Mujeres Al Borde #FashionPolice, donde expertos analizan los aciertos y desaciertos de la alfombra roja de Premios Soberano 2025.
El comunicador y crítico de moda Francisco Sanchis (@fsanchisr), la diseñadora y crítica de moda Anny Abate (@annyabate); y la fashionista e influencer Letty Rivera (@lettyrivera), son los responsables de ofrecer sus criterios y opiniones.
El comunicador y crítico de moda Francisco Sanchis (@fsanchisr), la diseñadora y crítica de moda Anny Abate (@annyabate); y la fashionista e influencer Letty Rivera (@lettyrivera), son los responsables de ofrecer sus criterios y opiniones.
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NewsTranscript
00:00How are you?
00:11Fashion Police moda soberana 2025.
00:16Claro.
00:17La reina de la alfombra.
00:18No, no, no, no.
00:20Hasta ese punto no.
00:22¿Qué vieron este año que no vieron el año pasado en premio soberano?
00:26There were some details that had to be located.
00:30You don't have a wall, you have a mirror so you can see.
00:33Remove the shine from the shadows. Why do you have to put shine on it?
00:36Using the textures that are really in trend.
00:40They took it from you, Nero.
00:42But look.
00:43The true queen of the carpet.
00:45And it was.
00:56Hello, dear people.
01:03Thank you for joining us for more than a decade.
01:06In our special, so much awaited, our Fashion Police
01:09of the fashion of Soberano Awards.
01:12This year, Soberano Awards 2025.
01:16And with us, a fashion critic, fashionista, socialite,
01:20and of course, a friend of the house, Francisco Sanchis.
01:26Very happy to be here again.
01:28The master.
01:29Let's see how everything flows and how everything comes out.
01:32Here we have a long-time designer, master of masters.
01:36A woman who teaches wonderful fashion classes
01:39and everything that has to do with this world in Chabon.
01:42But also, for me, one of the most severe and punctual
01:46criticisms of Dominican fashion.
01:50Ania Bate.
01:53I'm happy to be with you one more year.
01:55These beautiful people.
01:58She is an influencer, socialite, fashionista, influencer,
02:02but a very dear friend with Pueblana de la Vega.
02:05A beautiful woman with very good taste,
02:08but also very down-to-earth.
02:10Leti Rivera.
02:13And now, gentlemen, let's talk.
02:16Let's do a preamble first.
02:18What did you see this year that you didn't see last year
02:21at Soberano Awards?
02:22We raise the bar.
02:23Francisco.
02:25I think the production this year was more international.
02:31It had a connotation of a prize,
02:34one of those that one is used to seeing in large international chains.
02:38Notice that the time was shortened,
02:40both the carpet and the show itself,
02:44because being broadcast by Univision,
02:48you know that they come and get involved
02:51and they understand that you can do a good show, for example,
02:54in three hours.
02:56Many people found it to be very fast.
02:58The transitions, it is true that they were quite fast
03:01to achieve that everything could be done in three hours,
03:05but I liked it a lot because both the one who was at home
03:10and the one who was in the room,
03:12it was kept to expectations and with high adrenaline.
03:18I really liked it.
03:19I agree with you.
03:20Ania Abate, your opinion.
03:22Well, yes, I understand that it filled my expectations in general.
03:28I think we were able to see a greater development
03:34in terms of the production of the wardrobe in general.
03:38They were more punctual where there was risk
03:43and I applaud that.
03:47And I understand that, yes, we evolved.
03:49Without the hand, of course.
03:50We raised the bar.
03:51Yes, yes, of course.
03:52Leti.
03:53Did we talk about the red carpet or the show?
03:55We talked about both things to start with
03:57and then we went straight to the carpet.
03:59Okay.
04:00The show was, the set design was beautiful.
04:03In terms of the stage, I found that the sound, I don't know,
04:07the sound didn't feel so,
04:09it didn't feel, when Rubi Pérez sang the merengue he sang
04:13and Miriam Cruz, I love those merengues,
04:15it didn't feel like those merengues really are.
04:18I think something happened, I don't know,
04:20but everything was much more beautiful.
04:22The red carpet improved.
04:24It even improved the logistics of the carpet.
04:28People were still talking,
04:30as if they were in a room in their house,
04:32talking about the red carpet, but it improved.
04:36But I think, for example, the carpet,
04:38that they reduced the time this year,
04:41I think it wasn't the right thing to do.
04:44Because first of all, it's what attracts the audience.
04:49Second, it's the stage where the designers have the opportunity
04:54to show what they're doing,
04:57because not everyone has the resources to do a fashion show.
05:00Third, there's a generation of figures
05:02that this is the space to show themselves.
05:05And I think you can't reduce it to an hour.
05:09I mean, start earlier,
05:11but you have to leave those two hours,
05:13because in the end, we always stay with that good flavor.
05:17I agree with what Leti says.
05:19I think that the logistics and the team
05:21that worked on the carpet this year,
05:23not the conductors,
05:24but those who had to do with the movement,
05:26those producers,
05:28were very good because they were very agile.
05:31It happened to me that when I arrived,
05:33I found that everything was so clean
05:36and that there were no people who intimidated me.
05:38So I passed quickly.
05:40Look, before we pass, Ingrid,
05:43let's congratulate from the beginning.
05:46From César Suárez Jr. to Guillermo Cordero,
05:49to Alberto Sayas, to Jean Carlos Vera,
05:54and everyone who was involved.
05:56Because I believe that if that production team
05:59and those technicians had not been all in tune,
06:03that award would not have come out.
06:05That is, it does not come out,
06:06nor do the conductors shine,
06:08nor do the awards come out with that majesty.
06:11And that must be highlighted.
06:13Definitely.
06:14I also feel that we have evolved.
06:16I was there watching it live,
06:17which is different from when you see it on television.
06:19You too.
06:20And I felt that I was watching the best show,
06:22for me, of the sovereigns of the past years.
06:24On television, Ingrid,
06:26the carpet felt a little boring.
06:29That does not mean that it was bad.
06:32It just did not have the dynamism of previous years.
06:35That's true.
06:36But nothing, they did their job.
06:39What Francisco said, that they reduced the time.
06:42On the contrary, they increased the time for the red carpet,
06:45because that's what people have been waiting for.
06:47That's what many friends told me,
06:49that seeing the red carpet,
06:50they saw many comments from the show,
06:52but why not leave a window down,
06:55as they do in I.O., as they do in ours,
06:57so as not to see fashion.
06:59Because there are people who really want to see fashion there,
07:01and you know, hey, Ingrid,
07:03we have criticized those editorial photos,
07:08because later what we see on the carpet is not the same.
07:11But that's why we see that every year
07:14people publish more photographs before the carpet,
07:18because in the end you do not have the opportunity to see them there,
07:21and at least people take those images
07:24and then they can publish them.
07:26And I also wanted to add to that,
07:30also what Leti says,
07:32that we are talking about the carpet,
07:34that, listen to me,
07:36I, in relation to the conduct,
07:40we have always criticized those who are there,
07:42but it is that if they do not have the time,
07:44they cannot do the job.
07:45Totally.
07:46The only thing I also have to say is
07:49that in the case, for example, of Reading,
07:52I understand that Reading cannot do so many things.
07:55That's a point to talk about.
07:57Excellent, let's talk about it,
07:59because Reading was in charge of an important conduct,
08:02in fact, it was the most important,
08:04because it was the only fashion expert there,
08:06but Reading was in charge of everything that was the wardrobe
08:09and the styling of a honey, the protagonist,
08:11among other presenters of the same carpet.
08:14And of Edith Herrera.
08:16And of Edith Herrera, that is, the two protagonists.
08:18No, it should not be, because they want,
08:21that is, they commit so much
08:23that in the end they do not enjoy what they are going to do,
08:25nor do they get it out of the person as they have to get it out.
08:29And with some stylists it happened.
08:31Correct. Let's talk about the protagonists of this event,
08:34and I think we could start with whoever you want,
08:37whether they are carpet presenters
08:39or the protagonists of Edith Herrera.
08:41Look, there are two.
08:42Who should we talk about?
08:43Of course, the queen of the carpet.
08:45No.
08:46No.
08:47No, no, no, no, no.
08:49Not to that point.
08:50No, but ...
08:51I was particularly surprised and I liked it.
08:53Why?
08:54Because I first had no expectations.
08:56I come in 2025 without creating any expectations
08:59in relation to anything so that I can be surprised
09:02or so that I can leave, as the song says.
09:05So, for example, in her case,
09:10if I compare her appearances in recent years
09:14with what I saw in the carpet,
09:16I understand that she looked better this year.
09:19But I do not fail to recognize that she was too flashy
09:24for the work that she was going to do.
09:26She did not look comfortable.
09:28And there was a confectionery problem,
09:30which Annie can talk about,
09:31where there were some techniques and some cuts
09:38and one thing that they did not understand
09:39and they did not fit.
09:41Annie, regarding Karen Japor's dress,
09:44the first one she used on the carpet,
09:47I loved her volumes.
09:49I loved the intention.
09:51However, the corsetry was not finished.
09:55I think she lacked time for that job,
09:59so that it was a quality job.
10:01What am I talking about?
10:02Leti.
10:03I did not want to have to comment on that,
10:06but we are here to do it.
10:10Karen Japor's dress, I did not understand it.
10:16I did not understand it much.
10:18I understood that the fabric of the skirt was beautiful,
10:22but I did not understand
10:23because the fashions, the designs,
10:25must go in accordance with the figure of the person.
10:28Also.
10:29So, you know that she is in Algona.
10:32You know her body.
10:34The voluminous back.
10:35I would not have highlighted her back
10:40in the design of the first dress she wore.
10:43I do not remember the second dress,
10:45so I do not think so.
10:46Leti has an important point.
10:50When designers do something so conceptual and thematic,
10:55they have to explain to the mortals
10:59why they are getting inspired by that.
11:01For example, Gaby de Sangle's look.
11:03We knew it was fatal.
11:06And she gave it everywhere.
11:08From hair, dress, attitude.
11:11So, it's like that.
11:12Really, really, really.
11:14Gaby de Sangle, I loved your dress.
11:18Everything.
11:19I loved everything about you.
11:21When I saw you in photos,
11:22I did not appreciate it as much as when I saw you.
11:25It was the same for me.
11:26I was fascinated.
11:28I was fascinated.
11:29It's true.
11:30Gaby de Sangle seemed very interesting to me
11:32and surpassed last year with growth.
11:35Everything was excellent.
11:36Her theme, her design, her style,
11:40and how she projected it.
11:42I want us to talk about Barbara Plaza.
11:45They were the guys from Santiago.
11:47Tell me the brand.
11:48C42 Studio.
11:49Yes.
11:50Christopher.
11:51It was in a denim.
11:53A lot of people have criticized that
11:55that a fabric like that is not taken for the gala.
11:58But that's where the risk is.
12:01I love it.
12:02It was perfectly well done.
12:05It's a novel proposal.
12:08And that's where I want to see the designer.
12:10The case, for example, of the daughter of Dylenia Taktouk,
12:13who was the protagonist of Matilda,
12:16or not, or Dylenia's family.
12:19Many people have criticized her for the look.
12:22I see that Ania is inspired by her.
12:24I love it.
12:25She's like a boy.
12:27But that had a concept.
12:29Because, as you saw, Matilda,
12:31but as a gala.
12:34So, yes, we understand.
12:36But don't make a dress that's going to break,
12:38that's going to be the queen.
12:40The problem was the expectation.
12:42Expectations, when they are created so high,
12:44generally never go with what people were expecting.
12:48So, I think you don't have to create so many expectations
12:51for you to look better.
12:54I think.
12:55The style, hair, makeup.
12:57I didn't like the hair.
12:58The hair wasn't good.
12:59That didn't work.
13:00That hair wasn't good.
13:01That hair wasn't good.
13:03When it was changed,
13:05it arrived because it seemed like it didn't have time.
13:07She put on a dress.
13:08That girl came sweating.
13:10Literally sweating.
13:11She wanted to take a stress that wasn't necessary.
13:14That things are to enjoy in life.
13:16After the break,
13:17we return with the red carpet of Soberano Awards.
13:38Let's talk about the star of the night.
13:40There were a lot of expectations
13:42because she had more than 12 changes last year.
13:45And now, more or less, she did it too.
13:48Speaking of the great star of Soberano.
13:51Honey.
13:53Well, I have mixed feelings.
13:57I understand that they wanted to take away
14:01a little bit of the image from last year.
14:04We relied a lot on the clothes,
14:06on how it looked,
14:07and they forgot a little bit about the conduction.
14:09Although we always talk about the conduction.
14:11And they wanted to make it a little more organic,
14:13to connect better with the people.
14:15I liked their texts,
14:17because they were more precise and concise.
14:19But in terms of the clothes,
14:21they also wanted it not to attract so much attention.
14:23I really liked the looks.
14:25What I never understood,
14:27and it's hard for me to work,
14:29is the wigs.
14:31The wigs.
14:33Because that was wig,
14:35that wasn't her hair.
14:37It was noticeable.
14:39And how beautiful Honey is.
14:41You see her natural,
14:43without all that,
14:45and she's a little doll.
14:47So, because of the makeup,
14:49and the different types of hairstyle,
14:53let's call it wig, whatever,
14:55they didn't highlight her beauty.
14:57My problem, basically,
14:59was with the wigs.
15:01When I saw her, I said,
15:03what happened here?
15:05Ok, about Honey's looks,
15:07which ones did they get right,
15:09and which ones didn't?
15:11Or which ones caught their attention?
15:13I really liked Hipólito Peña's.
15:15It was the skirt,
15:17and then he took it off.
15:19That was you?
15:21He put on the jacket,
15:23the first dress, the red one,
15:25the nude one she put on.
15:27This one?
15:29No, no, the dress.
15:31There was a black one.
15:33Look at that one.
15:35I liked that one.
15:37That dress is beautiful.
15:39But I don't really like
15:41everything she put on.
15:43And the truth is,
15:45as you say, Honey is a star.
15:47She has such a beautiful charisma,
15:49such a beautiful light,
15:51that I really saw her with everything,
15:53and she got everything right.
15:55Did you see the blue one?
15:57The blue one is Janina's,
15:59and that one was Michelle Reynoso's.
16:01The gold one is Michelle Reynoso's.
16:03I liked the blue one too.
16:05I liked several.
16:07I didn't like the black one at all.
16:09It was like a cream,
16:11very white for her.
16:13I had a lot of expectations,
16:15because I said,
16:17not expectations,
16:19I visualized,
16:21she was embroidered,
16:23like with crystals.
16:25And when I saw her,
16:27I said, oh God,
16:29I can't even imagine it,
16:31because in that moment of beauty,
16:33it was necessary
16:35for her to put on like that.
16:37Now, listen to me,
16:39Eddie's, from the driving
16:41to his clothes,
16:43I thought it was beautiful.
16:45Because I had a lot of expectations,
16:47because they were taking him
16:49to a shot as a communicator,
16:51an animator.
16:53And there were expectations.
16:55I listened to Guillermo Cordero,
16:57who directed almost everything
16:59that happened behind the scenes,
17:01which is the best,
17:03including the design of that
17:05New York-type building,
17:07which was a dream he had,
17:09and it was a success,
17:11until the dances, the choreography,
17:13and he spoke wonders
17:15of how Eddie committed
17:17because he is a galán of merengue.
17:19However, we all agree,
17:21you did it, Eddie.
17:23Supernatural.
17:25It was seen that he enjoyed his night,
17:27he did not look stressed at any time,
17:29fluid. I was fascinated.
17:31I liked all his clothes
17:33and how he dressed.
17:35Beautiful, the galán.
17:37Speaking of La Perversa,
17:39because one of the favorite shows,
17:41even of what we are not urban,
17:43like Francisco and I,
17:45La Perversa, Chimbala,
17:47and the famous...
17:49La Miel.
17:51La Miel, which was very nice.
17:53La Perversa arrived with this suit,
17:55spectacular,
17:57which is from...
17:59Well, it does not say who it is from,
18:01but it is from Sar Sasha, the stylist.
18:03Well, we do not know.
18:05And then we saw it on stage,
18:07with a lot of shine, spectacular.
18:09What did you think of La Perversa?
18:11Listen to me, I think they are
18:13in that search,
18:15because it gives me...
18:17I have heard that
18:19the goal is to turn her
18:21into a Dominican urban artist
18:23of more transcendence.
18:25There is a team behind her,
18:27and you realize that her
18:29communication and her language
18:31and her behavior have changed a lot.
18:33So, from the carpet,
18:35they wanted to launch her with that image,
18:37very classic,
18:39very elegant,
18:41but also a little shocking
18:43and aggressive,
18:45with all the elements.
18:49And all that kind of thing.
18:51Then, because now we are going to
18:53continue talking about this,
18:55she changed to be in the theater,
18:57and they dressed her in silver
18:59with a hood.
19:01Shine, shine, shine.
19:03Spectacular.
19:05I liked it.
19:07I love it.
19:09I think she was worked with intention,
19:11and the intention was projected
19:13in the right way,
19:15both in the show
19:17and in the carpet,
19:19which is a dress that not everyone
19:21is going to wear,
19:23and not everyone will find it
19:25to their liking,
19:27but it is appropriate for the character,
19:29it is appropriate for an artist.
19:31Not everyone can wear that.
19:33And the show she did on stage,
19:35she left us with our mouths open.
19:37Really.
19:39So, did the perverse achieve the spot
19:41that Jailene didn't get, the most viral?
19:43I don't think you have to compare.
19:45No.
19:47Because they didn't invite her.
19:49They didn't nominate her,
19:51and everyone, there was a dichotomy
19:53in the audience that followed both,
19:55saying that Jailene should have been there.
19:57I think we can't waste time talking about that.
19:59Besides, what opens the doors for you,
20:01and what makes people love you,
20:03is humility.
20:05There's nothing else to talk about.
20:07Let's talk about a mutual friend,
20:09a colleague who won,
20:11and who I really love a lot,
20:13Luz Matracana.
20:15Fascinating! Fascinating!
20:17I loved everything.
20:19I think she did
20:21a very good job.
20:23Cater, we have to congratulate her.
20:25I'm going to give my opinion.
20:27Of course.
20:29What happened to me?
20:31I think the jacket
20:33was a spectacular piece.
20:37Did you see it?
20:39No, you saw it alone, the jacket.
20:41Yes.
20:43It was spectacular.
20:45Because the idea was,
20:47what do I like about this wardrobe?
20:49Exactly.
20:51A versatile piece.
20:53Contemporary.
20:55Added.
20:57The materials they used.
20:59How they projected it.
21:01The urban part.
21:03The modern.
21:05It also had that gait,
21:07that tail, that tulle.
21:09I understand.
21:11It's not that I don't like it.
21:13But I prefer it separate.
21:15My personality is more about
21:17putting things aside.
21:19Sorry if it's separate.
21:21Of course.
21:23I have to praise you, Francisco,
21:25because you had to give her a prize
21:27when she was all black.
21:29And you were one of my favorite couples on stage.
21:31Who was Francisco?
21:33I was dressed as Rafael Silvero.
21:35I told her,
21:37I want to take a risk,
21:39to wear something modern.
21:41But that was without even knowing
21:43that she was my partner.
21:45Because when I rehearsed,
21:47I didn't get to rehearse with her
21:49because she was sick that day.
21:51And the day of the general rehearsal,
21:53when I arrived, she greeted me and said,
21:55my God, how happy I am
21:57because she showed me the dress
21:59and she told me,
22:01I'm going to take off my jacket.
22:03And I showed her mine and she said,
22:05listen, we wouldn't have agreed.
22:07I thought you had agreed.
22:09However, those who saw
22:11how she changed for the after party,
22:13I loved it.
22:15She took off her jacket, put on a belt,
22:17took off everything else.
22:19She had a jacket in minifal,
22:21we're going to look for it.
22:23Gentlemen, I loved the jacket for the after party.
22:25The truth is that for me,
22:27it gave three in one,
22:29which I had not seen before.
22:31But there I agree with what Lety says.
22:33I think things worked
22:35separately.
22:37Look how beautiful,
22:39there she is with a charitim,
22:41but it was like the jacket
22:43with a belt.
22:45Let's take a break.
22:47We are going to talk about two women
22:49who were spectacularly white.
22:51A great winner that I know
22:53from all over the country.
22:55Pamela Sweat and a Miss Top
22:57Celine Santos.
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