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Short filmTranscript
00:00Mom, it's 9 o'clock.
00:03How late is it?
00:05Mom, it's 9 o'clock.
00:07How late is it?
00:11Mom, it's 9.30 o'clock.
00:13Let's go to the bus.
00:15Mom, it's 9.30 o'clock.
00:30Mom, it's 9.30 o'clock.
00:40Sorry.
00:42Sorry.
00:49You promised me, Mom. I don't want you to get cancer.
00:53Where do you know what cancer is?
00:56Internet.
00:58No.
01:19Where's the key?
01:20It's stuck, Mom.
01:22Shit.
01:23Mom!
01:25Sorry.
01:38Wait!
01:44Oh, Luca. What am I supposed to do without you?
01:47You can do it, Mom. You'll get me back in two weeks.
01:50Promise?
01:52Of course.
01:53Here, my boy.
01:55Come here.
01:56Here's a hat.
01:57Thank you very much.
01:59You're welcome.
02:01Luca.
02:04Where are you going, Luca?
02:06To my dad in Paris.
02:07He wants to take me down to the Côte d'Azur.
02:11Oh, Luca.
02:12You're going to the Côte d'Azur.
02:14To the Côte d'Azur.
02:16Exactly.
02:17Do you know what that means?
02:18No.
02:19The azure blue coast.
02:21Wow.
02:22Exactly.
02:23Let's go.
02:24Azure blue is a very, very strong blue, isn't it, Mom?
02:27That's exactly right.
02:31Luca.
02:32Yes?
02:33Don't forget. You promised me you'd take me to the Côte d'Azur.
02:35I promise.
02:37I love you.
02:38I love you, too.
02:39Say hi to Daddy for me.
02:41I will.
02:43And don't smoke, or it'll start raining.
02:46You promised.
02:50That sounds really exciting.
02:52So Julius Pass is a blind painter who paints portraits of people in oil without seeing them?
02:57That's right.
02:58He paints portraits using his touch sense and feels the facial muscles of the people with his hands.
03:03What's all this?
03:04Touch?
03:05Yes, and today is the big day.
03:09Have a nice day.
03:38Excuse me, Felix.
03:40I'm too late, way too late.
03:41I'm sorry. Can you park for me?
03:43You have an alarm on, don't you?
03:44Please.
03:45The key is stuck.
03:46I'll be late if I don't come.
03:47The police will throw you out.
03:48Please.
03:49Please.
03:55A wonderful good day.
03:57This is Hotel Miramare Berlin.
03:58My name is Ostrowski.
03:59What can I do for you?
04:07A wonderful good day.
04:15Of course, Mr. Rubenstein.
04:19What can I do for you?
04:20Ladies and gentlemen, we have a delivery for room 227.
04:23Has anyone seen Antonia?
04:24No.
04:27In Room Dining, my name is Zilinski.
04:29What can I do for you?
04:30English breakfast for room 406.
04:34Zuse, have you seen Antonia?
04:36No.
04:3735 minutes, I'm late. Where is she?
04:43Have you seen Antonia today?
04:45No.
04:49Every day the same bird.
04:58And that's exactly the reason why only homosexuals should work in a well-run hotel.
05:03I can't have children or use them as an excuse
05:06to find myself like a bum in the shit.
05:09Marcel, I...
05:10No, Antonia, it's enough.
05:12After so many monologues I gave you about unfulfillable longing for your own child,
05:17you should know that I can't accept this nonsense.
05:20I can't. I just can't.
05:23Well, you're a single mother.
05:25Well, you work in this hotel.
05:27And now what?
05:29That doesn't prevent you from getting up on time,
05:32bringing your son to the bus on time and showing up on time.
05:36No.
05:38No.
05:57Man, Toni.
06:01If I could have what you have,
06:05I would work even longer and get up even earlier.
06:10I know, Marcel.
06:12That's why I feel so...
06:14Yes, yes.
06:15I know. That's why you feel so sorry.
06:18I know, I know.
06:20And now, for the last time, I fulfill my task as a caring homosexual in a well-run hotel
06:26and say,
06:28fuck off.
06:31You're so great.
06:33And you're unemployed if this happens again, Antonia.
06:36This is the very last time.
06:43And now you still make a face like it's been raining for seven days.
06:47Because of me you can't give me a cloudburst again,
06:50when all the dust washes off the road.
06:52Yes, yes, exactly.
06:53And now slip out of your most miserable everyday clothes
06:57and put on your fairy dress.
07:00Asshole.
07:02Now go.
07:22Hey, Tonia.
07:26Hello, Julia.
07:29What are you looking at?
07:31Nothing, everything's fine. I'm just sweating.
07:34That's all.
07:36You're sweating?
07:38Yes.
07:42What are you talking about?
07:45What's the matter?
07:47What is it?
07:52Antonia, come here.
07:54No.
07:56You have to go.
08:01What happened?
08:07Well, I'm sweating.
08:09If what comes out of your eyes is supposed to be sweat,
08:12I've never seen anyone sweat.
08:14I'm so sure it's monthly blood pressure.
08:16It's not sweat.
08:18It's you.
08:20You're smiling.
08:25Oh, Martina, what happened?
08:28I hate myself for it.
08:31It's all so ridiculous.
08:34He's...
08:36I knew it. He's such a man.
08:38No, no.
08:42It's not about a man.
08:44The only man...
08:47He's not a man.
08:49He's my son.
08:50Luca?
08:52Yes, Luca.
08:55Luca.
08:57He's on holiday in France with his dad.
09:06So you're taking part in this nonsense?
09:09Yes, I'm sorry.
09:13Yes, good day, Mr. Director.
09:15This is Ostrovsky from the reception.
09:17Really?
09:18Yes.
09:20I was scared shitless.
09:22I mean, he's seven years old.
09:24He's such an independent little man.
09:26He's really very independent.
09:29You know,
09:31for the first time in so long
09:34I just realize that
09:37I have...
09:48What?
09:51Since Luca's father...
09:55Since Luca's father?
09:58You're laughing at me.
10:00I'm not laughing at you, I'm telling you.
10:04I haven't had
10:08any love in seven years.
10:11I don't believe it.
10:13Seven years?
10:16Really?
10:17Yes.
10:18But Toni, you have to say something.
10:20You can come up with something.
10:22You're sweet.
10:24What are you going to do?
10:26Dates.
10:30I don't have time for that.
10:32Time for that?
10:33I don't hear you.
10:34You have to think about yourself.
10:38From now on, you start with that.
10:40With what?
10:42Easiness.
10:43Just take things easy.
10:45Take some risks.
10:48Now you can go to bed.
10:50Maybe you'll think of something.
10:53No.
10:54I don't want to think of anything.
10:56There are other men.
10:58There really are.
11:00I've seen them.
11:03The men...
11:05They're not interested in me.
11:08A woman with a child
11:10leaves every man blind.
11:14Antonia, a beautiful person
11:16can't create anything.
11:18If Luca only looks like you,
11:20he's just a boy.
11:22I don't want that.
11:24Easiness, Antonia.
11:27Easiness.
11:40I'm going to take a shower.
11:42I'm going to the club.
11:45Bye, Antonia.
11:47It's so nice in here.
11:50It's cooler than inside.
11:58Let's go.
12:01Eat this.
12:05Mrs. Marien, can you think about what this is about?
12:09Mr. Zielinski told us
12:11that he told you this morning
12:13to refill the multifunction towels.
12:16Is that right?
12:17Yes, Mr. Director.
12:19And when you looked in the warehouse,
12:21no one was there anymore?
12:23Right.
12:25I asked you to call there.
12:27Mr. Zielinski,
12:28let Mrs. Marien continue.
12:30And stop looking so conspiratorial.
12:32Mr. Director, it's...
12:33Let Mrs. Marien speak.
12:36Then I called our supplier
12:38because we need the multifunction towels
12:40for the daily room service.
12:42And...
12:43And no one answered the phone?
12:47Mrs. Marien, your efforts are commendable,
12:49and in the spirit of our house.
12:51However, the implementation is not acceptable.
12:53That's a reason for dismissal.
12:54I know.
12:55I'm really, really sorry.
12:57How long have you been working for this hotel?
12:59Since the opening.
13:00Five years.
13:02So that in these five years
13:03there will be many more
13:05and we don't have to close next year,
13:07we expect maximum performance from each other.
13:10Why is that?
13:12Because the guest expects the most from us.
13:18If you go through half the city the next time
13:20to cover the need for the multifunction towels,
13:25then take your time
13:27and go straight to the service entrance
13:29and don't park your car at the main entrance
13:31and don't prevent Mr. ...
13:32Mr. Jediga.
13:33And don't prevent Mr. Jediga
13:35from receiving the guests of our house.
13:37Yes, Mr. Director.
13:39Good.
13:40It remains a verbal warning.
13:43If Mr. Zielinski didn't have such a high opinion of you,
13:45then you could immediately
13:46in one of these terrible hostels ...
13:48Hostels.
13:49Hostels,
13:50which are everywhere in this city.
13:52Eight-bed rooms.
13:53You have to imagine that.
13:54What kind of people are they?
13:55Eight beds.
13:56Terrible.
13:57Yes.
14:00Good.
14:02That's it.
14:03Mr. Zielinski, have a nice day.
14:05I'm glad we were able to clarify that.
14:06Me too, Mr. Director.
14:08Mrs. Marin.
14:09Mr. Director.
14:10Mr. Richter.
14:11Ostrovsky.
14:12Oh, sorry.
14:13Mr. Director.
14:14Mr. Jediga.
14:19And you better get out of here right away.
14:21You're a pain in the ass.
14:22This will have consequences.
14:24For your small, tight ass, definitely.
14:26If we meet at two in the evening,
14:27under the shower.
14:38I'm sorry, Toni.
14:40I'm sorry, Felix.
14:42It's all my fault.
14:43Sorry.
14:51Well, sweetheart.
14:53It's all good again.
14:58Cigarettes?
15:00I don't smoke anymore.
15:02That's good news.
15:05Let's start.
15:06You're stuck on the board.
15:23Let's go, Peggy.
15:29And don't smoke,
15:30or it'll start raining.
15:33Let Mrs. Marin continue her story.
15:36And stop looking at me like that.
15:47Lightness, Antonia.
15:49Lightness.
16:13Yes, Marcel?
16:21Room service.
16:32I don't care.
16:33You can't just sit here and do nothing.
16:35All this misunderstanding is just a part of it.
16:48You give me a solution,
16:50and you solve my problem right here and now.
16:55I'll give you another five minutes.
16:57And if you don't answer by then,
16:59I'll kill you.
17:30Housekeeping?
17:51Hello?
17:59Hello?
18:29Shh.
18:59I love you.
19:06Fuck.
19:17I'm innocent.
19:29Hello?
19:33Hello?
19:37Hello?
19:38Yes?
19:42One moment.
19:46No, I'm already in front of the driving school.
19:48I just pressed the driving school button.
19:53Yes.
19:54That's understandable.
19:55I'm afraid, Anna.
19:58No, it's okay.
19:59It's okay.
20:01Yes, of course, I'm happy.
20:04Yes, it's my day.
20:05Yes, of course.
20:08I'm just wondering how you get all the intellectuals from the ZDF TV Garden into your gallery.
20:15Hot socks.
20:19I'll take a cab.
20:23I'm in the driving school now.
20:25I'm just...
20:26Hello?
20:28Hello?
20:56Hello?
21:15I'm in the driving school now.
21:25I'm in the driving school now.
21:35Excuse me, please.
21:38Allow me to tell you that you're all shit.
21:43Julius.
21:45You can't say that.
21:47No, no, no, no, no.
21:50Yes, you know that now.
21:52It's an honor for me, a great joy on this day,
21:56because it's my time to disappear into you.
22:00Julius!
22:05But I want to find my relatives.
22:14Oh, it's so hot here. I could use some fresh air.
22:17You too?
22:18Yes, yes, yes, yes, yes, yes.
22:22Yes, champagne is everything, champagne is everything.
22:27And?
22:30How do you like it here?
22:32Oh, I'm very happy.
22:34Oh, the pictures, they have a power.
22:37And that, even though he's blind.
22:43No.
22:45Because he's blind.
22:47Madness, incredible.
22:51Fuck.
23:21Fuck.
23:51Fuck.
24:21Fuck.
24:51Fuck.
25:21Fuck.
25:51Fuck.
25:53Fuck.
27:21Fuck.