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Category
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Short filmTranscript
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00:14:48Thank you so much for being here with us tonight.
00:14:51This was Anthony Sidney's sonata for harp and guitar,
00:14:55which is actually the first piece we ever learned.
00:14:59We didn't know the harp and guitar
00:15:01was a possible combination, but we really loved it,
00:15:04so we hope you like it as well.
00:15:07The next piece is Nazca by Éric Marchély.
00:15:13This piece is based on the Nazca Desert,
00:15:19on the concept of this Nazca Desert in Peru,
00:15:22which is a very special place
00:15:24because you can see these lines and shapes
00:15:27that cannot be seen from the sky.
00:15:31Nobody knows why they're there,
00:15:34so it's a very mysterious piece
00:15:37that we think well represents the atmosphere of our duo.
00:15:43We hope you enjoy it. Thank you very much.
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00:21:52Thank you very much.
00:21:54Now we're going to play a 3D movement
00:21:57from a piece for harp and guitar
00:21:59by flute player and composer Gary Schocker.
00:22:06This composer is, I think he's really good.
00:22:10However, the last piece,
00:22:13I don't know, he has something with guitarist,
00:22:15so instead of changing the part
00:22:17and make it, you know, doable with this instrument,
00:22:20and then change some things on the harp,
00:22:22he asked the guitar player to change the tuning
00:22:25of every single string before the last movement,
00:22:28which is really annoying in a concert,
00:22:30so I'll try to be as quickly,
00:22:32I'll try to change each string as quickly as I can
00:22:36so that I don't interrupt too much.
00:22:39But I think it's still worth it,
00:22:41because it's one of my favorites.
00:22:44After that, we're going to play another piece
00:22:47by Eric Marchalie, which is the composer,
00:22:50NASCA composer, which is called Suite Logique
00:22:54and is made out of a prelude, an interlude, and a postlude.
00:22:58So I guess the title is accurate.
00:23:01Thank you very much.
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00:49:03The last piece is by Maximo Diego Pujol, a guitarist.
00:49:08It's a suite of four dances inspired by Latin American dances.
00:49:13And the last one is the candombe, which is the most lively.
00:49:18But it's also the one from which the name of this piece comes from,
00:49:23because there's just a different section much calmer and peaceful than the rest.
00:49:31This is the magical fragment that somehow inspired the composer.
00:49:38That's what he says about this piece.
00:49:41Thank you so, so much for coming to our concert tonight.
00:49:45We hope to see you soon. Thank you.
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