What's your fault?
20:35No, I don't care.
20:36My fault is that you're nothing to play.
20:38You have to play with the play, and you're playing a lot.
20:39That's wasn't a problem.
20:40So, what do you make?
20:41I go to the restaurant with the restaurant,
20:44which is a restaurant with the restaurant.
20:46A restaurant that's been in the restaurant,
20:47that's a town a lot.
20:48So, I propose to that to make a comedy club,
20:52and to have time to play a game.
20:53Actually, you can we can do the performances of Instagram and that's the restaurant,
20:58and to contact the restaurant.
20:59And to the restaurant,
21:00you can try to make some movie clubs with the restaurant,
21:01so that this one is located in the restaurant,
21:03I'm a fan of the show.
21:05I'm a fan of the show.
21:07I'm a fan of the show.
21:09I'm a fan of the show.
21:11I'm a fan of the show.
21:13So the best of the sketch.
21:15I'll show you the stand up.
21:17Yes.
21:19I'm a fan of the show.
21:21What are you doing?
21:23You can see the stand up comedy show.
21:25Yes.
21:27It's a spectacle.
21:29It's a spectacle.
21:31It's a comedy club.
21:33For me,
21:35the level of comedy in the country
21:39is to consider
21:41what a comedy club is in the country.
21:43If we go to France,
21:47we can see a card in one or three of the comedy clubs.
21:49Yes.
21:51So the comedy club is good.
21:53It's a comedy club.
21:55Yes.
21:57It's a comedy club.
21:59The comedy club is a comedy club.
22:01It's a comedy club.
22:03It's a comedy club.
22:05Yes.
22:07The comedy club is really good.
22:09We play a comedy club.
22:11Is better at a comedy club?
22:13Yes.
22:15If you want to be a comedy club in a car, you can have a new idea.
22:21Yes, people don't know stand-up, but they don't know what they're going to do.
22:27Yes, they know what they're going to do with stand-up.
22:29First of all, in Kaza?
22:30Kaza or Bat.
22:32Okay.
22:33Then we can play with the concept of this.
22:36It's called Nomad Comedy Club.
22:38Nomad is...
22:39It's a good idea.
22:40Yes, every time they play in a place.
22:42They play in one, two or three.
22:44In Kaza, Mrakash, Tanja.
22:47They play in the same way as we put the program all the time in Instagram.
22:53So, if you want to use a brand new product, you can use a stand-up.
22:59They can use stand-up.
23:01They can use stand-up.
23:02They can use stand-up.
23:03They can use stand-up.
23:05They can use stand-up.
23:06They can use the money.
23:07It's a good idea.
23:08In 2017, they had two or three.
23:10After they had a stand-up.
23:11It's a good idea.
23:12I know I was going to use a brand new product.
23:13And if there was a brand new product, I was going to use a brand new product.
23:18I didn't write this out.
23:19Why are the reward?
23:20The reward was not to win the job.
23:21I'm not going to pay the reward.
23:22I'm not going to pay for the reward.
23:23The goal is to win the salesman.
23:24I was a founder of Comedy Club, but I was a fan of the stand-upers who were playing every Monday, every Monday, every Monday, every Monday, every Monday.
23:40And the stand-upers could be able to show their performances and post them.
23:44I was a fan of the show, but I was a fan of the show.
24:00I was a fan of the stand-upers, and I was a fan of the golfers.
24:06I was a fan of the surfers.
24:10Can you give me a show?
24:11Yes, it was really important.
24:15Then after I missed my performance, I didn't remember the sport.
24:20You sure did.
24:22Yes, it was not the sport, but I left two activities in the show.
24:27I didn't remember that it was a fan of the show.
24:31You were a fan of the stand-upers, and in the middle of the night and in the middle of the night, you didn't have to go out to the gym.
24:36Can you call me your last word?
24:38Thank you very much for your invitation.
24:42I am very interested in talking about what you're doing.
24:47If someone has a event or something,
24:50you can use the best of and you can go to the court.
24:52You can support your invitation.
24:54I am very interested in supporting the invitation.
24:58There are also a way to support your community.
25:00You can not give an invitation.
25:01Let me give your invitation to the people who can get in the pub.
25:04You are a great pleasure.
25:06I'm very happy to see you in the comedy club.
25:09We can see you in Instagram.
25:11Nomad comedy club.
25:12You can see you in the stand up.
25:16Thank you for your support.
25:18We have reached the next video.
25:20We have reached the next video.
25:21We have reached the next video.
25:23We will see you in the next video.
25:36We'll see you in the next video.
25:38We'll see you in the next video.
25:40We'll see you in the next video.