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Short filmTranscript
00:00:00Hey baby, tell me, who do you love more, me or Vanessa?
00:00:25I love you more, Vanessa is, I mean she is, ever since she got those horrible scars, I've
00:00:32just, I mean you're the only other I love.
00:00:55Please, don't stop on my account, I've never filmed a porno, especially not one starring
00:01:10my own boyfriend and sister.
00:01:12Alright, give me the camera, come on now, delete that shit.
00:01:18Why?
00:01:19You always said you wanted fame, this will make you go super viral.
00:01:25Vanessa, fame's the company's top model, if this gets out, we're all finished.
00:01:31Dad's never going to forgive you, now give me that damn camera.
00:01:37Fine.
00:01:40Wise, wise, because you know what, shooting sexually explicit content of your boyfriend
00:01:48and your sister, that's probably going to damage your career a lot more than it will
00:01:54do yours.
00:02:00Vanessa!
00:02:01Talk!
00:02:02Ah, that fucking face!
00:02:05Well Blaine, you got what you wanted, it's over!
00:02:17Look out, you were the one who turned Blaine from nothing to a top model, and now he's
00:02:22meant to go back with Abby, I don't get how he could do that to you.
00:02:26Doesn't matter, we've already separated.
00:02:30It's because you've not been with enough guys.
00:02:34I've got the perfect stripper lined up for you.
00:02:38He's a real wizard in the bedroom.
00:02:48This.
00:02:50Adam.
00:02:51Hang tight, he'll be here soon.
00:02:56Speaking of, Alex had the guy I booked, so just wait for Adam, he'll be wearing the suit
00:03:02and tie.
00:03:04He's going to blow your mind.
00:03:07Cassie, I work with the most beautiful people in the world, it takes a true stunner to impress
00:03:12me, you can keep him.
00:03:21Mr. Todd, there's still no updates on the woman with the scar on her arm.
00:03:25We're only out of leads.
00:03:30Look, just expand the search radius.
00:03:32Okay, I need to find her, now.
00:03:37You're late.
00:03:38That's not very professional.
00:03:40Yeah, excuse me, I'm in a rush.
00:03:41You shouldn't be so rude to your customers.
00:03:43Look, I'm losing my patience.
00:03:45It's, it's you.
00:03:47Yes, it's me.
00:03:51So, are we fucking here, or do you want to go to the hotel?
00:03:58Finally, I've found you.
00:04:01Are we fucking here, or do you want to go to the hotel?
00:04:07Finally, I've found you.
00:04:10Finally, I've found you.
00:04:30What's your name?
00:04:32It doesn't matter.
00:04:36I'm fine.
00:04:37I'm Vanessa.
00:04:39Nice to meet you.
00:05:09Oh, my God.
00:05:11Are you okay?
00:05:13Can you get up?
00:05:15I want to see what's...
00:05:21Oh, my God.
00:05:23Oh, my God.
00:05:25Oh, my God.
00:05:27Oh, my God.
00:05:29Oh, my God.
00:05:31Oh, my God.
00:05:33Oh, my God.
00:05:35Oh, my God.
00:05:38Oh, my God.
00:05:43Okay, come on.
00:05:52I'll get you out of here.
00:05:56From now on,
00:05:58I'll look out for you.
00:06:04Morning.
00:06:06Morning.
00:06:11Does it bother you?
00:06:13No, not at all.
00:06:16It's a symbol of your bravery.
00:06:19Well, you certainly know how to charm a woman.
00:06:21And please her.
00:06:31Last night was, um...
00:06:33was really good.
00:06:36Here's a little something
00:06:38for you.
00:06:42I don't want your money.
00:06:44Why are you...
00:06:46No, keep it.
00:06:48You earned it.
00:06:50Wait a minute.
00:06:52You don't remember me?
00:06:58You don't remember me?
00:07:00I'm the one that...
00:07:02Sorry.
00:07:04Yeah, what's up?
00:07:06Vanessa, bad news.
00:07:08Blaine's throwing a tantrum
00:07:10about the shoot.
00:07:12What should I do?
00:07:14Um, okay, calm down.
00:07:16I'm on my way.
00:07:18Shit, this is for the Todd group shoot.
00:07:20If this goes sideways,
00:07:22that nightmare Mr. Todd
00:07:24is gonna be on my case again.
00:07:26Me? A nightmare?
00:07:28Right, um...
00:07:30Thank you for last night.
00:07:32I mean, I guess.
00:07:44Nanny, yeah.
00:07:46All right.
00:07:48Find out which studio Vanessa's at, okay?
00:07:58Vanessa!
00:08:00Thank goodness, Blaine is flipping out.
00:08:02He's saying his arm is broken.
00:08:04I'm sure you know how to handle
00:08:06that spoiled brat.
00:08:08Yeah, I'll handle it.
00:08:10Blaine, are you seriously gonna throw away this deal?
00:08:12It's not like I want to.
00:08:14You broke my arm.
00:08:16Can you tell me
00:08:18how I'm meant to shoot
00:08:20if I can't even strike the pose?
00:08:24If you said I broke your brain,
00:08:26I'd believe you.
00:08:28Give her a rest, will you, love?
00:08:30How's this?
00:08:32If you publicly
00:08:34apologize to me.
00:08:38Not happening.
00:08:40It's on you, remember?
00:08:42Today's the last day for shooting.
00:08:44If you can't pull this off,
00:08:46can you really deal with the Todd group's wrath?
00:08:48Today's the last day for shooting.
00:08:50If you can't pull this off,
00:08:52can you really deal with the Todd group's wrath?
00:08:54Vanessa, if we lose the Todd group as a client,
00:08:56Blaine's in serious trouble.
00:08:58There must be some other models available.
00:09:00I reached out.
00:09:02All the top models are booked today.
00:09:04Christ, fine!
00:09:06I'll apologize.
00:09:08Blaine, I'm so sorry.
00:09:10Can you come back for the shoot?
00:09:12You know, I would really like to,
00:09:14but there is one little stipulation.
00:09:16I'll be here.
00:09:18It's gotta be behind the camera.
00:09:20Abby is an amateur photographer.
00:09:22She's not ready for the Todd group.
00:09:24Blaine and I went over all the details last night.
00:09:26The Todd group are gonna love it.
00:09:30So you two are just here to cause trouble?
00:09:34As if you haven't messed me about enough already!
00:09:46Since this shoot is a bust,
00:09:48I might as well take leave.
00:09:50So your arm's broken?
00:09:52Yeah.
00:09:54You can't move it?
00:09:56No.
00:09:58Oh, looks like it's working perfectly fine!
00:10:06It's you.
00:10:10You know what?
00:10:12I'm not doing the shoot period.
00:10:14Do you know why?
00:10:16Because I want to see how you
00:10:18clean up this little mess.
00:10:22If you won't shoot, Blaine,
00:10:24I'll find someone who will.
00:10:28If you won't shoot, Blaine,
00:10:30I'll find someone who will.
00:10:34Where are you gonna find a new model in like
00:10:36two seconds?
00:10:44Guess what?
00:10:46Here's my new model.
00:10:48What, me?
00:10:52I'll pay double the standard rate.
00:10:54Just help me out, I'm desperate.
00:10:58Yeah, okay, alright.
00:11:00Awesome! You're gonna be great!
00:11:02You two can scram now!
00:11:04You really think you can just snatch someone off the street
00:11:06to replace Blaine?
00:11:08Modeling isn't just about looking pretty.
00:11:10He might freeze up
00:11:12and make a fool of himself in front of the camera.
00:11:14Vanessa, he might have the looks,
00:11:16but he's got no experience.
00:11:18If this flops, we might lose the Todd group as a client.
00:11:22I wouldn't be where I am now
00:11:24if I didn't take a few risks.
00:11:32Let's start with this.
00:11:34Keep his makeup natural.
00:11:36Highlight his features
00:11:38and contours.
00:11:40Let's make him glow.
00:11:46It's taking forever.
00:11:48He's probably pissing his pants
00:11:51He's not a star.
00:11:53Unlike Blaine.
00:11:55That's right, I am a star.
00:11:57And I'm very, very sexy.
00:11:59And I just don't believe
00:12:01that some random nobody off the street
00:12:03can get close to me.
00:12:05Okay?
00:12:07Yeah, of course.
00:12:21Damn.
00:12:43He's gorgeous.
00:12:45It's not just his face.
00:12:47His whole vibe screams top model.
00:12:49Oh, for fuck's sake.
00:12:51Anyone can look good with a bit of makeup
00:12:53and a blazer with no shirt.
00:12:55Come on.
00:12:57I want to see
00:12:59how he crashes and burns
00:13:01when the lights start flashing.
00:13:03That's what I want to see.
00:13:08Better than I expected.
00:13:10It's okay to be a little nervous
00:13:12before your first shoot,
00:13:14but I'm here.
00:13:16Just trust me.
00:13:18You're gonna be great.
00:13:20Okay, lights.
00:13:22Let's shoot.
00:13:24Yeah.
00:13:26So cute.
00:13:28Okay.
00:13:30That's so good.
00:13:32Really good.
00:13:34Open up your shirt a little bit.
00:13:36Yeah.
00:13:38Wow.
00:13:40Maybe pick up the magazine.
00:13:42Yeah, you're a top model.
00:13:44You're so good.
00:13:46Okay, that's it.
00:13:48Joyce, let's get his next look ready.
00:13:58This is the L.A. premium
00:14:00brand shoot, Blaine.
00:14:02Sort of taking you to the next level.
00:14:04It's too bad you're such a whiny little bitch.
00:14:08You both messed up.
00:14:10Big time.
00:14:16Oh, I can't believe
00:14:18that this shoot has just landed
00:14:20on this random gobshite slap.
00:14:22Would you do something about it?
00:14:24Chill.
00:14:26I'm working on it.
00:14:28No way, Snu.
00:14:30Look at him go.
00:14:32His outfit is practically perfect.
00:14:34It's, like, made for him.
00:14:36I mean, look at him.
00:14:38I mean, look at him.
00:14:40I mean, look at him.
00:14:42I mean, look at him.
00:14:44It's perfect.
00:14:46It's, like, made for him.
00:14:48It's gonna sell out in no time.
00:14:50I used to put Blaine on pedestal,
00:14:52but he's nowhere near it now.
00:14:54Exactly.
00:14:56He was the company's top guy,
00:14:58but now he's got outshone by a newbie.
00:15:00Wow, babe, you've crushed it.
00:15:02These shots are turning out
00:15:04better than anyone would have expected.
00:15:06Sure you're not thinking
00:15:08of ditching your job for modeling?
00:15:10Hey, look, I'm just glad I didn't screw it up.
00:15:12Are you free tonight?
00:15:14I was thinking we could go on, like, an actual...
00:15:16Ah, is this yours?
00:15:18Your phone's been going off.
00:15:20Thanks.
00:15:26Six-pack strippers?
00:15:30Guess we know how he pays his bills.
00:15:32Dude's a stripper.
00:15:36A cheap one, too.
00:15:38He's got that serious look, bro.
00:15:40He's in that line of work.
00:15:42Alessa's pretty cosy
00:15:44with that male stripper.
00:15:46Could she be his regular?
00:15:48Who knew she would be living
00:15:50that kind of life behind the scenes?
00:15:56You have no shame.
00:15:58And I thought you were a professional
00:16:00bringing a stripper to work.
00:16:04Nothing short of good.
00:16:06Nothing short
00:16:08of fucking embarrassing love.
00:16:10Don't
00:16:12show me about professionalism, Blaine.
00:16:14Oh, it concerns him now.
00:16:16When the Tog Group
00:16:18finds out you've used a stripper
00:16:20for their campaign,
00:16:22think they'll be cool with that?
00:16:24Is the shoot still not wrapped?
00:16:26Why are you guys dragging your feet?
00:16:28Mr. Dale, the shoot's done.
00:16:30The photographer insisted on using
00:16:32a stripper as their model.
00:16:35This
00:16:37could really hurt the Tog Group's image.
00:16:39What?
00:16:41A stripper?
00:16:43Who's the photographer?
00:16:45Where's this guy?
00:16:47Bring him here.
00:16:49That's them.
00:16:51Look, it has nothing to do with him.
00:16:53It's all on me.
00:16:55No one messes
00:16:57with the Tog Group and walks away with it.
00:16:59Let's see what the stripper thinks.
00:17:01Mr. Todd?
00:17:03Mr. Todd?
00:17:05You didn't tell me
00:17:07you were coming in tonight.
00:17:09The hell?
00:17:11Why did he just call you Mr. Todd?
00:17:13No, no, no, you've misheard him.
00:17:15She mentioned hating Mr. Todd before.
00:17:17If she figures out who I really am,
00:17:19she won't come near me at all.
00:17:21What he meant to say was
00:17:23Mr. Todd doesn't judge people
00:17:25on their occupations, right?
00:17:27A.
00:17:29Exactly.
00:17:33This guy's got it all.
00:17:35He perfectly embodies the brand's
00:17:37executive vibe.
00:17:39I'm sure Mr. Todd
00:17:41will be delighted with this one.
00:17:47Lawrence,
00:17:49you have an eye for talent.
00:17:51I'll show you the shots.
00:17:53He absolutely nails this outfit.
00:17:55How could he not?
00:17:57The brand is perfectly made for the...
00:18:03Mr. Lawrence,
00:18:05by the way, I was the original model
00:18:07and if this shoot hadn't been done with me,
00:18:09if I was given a chance, it would have been a lot
00:18:11fucking better.
00:18:15Exactly. Blaine's a pro.
00:18:17He's light years ahead of these amateurs.
00:18:19Only the ones who
00:18:21turned it down
00:18:23don't make the backtrack now.
00:18:25But if you guys can't
00:18:27show some respect,
00:18:29what's the point of being a pro?
00:18:31You're messing up the shoot.
00:18:33What?
00:18:35Both of you, get out.
00:18:37Lawrence, I'm having fun.
00:18:39Get them out.
00:18:51Mr. Dale, you should take a look at these photos.
00:18:53No need.
00:18:55I was just stopping by to take a quick look.
00:18:57I'll let you get back to it.
00:19:01Why are the Todd group reps
00:19:03being so nice all of a sudden?
00:19:05Are they usually that bad?
00:19:07You have no idea
00:19:09how picky Mr. Todd is.
00:19:11He is a
00:19:13total perfectionist, moody
00:19:15just an asshole.
00:19:17Okay, there was one time
00:19:19everything was arranged on set
00:19:21he nitpicked every single tiny detail
00:19:23he had me pulling all nighters
00:19:25and one time he fired someone
00:19:27just randomly
00:19:29out of the blue because he was in a bad mood.
00:19:31So yeah, I don't like him at all.
00:19:33He's a jerk.
00:19:35I swear to God, if I ever meet him
00:19:37I'm going to give him a piece of my mind.
00:19:39Maybe it was a
00:19:41misunderstanding?
00:19:43You've never met this guy
00:19:45and you're saying these things?
00:19:47Yeah, don't bring him up again.
00:19:49She's got the wrong impression here.
00:19:51I need to fix this.
00:19:53These shots are amazing.
00:19:55Have you ever thought about
00:19:57ditching your job for modeling?
00:19:59Ditching my job?
00:20:01Well yeah, you can't be a stripper forever, right?
00:20:03What? No, no, Vanessa
00:20:05I am not a stripper.
00:20:07You've got the look,
00:20:09you've got the charm,
00:20:11you kill it in front of the camera.
00:20:13I'll sign you up.
00:20:15Whatever deal you want.
00:20:18Whatever deal I want.
00:20:28So,
00:20:30this is it?
00:20:32Are you sure we're cool with staying here?
00:20:34Um,
00:20:36yeah, not really feeling it.
00:20:38Got any other options?
00:20:40Nope.
00:20:42Master bedroom's off limits, obviously.
00:20:44This place isn't a mansion.
00:20:46I don't know why you insist on staying here.
00:20:48Well, I switched jobs for you.
00:20:50I don't have anywhere to go.
00:20:52Come on, how about back here?
00:20:56Alright, look.
00:20:58If I'm being honest, I'd
00:21:00rather stay with you.
00:21:02Stop.
00:21:04I'm your boss now.
00:21:06You gave me a roof.
00:21:08Alright, I'll pay it back.
00:21:10Yeah, well you're not a stripper anymore.
00:21:12So you can't stop it that way.
00:21:14Okay.
00:21:16Just get some rest, okay?
00:21:18We have somewhere to be tomorrow.
00:21:20Where are we going?
00:21:22You'll find out when we get there.
00:21:32Mrs. Todd,
00:21:34this clerk sent over the L.A.'s final promo shots.
00:21:36Wanna take a look?
00:21:38I have to admit,
00:21:40you've got a knack for this modeling thing, sir.
00:21:42No, no, no, listen.
00:21:44Just get someone else to redo the shoot, okay?
00:21:46What about Miss Clark?
00:21:48I don't know, tell her that the brand
00:21:50postponed the campaign or something.
00:21:52But look, these photos cannot leak, okay?
00:21:54If they do, people might figure out
00:21:56who I really am.
00:21:58Figure out what?
00:22:04My secret side job, yeah.
00:22:08I'm worried that it might
00:22:10cause you some problems.
00:22:14Why did you even come back?
00:22:16Change your mind?
00:22:18Wanna stay another night with me?
00:22:20Sweet dreams.
00:22:32Alright, what's going on?
00:22:34Why are we here?
00:22:36Clothes, duh.
00:22:38Welcome.
00:22:40Hi.
00:22:42These two. Okay, we need these ASAP.
00:22:44Why can't I?
00:22:46Absolutely, just a sec.
00:22:50Wait, wait, wait.
00:22:52Hold on.
00:22:54I wanna buy those outfits.
00:22:56Mr. White, what brings you here?
00:23:02I'm afraid we'll have to prioritise Mr. White's order.
00:23:04Yours will have to wait.
00:23:06We ordered first.
00:23:08Isn't it first come, first serve?
00:23:10In this world?
00:23:12Please.
00:23:14Name's at the top.
00:23:16So yeah, he comes first.
00:23:26So, you're waiting or not?
00:23:28Is this how you treat your customers?
00:23:30Yeah, I'd like to talk to your manager.
00:23:32Manager's tied up.
00:23:34If you insist on causing trouble, I'll have security check you out.
00:23:52What seems to be the problem?
00:23:54It's them.
00:23:56They're trying to mess up Mr. White's order.
00:23:58Mr...
00:24:00Yeah, start talking. Now.
00:24:02Of course.
00:24:08You're done.
00:24:10Fired.
00:24:12Now get out.
00:24:20I am so sorry about all this.
00:24:22We'll get your order processed right away
00:24:24and throw in
00:24:27an 100% discount for your trouble.
00:24:29How does that sound?
00:24:37What a load of shit!
00:24:41That's mad!
00:24:43These are no name, no fame
00:24:45and you're treating them like this?
00:24:47How we run this place is not your concern.
00:24:49From now on, the two of you
00:24:51are blacklisted.
00:24:53Don't expect
00:24:55any future collaborations
00:24:57with us.
00:25:01Right.
00:25:15What a day, huh?
00:25:17Yeah.
00:25:19Abby and Blaine were practically blind with envy.
00:25:21Are you not worried about pissing off the brand?
00:25:23No. No?
00:25:25No, not at all.
00:25:27No, there's plenty of other luxury brands out there.
00:25:39What are you looking at?
00:25:41I'm just
00:25:43looking at you.
00:25:51Um...
00:25:53It's...
00:25:55It's late.
00:25:57We have work tomorrow.
00:25:59We should get some rest.
00:26:21Morning.
00:26:23Thought you might want to start your day right.
00:26:37Get a grip, Vanessa.
00:26:39He's your model now,
00:26:41not some wild fling.
00:26:45Morning.
00:26:47So,
00:26:49you made all this?
00:26:53Thought you might be hungry.
00:26:55Try it.
00:27:05Hmm.
00:27:07Yeah?
00:27:09Yeah, it's better than I expected.
00:27:11Wow, company.
00:27:13Yeah, don't get used to it.
00:27:15Try it.
00:27:19Really?
00:27:21Is that what it's going to be like
00:27:23having you in my house?
00:27:25No, thank you.
00:27:35Morning, everyone.
00:27:37Morning, Vanessa.
00:27:39Wait a sec, isn't that the same guy
00:27:41you brought in a few days ago?
00:27:43Yeah, he's my new model.
00:27:45Hey guys, I'm Jason.
00:27:47I look forward to working with you all.
00:27:49I thought you said
00:27:51your name was Carol.
00:27:53Stage name.
00:27:55So, you two arrived together.
00:27:57What, are you living together now?
00:27:59Joy, seriously,
00:28:01let's just get this done.
00:28:03Okay, are the cameras ready?
00:28:05She really signed that cool boy into the company.
00:28:07Just wait.
00:28:09This is going to be fun to watch.
00:28:13Vanessa,
00:28:15over here now.
00:28:19Alright, everyone.
00:28:21Take five.
00:28:27It's one thing
00:28:29messing around in your personal life
00:28:31but bringing a stripper into the company.
00:28:35You ready to deal
00:28:37with the fallout if this backfires?
00:28:39Dad, I didn't pull this out of thin air.
00:28:41Jason is talented.
00:28:43Talented?
00:28:45He's playing you with smooth talk.
00:28:49I've let you run things your way
00:28:51but hiring him,
00:28:53that's where I draw the line.
00:28:55You need to fire him now.
00:28:57I'm not going to fire him.
00:29:01I promise, he's really talented.
00:29:03Just look at him.
00:29:07You're really going to take sides against your father?
00:29:09Dad's only trying to protect the company's reputation.
00:29:11Just do what's right
00:29:13and let him go.
00:29:15Abby, stay out of this.
00:29:17It's none of your business.
00:29:21Dad, can you please just trust me for once?
00:29:25I've been pulling in projects first for you.
00:29:27Dad, when another client, Vertex Group,
00:29:29finds out you've let her use a stripper for the shoot,
00:29:31they're going to flip.
00:29:33Abby's got a point.
00:29:35Either he goes
00:29:38or Abby and Blaine take over.
00:29:40Your choice.
00:29:44Either he goes
00:29:46or Abby and Blaine take over.
00:29:48Your choice.
00:29:50I appreciate it, Dad.
00:29:52I've always let the Vertex Group shoots.
00:29:54And you're just going to let Abby take it?
00:29:56Just like that?
00:29:58You took it for granted, Vanessa.
00:30:00Don't blame Abby.
00:30:02Abby, if you think you can steal this shoot from me,
00:30:04you better know how to handle it.
00:30:06You know what, actually?
00:30:08Let's make this interesting.
00:30:10Let's split into teams.
00:30:12Let the Vertex manager choose the winner.
00:30:14You want a competition?
00:30:16Fine by me.
00:30:18Just don't cry if you lose.
00:30:20What would I be losing?
00:30:22Your mum was an amateur.
00:30:24And who's going to run circles around him?
00:30:26We'll see.
00:30:28Hey.
00:30:30You good?
00:30:32Yeah, I'm fine.
00:30:34All right, listen.
00:30:36The Vertex shoots in three days.
00:30:38You got a plan yet?
00:30:40No, not yet.
00:30:42All right, well,
00:30:44Vertex is all about the bold jewellery design, right?
00:30:46So,
00:30:48why don't we work with that?
00:30:50Like this.
00:30:54Oh, yeah, that's it.
00:30:58Base the idea around the eternal night rose.
00:31:00You know, dark, edgy.
00:31:02Allison can pull off
00:31:04some really killer outfits.
00:31:06Eternal night rose?
00:31:08It sounds cool,
00:31:10but will I look right in that?
00:31:12Are you kidding?
00:31:14Black is your vibe.
00:31:16Look, this is going to be great.
00:31:18Can you just please trust me?
00:31:20Dark theme, huh?
00:31:22Nice move, Vanessa.
00:31:24But I'm still going to outshine you.
00:31:32Still forcing
00:31:34that ship out to be a model, huh?
00:31:36This is getting embarrassing.
00:31:38Maybe you don't worry about yourself
00:31:40for months.
00:31:42I can't wait
00:31:44to see you crash and burn today.
00:31:54Hi,
00:31:56I'm Abby Clark,
00:31:58the lead photographer for this project.
00:32:00Vanessa Clark.
00:32:02Good to see everyone.
00:32:04At Vertex, we only care about results.
00:32:08I trust both of you
00:32:10will deliver.
00:32:18My shoot is inspired by
00:32:20Vertex's latest feature,
00:32:22Eternal Night Rose.
00:32:24Centered around themes
00:32:26of darkness
00:32:28and the duality of man.
00:32:34This works for me.
00:32:36Definitely fits the brand.
00:32:42This is stunning.
00:32:46I'm already seeing the partnership potential.
00:32:48What?
00:32:56Why are there faces?
00:33:00Did we both go for the same theme?
00:33:10Well, what do you know?
00:33:12We both also went for
00:33:14the Eternal Night Rose theme.
00:33:16No, are you serious?
00:33:18You copied me.
00:33:20But I decided to take it a step further.
00:33:24I've gone for a more gothic theme.
00:33:26Creating a real sensual beauty.
00:33:28Darker, more sensual.
00:33:33I know our customers are going to love this.
00:33:40These are absolutely
00:33:42incredible.
00:33:45The detail, the move, it's...
00:33:49It's all perfect.
00:33:53The model nails it.
00:33:55He brings the right kind of balance,
00:33:57the right energy.
00:33:59With him, you can actually see the jewelry,
00:34:01not just the model.
00:34:03This set fits our brand to a T.
00:34:05It's bold.
00:34:07The other, previous one
00:34:09just doesn't have the same impact.
00:34:11This is going to be fun.
00:34:15This is going to be awesome.
00:34:17It's like you might have to own your kids.
00:34:21Alright.
00:34:23After our discussion, we're all in agreement.
00:34:28We'll go with the second set.
00:34:32Miss Vanessa Clark,
00:34:34looking forward to collaborating with you.
00:34:36Amazing, thank you so much.
00:34:41God.
00:34:45You know,
00:34:47you really can't steal
00:34:49what someone just has
00:34:51naturally.
00:34:53True creativity
00:34:55comes from within, sis.
00:34:57Better luck next time.
00:35:01Right,
00:35:03I'm off
00:35:05to celebrate.
00:35:07Have a good day.
00:35:11Look
00:35:13at you.
00:35:15Come on, I knew you had it.
00:35:17You're my lucky charm.
00:35:19So, what are we celebrating?
00:35:21I was thinking I'd take you out.
00:35:23I know the best sushi restaurant.
00:35:25What, just sushi?
00:35:27What else were you expecting?
00:35:29I don't know, something a little more
00:35:31exciting?
00:35:35Take it or leave it.
00:35:37Alright, fine.
00:35:41Hi!
00:35:43Oh my gosh,
00:35:45I've missed you so much!
00:35:47Oh, this is Cassie,
00:35:49my bestie.
00:35:51Hi, nice to meet you.
00:35:53Nice to meet you too.
00:35:55It's really nice.
00:35:57I wonder you were so mysterious about that
00:35:59stripper I got you.
00:36:01Looks like you've upgraded.
00:36:03So, come on, spill.
00:36:05How did you two meet?
00:36:07How long has this been going on?
00:36:09That stripper
00:36:11the other night, that wasn't him?
00:36:19That stripper the other night,
00:36:21that wasn't him?
00:36:23No way!
00:36:25The guy that I hired just called me and said he couldn't
00:36:27find you. I assumed you'd bailed or
00:36:29something.
00:36:31Look, to be fair,
00:36:33you were the one, you know, coming on
00:36:35to me that night, but
00:36:37yeah, you mixed me up with
00:36:39someone else.
00:36:41But you were the one who was asking me
00:36:43to do the whole thing.
00:36:45That's enough.
00:36:47Um,
00:36:49maybe it's a sign,
00:36:51Vanessa.
00:36:53I mean, he's not bad.
00:36:55Why don't you give him a shot?
00:36:57Yeah, it's not like that.
00:36:59He's just my model.
00:37:07Oh, looks like
00:37:09everyone's gone to lunch, so we can just go.
00:37:11Hey.
00:37:13Jason, what are you doing?
00:37:15Vanessa, what are we?
00:37:17Like,
00:37:19are you seriously telling me
00:37:21there's nothing between us?
00:37:23What are you talking about?
00:37:25You know exactly
00:37:27what I'm talking about.
00:37:37Vanessa, we've got a problem.
00:37:39The Vertex Group announced their
00:37:41collaboration with the Clark Group.
00:37:43Yeah, I know. They picked my pitch earlier.
00:37:45I didn't think they'd move this fast, though.
00:37:47They did use your photos,
00:37:49but Abby's the official photographer.
00:37:51What?
00:37:53Hey.
00:38:01You better knock this Vertex deal
00:38:03out of the park.
00:38:05Don't let your old man down.
00:38:07I won't, Dad.
00:38:09I've got this.
00:38:13Ever thought of knocking, Vanessa?
00:38:15What's this, hon?
00:38:17You couldn't come up with your own ideas, so I had to steal mine.
00:38:19Is that what we're doing now, Abby?
00:38:21That's enough.
00:38:23I don't know what you're talking about.
00:38:25This wasn't her doing,
00:38:27it was mine.
00:38:29What are you saying?
00:38:31Abby's fresh.
00:38:33She needs this hyper-evolved project
00:38:35to boost her career.
00:38:37I made the call, and she's getting it.
00:38:39Are you serious?
00:38:41That was my idea.
00:38:43Why should she take all the credit?
00:38:45It's all staying in the family, Vanessa.
00:38:47Whether it's Abby or you,
00:38:49the company benefits.
00:38:51We're family.
00:38:53Don't be so selfish.
00:38:55Selfish?
00:38:59Do you know how many hours
00:39:01my team spent working on this project?
00:39:03As chairman of this company,
00:39:05my word is final.
00:39:09If you've a problem with that,
00:39:11you'll have to leave.
00:39:15Fine.
00:39:17I don't want to work here anymore anyway.
00:39:25Vanessa, are you really leaving?
00:39:27It's your company.
00:39:29Yeah, but
00:39:31there's more out there for me.
00:39:33Don't worry, it won't affect you guys.
00:39:35Oh, I'm coming with you.
00:39:37I've literally had it with this place.
00:39:39Way too much drama.
00:39:41Count me in.
00:39:43I only sign up because of you, Vanessa.
00:39:45I'm not staying here without you.
00:39:47I've been itching to start out on my own.
00:39:49Let's start a studio.
00:39:51We're with you, Vanessa.
00:39:53I'm with you as well.
00:39:55Hey, what about me?
00:39:57First job's for you, remember?
00:39:59You owe me one.
00:40:01Alright, I won't let you down.
00:40:03Let's start a studio together.
00:40:07Yay!
00:40:09Woo!
00:40:11Alright, let's get out of here.
00:40:23Dad,
00:40:26Are these people your pros?
00:40:28Are we really letting Vanessa take them?
00:40:30They're loyal to Vanessa.
00:40:32If they want to go,
00:40:34there's not much I can do to stop them.
00:40:36So she's just gonna go off
00:40:38and compete against us now?
00:40:40Don't worry, I'll make sure people know.
00:40:42If they work with her,
00:40:44they're crossing us.
00:40:46She'll learn quickly.
00:40:48Without us, she won't get far.
00:40:56Since we've launched the Phoenix Studios,
00:40:58we haven't landed a single deal.
00:41:00Every brand we've reached out to
00:41:02either thinks we're amateurs
00:41:04or flat out ignores us.
00:41:06How do we fix this?
00:41:10Just trust me.
00:41:12I'll figure something out.
00:41:14That's it for today. Meeting dismissed.
00:41:16You alright?
00:41:20My father has told every big brand
00:41:22not to work for me.
00:41:24If we don't land something soon,
00:41:26Phoenix will die
00:41:28before it's even taken off.
00:41:30Hey, come on.
00:41:32It's gonna get better.
00:41:34But it's late.
00:41:36You should go home and get some rest.
00:41:38No.
00:41:40No, I can't give up that easy.
00:41:42You go ahead, though.
00:41:44I'll make some more calls.
00:41:48Alright.
00:42:08So, can I see Mr. Scott?
00:42:10No.
00:42:12Just five minutes of his time.
00:42:14He's already made it clear he's not interested
00:42:16in your studio.
00:42:18Please don't come back.
00:42:20Sis, without the family behind you,
00:42:22you've really hit rock bottom, huh?
00:42:24It's none of your business, Abby.
00:42:28Look at this.
00:42:30An invite to the TOG Group banquet.
00:42:32They're announcing their collaboration
00:42:34with the Clark Group.
00:42:36Too bad you're not invited.
00:42:38The TOG Group banquet?
00:42:40Why didn't I think of that?
00:42:42Don't get too excited.
00:42:44The TOG Group is picky
00:42:46with their photographers.
00:42:48I'm not sure you're up to it.
00:43:00What's going on here?
00:43:02Oh, I...
00:43:04Oh, I'm...
00:43:06I'm making invites
00:43:08to the TOG Group banquet.
00:43:10Pretty convincing, right?
00:43:12I'm just hoping they don't notice it's...
00:43:14fake.
00:43:16Wait, why?
00:43:18Why?
00:43:20Because it's the TOG Group?
00:43:22There's gonna be major players
00:43:24from all over the place.
00:43:26I could land some killer collaborations
00:43:28from this.
00:43:30Yeah, but you know that's risky, right?
00:43:32Yeah.
00:43:34Of course I know.
00:43:36But...
00:43:38I'm all out of options.
00:43:40It's this
00:43:42or nothing.
00:43:44So,
00:43:46are you coming with me?
00:43:48With me? To the TOG Group banquet?
00:43:50Yeah.
00:43:52Uh...
00:43:54Yeah, I...
00:43:56No, I actually...
00:43:58I have something I need to handle that day.
00:44:00Um, but to answer
00:44:02your question, yeah, that does look
00:44:04real.
00:44:08I'm just, I gotta...
00:44:10Yeah.
00:44:18This is my shot.
00:44:20If this doesn't work,
00:44:22my studio is done.
00:44:24Invitation, please.
00:44:30Invitation, please.
00:44:38Go ahead.
00:44:44Mr. Todd?
00:44:46She's going inside.
00:44:48That was way too easy.
00:44:50Did I just say that?
00:44:53That was way too easy.
00:44:55Did I just pull this off?
00:44:57Guess the TOG Group security isn't as tight
00:44:59as their reputation.
00:45:05Vanessa!
00:45:07Why the hell are you here?
00:45:09What, you get to waltz in and I don't?
00:45:11How did you get an invite?
00:45:13You didn't sneak in, did you?
00:45:15I'm too busy for this, Abby.
00:45:17Quite right-handed, huh?
00:45:19You really think you can crash the TOG Group's
00:45:21banquet without an invitation?
00:45:29It's fake.
00:45:31Nice try, though.
00:45:37Vanessa, did you really sneak in
00:45:39with a fake invite?
00:45:41A fake invite?
00:45:43She must really be desperate.
00:45:45Can you believe that?
00:45:47No one will want to work with her after this.
00:45:49What makes you so sure it's fake?
00:45:53Because the real ones have got a code
00:45:55right here in the corner.
00:45:57Yours?
00:45:59It's missing.
00:46:01Care to explain?
00:46:05Mr. Simpson!
00:46:07Just the man I need.
00:46:09How can I help?
00:46:11Someone crashed the party.
00:46:13Can you help her find the doll?
00:46:15Let me see.
00:46:19I'm afraid
00:46:21if you don't have
00:46:23a legitimate invitation,
00:46:25you'll have to leave.
00:46:31Miss Clark!
00:46:33Just wait a second.
00:46:35I'm Danny Rogers,
00:46:37Mr. Todd's
00:46:39personal assistant.
00:46:41I've been sent here
00:46:43to collect you.
00:46:45Are you sure you didn't mix things up, Mr. Rogers?
00:46:47She wasn't invited.
00:46:49She snuck in with a fake invite.
00:46:51Look.
00:46:53There's no number.
00:46:55Miss Clark here
00:46:57is one of Mr. Todd's
00:46:59honoured guests.
00:47:01The reason why it doesn't have a code on there
00:47:03is because I personally sent her the invitation.
00:47:07She's
00:47:09Mr. Todd's honoured guest.
00:47:11How the heck's
00:47:13that even possible?
00:47:15Who is she?
00:47:17Why does she get to be one of Mr. Todd's VIPs?
00:47:19Even Mr. Rogers is giving her respect.
00:47:33That bitch always steals my spotlight.
00:47:45After careful consideration,
00:47:47we've chosen our partner for the upcoming season.
00:47:49Let's get to the moment we've all been waiting for.
00:47:55Mr. Simpson,
00:47:57there better not be any slip-ups.
00:47:59Remember our little deal?
00:48:01Chill out, Miss Clark.
00:48:03Everything's locked in.
00:48:05I do the business
00:48:07deals around here.
00:48:09No one can change my mind
00:48:11unless it's Mr. Todd.
00:48:13And he doesn't usually get involved in this.
00:48:15Good to know.
00:48:17Vanessa, no matter how hard
00:48:19you crash this banquet,
00:48:21you'll always be in my shadow.
00:48:23Once I nail this partnership with the Todd Club,
00:48:25let's see how you deal with the fallout.
00:48:27The partner for the Todd group
00:48:29is...
00:48:31Thank you, Todd group,
00:48:33for selecting...
00:48:35Phoenix Studios.
00:48:39What?
00:48:41How is this happening?
00:48:49How is this happening?
00:48:51What makes her think
00:48:53she can be part of the Todd group?
00:48:55What a cringing disappointment.
00:49:01I've got a project that might catch your eye.
00:49:03Well, I should think I can.
00:49:07Didn't you say everything was set?
00:49:09Are you playing me?
00:49:11No!
00:49:13No, I...
00:49:15Danny?
00:49:17What the hell happened?
00:49:19There's no mistake.
00:49:21The Todd group chose
00:49:23Vanessa's studio to be our partner.
00:49:27You're corrupt, Colin.
00:49:29So you're out.
00:49:39Danny, come on.
00:49:41I messed up,
00:49:43but I won't do it again.
00:49:45After all I've done for you,
00:49:47can you not cut me some slack?
00:49:49Mr. Todd is cutting you some slack
00:49:51by not calling the police.
00:49:53So,
00:49:55are you leaving on your own,
00:49:57or do I need to call security?
00:50:03Miss Clark,
00:50:05if you'd like to follow me,
00:50:08let's make this official.
00:50:16Miss Clark,
00:50:18there's the contract. Have a look through.
00:50:20If everything's in order, then feel free to sign.
00:50:24So, um, what made the Todd group
00:50:26sign with the Phoenix Studios?
00:50:28Temple.
00:50:30It's your talent.
00:50:32It speaks for itself.
00:50:34Well, you won't be disappointed.
00:50:38Shh.
00:50:42Excuse me,
00:50:44may I ask who that is?
00:50:46Oh,
00:50:48that is, uh,
00:50:50Mrs. Todd.
00:50:52Mr. Todd's mother.
00:50:54She's the chairwoman.
00:50:56After Mr. Todd's father passed,
00:50:58she took over just to keep the business thriving.
00:51:00That's really impressive.
00:51:08How come
00:51:10he looks just like Jason?
00:51:18So,
00:51:20any more questions about the contract?
00:51:26Nope. All set.
00:51:28I look forward to working with the Todd group again.
00:51:30Great!
00:51:32I don't know how you could throw away
00:51:34such a major deal.
00:51:36She's only after your money
00:51:38and the Todd name.
00:51:40Jason?
00:51:42What's he doing here?
00:51:44And who's that woman?
00:51:48No way.
00:51:50Isn't that the chairwoman of the Todd group?
00:51:54I can't believe you'd throw away
00:51:56such a major deal
00:51:58all for some woman.
00:52:00She saved my life, Mom.
00:52:02She's not just some woman.
00:52:04Some woman?
00:52:06You could have just written her a check and called it a day.
00:52:08Yeah, I have my reasons.
00:52:10So stay out of it.
00:52:12What's she done to make you so obsessed?
00:52:14She's only after your money
00:52:16and the Todd name.
00:52:18If that's all it was, it'd be easier.
00:52:20What?
00:52:22Nothing, Mom. Look, just what you were afraid of
00:52:24won't happen.
00:52:26Okay, she doesn't even know who I really am.
00:52:28If you say her,
00:52:30she'll see her.
00:52:32I won't say anything, okay?
00:52:34Yeah?
00:52:38Only you could fool something this obvious.
00:52:40Yeah, alright, and don't you have a meeting?
00:52:42Come on, go, go, go.
00:52:52Oh, hey, are you, uh,
00:52:54are you done with work?
00:52:56The
00:52:58chairwoman of the Todd group.
00:53:00How do you know her?
00:53:02I don't.
00:53:04You were laughing with her?
00:53:10What are you talking about?
00:53:12No, no.
00:53:14I just, I ran into her and I thought
00:53:16maybe I'd help you
00:53:18secure the Todd deal.
00:53:20Oh, I'm sorry.
00:53:22So I was right.
00:53:24Yeah.
00:53:26But, I have good news.
00:53:28I secured the Todd group deal.
00:53:30No way, that's huge!
00:53:32I honestly didn't even think my studio would be in the running
00:53:34for it.
00:53:36Yeah, well, you deserve it.
00:53:38Come on.
00:53:40So, uh, where do you want to go? Studio?
00:53:42Yes.
00:53:44Where do you want to go for some tea?
00:53:46To us and to our company
00:53:48for nailing that Todd group
00:53:50collaboration.
00:53:52You know what? Cheers, everyone.
00:53:54Vanessa, you're a genius.
00:53:56You really made it happen
00:53:58with this Todd group.
00:54:00And that's not all.
00:54:02We had calls from big brands that want to work with us, too.
00:54:04Well, tomorrow's a big shoot,
00:54:06so let's crush it.
00:54:08More deals are just around the corner.
00:54:10Okay,
00:54:12drinking is free.
00:54:14Okay, drinking is fun and all,
00:54:16but let's switch it up.
00:54:18Truth or dare?
00:54:28Alright, truth.
00:54:30Do you have
00:54:32a girlfriend?
00:54:36Not yet.
00:54:38Ah, not yet.
00:54:40Does that mean there's one on the horizon?
00:54:42That's your next question.
00:54:50Looks like you're not off the hook.
00:54:52So, is there anyone
00:54:54you have your eye on?
00:54:58Yeah.
00:55:00Yeah, I do.
00:55:06Alright, alright.
00:55:08Quit staring at me. Just please
00:55:11open the bottle again.
00:55:17Oh, what? So this is the master bedroom?
00:55:19Okay.
00:55:21Alright. I thought this was off-limits.
00:55:23Not anymore.
00:55:37I want to
00:55:41I want to
00:55:45I want to
00:56:07He's passionate
00:56:09and he knows how to make a girl
00:56:11feel special.
00:56:18Why aren't we prepping yet?
00:56:20It's almost time to shoot.
00:56:22We've been waiting for over an hour.
00:56:24What's the holdup inside?
00:56:26Are you Vanessa?
00:56:28Yes, that's me. Hi, Mr. Bailey.
00:56:32Can we get started?
00:56:34Just keep waiting.
00:56:36Can you see? I'm not ready.
00:56:39But we said we'd start at 9
00:56:41and it's past that, so
00:56:43what are we waiting for?
00:56:45If you can't be patient, you really think you're ready
00:56:47for a partnership with Todd Groves.
00:56:49I don't understand why Mr. Todd partners with all these
00:56:51small studios.
00:56:53Maybe the studios might be small,
00:56:55but we can handle ourselves against the big companies.
00:56:59You think you can compare with the big boys?
00:57:03What do you have?
00:57:05A pretty face?
00:57:07Boy, did you...
00:57:10You slept your way into this job.
00:57:18Shocking.
00:57:20A big company like the Todd Group
00:57:22can't get timing right.
00:57:24Or show basic respect to its partners.
00:57:26If that's how it's gonna be, we're out.
00:57:29Oh, you're leaving so soon.
00:57:32I've hit the nail on the head and you're feeling guilty.
00:57:34See, you can't take the heat.
00:57:37If you want the shoot to keep going,
00:57:39I suggest that you beg me for it
00:57:41and nicely.
00:57:45Your mouth is fucking foul.
00:57:47Consider that free mouthwash.
00:57:49No need to beg.
00:57:51You bitch, just you wait.
00:57:59Yo, Mr. Todd, long time no see.
00:58:01Do you want to tour the studio?
00:58:04Where's everybody from Vanessa's studio?
00:58:06Weren't they meant to shoot today?
00:58:08It was a total disaster.
00:58:10She had to wait a little bit longer
00:58:12and then she splashed water on the floor and left.
00:58:14What?
00:58:16You drove her away?
00:58:26This is truly outrageous.
00:58:28What does that make me, Vanessa?
00:58:30Let's just head back for now.
00:58:36Miss Clark, I'm so sorry for the trouble.
00:58:38It's on us at the Todd Group
00:58:40for dropping the ball with our team.
00:58:42Edwin's been let go.
00:58:44We'd be so grateful if you'd reconsider
00:58:46and come back for the shoot.
00:58:55Great, okay, thank you, you're all done.
00:58:57Well, I think we've had it.
00:58:59Stunning.
00:59:01Amazing.
00:59:03We'll see you later.
00:59:05Bye, guys.
00:59:07Miss Clark!
00:59:09Hi.
00:59:11I just wanted to come by
00:59:13personally and apologise
00:59:15for what happened earlier on.
00:59:17I hope that doesn't change your view on the Todd Group.
00:59:19No way, I'm really appreciative
00:59:21to the Todd Group for this opportunity.
00:59:23Good, good.
00:59:25I'm really impressed with your skills.
00:59:27We look forward to seeing
00:59:29what you do next.
00:59:31I really appreciate your help today.
00:59:33The shoot turned out way better than I expected.
00:59:35Good, I'm glad.
00:59:37And, uh,
00:59:39if you need any help in the future,
00:59:41just let me know.
00:59:45Danny's been stepping up for me,
00:59:47helping out more than I expected.
00:59:50So, uh,
00:59:52how was today?
00:59:54Smooth sailing?
00:59:56Hey.
00:59:58Oh, I'm sorry.
01:00:00What did you say?
01:00:02I asked how today was.
01:00:04You seemed kind of out of it.
01:00:06It's nothing.
01:00:08I'm probably just overthinking,
01:00:10but I think
01:00:12Danny might have a crush on me.
01:00:14Wait, what?
01:00:20Yeah, he's always coming in, like,
01:00:22last minute to save me.
01:00:24I mean, why else would he be so attentive?
01:00:26Look, I swear, if you start swooning
01:00:28over other guys,
01:00:30I'm gonna turn green.
01:00:32Swooning?
01:00:34Yeah.
01:00:36I don't like Danny at all.
01:00:38Well, then who do you like?
01:00:40I like...
01:00:44You're trying to tell me
01:00:46that you don't like Danny.
01:00:48You're trying to trap me
01:00:50into saying something.
01:00:52Well, yeah, I've been very obvious
01:00:54about how I feel about you, Vanessa.
01:00:56Like, I want to be with you,
01:00:58like, forever.
01:01:00You not see that?
01:01:14Look, come on.
01:01:17It was something for me, too.
01:01:23I guess
01:01:25I am kind of into you.
01:01:47Guess what?
01:01:49The Todd group loved our promo shot.
01:01:53Our studio is making waves.
01:01:55We've got brands lining up
01:01:57to collaborate with us.
01:01:59You guys are killing it at the moment,
01:02:01so I say we head to the shooting gallery.
01:02:03You're the best!
01:02:12Oh, my God!
01:02:14This shooting stuff is way harder than it looks.
01:02:16If I'd have known, I would have chosen something
01:02:18less intense.
01:02:20Don't worry, I'll show you the ropes.
01:02:24Look who's trying
01:02:26to be a sharpshooter.
01:02:28Well, if you think you can do better,
01:02:30why don't you give it a shot?
01:02:32Seriously, you think you can stack up against Blaine?
01:02:34He's got the second best aim
01:02:36in the city, right after Mr. Todd.
01:02:38Mr. Todd?
01:02:40Yeah.
01:02:42This place is owned by Mr. Todd.
01:02:45He's got the top score, but watch out.
01:02:47Blaine's gunning for that record.
01:02:51You didn't know that, no, Vanessa?
01:02:53And what, you just thought
01:02:55you'd stroll in here
01:02:57and embarrass yourself?
01:03:01You think you can beat the record?
01:03:05Aye.
01:03:07You can't even beat me.
01:03:11Oh.
01:03:15Huh.
01:03:17Oh,
01:03:19very confident.
01:03:21Alright then, how's about
01:03:23we make ourselves a little deal?
01:03:25You lose,
01:03:27you hand over your portion of the Todd Crew's
01:03:29partnership to me, eh?
01:03:31So, when you can't win
01:03:33fair and square, you resort to cheating?
01:03:35Classic Blaine.
01:03:37Come on, let's go.
01:03:39No, no, no, no, no. I can take you on.
01:03:41But if you lose,
01:03:44what's your game plan?
01:03:46Lose, ha ha, lose,
01:03:48me.
01:03:50You think you can just walk in here and
01:03:52break the record like it's
01:03:54a walk in the park?
01:03:56We'll see.
01:03:58Oh, alright, very confident.
01:04:00My goodness,
01:04:02I have never seen somebody
01:04:04so eager to get embarrassed.
01:04:06You can't even
01:04:08swing that thing, man.
01:04:10I'm not buying it either, but how about this?
01:04:12If you beat Blaine, Vanessa
01:04:14can take any project from me.
01:04:16Are you sure about this?
01:04:18You don't have to do it just to prove
01:04:20up to me.
01:04:22Relax, your boyfriend's got this.
01:04:32Baby, you're on fire.
01:04:36Ah, yes.
01:04:38Even better than last time.
01:04:41You know something?
01:04:43I think you should just throw in the towel
01:04:45and save yourself a bit of embarrassment.
01:04:49Not a chance.
01:04:51I believe in Jason.
01:05:11Did I just see that?
01:05:13Ten shots, ten hits.
01:05:15We just broke the record.
01:05:17Someone just beat Mr. Todd's record.
01:05:19Beat Mr. Todd's record?
01:05:21How's that even possible?
01:05:23How's that possible?
01:05:25Who are you?
01:05:27Breaking Mr. Todd's record
01:05:29and sharing his last name.
01:05:31I don't know.
01:05:33I don't know.
01:05:35I don't know.
01:05:37I don't know.
01:05:40Last name?
01:05:42Could he be?
01:05:44How are you so good
01:05:46you just shattered Mr. Todd's record?
01:05:48It's nothing.
01:05:50I just picked it up in college.
01:05:52Shooting champ every year.
01:05:54Okay.
01:05:56I'm definitely overthinking this.
01:05:58He's just a regular guy.
01:06:00There's no way he could be Mr. Todd.
01:06:02Remember,
01:06:04you owe us a project.
01:06:06Why should I?
01:06:08No way.
01:06:10You've obviously cheated.
01:06:12You've obviously done something
01:06:14for the goons or something like that.
01:06:16Not a chance out of this.
01:06:18Why is it really that hard
01:06:20to just admit someone's better, Blaine?
01:06:22I'm going to get you too.
01:06:30You're so good.
01:06:32I thought Blaine and Adam
01:06:34were going to explode.
01:06:37Yeah, you're the best.
01:06:39You know, today's been my lucky day.
01:06:41I learned how to shoot
01:06:43and secured projects for free.
01:06:45But what if Abby goes back and on deal?
01:06:47Then I'll snatch the projects from her.
01:06:49Lying gets under my skin.
01:06:51What if you find out
01:06:53I've been hiding something?
01:06:57I dare you to try me.
01:06:59If Vanessa discovers I've been
01:07:01keeping my true identity a secret,
01:07:03will she walk away?
01:07:05I can tell her she will.
01:07:11Vanessa.
01:07:15What's going on?
01:07:17I'm here to apologize.
01:07:21Come back with me.
01:07:23I've saved a spot for you at the Clark Group.
01:07:25You kicked me out.
01:07:27Remember that?
01:07:29I've been much happier since I left.
01:07:31So why would I come back?
01:07:34The Clark Group is struggling.
01:07:36We need your talent.
01:07:38Sounds like you can't handle it, Abby.
01:07:40If Dad's here begging for my help,
01:07:42things must be bad.
01:07:44You...
01:07:48Vanessa.
01:07:50What will it take
01:07:52to bring you back?
01:07:54I'll give you
01:07:56half the company shares.
01:07:58How does that sound?
01:08:00Dad, are you serious?
01:08:03I'll think about it.
01:08:05Excellent.
01:08:07Give it some serious thought.
01:08:09I'll be waiting for you at the Clark Group.
01:08:13Get out of my fucking way.
01:08:15The shares are meant for me, Vanessa.
01:08:17Just wait.
01:08:19I'll make sure you never enjoy them.
01:08:27You know, I like your car.
01:08:29It's a smooth ride, like you.
01:08:31Stop it.
01:08:33Are you sure you can't come to dinner?
01:08:37No, I can't.
01:08:39I've got something to do tonight.
01:08:41Call me when you're done.
01:08:43I'll pick you up.
01:08:45What could you possibly have to do at night?
01:08:47You better not have another client.
01:08:57No way I'd have the energy.
01:09:00Good.
01:09:02You better keep it up.
01:09:30Fuck.
01:09:32Fuck.
01:09:58Is this Vanessa Clark?
01:10:01I'm here for Jason.
01:10:03He's been in a car accident.
01:10:05You need to come to the hospital immediately.
01:10:07I'm here for Jason.
01:10:09He was in a car accident.
01:10:11Where is he?
01:10:13He's down in the hall to your left.
01:10:15Thanks.
01:10:19Jason?
01:10:21Are you okay?
01:10:23Are you seriously hurt?
01:10:25No, I'm fine.
01:10:27Just a scratch.
01:10:30Thank God.
01:10:32You scared the life out of me.
01:10:34How did this happen?
01:10:36Someone cut the brakes, Vanessa.
01:10:38This was your car.
01:10:40They were aiming for you.
01:10:46It's Abby.
01:10:48It has to be.
01:10:50It's all about the shares.
01:10:52She's trying to take me out.
01:10:54I'm so sorry.
01:10:56It's all my fault you got hurt.
01:10:58I promise I'll get to the bottom of this.
01:11:00Thank God.
01:11:02You're all right, dear.
01:11:06You're all right, dear.
01:11:08Mrs. Todd,
01:11:10what are you doing here?
01:11:14Oh, you must be here
01:11:16to see Mr. Todd, right?
01:11:20The nurse just told me
01:11:22he's across the hall.
01:11:24He's fine.
01:11:27Wait,
01:11:29Mr. Todd
01:11:31got in a car accident, too?
01:11:33Yeah,
01:11:35that's right.
01:11:39So,
01:11:41you and Mr. Todd
01:11:43in a car accident
01:11:45at the same time?
01:11:47Yeah.
01:11:49Crazy coincidence, huh?
01:11:51Should I go and see him?
01:11:53He's been so good to the studio.
01:11:56Are you okay?
01:11:58Where does it hurt?
01:12:00Should I call someone?
01:12:02No, I need you.
01:12:04A spoonful of sugar.
01:12:06Even now you're talking nonsense.
01:12:08I'm glad you're safe.
01:12:10If this was you,
01:12:14I don't know what I'd do.
01:12:18You're so stupid.
01:12:20Look, it's late.
01:12:22I'll go get you something to eat.
01:12:24Okay.
01:12:42I have a question.
01:12:44Okay.
01:12:46How would you feel if
01:12:48someone close to you
01:12:50told you a lie?
01:12:53Depends on the lie.
01:12:55If they had good reason?
01:12:57Um,
01:12:59I mean, I'd still be upset.
01:13:01A lie's a lie.
01:13:03They just really have to make it up to me.
01:13:05Uh, why are you asking?
01:13:07Are you lying to me?
01:13:09No, no, I'm just, um,
01:13:11just wondering.
01:13:15Wondering if you want to go out sometime.
01:13:17I mean, we've not been
01:13:19on a real date since we got together.
01:13:21That's true.
01:13:23Okay, so,
01:13:25we'll go on one after you've been discharged.
01:13:27Alright, deal.
01:13:29I'll make a plan.
01:13:31Alright.
01:13:33Surprise me.
01:13:35Surprise you?
01:13:39You're so dumb.
01:13:41It's in your hair.
01:13:47Where are we?
01:13:50The suspense.
01:13:52Yeah.
01:14:02Oh my god.
01:14:04Do you like it?
01:14:06Yeah.
01:14:14You really know how to treat a woman, don't you?
01:14:20Vanessa, I can't keep hiding this from you.
01:14:22Tonight,
01:14:24I'll tell you everything.
01:14:26And then,
01:14:28I'll propose.
01:14:32Vanessa,
01:14:36I love you.
01:14:38And I want to be with you
01:14:40forever.
01:14:46I love you too.
01:14:50Actually,
01:14:52there's something that I've been
01:14:54dying to tell you.
01:14:56Oh my gosh,
01:14:58they're so pretty.
01:15:12Vanessa,
01:15:14I've got a secret, okay?
01:15:16Okay.
01:15:19I hope that you won't be upset.
01:15:21You're really hiding something?
01:15:23Just say it.
01:15:25Actually,
01:15:35I am...
01:15:37Shit.
01:15:43Shit.
01:15:49Jason,
01:15:51Grandpa's very ill.
01:15:53You need to come home now.
01:15:59I've got some
01:16:01personal stuff that I have to handle.
01:16:03Can you head home?
01:16:05So you can't stay tonight?
01:16:07What's going on?
01:16:09It's so urgent.
01:16:11It's really important,
01:16:13but I'll fill you in when I'm home, alright?
01:16:15Okay.
01:16:17I don't get it.
01:16:19What's the rush?
01:16:29So this is your urgent matter?
01:16:31Comforting the other woman?
01:16:33What's really between you and Mrs. Todd?
01:16:35Why the closeness?
01:16:38What?
01:16:48Hey, Vanessa, are you in there?
01:16:56Hey, Allison.
01:16:58What's going on?
01:17:00What's going on?
01:17:02What's going on?
01:17:04What's going on?
01:17:07Hey, Allison.
01:17:09Have you seen Vanessa?
01:17:11She at the office?
01:17:13She wanted me to tell you, you're fired.
01:17:15What? Seriously?
01:17:17Why?
01:17:19Yeah, she seemed really upset.
01:17:21Good luck, okay?
01:17:23Upset?
01:17:25Hey, Allison.
01:17:33Hey, Vanessa.
01:17:35Hey, everything was fine yesterday.
01:17:37What happened?
01:17:39You're asking me?
01:17:41You were with some other woman,
01:17:43and you're asking me what's wrong?
01:17:45When was I ever?
01:17:49Mrs. Todd?
01:17:51No, I can explain.
01:17:53I saw it with my own eyes.
01:17:55I don't need you to explain.
01:17:57Just let go.
01:17:59No, I'm not moving.
01:18:01Let go!
01:18:05Come on, Vanessa.
01:18:07Don't start feeling sorry for a playboy.
01:18:09The Todd Group is hosting
01:18:11a photography competition next month.
01:18:13Winners will get a chance
01:18:15at a long-term strategic partnership.
01:18:17A long-term partnership?
01:18:19If I can nail this competition,
01:18:21my studio's future is set.
01:18:35Vanessa,
01:18:37what brings you to the national photo contest
01:18:39hosted by the Todd Group?
01:18:41Aren't you just a little ashamed
01:18:43to show your face here?
01:18:45Ashamed? Please.
01:18:47Speaking of shame,
01:18:49look in the mirror.
01:18:51This is a national contest,
01:18:53Abby, remember?
01:18:55Better not play any plagiarism stunts.
01:18:57You'll be blacklisted quicker
01:18:59than you can cry about it.
01:19:01You bitch.
01:19:04Welcome, ladies and gentlemen,
01:19:06to the annual photo contest of the Todd Group.
01:19:08Just wait. When the results are in,
01:19:10I'll make sure you're crushed beneath my feet.
01:19:12Oh, I'll be right here,
01:19:14eagerly waiting for the fallout.
01:19:16Let's kick things off by welcoming
01:19:18our first contestants.
01:19:24Hey, everyone.
01:19:26The photos I'm showing today
01:19:28are from my incredible travels.
01:19:34This shit is breathtaking.
01:19:36I give it 98 points out of 100.
01:19:38I'm in love with this.
01:19:40This photo is truly a star on the rise.
01:19:4299 points.
01:19:44Vanessa, get ready to be beneath my feet.
01:19:49I need to report this work.
01:19:51Vanessa, are you seriously doing this out of spite?
01:19:53This photo clearly
01:19:55shows signs of AI generation
01:19:57and stealing the work of the renowned photographer
01:19:59Feliciano Bo.
01:20:04You're lying. This is a set-up.
01:20:08I have the original shot right here.
01:20:10What's your excuse now, Abby?
01:20:12Don't listen to her.
01:20:14She's just out to get me.
01:20:16Two photos don't prove anything.
01:20:18Yeah.
01:20:20I had them on exactly the best of buds
01:20:22and now this is ruining the competition.
01:20:24The judges have thoroughly vetted
01:20:26this work.
01:20:28Miss Vanessa Clark, please do not disrupt the competition.
01:20:30But this is clearly
01:20:32AI generated. I want a judge to review this.
01:20:34Come on, sis.
01:20:36Everyone knows that you're just jealous
01:20:38and trying to make me look bad.
01:20:40Give it a rest.
01:20:42Vanessa, please do not disrupt
01:20:44the competition.
01:20:46You see, I had the Todd Group's tech team
01:20:48run the numbers.
01:20:50Abby's work,
01:20:52total AI generation.
01:20:54Now that breaks the rules.
01:20:56So, I'm announcing
01:20:58Abby's disqualification
01:21:01and banning her from working with the Todd Group
01:21:03and any of their associates.
01:21:05Jason? What's he doing here?
01:21:07Who do you think you are?
01:21:09You can't just ban me.
01:21:11The Todd Group tech team isn't your personal squad.
01:21:13Get a load of this guy.
01:21:15Some stripper
01:21:17playing Mr. Todd.
01:21:19Imagine that.
01:21:23Get a load of this guy.
01:21:25Some stripper
01:21:27playing Mr. Todd.
01:21:30Imagine that.
01:21:32Mr. Rogers,
01:21:34he's here to cause chaos.
01:21:36Get him out of here, fast.
01:21:38Using AI to cheat, hmm?
01:21:40Seems like you're the real troublemaker here.
01:21:42Shit, it looks like Jason's
01:21:44really got Mr. Todd backing him.
01:21:46Even Mr. Rogers is in his corner.
01:21:48Mr. Rogers,
01:21:50that man is a male stripper.
01:21:52It's our fault for this.
01:21:54The judges here have been
01:21:56bribed by Abby.
01:21:58And the whole industry.
01:22:00And the Todd Group's not gonna touch this.
01:22:06I'm looking for Abby Clark.
01:22:08You're under arrest on the suspicion
01:22:10of attempted murder.
01:22:12You've mistaken me for someone else.
01:22:14Easy. Let me go.
01:22:16I didn't kill anyone. I'm being framed.
01:22:18It's Vanessa. She's setting me up again.
01:22:20You mess with my car.
01:22:22You put lives at risk.
01:22:24Do I need to show everyone the proof, Abby?
01:22:27I can't believe she'd go this far
01:22:29against her own sister.
01:22:31Sister? They're half-sisters, remember?
01:22:35You're gonna pay for this, you bitch.
01:22:42You're gonna pay for this, you bitch.
01:22:46Lane, help me.
01:22:48Officer, I had nothing to do with this.
01:22:50It was all Abby.
01:22:52Lane, you ungrateful jerk.
01:22:54I've done everything for you.
01:22:56Don't look at me like this.
01:23:00Are you okay? Did she hurt you?
01:23:02Don't touch me.
01:23:04Okay, look, Vanessa.
01:23:06There's something I need to say.
01:23:08No need for explanations.
01:23:10I already know what's going on.
01:23:12You're cozying up to Mrs. Todd, right?
01:23:14The tech team is all ears when you're around.
01:23:16No, no, no, Vanessa.
01:23:18You got this wrong.
01:23:20Mrs. Todd is my mom.
01:23:22Like my mom.
01:23:25So...
01:23:27So Jason Todd,
01:23:29the CEO of the Todd Group,
01:23:31isn't it fun to play games with me, Jason?
01:23:33Watching me get played
01:23:35like some sort of idiot?
01:23:37Hey, hey, just listen.
01:23:39I don't need your explanation.
01:23:41Don't follow me.
01:23:51He knew I can't stand lies.
01:23:54Yet he strung me along like a puppet.
01:23:56I can't believe I fell for it.
01:24:02You think you can just walk away, did you?
01:24:06It's a chance.
01:24:08Not a chance.
01:24:14Oh, Vanessa, my dear.
01:24:16You have fucked up my life.
01:24:20And now,
01:24:22my darling,
01:24:24only today.
01:24:46Calm down.
01:24:48Vanessa!
01:24:51What the hell?
01:24:59He's playing out of his mind.
01:25:01He can't seriously be trying to burn me alive.
01:25:03Help!
01:25:05Is anyone there?
01:25:07I'm trapped.
01:25:09This can't be it.
01:25:11Vanessa, are you there?
01:25:13Jason, Jason, please come and help me.
01:25:15I'm trapped.
01:25:17I'm trapped.
01:25:20Please come and help me.
01:25:22I'm trapped.
01:25:24I'm sorry it took you so long.
01:25:26Are you okay?
01:25:28I thought I lost you.
01:25:30Come on, let's get out of here.
01:25:44Hey, you're awake.
01:25:46Are you okay?
01:25:48Yeah, I'm okay.
01:25:50But what were you thinking,
01:25:52rushing into the fire like that?
01:25:54Look, if something happened to you,
01:25:56I would lose my mind.
01:25:58Don't think playing the hero
01:26:00makes me forget that you lied to me.
01:26:04Look, I messed up.
01:26:06I didn't know I was.
01:26:08I know that.
01:26:10I'm sorry.
01:26:12Could you give us a moment?
01:26:14Yeah, of course.
01:26:17Look, you can hate me if you want,
01:26:19but don't walk away from me.
01:26:21You had a million chances
01:26:23to tell me who you really were,
01:26:25but you kept me in the dark.
01:26:27You made me think that you and Mrs. Todd
01:26:29were together.
01:26:31The only person that I love is you.
01:26:33Then why are you hiding your identity?
01:26:35And then stick around?
01:26:37This wasn't just some
01:26:39love at first sight thing,
01:26:41was it?
01:26:47You still don't remember who I am, do you?
01:26:53You really don't remember
01:26:55who I am, do you?
01:27:03Oh my God.
01:27:05Are you okay?
01:27:07Can you get up?
01:27:09Come on, stay with me.
01:27:17It was you.
01:27:19You were the one
01:27:21I saved from the fire.
01:27:23I've been
01:27:25looking for you
01:27:27for years.
01:27:31There was so much smoke
01:27:33and fire
01:27:35and I didn't see anything except
01:27:37your arm.
01:27:39And when I met you
01:27:41at the club,
01:27:43I saw the scar on your arm.
01:27:47I knew it was you.
01:27:49Jason,
01:27:51you don't owe me anything.
01:27:53I'm not here because
01:27:55you saved me.
01:27:57I'm here because
01:27:59I love you.
01:28:07Vanessa,
01:28:09marry me.
01:28:15I'll marry you.