#ENVIVO José Luis Montilla, el narrador bicampeón con el Licey 27/03/2025
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00:00God bless you, God bless you, friends, Rafi de León with you.
00:07Thank you very much for joining us in this new edition of Espiritu Deportivo
00:14through all the platforms of Teleantillas and the website of this space.
00:20Espiritu Deportivo, Rafi de León accompanies you in this new edition with a very special guest.
00:28And when I use adjectives to describe them in this way,
00:33it is because he is really a human being who has won my heart.
00:38I say it as a joke, I share it and so on, but it is very serious.
00:43What I say about this great human being, great professional of communication,
00:48and when he started in these leaders, he always had good advice and still has it.
00:54And he is a man who has lit candles in different spaces,
00:58and he is also a man who at the time was using the operation padlock,
01:03but he tells me, Rafi, unfortunately the operation opened the padlock,
01:08but we are standing and with more faith every day.
01:12Monti, José Luis Montilla, my brother.
01:14How do you feel, Rafi? Happy to be with you.
01:17Amen, amen.
01:18Amen, amen.
01:19You know what?
01:20That introduction I had to your person is not just to praise you.
01:26It is a reality.
01:27I feel very grateful to God for having a person like you,
01:32a great professional who has been in the moments of processes
01:38and the moments in which God has allowed us to grow in this great environment of communication.
01:43But the protagonist is José Luis Montilla.
01:46The man Candela.
01:47When we talk about ...
01:48How is it? How is it? How is it?
01:49Candela!
01:52Gentlemen, that voice, who remembers that voice?
01:55With the tigers of the Liceo.
01:57You beat me.
01:59Well, let's say that we are tied.
02:01Because you know that I deserved Manillo too,
02:04but the most important thing of all is this brotherhood,
02:07this friendship that God has allowed us to have.
02:10But who is Montilla? José Luis Montilla.
02:13Let's talk so that the public knows about Montilla.
02:16José Luis Montilla, the young man who went up dreaming like every child,
02:24to be a football player at some point.
02:27Not everyone has the conditions.
02:30You know that being a high-performance athlete,
02:33in this case a baseball player for the NBA,
02:37maybe I would say of every 3,000 people one,
02:39that is not so easy either.
02:41I congratulate the one who has it and the one who manages to take advantage of it.
02:44But I was always clear,
02:46I was always very clear that baseball, sport, was my thing,
02:54even if it's not as an athlete.
02:55And I was very clear about that since I was a young man.
02:59I was not the young man who played so much with the other kids,
03:02because already at 8, 9, I listened to football with the adults.
03:06This boy among the big people.
03:09I also wanted to listen to baseball.
03:11I wanted to listen to Pedro.
03:13I wanted to listen to Greg Marks at that time,
03:16who was always my favorite player.
03:18The teacher.
03:19I wanted to listen to him narrate the hits of Sammy Sosa on the radio
03:23and all that kind of thing.
03:25He was not an ordinary child in that sense.
03:28Well, the story was given later,
03:31that you will approach it chronologically.
03:33And we got to the day today where one is a narrator.
03:36Yes, so tell me about your childhood, where you grew up, your parents.
03:41Look, my childhood was very changing,
03:44in geographical terms, where I grew up, where I was born.
03:50I was born in Santo Domingo.
03:52For family reasons, I had to go to Esperanza, Amao.
03:58Valverde.
03:59Yes.
04:00Yes, I had to go there.
04:02Esperanza.
04:03I had to go there.
04:04There I spoke with the I.
04:06Yes, because it hits fast.
04:08I didn't know it was that fast.
04:11I had to later make the crossing to Baní,
04:14also for family reasons.
04:16My grandparents, my mother's parents.
04:19My grandmother died.
04:22My grandfather with health problems.
04:24And there had to be a time in Baní.
04:26We are talking about 1993, 1994, 1995.
04:33There I was 10, 11 and 12 years old.
04:36A key age where you absorb many things
04:39and where you know yourself as a person, as a human being.
04:43And there I learned many things that would later serve me for adulthood.
04:48And it was basically that.
04:50Rural places, Esperanza, Baní.
04:53And then I went to the 13th kilometer of Jaina,
04:56where my direct love for baseball began in a new field.
05:02In the kilometers, as it is known.
05:04In the kilometers.
05:05So that means you had contact with players like Emilio Bonifacio,
05:09because he is from the kilometers.
05:11Yes.
05:12Look, I didn't have contact with Bonifacio for some reason.
05:17But then I found out he was from the 7th.
05:21And we coincided in an award.
05:23I said, but look, Bonifacio is from here, from the 7th.
05:25But those of my generation, those I did see close,
05:27Edison Volquez, who played with me.
05:29We are very friends.
05:31Kelvin Jiménez, Eddie Garavito.
05:34In the days of Adrian Beltréz, I had already signed him.
05:37But from there, from the area, Rafael Pérez, my friend too.
05:41And it was more or less the time where I developed myself
05:44in the school home, in the Mota League.
05:47And I feel very happy.
05:50It is a reason for satisfaction.
05:53It was a crucial moment.
05:55Because it was where one learned the black part of baseball.
06:02As I told you before, I was a restless boy.
06:05Always with a desire to learn.
06:07I did what, well, I always liked the differentiating factor.
06:11When I finished playing in the children's categories,
06:15I crossed over to where those who were going to sign were practicing.
06:19And I sat there.
06:23To listen to the advice they gave to the adults.
06:28For me too, to acquire knowledge.
06:31And I always, that always caught my attention,
06:34to listen and learn from things.
06:37And I have tried to take that to the broadcasts.
06:42Those technical topics, those topics of fundamentals,
06:46of techniques, whether it's batting, catching,
06:50because I was very close to that.
06:53And I, at that time, as a child, I said,
06:56this can serve me, if I'm not a player,
06:58at some point it will also serve me for something.
07:01And yes, it definitely serves me.
07:03You mentioned the black part of baseball.
07:06Describe that element to me, please.
07:09The black part of baseball is what the players know.
07:12We watch the games on television,
07:15but we don't necessarily know the coach's strategies,
07:21how a foundation is made for you to go out to steal, for example.
07:26The technical part, basically,
07:30maybe a mistake when batting,
07:33a pitching sequence in the case of the thrower,
07:38a technique for fielding.
07:42I was very good at fielding.
07:44I didn't bat, but fielding was one of the best in the area.
07:50Modesty aside, because there are things that are real,
07:54and that was real.
07:56And those topics, basically,
07:58not to be circumscribed to what you necessarily see on television.
08:02You have to bring people what they don't know.
08:04When José Luis Montilla begins to discover
08:07that he's not going to be a baseball player,
08:09but that he can be immersed in the sport,
08:11through communication.
08:13It was...
08:15Well, I discovered that I could be in communication
08:17before I discovered that I didn't play for a baseball team anymore.
08:20I insisted a lot.
08:22I played baseball until I was 20 years old.
08:25And when...
08:26But between 18, 19, and 20,
08:31at that point,
08:33I was already playing baseball.
08:36How can I explain it to you?
08:39I don't know if I can say it with sadness.
08:42It's like when someone has a terminal illness
08:45and they know they're going to die.
08:47With melancholy.
08:48I played baseball knowing that I was going to die.
08:51Wow.
08:52As an athlete, that I was going to die.
08:54And I tried until the end.
08:56I'm trying, but I know I'm going to die.
08:59But you have to make the last breath,
09:01the last effort,
09:02either by changing your position or whatever.
09:05And when you die as an athlete,
09:07well, it will be communication.
09:09I was already clear that it was sports communication
09:12if I didn't play baseball.
09:14Speaking of which, you mentioned that part
09:16that you were identifying that little by little
09:19you were dying in the process of
09:22reaching professionalism in baseball.
09:25But that is not achieved unilaterally.
09:30There are always people.
09:32Do you remember a relative or friend
09:34who told you,
09:35come on, you can do it, Monty.
09:37Yes, look, no one told me, you can't.
09:41But the human being has to have enough intelligence
09:46to know what your weakness is in life,
09:49not just in baseball.
09:51And between 18, 19, and 20,
09:54I already felt that there was weakness,
09:56especially with the batting part.
09:58But something very interesting happened to me
10:00in that period.
10:01I went to a program in the Maharishi,
10:03in the 7th, well, where Bonifacio is from.
10:06And there, when I arrived,
10:09I was generally center field,
10:11because fielding was excellent.
10:12There they told me, you are going to play third base.
10:15And my dedication was so much
10:17that defensively in third base,
10:19I was in one of my best moments,
10:22even counting childhood, defensively.
10:25And my bat looked, with a speed that I could,
10:29I took a second breath.
10:31I took a second breath.
10:33In addition to Don Miguel, in peace,
10:35was telling me,
10:36with you we are going to get something good in third base.
10:39There is food.
10:40Like he gave me back the desire again.
10:43But in the end I said,
10:44but I can't fool myself.
10:46I looked in the mirror,
10:47and I was a 5'8 guy
10:49that weighed 130 pounds.
10:51Wet.
10:52And I said, no, but Miguel is encouraging me.
10:54And I'm really seeing that I'm doing well in third base.
10:57The bat is improving.
11:00But I'm already 19 years old,
11:01and I look at myself in the mirror,
11:02and I look like a 12-year-old boy.
11:04Wow.
11:05No, it's not.
11:06This is not going anywhere.
11:09This has no future.
11:10I have to dedicate myself to college.
11:12And then, at 20 years old,
11:14I dedicated myself to going to college.
11:16So you make the transition from sports,
11:19from being in the field,
11:21to the booths.
11:22Well, being at the University in 2003,
11:25I met a young man named Hector Perez.
11:27They called him El Guaraguao.
11:29They affectionately call him that.
11:30He lives in Las Palmas.
11:31I have a lot that I don't see.
11:32I would like to know about him.
11:35And I approached him,
11:37and I said, look,
11:38I like the work you do,
11:39the blog that Pio Deportes.
11:41I always listen to it,
11:43and I always say to myself,
11:45but I do that.
11:47And I would like to go there,
11:48and I would like to do that.
11:51And I would like to go see how you work,
11:54with my second wife.
11:55To see how you work.
11:57I know that I could join later,
11:59if you gave me the chance.
12:00And he invited me on a Saturday.
12:02He started talking to me.
12:03I was surprised that on the first day,
12:05they gave me participation.
12:06But that's good.
12:07And then, Carlos Muñez,
12:10who was the coordinator,
12:11we are talking about 2004,
12:13in Plaza Lincoln,
12:14when Pio was in Plaza Lincoln.
12:15Come on Sundays,
12:18share a cabin with Orlando Mendez.
12:20Almost no one wanted that on Sundays.
12:22From two in the afternoon
12:23until eight at night.
12:24I said, no, I'll take it.
12:26And that's where José Luis Montilla was born.
12:30That you know today,
12:31José Luis Montilla,
12:33the intrepid,
12:34the one who takes risks,
12:35the one who makes noise,
12:36the one who raises his voice.
12:38That's where the style came from,
12:41along with Orlando.
12:42José Luis,
12:43you have a good puberty.
12:45Yes.
12:47You know, but...
12:48Did you prepare yourself for this,
12:50educationally,
12:51or did you learn?
12:53You learn,
12:55but my mom always made sure
12:58that we spoke well.
13:00She said, no,
13:01it's not like that,
13:02it's said like that.
13:04My mom was always emphatic about that,
13:06that we express ourselves well.
13:08Yes.
13:09But it affects me sometimes,
13:12sometimes I leave that aside,
13:14because I'm such an authentic person
13:17that sometimes I want to bring my,
13:19let's say,
13:21my daily life,
13:23also to television.
13:25And I know that on television
13:27you also have to have a good lexicon,
13:29not to speak unnecessarily,
13:30because since you don't speak on television,
13:32it's not necessarily like you speak at home.
13:34But sometimes I forget that,
13:36because of the exaggerated authenticity
13:38that I have sometimes.
13:39And well,
13:40maybe they tell me,
13:41hey, but you ate a lot of beans.
13:44I've worked on that.
13:45Speaking of that question
13:46that our good friend asked you,
13:48and who is part of this staff
13:49of Espiritu Deportivo,
13:51José Cruz,
13:52your family,
13:53how important has it been
13:55for your development
13:56within the world of communication?
13:58Yes, important.
14:00My dad is a communicator
14:02who never exercised it.
14:03My dad narrated games
14:05with postcards,
14:06with paper,
14:07with slides.
14:08My dad would grab it
14:09and put it in the new position
14:10and he would take it out
14:11and he had a slide
14:12that said there,
14:13out, strike, ball.
14:14And he would narrate with that.
14:15He would take out,
14:16strike, and one.
14:17With big league players,
14:18as if it were a fantasy.
14:20And he imitated Billy Berroa
14:23at that time.
14:24My dad gives me a lot of advice.
14:25My dad is very good
14:26in grammar
14:27and in terms of expressing himself well.
14:31My dad helps me
14:32and my family supports me
14:33in everything I do.
14:34For example,
14:35for my mom,
14:37who already uses these devices,
14:39her favorite program
14:41is where José Luis Montilla is.
14:42That is,
14:43at this moment,
14:44she is observing
14:45sportsmanship.
14:46It is probable.
14:47It is probable.
14:48And then,
14:49I don't know,
14:50the support of my family
14:51I have always had it
14:52in that sense.
14:53You mentioned your parents.
14:54Sportsmanship is characterized
14:55by treating the human body
14:57of athletes,
14:58of our guests,
14:59at the level of sport.
15:01If you had the opportunity
15:03to share a word
15:06with your mother
15:08and your father,
15:09which one would it be
15:10and why?
15:13Wow!
15:14You surprised me there.
15:17Just one word?
15:18One.
15:20Mommy.
15:21Love.
15:22And your father?
15:24My dad.
15:27Let's say,
15:29you can say rectitude.
15:31My dad.
15:32Love and rectitude.
15:34Although my dad
15:35is also very loving.
15:37But Montilla
15:38not only
15:40has those words
15:41to his parents,
15:42because also
15:44your children
15:45have been fundamental
15:47in your will
15:49to move forward.
15:51In their case,
15:52I will not leave it
15:53in a word,
15:54but a prayer.
15:56My children.
15:58The three of them.
16:01The engine
16:03for me
16:05to have the hunger
16:06to want more.
16:08It's them.
16:10Society moves fast.
16:13Life moves forward
16:15in an evolutionary way,
16:18at great speed.
16:20And I am sure
16:21that I am the engine
16:22for them to be well.
16:25The engine for me
16:26to want more
16:27are my children.
16:28You know that little by little
16:29we are describing
16:30in a brief way
16:32the life of José Luis Montilla,
16:34the professional,
16:35the human being.
16:37Forty-five, thirty minutes
16:38does not give us time
16:39to describe you
16:41in terms of
16:43your stage of life.
16:45But tell me
16:46about the greatest sacrifices
16:47you have made
16:49to stay in this
16:50communication business.
16:52And what have been
16:53your greatest joys?
16:56Sacrifices.
16:57Well, the sacrifices
16:58I would say,
17:00as many people have done,
17:02probably
17:04to hold on
17:07maybe somewhere
17:08where it is not so convenient.
17:11And I am going to explain
17:12in this sense
17:13because I have already said
17:14it in other interviews.
17:16In Pío Deportes,
17:17when we started,
17:19the members of the program
17:22encased us
17:24because it is a program
17:26that talked a lot
17:27about bets.
17:29And I think
17:30they talked a lot
17:31about bets.
17:33So, that encased us
17:35to not have
17:36other programs.
17:39I, knowing that,
17:41I sacrificed
17:43that part
17:45to be able to bring bread
17:46to my children,
17:47to my house,
17:48because Pío Santana
17:49is synonymous
17:50of stability.
17:51Don Pío Santana.
17:52Don Pío Santana
17:53is synonymous
17:54of stability.
17:55I take fifteen and thirty,
17:56that salary is there.
17:58I mean,
17:59medical insurance.
18:01Almost no one offers that
18:02in La Crónica.
18:04And I sacrificed.
18:05I sacrificed
18:06maybe to earn more
18:07and be in another place
18:08for stability
18:10in that sense,
18:11especially medical insurance
18:12because I already had children,
18:14I had children very early.
18:16And it can be said
18:17that it was the greatest sacrifice
18:19in that sense,
18:20although that perception
18:21was changing later.
18:22People were seeing
18:23that those of us
18:24in Pío Deportes
18:25were not crazy old,
18:26as I heard people say.
18:27It was not like that.
18:29And to show a vote,
18:30there are many people
18:31who were with me
18:32who are in other media
18:34who are standing out
18:35in that sense.
18:37And another part
18:38of the sacrifice,
18:39well, we had to walk
18:40many times
18:41from La Alíncol
18:42to Las Gómez
18:43at one in the morning.
18:44At one in the morning?
18:45At two and a half.
18:46Hey, José.
18:47I never had to walk
18:48to Villamella
18:49as Orlando
18:50and José Luis Mendoza
18:51did sometimes.
18:52From Tiradentes
18:53with twenty-seven?
18:54No, from La Alíncol,
18:55which was this
18:56Plaza Alíncol
18:57that Pío was in.
18:58To Villamella?
18:59Yes,
19:00but that's nothing.
19:01I spent my days
19:02in the block
19:03of Alíncol,
19:04Independencia,
19:05Gómez,
19:06twenty-seven,
19:07that block,
19:08the university area,
19:09Alíncol,
19:10walking.
19:11I also studied.
19:12I went to La Guada,
19:13I did my studies,
19:14I went up to Pío,
19:15to whatever,
19:16I went back and down,
19:17I took a course,
19:18I went and ate
19:19in the same area,
19:20in the same neighborhood,
19:21in the same neighborhood,
19:22in the same neighborhood,
19:23in the same neighborhood,
19:24in the same neighborhood,
19:25in the same neighborhood,
19:26in the same neighborhood,
19:27in the same area,
19:28I went up again,
19:29I went back and down,
19:30and at nine at night
19:31I had to go back up,
19:32and I did all that
19:33standing up,
19:34because the little money
19:35that you were getting,
19:36you had to save it
19:37to take it to the kids.
19:38I took a lot of bread
19:39to my children
19:40for walking up.
19:41I said,
19:42no,
19:43that's fifty
19:44that I spend,
19:45no,
19:46I keep that.
19:47With that you
19:48buy a sack
19:49of milk at least,
19:50and I walk.
19:51You know,
19:52we have about
19:53ten minutes left,
19:54but I don't want to
19:55go unnoticed,
19:56PASAR INADVERTIDA, UNIENDO ESA PARTE QUE ME HAS CONTADO DE TU VIDA, CON LO BONITO, PORQUE AHORA PODEMOS VER A MONTILLA, QUIEN TIENE DOS ANILLOS DE CAMPEÓN, SEÑORA DE CAMPEONES, CON LOS TIGRES DEL LICEI, HÁBLAME DE PASAR DE ESOS SACRIFICIOS, AHORA ESTAR CON LA ORGANIZACIÓN QUE TE HA DADO LA OPORTUNIDAD DE QUE LAS PERSONAS A NIVEL NACIONAL E INTERNACIONAL CONOZCAN DE JOSE LUIS MONTILLA, CON LAS FRASES,
20:24CANDELA, EL SEMÁFORO, TAS ROJO, DESCRIBEN UN POQUITO, DAME UNA DESCRIPCIÓN DE UN JUEGO, PORQUE HAY UN PÚBLICO QUE ESTÁ OBSERVANDO EL ESPACIO AHORA, PERO QUE TAMBIÉN VA A QUEDAR COLGADO, GRABADO, Y SE VA A DISFRUTAR ESA NARRACIÓN, DAME UNA NARRACIÓN BREVE, A PROPOSITO DE QUE HOY COMIENZA LA GRANDE LIGA.
20:41Yo le voy a narrar, porque ahí surgieron frases. Ojo, ahí surgieron frases, ahí surgió el semáforo, el cuadrangular dentro del parque de Ronnie y Mauricio. Al recorrer cuatro bases, todas las frases salieron solas. Candela no sale sola, pero todas las demás sí. Déjame ver si lo puedo hacer igual, como lo hice esa vez. Yo dije así.
21:03El batazo al retraso, una candela, se convirtió en un ternido eléctrico, la bola va a lo profundo, Mauricio dobló de segunda para tercera. Y cuando va por ahí, que Manny Martínez, el coach de tercera, está así, yo no dije, lo mandaron para la goma. A mí me surgió decir, va de segunda para tercera. El semáforo esta verde y va para la goma, viene el tiro, viene el corredor.
21:30Y en el momento que él se va a deslizar, yo me transporté, porque mi mente va a millón cuando yo estoy narrando. Eso es una máquina que va dando vueltas. Cuando él va a deslizarse, ahí yo me transporto, cuando yo jugaba a pelota, porque cuando tú te vas a deslizar, tus compañeros te hacen, tierra, tierra. Y ahí yo dije, tierra. Y cuando él se desliza, esa descarga de frase hizo a José Luis Montilla.
21:57Wow, ese momento.
21:59Porque ahí surgió todo.
22:01Si ese cuadrangular dentro del parque no surge, probablemente tierra no sale, no sale el semáforo.
22:06Candela.
22:08Sí, Candela, sí. Porque Candela tiene una historia desde Baní.
22:12Y bueno, y eso fue básicamente. Luego me hicieron un demo con eso. Hay un demo que se llama Demo Candela, con eso. Lo puede buscar en YouTube. Es muy bonito, yo lo pongo.
22:22Y bueno, y así ha sido.
22:25Y después, bueno, lo demás, la gente lo conoce como fue de ahí para adelante.
22:28Aparte de los... Sí, tiene una pregunta, José.
22:31¿Un top 5 de los mejores para ti, los mejores en la Japón?
22:34Ay, qué pregunta.
22:36A mí no me gustan los tops, porque es que se me queda gente. Por ejemplo, a mí me pidieron un top 5 y se me quedó un nombre que después yo dije, suelta que me acordé a tiempo.
22:43Vamos a replicar la pregunta que hizo José, por si no se escuchó.
22:46Él le preguntaba, o más bien le hace la siguiente pregunta, que para José Luis Montilla, ¿cuál es el mejor top 5 de narradores en República Dominicana?
23:01Y José Luis va a responder.
23:02Yo te voy a decir los que a mí me gustan, porque yo no soy quien para yo evaluar quién es el mejor y quién es el peor. Los que me gustan a mí.
23:08Ay, no cae en gacho el hombre.
23:11No, porque yo no soy narrador, yo soy voz comercial.
23:16El que más me ha gustado, y es porque me acuerdo a mi niñez, es Fernando Holguín, El Rubio Blondie.
23:25Ahí yo hice click con El Rubio, y ese yo lo tengo que poner ahí.
23:32Osvaldo Rodríguez Uncar.
23:34Osvaldo le aplica lo formal, pero le mete la candela, le mete el gusto.
23:41Sí, ahí va, vamos por dos.
23:43De los que me gustan, dos.
23:47En ese sentido tengo que poner a Don Mendy López, En Paz Descanse.
23:51Yo sentía que veía el juego con Mendy, Radames González, con Radames Súrez de Candela.
23:57Una vez él dijo Candela en un juego, y me gustó tanto y hice click.
24:03Manitos, y el cinco, me gustan tanto, ahí es donde se va a complicar.
24:09Yo tengo el estilo de Orlando, Orlando el mío, porque surgimos juntos.
24:16Y te digo que es difícil, porque es que me encanta José Antonio también.
24:20Tú entiendes?
24:22Entonces, el asunto es complicado.
24:27Me encantaba Gelo.
24:29Don Gelo Tueni.
24:31Pero, como te dije, los que me gustan y los de mi generación, los que yo me identifique.
24:36Este hombre ha hecho una pregunta que lo ha dejado comprometido en el aire.
24:39Porque él también ahí hizo la pregunta, pero por abajito dice.
24:42Y Franklin, ¿dónde tú lo dejas?
24:46De Franklin Mirabal, yo amo el estilo.
24:51Bueno, fuera del aire hablábamos de que yo admiro el que le mete factor diferenciador a algo.
24:59Franklin lo hizo.
25:01La pelota invernal no se entiende sin Franklin.
25:04Si Franklin hoy dice, yo me retiro, van a llorar mucha gente.
25:09Porque ahí las cuerdas, ¿quiénes se las vamos a dar?
25:11Ahí el hombre y el que le pone.
25:13El que le pone el sazón, tú dices.
25:15Tú entiendes?
25:17Y ojo, me gustaba el Franklin del escogido y el Franklin del liceo.
25:20El Franklin del escogido es otro totalmente, que también le metí a la chispa.
25:24O sea, es una pregunta bien difícil, bien complicada.
25:27¿Pero la respondió el hombre?
25:28Es bien complicada.
25:29Entonces ya para finalizar, a propósito de esa pregunta.
25:32Tus tres PA announcers de la pelota otoño invernal de la República Dominicana.
25:39Y no porque yo estoy aquí.
25:46Vamos a ayudarlo con eso.
25:48No, pero ese es fácil porque, por ejemplo, Luisito Beltrán.
25:54¿Tú entiendes?
25:56Y respeto y admiración para Luisito.
25:58Esta es Riverita y este es mi amigo Rafael León.
26:01¡Ay, ay!
26:02¡Ay, santo!
26:03¡Claro, hermano!
26:04¡Claro!
26:05¿Qué le está poniendo el factor diferenciador?
26:07Gracias, hermano.
26:08Gracias.
26:09Me identifico contigo por eso.
26:10Eso es muy bueno.
26:11Amén, amén.
26:12La gloria y la honra de Dios.
26:13Señores, el tiempo es oro en televisión y en las redes sociales.
26:17Y agradecemos a nuestro buen amigo y hermano y mentor, José Luis Montilla.
26:22Ay, gracias.
26:23Los minutos que nos ha concedido.
26:25Salud y bendiciones para tu familia y en especial para ti.
26:28De esta manera, por el día de hoy, llegamos a la parte final de Espíritu Deportivo
26:32a través de Teleantillas y todas sus plataformas.
26:36Soy Rafi de León.
26:37Y este programa es una...
26:39¡Candela!
26:41Dios les bendice.