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Short filmTranscript
00:00:00Hey, how much to take you to my place, baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip for money, but she won't fuck a guy?
00:00:28I'm not a hooker, show some respect!
00:00:30You fucking bitch, I'll show you respect!
00:00:34Mr. Morgan, I am so sorry.
00:00:37She's new here, I've got to train her better.
00:00:39Just have a seat, we'll be with you shortly.
00:00:41Sorry about that.
00:00:47You ungrateful bitch!
00:00:49You remember who saved your ass when you were knee-deep in debt?
00:00:53Me!
00:00:58How are we doing with the search?
00:01:00Not good, boss. Still going.
00:01:02Find her. I don't care what it takes.
00:01:09I found the perfect woman for you.
00:01:11It's about time you settle down and get married.
00:01:13Her name is Carla. She's the daughter of a friend of mine.
00:01:16Dad, we've been over this.
00:01:18I don't need you to find me the perfect woman.
00:01:20Of course I do. You're an Ardwin.
00:01:22I have to make sure my son marries the perfect woman.
00:01:24So now all of a sudden you give a shit about me?
00:01:26You never care when you drove Mom away?
00:01:28Or when you sent me to that orphanage all by myself?
00:01:30Silence! How dare you!
00:01:32It's for the Ardwin family business.
00:01:34You're marrying Carla Jennings.
00:01:36End of discussion.
00:01:38Dad.
00:01:40Dad.
00:01:44I paid your 500 grand debt.
00:01:46And I gave you a job.
00:01:48Now if you want to quit so bad, pay me back!
00:01:51And get the fuck out of my club!
00:01:53Please, you know I don't have $500,000.
00:01:55Just give me another chance!
00:01:57Then get the fuck back in there.
00:01:59Apologize to that nice gentleman.
00:02:01And do whatever the fuck he tells you to do!
00:02:03Now if I get any more complaints from our clients,
00:02:06you will be sorry.
00:02:08Got it?
00:02:10Is there a problem here?
00:02:12No, sir. Everything's fine.
00:02:16She looks just like her.
00:02:24Will you marry me?
00:02:31Will you marry me?
00:02:36Now let's tell my father I've chosen a wife for myself.
00:02:38Are you sure, boss?
00:02:40She's a stripper.
00:02:42How about we make a deal?
00:02:44Name any price you want, and we get married.
00:02:47I owe my boss $500,000.
00:02:49He's not going to let me go until I pay it.
00:02:54Anything else?
00:03:04This is your house?
00:03:06It's our house now.
00:03:08Welcome.
00:03:15Alright.
00:03:17Sign this agreement,
00:03:19and we'll be contractually married for a year.
00:03:21After that, you can file for divorce.
00:03:23Until then,
00:03:25you're part of the richest family in the country.
00:03:38My heart belongs to somebody else, though.
00:03:40I don't want you to know that I'm not attracted to you.
00:03:43We're just going to be married on paper.
00:03:47Is that so?
00:03:49Don't worry.
00:03:51I'm not attracted to you either.
00:03:53I just wanted the money.
00:04:06Hey, where am I staying, by the way?
00:04:08In the guest room.
00:04:16Total jerk, this is an ad.
00:04:20What?
00:04:25It's been over 10 years.
00:04:29I miss you so much.
00:04:49Nas, I need you to find out everything you can
00:04:51about the woman I just married.
00:04:53See if she grew up in the same orphanage.
00:05:20Sorry, I didn't mean to.
00:05:22This is my bathroom.
00:05:24What do you think you're doing?
00:05:26Nice try, trying to use your little tricks
00:05:28to get my attention.
00:05:30Not going to work, though. Sorry.
00:05:33I wasn't trying to get your attention.
00:05:41You mind turning that off?
00:05:45I just thought the carpet needed some cleaning.
00:05:47You're here to be my wife, not a maid.
00:05:52Who are you?
00:05:56Wait, you're that stripper.
00:05:59What are you doing in Edward's house?
00:06:01I am who are you?
00:06:03I am Edward's fiancé.
00:06:09Edward, you're marrying a stripper?
00:06:11I thought I was your fiancé.
00:06:13My father arranged for us to get married
00:06:15only for the sake of our families.
00:06:17We wouldn't be happy even if we did get married.
00:06:19But I would be happy, Edward.
00:06:21Carla, you know I have someone that I love.
00:06:25She's the one I'm waiting for.
00:06:29I don't know who the fuck you are,
00:06:31but if you think you have a chance against me,
00:06:33you're dumber than I thought.
00:06:35Miss, get it straight.
00:06:37I'm not competing with you.
00:06:41Stop it.
00:06:43Edward!
00:06:45Are you defending her now?
00:06:47You're not done, bitch.
00:06:49Just wait.
00:06:51Wow.
00:06:53You've got a lot of admirers, huh?
00:06:55Any more than I need to watch out for?
00:06:57Look, if you see me in the living room,
00:06:59don't show your face.
00:07:01Same will go for me.
00:07:03Your house, your rules. Big deal!
00:07:05Hi.
00:07:07I'm Velma.
00:07:11I've worked a lot of odd jobs
00:07:13in the city.
00:07:15Waitressing
00:07:17and working in nightclubs.
00:07:19All for a chance
00:07:21to act.
00:07:27I'm also looking
00:07:29for someone
00:07:31that I can trust.
00:07:33I'm also looking for someone
00:07:37and
00:07:39I hope
00:07:41that one day
00:07:43he sees me on screen.
00:07:47That way he knows that
00:07:49I'm still here.
00:08:03Hunker.
00:08:07I hope you see me.
00:08:21That's okay, Sarah.
00:08:23Velma doesn't need to dine with me.
00:08:25Bring my food to my room
00:08:27and I'll eat there.
00:08:29Yes. It's fine.
00:08:31I usually don't eat with people anyway.
00:08:33By the way,
00:08:35I'm going out for a bit today.
00:08:37Where you go is none of my concern.
00:08:41Fine!
00:08:45Is he always this big of a jerk?
00:08:47Excuse him, ma'am.
00:08:49He's just used to living alone.
00:08:51I'm sorry, Sarah.
00:08:53It must be difficult dealing with him every day.
00:08:55It's okay.
00:09:01Yeah.
00:09:03I'll be right there.
00:09:15Okay.
00:09:17Sit.
00:09:19I heard a funny little rumor
00:09:21that you married the famous billionaire
00:09:23Edward Arduin.
00:09:25Is it true?
00:09:27I didn't know that he was a billionaire until after we were married.
00:09:29You're joking! How did you manage that?
00:09:31Shh!
00:09:33I just signed a contract.
00:09:35It's fake.
00:09:37Well, who cares? What are you waiting for? Seal the deal.
00:09:39You know that I can't think about anyone but Algar.
00:09:43T, it's been 10 years
00:09:45since you two escaped the orphanage.
00:09:47I mean, Algar could be anywhere. He could be dead.
00:09:49He's not dead!
00:09:51Okay.
00:09:53It's okay. I'm sorry.
00:09:55So, what's your plan?
00:09:57Keep things the way they are,
00:09:59I guess, except
00:10:01now I can focus more on acting
00:10:03and not dancing in strip clubs.
00:10:05Hey! That's exciting, right?
00:10:07That's something you've always wanted to do since you were a kid.
00:10:09Is that audition today?
00:10:11Yeah.
00:10:19Hi. I'm here for the audition.
00:10:23You think you can just show up like that, you slut?
00:10:27Are you stalking me?
00:10:29Oh, don't flatter yourself.
00:10:31I'm the lead of this production.
00:10:33She's not auditioning.
00:10:35Sorry.
00:10:37You can't do this!
00:10:39I worked so hard for this opportunity!
00:10:41Oh, like stripping for men
00:10:43and fucking them in strip clubs?
00:10:45Got it!
00:10:47I was dancing, that's it!
00:10:49What's the fucking difference?
00:10:51I eat girls like you for breakfast.
00:10:53Let's go, Derek.
00:10:55Let's go, Derek.
00:10:59No!
00:11:01Please! Wait!
00:11:07Be quiet.
00:11:25Boss.
00:11:47Boss.
00:11:49Get the details.
00:11:51Tell her she went to a high school not far from here
00:11:53and her dad has been auditioning for films.
00:11:57She worked at nightclubs to make a living.
00:11:59Bad relationship with her parents.
00:12:09But not an orphan.
00:12:11No name changes
00:12:13and definitely never been to an orphanage.
00:12:23I wanted it to be her so bad.
00:12:27Of course it can't be her.
00:12:29You've been looking for this girl for ten years.
00:12:31Who is she?
00:12:33Someone more important to me than life itself.
00:12:47It is her.
00:12:53Find me the location where this photo was sent.
00:12:55Got it.
00:12:57Photo's been sent.
00:12:59Good. Where is she?
00:13:01Oh.
00:13:03Out like a lame.
00:13:05I guess marrying Edward won't solve everything.
00:13:07How about I bet it?
00:13:09Do whatever you want with her
00:13:11and clean it after you're done.
00:13:23I've been searching for you for so long
00:13:25and you were right here.
00:13:53Boss, he's gone.
00:13:55Find him and keep this between us.
00:13:57Got it.
00:13:59Come on.
00:14:01I got you.
00:14:13Elgar.
00:14:15I'm sorry.
00:14:19I can't tell you who I am.
00:14:21Not yet.
00:14:39We'll need your names once we're out of here, right?
00:14:43Yeah, we're starting a new life.
00:14:45I'll be Thelma.
00:14:47What about you?
00:14:49Elgar.
00:14:51Helen.
00:14:53Where are you?
00:14:55We have to run quick.
00:14:57Trying to escape again?
00:14:59I warned you it's not gonna work.
00:15:01Looks like I gotta give you some real punishment.
00:15:03You go first.
00:15:05At least one of us needs to escape.
00:15:07No, you go.
00:15:09She's gonna kill you.
00:15:11I won't let her catch me.
00:15:13Just go, I'll find you.
00:15:15Let's meet at the amusement park.
00:15:19Okay.
00:15:25You're not going anywhere.
00:15:27I'll bring her back, rest assured.
00:15:29After I'm done with you.
00:15:37I'll wait for you, Elgar.
00:15:39Bye.
00:15:47What happened?
00:15:49Nothing to worry about.
00:15:51Just some issues with the film crew.
00:15:53Why are you being so nice to me?
00:15:55No reason.
00:15:57Here, take this card.
00:15:59It's unlimited.
00:16:01Spend it however you want.
00:16:03Why are you doing this? I don't want your money.
00:16:05Well, if you need money,
00:16:07just let me know
00:16:09and you can stop looking for
00:16:11odd jobs.
00:16:15Odd jobs?
00:16:17Acting is my dream.
00:16:19I danced in strip clubs
00:16:21for a living, but
00:16:23people like you,
00:16:25born from a silver spoon,
00:16:27wouldn't understand that.
00:16:29Then stop doing it.
00:16:31We're in a contract marriage, right?
00:16:33I won't interfere with your life
00:16:35and you can't meddle in mine.
00:16:37Acting is something that
00:16:39I've always wanted.
00:16:41And besides,
00:16:43I'm not going to take your money
00:16:45besides the number that we agreed on.
00:16:47You need to rest now.
00:16:53Do you mind?
00:17:03No.
00:17:13Look at this mess.
00:17:15Clean it up if you even think
00:17:17about going to bed.
00:17:33Eat up. You must be starving.
00:17:37Nah, you probably worked hard for this.
00:17:39Come on, take it.
00:17:45I can't believe she locked you out
00:17:47for three days and made you do all this.
00:17:49Did she even feed you at all?
00:17:51You made it easier for me.
00:17:53No, get back before
00:17:55she sees you here.
00:18:03Excuse me.
00:18:05I'm calling to ask about my audition.
00:18:07I'm sorry,
00:18:09your name has been blacklisted
00:18:11from reproduction.
00:18:13What?
00:18:17This is the dude who talked
00:18:19out loud and sent you those pictures.
00:18:33How about a drink?
00:18:35There are two glasses of scotch there.
00:18:37Pick one.
00:18:39I'm sorry, Mr. Edward.
00:18:41Please.
00:18:43Just a friendly gesture from the boss.
00:18:45One more thing.
00:18:47Only one of those glasses
00:18:49is poison proof.
00:18:51You should have known better
00:18:53what would happen
00:18:55when you kidnapped Emma.
00:18:57Here,
00:18:59take this.
00:19:01Here,
00:19:03I'll do it for you.
00:19:05Hold it.
00:19:07Go!
00:19:11Go!
00:19:17Take him away.
00:19:25This
00:19:27is what I've become, Thelma.
00:19:29I hope you never
00:19:31see me like this.
00:19:33Ruthless,
00:19:35merciless.
00:19:37Both glasses
00:19:39would have silenced the man.
00:19:41I simply can't forgive
00:19:43him for what he did.
00:19:47Thelma, will you forgive me?
00:19:55What?
00:19:57What the fuck happened to you?
00:19:59How did he find you? What happened?
00:20:01Oh, you can't even
00:20:03talk now?
00:20:05God, you're fucking useless.
00:20:09Inform every production you can reach.
00:20:11Thelma will never be an actress.
00:20:15Make sure of it.
00:20:17Go!
00:20:27Are you okay?
00:20:31I've been blacklisted
00:20:33by every production company,
00:20:35even the Actors Guild.
00:20:37What am I going to do?
00:20:39Hey, don't lose heart, okay?
00:20:41I happen to know of an audition
00:20:43going on today if you're interested.
00:20:45Since when did...
00:20:47A good friend of mine tipped me off.
00:20:49Now come on, let's go.
00:20:51It's better than moping around here.
00:20:53Come on.
00:20:55There it is!
00:20:57So I can just go in there, just like this?
00:20:59Yes, I got everything set up, okay?
00:21:01Just go ahead, go in, and do your thing.
00:21:03You got this.
00:21:05Break a leg!
00:21:19What is she doing?
00:21:25Who is she?
00:21:27Nobody.
00:21:29She's not here for the audition, too, is she?
00:21:31Well, in that case,
00:21:33we're in for a treat.
00:21:37Carla, Jenny, you're up next.
00:21:55I can't believe it!
00:21:57It was you all along!
00:22:01That's right.
00:22:03I never thought you'd find me.
00:22:05But it must come to an end.
00:22:09Oh, no!
00:22:21Cut!
00:22:25I'm sorry.
00:22:27Were you shot,
00:22:29or did someone just step on your toe?
00:22:31Okay, just try again.
00:22:33I was just a bit nervous.
00:22:35Miss Jennings, we are
00:22:37making a thriller with a tragic ending.
00:22:39What you just did
00:22:41was borderline comedy.
00:22:43Excuse me?
00:22:45Do you know how close I am with your investor?
00:22:47Sir,
00:22:49she was indeed
00:22:51recommended for the role.
00:22:53Maybe we give her another chance.
00:23:01No!
00:23:03We are creating art that appeals
00:23:05to our audience, and she is clearly
00:23:07not right for the role.
00:23:09Next!
00:23:11I'm sorry, Miss Jennings. That was great.
00:23:13Maybe another project,
00:23:15or another...
00:23:17What are you still doing here?
00:23:19I thought you were blacklisted.
00:23:21So it was you.
00:23:23You know, if that's the best you got, then I'm not that worried.
00:23:25Do you think you could do better than me?
00:23:29You're nothing.
00:23:31Yeah!
00:23:33Show us what you got!
00:23:35Thelma?
00:23:37Hi.
00:23:51So it was you.
00:23:53All this time!
00:23:55That's right.
00:23:57I never thought you would find me.
00:24:01But now it must come to an end.
00:24:05No!
00:24:07This can't be it for us!
00:24:15Cut!
00:24:17Well, that was
00:24:19amazing!
00:24:21You fully captured that role!
00:24:23Congratulations!
00:24:25You get the part!
00:24:27What?
00:24:33What about me? You promised me!
00:24:35Oh, come on. You have to admit.
00:24:37She was exceptional!
00:24:39She was perfect for the part!
00:24:41Earl, you killed it!
00:24:43You were great.
00:24:45I'm Alex. Looks like we're going to be scene partners.
00:24:47Thelma.
00:24:49Hey, do you want to go somewhere more private?
00:24:51We could talk about the script.
00:24:53Yeah, sure.
00:25:05What the fuck?
00:25:07You're hitting on the wrong girl, buddy.
00:25:09Edward, what are you doing?
00:25:11I need to go talk to Thelma.
00:25:13How about you shoot another day?
00:25:19What are you doing?
00:25:21Can you explain yourself?
00:25:23I don't owe you any explanations.
00:25:25So you're seeing new guys?
00:25:29What? No!
00:25:31We were just acting out a scene.
00:25:33Were you two getting real close? Like a couple?
00:25:35I was just doing my job.
00:25:37There's nothing wrong with it.
00:25:39And besides, even if I was seeing someone,
00:25:41it would be none of your business!
00:25:49Yay!
00:25:51I heard you got the lead role.
00:25:53That's amazing.
00:25:55I knew you'd kill it.
00:25:57Janet, what is Edward doing here?
00:25:59Who?
00:26:01Wow.
00:26:03Gosh, you still don't know, do you?
00:26:05Know what?
00:26:07Well, he's actually the investor
00:26:09of this movie.
00:26:11This is his project.
00:26:17Why did you bring me here then?
00:26:21Well, it was actually his idea.
00:26:25Hello?
00:26:27Hi, is this Gene?
00:26:29Who is this?
00:26:31This is Edward Ardoin.
00:26:33I recently invested in a film project,
00:26:35and I want you to take your friend, Thelma.
00:26:37I think she'll be great for a lead role.
00:26:39Wait, wait, you're Edward Ardoin?
00:26:41I wired the payment to your account.
00:26:45Wait, wait, wait!
00:26:49I still can't believe I spoke
00:26:51to the legendary Edward Ardoin.
00:26:53I can't believe you knew
00:26:55all this time and you didn't tell me.
00:26:57Oh, well, don't look at me.
00:26:59I'm just the middle man doing somebody else a favor,
00:27:01okay? And you still got the lead.
00:27:03It's amazing.
00:27:05But,
00:27:07you know, a lot of people say that Edward's
00:27:09not very nice. He's like a stone-cold man.
00:27:11Why is he being so good to you?
00:27:15Yeah, I don't get it either.
00:27:17I mean, women must be throwing themselves at him.
00:27:19Why?
00:27:21Would he help?
00:27:27Maybe he's
00:27:29fallen for you.
00:27:31Come on, that's impossible.
00:27:33Why?
00:27:35He said some pretty harsh stuff earlier, so...
00:27:37Well, is that why you look all gloomy?
00:27:39What happened? Did you guys fight?
00:27:41He saw me doing a scene
00:27:43with another actor and...
00:27:51Why do you care
00:27:53what he thinks, though?
00:27:55Come on, girl.
00:27:57This does not sound like you.
00:27:59Are you sure you haven't fallen for him, too?
00:28:01No, it's just...
00:28:03There's something about him
00:28:05that's familiar.
00:28:07Like...
00:28:09Like...
00:28:11I've seen him before.
00:28:13Hmm.
00:28:25Hmm.
00:28:31Thank goodness you're here, Helen.
00:28:33This place is depressing.
00:28:35I don't know if I could make it without you.
00:28:39You're the one protecting me.
00:28:41I can't stand watching you getting hurt.
00:28:43You're as sweet as a sugar pea.
00:28:45Can I call you sugar pea?
00:28:47Sure, as long as I can call you my little rock.
00:28:49My little rock?
00:28:51Because you make me feel safe.
00:28:53Like a rock I'll never break.
00:28:55Deal.
00:29:05Belger...
00:29:07What have you done to me?
00:29:13I see your face everywhere.
00:29:23Oh, good.
00:29:25Just in time.
00:29:33Dig in.
00:29:37Why are you being so nice to me?
00:29:43Look, I'm
00:29:45sorry about today.
00:29:47It was stupid of me
00:29:49to react that way.
00:29:51No, I mean, why did you help me
00:29:53get the role for your film?
00:30:01Well, you won't take my money
00:30:03and I can't allow
00:30:05the wife of Edward Ardoin to just work
00:30:07a regular job.
00:30:09Oh.
00:30:11Okay, so that's why.
00:30:13They're all rich people
00:30:15in this world.
00:30:17What was that?
00:30:19You know,
00:30:21you can be real sweet sometimes.
00:30:23This is delicious.
00:30:25I'm glad you like it.
00:30:27Sweet pea.
00:30:33Good morning, ma'am.
00:30:35Edward is left already.
00:30:39I saw you were cooking last night.
00:30:41I watched your utensils.
00:30:43Uh, yeah.
00:30:45It was Edward.
00:30:47He was the cook.
00:30:49Edward.
00:30:51Gotta go.
00:30:53Cooking?
00:30:55Okay.
00:30:59What is going on?
00:31:01What are we waiting for?
00:31:03Let's get started.
00:31:05One of our lead roles is not here yet.
00:31:07Ugh.
00:31:09The one thing I ask everyone here
00:31:11is to be professional.
00:31:13Sorry, guys.
00:31:15Sorry, guys.
00:31:17Traffic was nightmare.
00:31:19Alright, I'm ready to start.
00:31:21Wait, I thought that she didn't
00:31:23get the part.
00:31:25Well, how about that?
00:31:27Looks like I'm gonna be playing your bestie.
00:31:29After this,
00:31:31nobody's even gonna remember you.
00:31:33We'll see about that.
00:31:3742 Delta, take two.
00:31:39Ready.
00:31:41And action.
00:31:43You have to leave now.
00:31:45Not without the love of my life.
00:31:47I'll wait for him no matter what.
00:31:55Cut.
00:31:57What do you think you're doing?
00:31:59Just playing my role.
00:32:01Carla.
00:32:03What the hell
00:32:05was that? That wasn't even in the script.
00:32:07I was just adding some extra touch to it.
00:32:09You know, for the sake of art.
00:32:11Art?
00:32:13That slap doesn't make any sense.
00:32:15And who gave you the authority
00:32:17to change my script?
00:32:19It's fine.
00:32:21She can hit me.
00:32:23Oh. Thelma, are you sure about this?
00:32:25It's all good if it's all
00:32:27for the sake of the effect.
00:32:29Wow.
00:32:31I knew I was right in choosing you as my lead.
00:32:33Okay, okay.
00:32:35Back to ones, please.
00:32:37Yes, thank you. Can you pick up my script?
00:32:39And action.
00:32:41You have to leave now.
00:32:43Not without the love of my life.
00:32:45I'll wait for him no matter what.
00:32:49Edward?
00:32:55Good to see you here.
00:32:57Were you watching me?
00:32:59Me and Thelma make a perfect team, don't we?
00:33:01Jay, have these two switch roles.
00:33:03I want Thelma
00:33:05to do the slapping.
00:33:07Since it's all for the sake of art.
00:33:15But Thelma is the lead.
00:33:17Yeah, that wouldn't make any sense.
00:33:19We can't make more changes to the script, Ed.
00:33:21We're already behind, and...
00:33:23Better get right to it, then.
00:33:25You don't have to do this for me.
00:33:27I'm not doing it for you.
00:33:29I'm doing it for my own investment.
00:33:31All right.
00:33:33Uh, we have added a line
00:33:35to the script.
00:33:37So now, Thelma,
00:33:39uh, Carla's new line
00:33:41will be your cue for the slap.
00:33:43Got it?
00:33:45All right.
00:33:47And...
00:33:49action.
00:33:51You have to leave now.
00:33:53Not without the love of my life.
00:33:55I'll wait for him no matter what.
00:33:57But what if he's dead?
00:33:59What if he finds somebody else?
00:34:01You're just gonna spend the rest of your life
00:34:03waiting for someone who will never come?
00:34:09Then I'll be sure to leave
00:34:11no room for regret.
00:34:15Cut!
00:34:17Oh!
00:34:19That was perfect, Thelma!
00:34:21You handled that perfectly.
00:34:25Thelma, where are you next
00:34:27supposed to slap Carla after the line?
00:34:29Uh, no need for that.
00:34:31I think that my character is above
00:34:33that kind of pettiness.
00:34:43I'm going to expose you, Thelma,
00:34:45sooner or later.
00:34:57Where are you,
00:34:59my little rock?
00:35:01I'm doing fine.
00:35:03Don't you worry.
00:35:07You know it's bad to waste food.
00:35:09Do you think you deserve to be punished?
00:35:11Yes, Headmistress, I do.
00:35:15Ma'am, Helen's sick. That's why she couldn't finish.
00:35:17Isn't that sweet?
00:35:19Too bad.
00:35:21She's getting more punishment because of you.
00:35:23Isn't that sweet?
00:35:25Well, if you so insist,
00:35:27you can take it for her!
00:35:29Oh, get off.
00:35:31You're right.
00:35:43Found a worker
00:35:45who leaked info to our computer.
00:35:47A manager who's worked with us
00:35:49for 20 years.
00:35:51What do we do with him?
00:35:53Uh, fire him.
00:35:55Zoom if we need to.
00:35:57Can't have disloyalty in the company.
00:35:59It might ruin him
00:36:01and his family.
00:36:03So be it.
00:36:05All right.
00:36:23Help her.
00:36:53Help her.
00:36:55Where's my...
00:37:25Oh.
00:37:31Oh, no, no, no.
00:37:49Morning.
00:37:51What are you doing?
00:37:53Nothing.
00:38:01I...
00:38:03carried you to your bed last night
00:38:05and that was it.
00:38:07No, seriously.
00:38:09What are you doing?
00:38:11Nothing, Sweet Pea.
00:38:13What did you just call me?
00:38:15Uh...
00:38:17Sweet Pea.
00:38:19You said it in your sleep last night.
00:38:21I see.
00:38:23Well, don't ever do that again.
00:38:25Sure.
00:38:39Hi.
00:38:41Could you maybe
00:38:43explain this scene a little bit?
00:38:45I'm not sure if I get it.
00:38:47I mean, it is pretty straightforward.
00:38:49Just do what it says
00:38:51without improvising.
00:38:55Thelma,
00:38:57you were so great yesterday.
00:38:59I want to go over this one part.
00:39:01Now, when you say this line
00:39:03about...
00:39:05We'll see who wins.
00:39:07Nos.
00:39:09What am I doing this afternoon?
00:39:11Well, it's kind of
00:39:13a very important meeting.
00:39:15Did you forget?
00:39:17Cancel it.
00:39:19Send them my apologies.
00:39:21What?
00:39:23So, what do you normally do
00:39:25when you're not working?
00:39:27Uh, I do striptease.
00:39:29Oh.
00:39:31I was thinking more along the lines
00:39:33of going to the movies.
00:39:35There's actually a good one out right now.
00:39:37I mean, maybe if you're interested
00:39:39we could try to catch it together?
00:39:41Sorry, but I really need to focus
00:39:43on this job right now.
00:39:45You're a really interesting person
00:39:47to talk to, you know that?
00:39:49Edward!
00:39:51Are you here to see me?
00:39:53Oh, you brutal dad.
00:39:55Aww.
00:39:57Edward?
00:39:59It's not for you.
00:40:01I'm sorry.
00:40:03Why is she still talking to him?
00:40:05Go put the snacks in the lounge.
00:40:07Got it, boss.
00:40:09Edward?
00:40:11What's your name again?
00:40:13Actually, it doesn't matter.
00:40:15What were you talking
00:40:17to my wife about?
00:40:25Oh.
00:40:27Thelma, I had no idea
00:40:29that you were married.
00:40:31Um, oh, don't worry about it, man.
00:40:33We were just talking about
00:40:35stuff in the script.
00:40:37Is that right?
00:40:39Hey, so you must be
00:40:41Edward Ardoin.
00:40:43I've heard a lot about you.
00:40:45I'm Alex.
00:40:47Cool. Bye, Alex.
00:40:49Yeah, I'll see you later, Thelma.
00:40:51No, you won't.
00:40:53Good, you guys are all here.
00:40:55Edward brought snacks.
00:40:57They're in the lounge if anyone wants them.
00:40:59Yes, I'll come.
00:41:01Snacks.
00:41:04Edward doesn't usually
00:41:06come to set this often.
00:41:08He's quite the busy man.
00:41:10I think he's here to see you.
00:41:12He's here to see Carla, not me.
00:41:14Oh, please. Can you not see the way he looks at you?
00:41:16Whatever.
00:41:18Oh, speak of the devil.
00:41:20I will give you two some privacy.
00:41:22Wait.
00:41:24No, don't.
00:41:27You're getting out of hand.
00:41:29Don't forget, I'm the one who hired you.
00:41:31Excuse me?
00:41:33Stay away from Alex. Got it?
00:41:35What are you talking about?
00:41:37There's nothing going on between us.
00:41:39Besides, you came here to see Carla.
00:41:41So you're jealous.
00:41:43What are you talking about?
00:41:45I'm not jealous.
00:41:57What are you doing?
00:41:59Carla and I aren't together.
00:42:01I'm here for you.
00:42:03You really expect me to believe that?
00:42:05Don't look.
00:42:11Yeah, girl?
00:42:15What?
00:42:23Gina.
00:42:26Gina, are you absolutely sure?
00:42:28Yes, positive.
00:42:30I used to know this guy from the streets,
00:42:32and he and Algar drifted around for months.
00:42:34So where is he?
00:42:36Well, they later got separated,
00:42:38so he has no idea after that.
00:42:40But that's got to mean that Algar's still alive, right?
00:42:43Oh, my goodness.
00:42:45Thank you so much.
00:42:47You have no idea how much this means to me.
00:42:49It's been ten years.
00:42:51Don't forget, you are married, too.
00:42:53What are you going to do?
00:42:55I'll divorce him once our contract is up.
00:42:58I needed the money.
00:43:00Algar will understand.
00:43:02I don't know.
00:43:04Edward seemed really into you.
00:43:06Actually, Gene,
00:43:08I think I should keep my distance from him.
00:43:20You okay?
00:43:22Yeah.
00:43:26Want to tell me what happened?
00:43:29I just want to be alone for a bit, okay?
00:43:33Is this about Carla?
00:43:35I told you, I went to see you, not her.
00:43:38Edward, I don't care who you're seeing.
00:43:41We're only married on paper, right?
00:43:45Is this because we're moving too fast?
00:43:52I just think that we should keep our distance.
00:43:55Please.
00:44:04I'm sorry.
00:44:06I'm sorry.
00:44:08I'm sorry.
00:44:10I'm sorry.
00:44:12I'm sorry.
00:44:14I'm sorry.
00:44:16I'm sorry.
00:44:18I'm sorry.
00:44:21Thought she was playing hard to get, huh?
00:44:24Maybe she doesn't want to seem too eager.
00:44:26I mean, why would anyone reject you?
00:44:29It's impossible.
00:44:31Come on.
00:44:33Let's get to the set.
00:44:38Hey, Thelma.
00:44:39You'll be wearing this dress for the next scene.
00:44:41Is that okay?
00:44:42That's fine.
00:44:45So you think you can just take whatever you want?
00:44:51I thought this was my personal changing room, like it's always been.
00:44:56Carla, this room is for the lead role.
00:44:58Yours is outside.
00:45:00Well, actually, I'm all done here.
00:45:03Carla loves taking things that aren't hers.
00:45:05Be my guest. Use it.
00:45:07Oh.
00:45:09Well, aren't you quite generous then, hmm?
00:45:12Edward's not here, so you can drop the act.
00:45:15We actually need to get back to work, if there's nothing else.
00:45:19Actually, I can finish my makeup myself.
00:45:25Go on. What do you want to talk about?
00:45:28Let's make a deal.
00:45:30A deal?
00:45:33Who the fuck do you think you are?
00:45:36Well, as far as I know, I'm Edward's wife.
00:45:43Gun or deal?
00:45:45Stop picking fights with me. Stop giving me a hard time on set,
00:45:49and I won't take anything away from you.
00:45:51I'll actually help you with whatever you and Edward have going on.
00:45:57All right, deal.
00:45:59I'm done with this room, by the way. It's yours if you still want it.
00:46:03I don't need your pity!
00:46:16Don't you have, like, business to run?
00:46:19What are you doing here all day?
00:46:27Hey, um, actually, about what happened,
00:46:30I think that we should talk.
00:46:32Why don't you meet me in the lounge after we wrap up?
00:46:36Why can't we talk now?
00:46:38I want it to be a surprise.
00:46:40See you later.
00:46:46What does she want to talk about?
00:46:49Does she not want to see me?
00:46:51Hi, Edward.
00:46:53Carla?
00:46:55Why are you here?
00:46:57Where's Thelma?
00:46:59Who should I meet?
00:47:01Maybe, um, Squirt?
00:47:04What are you doing? Are you trying to set those two up?
00:47:07Yeah, and if they're together,
00:47:10then they'll have a great time.
00:47:12Yeah, and if they're together,
00:47:14then they'll have nothing to do with me.
00:47:17Sounds like a terrible idea.
00:47:19Well, if you have a better idea, then let's hear it.
00:47:25Edward!
00:47:28If they're together, then they'll have nothing to do with me.
00:47:33Well, as long as you're okay with this.
00:47:36Of course I am. Why wouldn't I be?
00:47:40I mean, now I can just focus on what really matters,
00:47:44and I can try to find Algar.
00:47:47Edward!
00:47:49What the fuck are you doing?
00:47:58Whatever games you're playing, you need to stop.
00:48:00What are you talking about?
00:48:02You came here to see Carlos, right?
00:48:04Thelma, come on.
00:48:06Edward, we're going to be divorced really soon.
00:48:09So?
00:48:11So if you're attracted to somebody, then go for it!
00:48:13I want you to be happy!
00:48:15The only person I love is you!
00:48:20Edward, how could you?
00:48:24Everything I do for you, Carla, I do for your father.
00:48:29He looked out for me, so this is me hanging back.
00:48:37I'm already in love with somebody else.
00:48:40It's never going to be you.
00:48:42But if that man didn't exist, would you consider me?
00:48:45Stop it, Edward. It's never going to happen!
00:48:53What do I do, Algar?
00:48:55I know you're out there.
00:48:57What do I do?
00:49:07Boss, you've been here for a while.
00:49:09Is everything okay?
00:49:13Why don't you tell her you're the one she's looking for?
00:49:17Do you remember what I did to return to the Ardoin family?
00:49:37About Algar...
00:49:40Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:49:46Yes. And now the old man wants him back.
00:49:50Another brat to share their inheritance.
00:49:54If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:50:01Madam, it's our fault.
00:50:03Please don't withdraw your donation to the orphanage.
00:50:07If we work together on this, I could even help you.
00:50:13Get rid of Algar, for good.
00:50:21Take care of it, but make sure no one uses it.
00:50:27Shall we go to the Rose Garden?
00:50:29Yes, please, sir.
00:50:30I just have to see it struck a chord.
00:50:33Good, sir.
00:50:37I got rid of the woman who killed my mother and sent me to an orphanage.
00:50:43I eliminated everyone associated with her.
00:50:47Over the years...
00:50:49I did whatever it took to gain my father's approval,
00:50:54to secure my inheritance.
00:50:56My methods were ruthless.
00:50:59My conscience...
00:51:01callous.
00:51:03You did what you had to do.
00:51:06But now I'm a different man.
00:51:08A monster she doesn't even recognize.
00:51:12If she finds out this is the man she's been looking for,
00:51:15I can't lose her again.
00:51:19So it was true?
00:51:27Argon and I,
00:51:29we roamed the city for a winter,
00:51:32and a lot of people say he made some mistakes.
00:51:36But I don't think he did.
00:51:39I don't think he did.
00:51:41I don't think he did.
00:51:43A lot of people say he made some enemies.
00:51:46One night, under the bridge where we slept,
00:51:49he got stabbed.
00:51:51And he died.
00:51:53No.
00:51:55You're mistaken.
00:51:57He always had a ring with him.
00:51:59It was a nice ring.
00:52:01I think it had the letters A and H on it.
00:52:06I told him he could pawn it for a few bucks,
00:52:09but he just kept it with him.
00:52:13No, he can't just be gone.
00:52:15He can't just be gone!
00:52:17It's okay, it's okay.
00:52:26Oh, Thelma!
00:52:28Sweetie, what's wrong?
00:52:30Oh my God, baby, you haven't eaten in three days.
00:52:34Can I get you something?
00:52:36Anything?
00:52:38It's not good for you.
00:52:41Oh my gosh.
00:52:43It's okay.
00:52:45It's okay.
00:52:47This is my fault.
00:52:50She's burning up.
00:52:52The doctor said it was from emotional distress and not eating.
00:52:57Go make her something light.
00:52:59I'll stay with her.
00:53:01Yes.
00:53:04You need to get some rest and let me handle this.
00:53:07No, it's okay.
00:53:09Leave it to me.
00:53:11Look, I know you care,
00:53:13but I've never seen you do this for anyone.
00:53:16And if the old lady were here,
00:53:18she'd be heartbroken to see you this exhausted.
00:53:22Don't worry about me, Sarah.
00:53:24You can go now.
00:53:27Do it.
00:53:29I'm not hungry.
00:53:34Thelma, please eat and get better.
00:53:56I love you.
00:54:13Thelma!
00:54:14Oh my God, are you okay?
00:54:16I've been trying to call you, like, ten times.
00:54:18You haven't done something stupid, have you?
00:54:21I can't find a reason to go.
00:54:23Stop saying that, okay?
00:54:26Don't listen to what that guy said.
00:54:28He doesn't know what he's talking about.
00:54:30They never found Alger's body.
00:54:32Maybe he's still alive.
00:54:35You've waited ten years, okay?
00:54:38You sure you're going to give up now?
00:54:40Don't you want to find out the truth for yourself?
00:54:43Yeah, you're right.
00:54:46I should keep going.
00:54:48Good.
00:54:49Now go get some sleep and get back to set, girl, okay?
00:54:52That is something that you've always wanted,
00:54:54and you're not going to screw it up, all right?
00:54:57Yeah.
00:54:59I understand.
00:55:01I'll keep going for Alger.
00:55:06I want that bitch dead.
00:55:08You got that thing ready?
00:55:11Sure, I would do the job.
00:55:18All right.
00:55:19Don't mess this up.
00:55:22Coming!
00:55:34You wanted to see me?
00:55:36Yes, it is about the scene where you're stabbed.
00:55:39We will be using this as a prop.
00:55:42So once the safety is clicked off,
00:55:44the blade will go back inside itself upon impact,
00:55:47so don't worry, it's not going to hurt you.
00:55:49See?
00:55:50Nice.
00:55:53Exactly.
00:55:59Thelma, Carla, all set?
00:56:03All departments ready?
00:56:07And action!
00:56:14Wait!
00:56:15Cut, cut! Edward, are you okay?
00:56:18Oh, God, how did this happen?
00:56:22Edward, don't die on me, please.
00:56:26I know that my past is complicated,
00:56:28and I'm not worthy of your time or your love.
00:56:32What makes me so special?
00:56:37Okay, I admit,
00:56:39I think somewhere along the way I became attracted to you,
00:56:43and I know that you keep this stone-cold face,
00:56:46but I know that that's not the real you.
00:56:51Please, show me the real you.
00:56:54Let me in.
00:56:59Edward!
00:57:06What are you doing?
00:57:07That's not funny, I was worried sick!
00:57:09What's the matter with you?
00:57:11How else could I get such a lovely monologue?
00:57:13Okay, you know what?
00:57:14I'm gonna go get a doctor.
00:57:15No, no, no. I'm fine.
00:57:18No.
00:57:19Look, not even a scratch.
00:57:21Just need a minute.
00:57:23Are you sure? It seemed pretty serious.
00:57:25Yeah, the knife didn't even get to me.
00:57:28Something blocked it.
00:57:30Really? Where is it?
00:57:32Nothing.
00:57:34I'll find out what happened today.
00:57:36Meanwhile, be more careful on set, yeah?
00:57:40No, don't worry about it.
00:57:42You're the patient, just rest up now.
00:57:46I heard everything you were saying, by the way.
00:57:49Okay, you know what?
00:57:50I'm really getting you a doctor now.
00:57:52Just shut up.
00:58:03You saved my life.
00:58:09How you doing, boss?
00:58:11Oh, not too shabby.
00:58:14So, what do you plan to do with Karma?
00:58:18Karma? Almost forgot.
00:58:22Let's get payback.
00:58:25I'm not sure what we're gonna do after your little incident.
00:58:30I'm sorry, I wasn't thinking.
00:58:32It won't happen again, I promise.
00:58:34Jay, get a replacement for her role.
00:58:36She's done.
00:58:42Edward, what are you saying?
00:58:44I told you to stop pulling these tricks behind my back.
00:58:47I didn't do anything.
00:58:49Don't listen to her, she's making it all up.
00:58:51Carla had someone on the prop team switch the fake knife with a real one.
00:58:55She almost killed Thelma and myself.
00:58:58Edward, I'm sorry, I messed up.
00:59:01Please, please give me another chance.
00:59:03I've given you plenty of chances.
00:59:07Really, Edward?
00:59:09After all these years?
00:59:11Please stop embarrassing yourself.
00:59:15Hey, hey!
00:59:17Doing all of this for a man, I hope it's worth it.
00:59:21Edward, you know everything I did is because I love you.
00:59:26If you try hurting her again, you will be sorry.
00:59:32I hand her over to the police.
00:59:36Well, now that that's over, we should talk about what you said to me earlier.
00:59:42Which is what?
00:59:44That you were attracted to me.
00:59:48No, we're not going to talk about that.
00:59:50That's not fair, you tricked me.
00:59:53Got it.
00:59:57What if the person you're looking for is me?
01:00:02Don't be ridiculous.
01:00:06Besides, you come from a rich and powerful family.
01:00:10You're not the type of person who would be attracted to someone who's not rich and powerful.
01:00:15I'm not that type of person.
01:00:19I'm not that type of person.
01:00:23Besides, you come from a rich and powerful family.
01:00:27And he's an orphan, like me.
01:00:31And he's incredibly kind.
01:00:34He wouldn't even step on an ant.
01:00:38I can't say the same thing about you.
01:00:42People can change.
01:00:45And I'll never stop searching for him.
01:00:47I'm afraid that you can't stop me.
01:00:54Am I even worthy of love?
01:01:02Am I even worthy of love?
01:01:05You're a billionaire. I'm sure that there's plenty of women fighting over you.
01:01:10Plus, I stand by what I said.
01:01:16I don't think that this Edward is the real you.
01:01:22Do you remember when we first met?
01:01:25You saved me.
01:01:27You're a good person.
01:01:30You're kind to Nos, to Sarah.
01:01:35You'll find the love that you deserve.
01:01:43He's gone.
01:01:48I waited ten years and he's just gone.
01:01:55Do you like the man I am now?
01:01:57It doesn't matter. We're getting divorced in a year.
01:02:04If I give you all my properties and assets, can we not get a divorce?
01:02:13No.
01:02:18No.
01:02:36My head.
01:02:39Do you remember what happened?
01:02:43He said something about money and assets.
01:02:49And then after that, not a thing.
01:02:58All right. Okay. Back to work. Come on.
01:03:06Hey. Can we talk?
01:03:09I heard you've been looking for someone.
01:03:11Yes.
01:03:16I believe this could be helpful.
01:03:19This place is reopening soon.
01:03:22I'd like for you to come.
01:03:25What does this have to do with the man that I'm looking for?
01:03:29You'll see.
01:03:32Okay. I'll go.
01:03:34Good.
01:03:38I don't want to disappoint the police.
01:03:41What does this have to do with Edward?
01:03:43You'll see.
01:03:47Look at that. See?
01:03:49Oh my God.
01:03:50Yes. I trusted you.
01:03:51Guys, we're blowing up.
01:03:53What do you mean?
01:03:54After we posted the behind the scenes, we went viral.
01:03:58Selma became a sensation.
01:04:00She's now trending number one. Big star.
01:04:03Trending? Does this mean more money?
01:04:05Of course it does. And that is just the easy part.
01:04:09I was thinking about my next movie, and I want you to be in it.
01:04:14Wow. This is a dream come true.
01:04:17And we're having a wrap party at the hottest bar tonight.
01:04:21All right.
01:04:22You'll wonder who's so generous.
01:04:32Boss, I bought this new contract.
01:04:34Do you think Selma will be surprised by the party I'm throwing for her?
01:04:37Oh, definitely.
01:04:39So should I pick her up, or do I just show up at the party?
01:04:43You don't do this often, do you?
01:04:46Hey.
01:05:04Great party, Edward.
01:05:06It only be fitting, right?
01:05:08Not entirely bad.
01:05:11So, thank you.
01:05:14How would you like to thank me?
01:05:16Sorry, everybody, attention, attention.
01:05:18Thank you, thank you.
01:05:20First off, this has been an amazing three months.
01:05:25I'd like to thank everybody in here.
01:05:27And, well, here is to its huge success.
01:05:33Cheers.
01:05:34Cheers.
01:05:37And now, a few words from Edward, the man, the big boss.
01:05:41Without him, none of this would be possible.
01:05:44Thank you all so much.
01:05:46I just want to say how grateful I am for the opportunity.
01:05:50Jay is an exceptional director.
01:05:53His casting, remarkable.
01:05:56Selma's performance in particular, out of this world.
01:06:00And I'd like to take this moment to tell her that I'll always be there to support her.
01:06:06Cheers.
01:06:11Selma, the superstar.
01:06:14Stop it.
01:06:15By the way, do you think Algar will watch my new show?
01:06:19Do you think he'll recognize me?
01:06:21No.
01:06:22Selma, I know this is really hard to hear, but you've got to let him go.
01:06:28Algar's gone.
01:06:30I'm not giving up until I know for sure.
01:06:42Hey!
01:06:44Let me out!
01:06:50Selma?
01:06:52Are you quitting?
01:06:53What are you talking about?
01:06:55Production told me you turned down Jay's new project.
01:06:57And you didn't show up for any of the promo events.
01:07:00What new project is this about?
01:07:02Who told you this?
01:07:03Oh.
01:07:04Oh no.
01:07:06It couldn't be Edward.
01:07:08Could it?
01:07:10Edward?
01:07:12So, he turned it down and he told everybody that I quit?
01:07:17Maybe he thought it was for your own good?
01:07:20Interfering with my career without telling me?
01:07:23How is that for my own good?
01:07:29Babe, Mr. Ardewood is in a meeting right now.
01:07:32Let me out of my way.
01:07:34Apologies, gentlemen.
01:07:35Let's take a break.
01:07:36We'll continue this afternoon.
01:07:41Did you turn down the offer for my new film?
01:07:49Can I explain?
01:07:51This will terminate our contract marriage.
01:07:53The deal is over.
01:07:55What do you mean?
01:07:57I'll pay the penalty for breaching our contract.
01:08:00Once it's settled, I don't want you meddling in my life anymore.
01:08:03You almost got hurt on set.
01:08:05I was trying to protect you.
01:08:07I don't need your protection, okay?
01:08:09I can look out for myself.
01:08:11This is my life.
01:08:13You're making a big mistake here.
01:08:15Just stay out of my work and my personal life, Edward.
01:08:19We're done.
01:08:26Hey, it's Thelma.
01:08:28Can I see you real quick?
01:08:32Thelma, you're very talented.
01:08:36It's such a shame you gave up.
01:08:39But I knew you had it in you from the start.
01:08:43I saw it in you all the way.
01:08:48Now I strictly get to make decisions for myself.
01:08:52Now let's see this next project.
01:08:55Next project.
01:08:57Here it is.
01:09:00What do you think?
01:09:03Let's just say that it's a pleasure doing business with you, Jay.
01:09:12Congratulations.
01:09:26Come on.
01:09:28You need to calm down.
01:09:30What are you doing? Excuse me, I'm perfectly calm.
01:09:33How about we both compromise?
01:09:35You continue with your acting as long as it's through Ardoin investments.
01:09:39You still don't get it, do you?
01:09:41I'm not your accessory.
01:09:43I'm not a part of the Ardoin family.
01:09:45Plus, the only person that can make decisions for me is myself.
01:09:49Can't we talk about it for the sake of our relationship?
01:09:53Look, I'm thankful for everything you've done for me.
01:09:58We've crossed the line.
01:10:01Goodbye, Edward.
01:10:05Oh, Thelma.
01:10:07Look, I have rarely seen Edward smile since his father passed away.
01:10:12And he's like a new man now that you're here.
01:10:15I'm sorry, but I can't stay here.
01:10:20It's okay, Sarah.
01:10:22Let her go.
01:10:29Since when did we become stalkers?
01:10:32Where is she?
01:10:34I know she has a bunch of crazy fans trying to get her attention,
01:10:37but if those assholes think they have a shot with my woman...
01:10:39You've not seen the news?
01:10:41Thelma has announced she's single again.
01:10:44What?
01:10:45Yeah, and even a bunch of haters.
01:10:47I don't know what to do.
01:10:49I don't know what to do.
01:10:51I don't know what to do.
01:10:53I don't know what to do.
01:10:55I don't know what to do.
01:10:57A bunch of haters have turned into fans now,
01:11:00especially after watching her show.
01:11:09Damn it!
01:11:10Knew that guy was up to no good.
01:11:19Thelma! Thelma! Thelma!
01:11:21Thelma! Thelma!
01:11:22Are you still working with Ardoin Investment Family?
01:11:24The Ardoin family has never officially announced your divorce.
01:11:27Is there something that they're hiding?
01:11:29Was your marriage to Edward Ardoin strictly business,
01:11:32like the tabloids say?
01:11:38Why don't you ask the man himself?
01:11:49Mr. Ardoin, you got a second?
01:11:51I don't.
01:11:52I'm excited.
01:11:57So, Mr. Ardoin, what brings you here?
01:11:59Thinking of joining the entertainment industry?
01:12:02You know why I'm here.
01:12:04Sorry, I can't help you with that.
01:12:07Uh, so this new film is a romantic drama with some comedy.
01:12:12So you're in Jay's new movie too, yeah?
01:12:14You ever wanted to work with him?
01:12:17No. Not yet.
01:12:19I would love to thank our amazing director, Jay,
01:12:22for all of his amazing visions
01:12:25and everyone else who's helped me on this incredible journey.
01:12:28Like, who else specifically?
01:12:32And I'm so excited to get started
01:12:34because I know that this is going to be another hit.
01:12:36Alright, ready to check out the set for the new movie?
01:12:39I'll walk you.
01:12:40Actually, do you want to check it out together?
01:12:43Sure.
01:12:46Thelma! Thelma! Thelma!
01:12:50How do you win back a woman?
01:12:52Uh, flowers? Romance?
01:12:55Gifts are always a good movie.
01:12:57How original.
01:12:59Let's get back to the office.
01:13:00Alright.
01:13:09I, uh, got these for you.
01:13:13You can just leave them there.
01:13:20Thelma, I'm sorry.
01:13:22I was wrong.
01:13:28Please give me another chance.
01:13:32I promise I won't be overbearing.
01:13:35I'll respect all your opinions
01:13:37and I'll never interfere with your career again.
01:13:44The flowers look good.
01:13:50I'll take these and we can talk about the rest later.
01:14:02Go! I don't want to see you again!
01:14:06Cut!
01:14:07Well done, everybody. That is a wrap.
01:14:10You were great.
01:14:11Here, I got you a cup of coffee.
01:14:14Thanks, Alex.
01:14:15Oh, shoot!
01:14:20The next day
01:14:41I need to know where she is. Now!
01:14:46I think I might know where she is.
01:14:48Why the hell would you know?
01:14:49Do you have something to do with it?
01:14:50No, man, look.
01:14:51Carla was talking to some sketchy dude
01:14:53about Carla's basement.
01:14:54I think Thelma might be there.
01:14:56Trust me, man.
01:14:57I don't want anything bad to happen to her either.
01:14:59Believe me.
01:15:06Thelma?
01:15:09Where are you?
01:15:19Let's not do anything stupid.
01:15:21Whatever you want, just name it.
01:15:26Edward, Edward, Edward.
01:15:31How did you find this place?
01:15:38You again?
01:15:40You didn't seriously believe I would just walk away, did you?
01:15:43You're a coward.
01:15:48Kill her.
01:15:49And Edward, I want you to watch.
01:15:52If you touch her, I will skin you alive.
01:15:56I got it.
01:16:04Thelma, run!
01:16:19Thelma!
01:16:30It's okay.
01:16:31It's over.
01:16:35It's all over.
01:16:48It's...
01:16:58It's today.
01:17:00I promised Ness I would go.
01:17:11Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:15I thought it closed down years ago.
01:17:19Thelma?
01:17:21Edward?
01:17:22What are you doing here?
01:17:24Noss told me to come.
01:17:25What are you doing here?
01:17:27Well, now that you're here, I need to tell you a little secret.
01:17:32Be right back.
01:17:34Edward!
01:17:46Don't be scared, sweet pea.
01:17:48What did you just call me?
01:17:57I told you I'd meet you here, Helen.
01:18:05I told you I'd meet you here, Helen.
01:18:07Helen.
01:18:10Alker, but how?
01:18:13Why didn't you tell me after all this time?
01:18:16After I escaped the orphanage, the headmistress sent people after me.
01:18:22So I had to fake my own death.
01:18:25I survived, but the price was becoming a different man.
01:18:30Cold, ruthless, even cruel.
01:18:35And I was so scared that if you found out this was the man I'd become,
01:18:41you wouldn't love me anymore.
01:18:43And besides, the Ardoin family erased every trace of my past.
01:18:48If they find out you're the one I'm looking for, they'll use you against me.
01:18:53And I can't risk that.
01:18:55Alker, you know that I love you.
01:19:00You do?
01:19:05Yeah, with you by my side, I'm not afraid of anything.
01:19:10Then I don't want us to ever be apart again.
01:19:23Yes!
01:19:34Yes!