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00:00You've been the sea of happiness, you've had two beautiful children.
00:10Well, it's the truth.
00:11Yes, I mean you're doing well to say it in the past.
00:14Because if all that ever existed, now there's nothing left.
00:18Marcelo, and you see yourself tying horses after being a lackey of white gloves.
00:23Tying horses, I don't know, but I'll do it without fear.
00:27It hurts me that you're leaving, but it's for the best.
00:30You'll be safer away from here.
00:33I've given Jacob a hard time to delay the wedding.
00:38And why is that?
00:40What if I'm wrong?
00:43What if I rushed and everything is going too fast?
00:47No one can force you to do something you don't want to do.
00:57Did you get it?
00:59Santos told Mr. Baeza that I killed Alvarón.
01:02Now Mr. Baeza knows everything?
01:04No, no, he doesn't know everything.
01:06And what does he know?
01:07Well, I told him that I had killed Alvarón.
01:09And Mr. Baeza believed it or ...?
01:11Well, at first, yes, but he realized that I couldn't do all this alone.
01:20Where are you taking that, father?
01:23I see that you stick to your principles.
01:25If you have to lie, you lie.
01:27If you have to steal, you steal.
01:29I saw how they killed a mother.
01:31And now I know that the person who gave the order was Mrs. Cruz.
01:34Curro, this was the proof that I needed to fit everything.
01:37And now I can tell you the truth.
01:39What truth?
01:40That Cruz killed Tomás.
01:44Hanna will continue to be my wife.
01:47And it would not be wrong to start accepting it right away.
01:50Okay, I'm going to talk to her right now.
01:52No, don't argue with Hanna.
01:55I will try, Manuel.
01:57But I don't promise you anything.
01:59Cruz is going to end up falling.
02:01But we are ready to do justice.
02:04Mia, where are you?
02:11Hanna, you left the passage open.
02:20Mia, where are you?
02:34Mia?
02:50Mia?
02:57Mia?
03:05Ma'am?
03:09Where were you, Mia?
03:11Why did it take you so long to come?
03:13Sorry, I didn't answer your call before because I thought you were with your friends outside the palace, just as I told you.
03:19Well, you see I'm here.
03:21I apologize again.
03:23And can I know why you haven't left? Are you upset or ...?
03:27Where is Hanna?
03:30I don't know.
03:32Tell her to come right away. I need to talk to her.
03:35But don't come here. I'll wait for her in the living room. I have to make a call.
03:38Of course, as you wish.
03:50I don't know if I can tell you
03:54The things that have happened since I saw you
03:58The lights that have danced through our garden
04:02The new rumors
04:04Between the heart and the walls
04:08In the promise
04:10There will be particles of love in motion
04:14There will be secrets that will never come out
04:18It will be as beautiful as the flight of a plane
04:24In the promise
04:26The farewells are spins on the ground
04:30Even the flowers will dance in their own way
04:34Balancers between fear and passion
04:41We are like a jump to the D3
04:45We are the love when life or death is lived
04:49A long way to go
04:53In the promise you will be a matter of luck
04:57We are like a jump to the D3
05:01We are the love when life or death is lived
05:05A long way to go
05:10In the promise you will be a matter of luck
05:19This is the site of the vase.
05:23What were you trying to do?
05:27Take it away.
05:28Steal it?
05:29I don't like that word, but if you prefer to say it that way.
05:32Ah, and you say it like that, so calmly.
05:35It's just that I don't regret it, Catalina.
05:38But you are a priest.
05:40A representative of our Lord.
05:42Yes, but God knows that ambition and the desire for wealth do not move me.
05:45Only the will helps others, the most in need.
05:49Stealing is wrong, as far as I know.
05:51Not when it is for a good reason.
05:53And mine is, Catalina.
05:55But father, to help the most in need of your church, it is not necessary ...
05:58I want only those of the church.
06:00What do you mean?
06:03I have a refuge from which many people depend.
06:06People who do not have a home.
06:08People whose life has abandoned them and have absolutely nothing to say.
06:12Does that stick matter more, that no one pays attention to it, than the survival of others?
06:18Is there a supreme value to human life?
06:22The end does not justify the means.
06:25Don't you understand?
06:27With the money I get from that sale, I can buy a house.
06:30With the money I get from that sale, I can feed those in the refuge for days.
06:35Your work is respectable.
06:37And I understand it perfectly, but as far as I know, stealing is stealing.
06:40It looks where it looks.
06:42And if I remember correctly, the seventh commandment condemns it.
06:45Yes, very well, I congratulate you.
06:47I am pleased that you also remember the catechism.
06:50Don't treat me like a child, I beg you.
06:52Here, who seems to have forgotten the basic commandments of a Christian, is you.
06:56And he's been a priest for years.
06:58My family has opened the doors of their house to you without asking.
07:01And so you pay them, betraying their trust and stealing without any remorse.
07:08What are you going to do?
07:10Are you going to report me?
07:14I don't know.
07:16Do I have another alternative?
07:18Yes.
07:27Yes, the meeting at the literary casino.
07:31A sudden indisposition, yes.
07:34I would have loved to be able to attend.
07:37But you know how this is.
07:39One proposes and God disposes.
07:42Remind everyone on my behalf, yes.
07:44And tell them that as soon as I recover, we will organize another meeting again.
07:48Yes, I will take care of myself.
07:51Goodbye, have a nice day.
07:55They told me you wanted to talk to me.
07:57That's right, yes.
08:01I've been talking to my son Manuel for a while now.
08:03And he has insisted that you and I eliminate those laziness.
08:07It would be good for everyone, yes.
08:09I am willing to do everything in my power to make it so.
08:13There is nothing I want more than Manuel's happiness.
08:16The desire is mutual.
08:18Well, then let's not talk anymore.
08:20Let's regain harmony in this house.
08:22I am convinced that if we both do our part, we can achieve it.
08:27In addition, if we manage to live in peace in the promise,
08:31there will be no need for you to leave to live in Milan.
08:36We both know it's crazy, Hanna.
08:39I'm sure that if you talk to Manuel, you can convince him to reconsider his decision.
08:47What do you tell me?
08:49It seems fair to me that if I do everything on my part, you do yours too.
08:54Look, what I want most is for concord to reign among us,
08:57but that doesn't happen because I spoke to Manuel to stop this trip.
09:02That's your way of approaching positions.
09:04Look, I'm sorry, but I'm not going to intercede so that Manuel doesn't leave.
09:08He's been wanting this for a long time and I won't be the one to oppose it.
09:11But where better than in the promise will your son grow up?
09:14I understand that you are his mother and you want to prevent him from leaving,
09:18but I'm not going to help you with this purpose.
09:20I'm sorry.
09:21You're wrong, Hanna.
09:23It may be, but Manuel and I are very excited
09:26and we are also ready to embark on this new adventure.
09:34To be continued...
09:52And that face? You wouldn't have seen a ghost.
09:57I almost would have preferred it, María.
10:00Is everything okay?
10:02No.
10:05The one you saw was Miss Catalina, who surprised me a lot.
10:09A lot?
10:11Doing what?
10:13Grabbing the vase that was in the piano room.
10:15Trying to repeat it.
10:18I knew you were up to something.
10:20And look, I told you not to grab it, come on,
10:22that you wouldn't have seen a whore with the longest hand in your life.
10:24Well, that's enough, María.
10:25I've had enough with Miss Catalina's ragged clothes for you to come and talk to me about the same thing.
10:28Well, let's see if, on the basis of insisting, you get in your head.
10:31It's just that I'm not going to get in my head, no matter how much you tell me.
10:33I don't regret what I've done.
10:35I would regret it a thousand times, María.
10:38Have you ever seen such a face that has no intention of suing or anything?
10:43So you're a thief priest proud to fail.
10:46I've never seen it.
10:47No, María.
10:48What I am is a person concerned with doing justice and who only moves for the love of his neighbor.
10:52So the Marquises are not your neighbors.
10:54And you can get rid of them without regret.
10:56María, I've told you a thousand times.
10:58The Marquises have plenty and they swim in abundance.
11:00And others don't have to eat.
11:03You don't understand it yet.
11:04There are a lot of people and they starve, María.
11:07No, I understand it perfectly, but let's go in parts.
11:09The Marquises do not swim in abundance.
11:11You just have to go to the kitchen to see what they eat.
11:14Are you going to compare me?
11:17And secondly, I don't think that devaluing the palace or that is the solution to the problems of the world.
11:23No, María, you are simplifying everything.
11:25It is very simple, Samuel, that a small child understands it.
11:28Stealing is wrong.
11:29It's even a sin.
11:30It's not that simple, María.
11:31You don't have to know Latin to understand that stealing goes against the natural law and against the law of God.
11:37What God wants is for all his creatures to have bread to eat.
11:41And of course, that's why the Gospel says that whoever has nothing to steal it from the other side.
11:45You will steal from your neighbor if you lack the beggar.
11:47You don't understand anything anymore.
11:50Samuel, I understand it perfectly.
11:52The one who doesn't find out is you.
12:01Come in.
12:16Ma'am, I just ran into Mrs. Hanna and I deduce that she has already told you something that has relieved you, isn't it?
12:26So I am not surprised that she walked with such a high attitude.
12:30What did she tell you this time? Why have they argued?
12:33The bad thing is that we haven't even argued.
12:35I have swallowed bilis to be able to treat her with the greatest kindness that I have been able to.
12:40You shouldn't try so hard, ma'am.
12:42She doesn't deserve that freshness.
12:44But I wanted her to help me convince Manuel not to go to Italy.
12:49I have missed kneeling down and begging him. Come on.
12:52What a barbarity.
12:53That a mother comes to you for a son.
12:55The worst of all is that it has been of no use to me.
12:57She has told me that she is not going to help me.
12:59How dare she? That ingrate.
13:02I swear, Petra, that I hate her.
13:04I think there has been no one I hate more.
13:07It is to see her face, hear her voice and I get carried away by the demons.
13:11I hate her.
13:12Don't make yourself bad blood, ma'am.
13:14That drowned woman doesn't deserve that you take a bad moment for her.
13:23I just hope that at least Ramona doesn't keep coming to the palace.
13:27Well, I'm afraid, ma'am, that lately she hasn't stopped showing up because of the promise.
13:37And the worst of all is that the last time she didn't just talk to herself.
13:41Because of Mrs. Hena's freshness.
13:43Why?
13:44Who else has she met?
13:46A few days ago I met Mrs. Leocadia.
13:49And she went with her to the office of the mayors.
13:52Leocadia?
13:53What does Leocadia have to do with that tramp?
13:55I ignore it, ma'am.
13:57I tried to find out, but they closed the door and it was impossible for me.
14:01What I can tell you is that Mrs. Leocadia spent a lot of time with her in there.
14:07And I wonder what ... what would those two talk about?
14:17If I had to have warned in time that Mrs. Marquesa was not going to see her friends.
14:21Well, don't worry, Mrs. Pia.
14:22Yes, I worry.
14:23Because it was my responsibility, Teresa.
14:26And because of me they almost caught Hanna.
14:28But that didn't happen.
14:29So stop worrying about those tramps.
14:31Besides, how could you know that Mrs. Marquesa was going to turn around and return to the palace?
14:36Yes, it's true that I thought about it at the time, but I don't know.
14:38Then forget it.
14:40No, I can't forget it, Teresa.
14:41It's a mess.
14:42Mrs. Marquesa asked to see Hanna urgently and talk to her.
14:45I'm worried.
14:46Does she really say that?
14:47Yes.
14:48This conversation cannot foreshadow anything good.
14:53I'm sorry for the delay, but I was talking to Hanna.
14:57And how was she?
14:58I guess she got into a good fight with Mrs. Marquesa.
15:01No, no.
15:02Don't worry, it's nothing like that.
15:04So why did they talk exactly?
15:06Why not?
15:07No.
15:08And in no way.
15:09Come on, that's what Hanna answered to Mrs. Marquesa.
15:11María, that I answer to what?
15:12For God's sake.
15:13Don't tell us the answer without having told us the question before.
15:16True.
15:17The hunt for the roof has begun.
15:19The hunt for the roof has begun.
15:21Well, the Marquesa wanted Hanna to convince Ado Manuel not to leave Italy to live.
15:27And Hanna said no to that.
15:29In a forceful way.
15:30And Mrs. Marquesa kicked her in the legs.
15:33But what Hanna told her was that it was her husband's dream and that she was not going to meddle in that matter.
15:37Well, very good.
15:38Well, yes.
15:39It's very well said, really.
15:41Things as they are.
15:42We have to be very proud of Hanna.
15:45Of course.
15:46You have to see what life changes.
15:48Who was going to tell us and Hanna herself that one day Mrs. Marquesa was going to beg her for something?
15:53Well, yes.
15:54And look what she had to tell Mrs. Marquesa.
15:56That Hanna stood up and told her that there was nothing.
15:59I would have given anything to be present and see her face.
16:05And you are not happy, Mrs. Pia?
16:08Yes, but Mrs. Marquesa likes to laugh last.
16:11And the angrier she is, the more dangerous it is.
16:15That's true.
16:17What will you do as a lucky cow? And the first one to hook can give you a good snack.
16:29I have no answer for that.
16:31But remember what I told you once, although it was a very different circumstance.
16:36No one can force you to do something you don't want to do.
16:46What? Thinking about what will be the most wonderful day of our lives?
16:51More or less, yes.
16:53Yes, I admit that I can't get it out of my head either.
16:57Besides, I've been thinking about what you said about delaying the wedding a bit to give your family time to come and ...
17:02And it seems good to me, really.
17:05Although I don't think we should sleep in the laurels either, right?
17:08I think we should get ready as soon as possible.
17:11Which leads me to think, did you send the telegram to your mother?
17:15Yes. I hope she can come with your siblings to the wedding.
17:20I hope so.
17:23And we should also take care of the menu and the guest list,
17:27because those two matters also take their time.
17:31What do you think?
17:34That anything you decide will seem wonderful to me.
17:41But ... I don't know, you have nothing more to say.
17:46Well, I wanted to propose to you if you wanted us to go to ...
17:49to eat in Wuhan. And so we get out of here for a while.
17:53Well, I thought we would stay here today, really.
17:56Yes, but I just realized that we made an unforgivable mistake
17:59by buying marionettes only for Catalina's babies,
18:02when Manuel and Hanna's are also coming.
18:04Yes, yes, it's true. The truth is, I hadn't fallen.
18:06Well, we have to fix this, right?
18:08Yes, but if I'm not mistaken, there is still time for the birth.
18:11We don't have to go right now.
18:13And why delay it?
18:14So I'm going to get my hat and my jacket and we're going to the market.
18:18Okay. It seems you don't leave me another option.
18:22Let's go.
18:23Well, go ahead. I'll go wherever you tell me to go.
18:38When I heard the voice of Aunt Cruz on the other side of the corridor,
18:41I almost bled.
18:42Me too. I was paralyzed.
18:46I don't know how it took me time to go back and close the front door.
18:50Yeah. You were quick to react.
18:53Well, yes. I acted instinctively and without thinking, but ...
18:58I hardly have time to place everything as it was before you got to Mrs. Cruz.
19:03Hanna, how did you realize that something didn't fit?
19:05Curro, don't worry, really.
19:08Besides, I was able to go back to the corridor without being seen, so ...
19:11What a mess.
19:13But everything went well.
19:14Yes, thank God.
19:18I still don't know how I was able to keep my composure in front of Mrs. Cruz
19:21when she wanted me to talk to her.
19:23What did she want?
19:25She wanted me to talk to Manuel to tell him to change his mind about going to live in Italy.
19:31And are you going to do it?
19:33Of course not.
19:35Do you think I'm so easy to convince?
19:37No, I don't know.
19:40I wish I had your firmness and your knowledge, Hanna.
19:44Why do you say that?
19:46Because I don't know how I'm going to hide in front of Mrs. Cruz now that I know what I know about her.
19:52Yeah.
19:54Besides, all the reconstruction you did about Thomas's possible death
19:58fits perfectly with the relationship I remember he had with the Marquise and his stepson.
20:03Everything fits.
20:04That's right.
20:06And what do we do?
20:08Well, I don't know, Corro, but we can't let all this explode out of control.
20:11Yes.
20:12We have to keep investigating and we have to keep looking for proof.
20:15Yes, we can't let this family explode.
20:18Let the foundations of the Marquise be damaged.
20:21Well, no, but ...
20:23At some point we'll have to reveal it.
20:25Yes, but with caution, Hanna.
20:28Revealing that Dolores is our mother is already a bomb.
20:32And if we add to that that Mrs. Cruz killed Thomas ...
20:35Goodbye to the Lujan forever.
20:37I know.
20:38But those crimes cannot go unpunished.
20:41I didn't say that.
20:42So what do you propose?
20:45Well, a little bit of what you said.
20:47Actually, let's look for irrefutable evidence before throwing ourselves into the void.
20:53Once we take this step, there's no going back.
20:56We have to be sure.
20:59I agree with you.
21:01And that's what we're going to do.
21:02We will keep this secret until we have those certainties that leave no doubt.
21:09Come.
21:27Are you drunk with those plans?
21:30Father.
21:32Yes.
21:34I admit that I lose track of time when I start with my sketches and my papers.
21:38It can be seen that you are passionate.
21:40I have always been told.
21:41Aviation takes me away.
21:42I could spend whole days with my plans and no one would find out.
21:45That said, you've been locked up here all day.
21:48What do you mean all day?
21:53I have the feeling that I have been with her for a moment.
21:57What are you working on specifically?
21:59Specifically?
22:01Specifically, nothing.
22:04I'm collecting everything for ...
22:08Well, preparing the things I'm going to need in Milan.
22:11I see.
22:15And what are you doing here?
22:17Nothing, I wanted to talk to you for a while.
22:19Ah.
22:21Well, don't worry, I'll pick up all this and I'm all yours.
22:26I'm sorry I distracted you.
22:27Father, don't worry.
22:30It's good for me to rest.
22:32Besides, what better pause than to have a chat with my father.
22:39Unless he has come to talk to me about the economic problems of La Promesa.
22:42Please, Father, I have already told him ...
22:43I have not come to talk to you about anything in particular.
22:45I just wanted to make sure that you are well and let it go.
22:50Yes.
22:52I'm happy, that's the truth.
22:55I'm very happy.
22:58Anyone would say so, with the little enthusiasm with which he says it.
23:03It is useless to stare in front of you.
23:06Father, I know that I prefer to be told the truth.
23:08Although sometimes it hurts.
23:11I would have liked things to be different, but you can't change the past.
23:16No.
23:18Nor to be anchored in it.
23:20You have to live day by day.
23:22Here and now, as they say.
23:24You are right.
23:26And you are still in time to fulfill your dream.
23:29Go to heaven so you can get it.
23:31I assure you that I am trying.
23:36You know that this is not the life I dreamed of for you.
23:40I know.
23:43But, Father, this is my life.
23:46And you also know that Hanna is not the wife she had in mind.
23:49But love, you said.
23:50Don't tell me you're going to start messing with Hanna now.
23:52No.
23:53No, but you will understand that parents always want the best for their children.
23:57In that case, you have to be very happy for me, Father.
24:00Because I am the happiest man on the face of the earth.
24:04I am married to the woman I love.
24:07And I assure you that thinking about spending the rest of my life with her
24:12fills me with happiness.
24:14Father, I'm sorry.
24:18I'm very sorry I didn't live up to your expectations.
24:23But I want you to know that, on the other hand,
24:26I am a very happy man.
24:30And what else can a father ask to see his son happy?
24:34I don't know.
24:37I don't know.
24:39I don't know.
24:40What else can a father ask to see his son happy?
24:44Maybe you're right and I was wrong
24:47about the life I dreamed of for you.
24:52Well, maybe it's time to stop dreaming.
24:57We could start living.
25:01Of course.
25:11Let's go.
25:24Ricardo.
25:32Wow, I didn't expect to see you here today.
25:35I thought you were on shift at the bakery.
25:36Why are you in Madrid?
25:38They changed my shift because the owner was better off,
25:41so I took the opportunity to get closer because of the promise
25:44to see if Santos could take a walk with me.
25:46Well, I'm going to give the order for Mr. Rodríguez to look for him.
25:49Please, go get Santos.
25:53Would you like to join us?
25:56No, no, I can't do without work.
25:58Besides, I think Santos would prefer to enjoy his time alone with his mother.
26:04Mother.
26:06What a surprise. I didn't know you were here.
26:08I thought you were working at the bakery.
26:10They changed my shift for tomorrow
26:12and I didn't have time to pick you up.
26:14Are we going for a walk?
26:16Well, I haven't finished my homework.
26:19Wow, but you're his boss.
26:22Couldn't you do something to help him with his homework?
26:26No, no, I'm sorry, but he can't go.
26:30We're short of staff.
26:32I have two sick servants.
26:34I can't do without anyone.
26:36Well, this happens to me for showing up unannounced.
26:40Well, mother, don't blame yourself.
26:42You wanted to give me a surprise and that's it.
26:44Yes, but I wouldn't have to ...
26:46I mean, no ...
26:49Ana, Ana.
26:51Ana, mother.
26:53Bring water, damn it.
26:55Mother.
26:57I can't spend another day with my heart in a fist, Lope.
26:59I wake up every day in panic
27:01to find myself with the sequoias of the Duke of Sarabia.
27:04But your fears are exaggerated.
27:06Here, in La Promesa, you are out of danger.
27:09What happened to the Duke of Carril and his secretary?
27:11But he didn't recognize you.
27:13Staying here is tempting luck.
27:15We don't know that for sure.
27:20But ...
27:23what is clear is that fear is free
27:26and has settled in Marcelo's head.
27:29The only way I can get rid of him is ...
27:31to leave the palace.
27:33I need to put Tierra in the middle.
27:36Well ...
27:38if you are so sure ...
27:40No, I'm not sure, Lope.
27:43But that's what I feel I should do.
27:45Besides, I've already talked to Mr. Baeza
27:47and there's no going back.
27:54In that case, all I can say is that I'm sorry.
27:58You leave us all with a great emptiness.
28:00We had formed a well-meaning team.
28:02We even managed to avoid my father's visits.
28:06Even if we ignored them,
28:08that brought us together a lot.
28:10And then there's the adventure
28:12in the secret passage.
28:14And with the room he was hiding in.
28:16We had very good times.
28:18Although ...
28:20we also got over our nerves.
28:23So ...
28:25you told Mr. Baezano the truth.
28:27Yes.
28:29And that was the real reason for your departure, right?
28:31No.
28:33I had to come up with an excuse.
28:35Both Mr. Baeza and Mr. Pellicer
28:37think I'm leaving to get money for our parents.
28:41But ...
28:43that's true.
28:45But I didn't like it.
28:47The point is that I have said that
28:49Teresa and I have to send money to our parents.
28:51And ...
28:53with the situation that is now in La Promesa,
28:55at least we needed to secure a newspaper.
28:57Yeah.
28:59So ...
29:01Teresa stays here, waiting for events.
29:03And ...
29:05I'm leaving in search of a safer job.
29:07And that's why you're leaving with ...
29:09a friend you have in Porriño.
29:11Yes. He works at a beer can.
29:13And ...
29:15he will try to get me a job too.
29:17Let's see, the parents' excuse is good.
29:19I believe it.
29:21Yes, but that only works for those who
29:23know that Marcelo and I are brothers
29:25and not husband and wife.
29:27So you, Mr. Pellicer
29:29and Mrs. Baeza and María Fernández.
29:31The rest is very important,
29:33that they continue to think that we are a marriage.
29:35And then ...
29:37what do we tell the others?
29:39Well, that Marcelo has gone to make money
29:41to build a future together.
29:44Nobody,
29:46under any concept,
29:48can know the real reason for my departure.
29:51Don't worry about that,
29:53we're going to be very discreet.
29:55In addition, as Vera says,
29:57the excuse of leaving to have to make money
29:59we will support you when you decide to announce it.
30:02And don't worry,
30:04no one will question your excuse.
30:18How is this mother? Is she better?
30:20Let me see.
30:21Yes, yes, yes.
30:22Santos, please, don't torture her.
30:24No, it's just a cold.
30:26I'm sorry, sorry.
30:27You don't have to apologize for fainting, woman.
30:30You have a lot of pending tasks
30:32and I'm distracting you.
30:34Mother, the first thing is the first.
30:36I'm much better now.
30:38Really.
30:41And this happens to you very often?
30:44Once or twice,
30:46but it has always been nothing.
30:48Maybe I should eat something more acidic
30:50and not have an empty stomach for so many hours.
30:53Don't you have any food on you?
30:55To prevent?
30:56No, it's not true.
30:58Well,
31:00I'm going back to Lujan.
31:02I'm going to rest for a while in my room.
31:05Don't worry, don't worry.
31:07Hey, father.
31:09No, you can't go anywhere like this.
31:12Father, you can't allow Lujan to go in these conditions.
31:15If you allow me to be absent ...
31:17No, Santos, I've already told you it can't be.
31:19Well, something has to be done.
31:22Okay, I'll accompany you to town.
31:24No, it's not necessary.
31:26I insist,
31:28in your condition you can't go alone.
31:33Thank you, father.
31:35From the bottom of my heart.
31:37Let's go.
31:55Does he usually spy on people or does he want to talk to me?
32:01I trusted that today I would find her a little more receptive than yesterday.
32:06Although now I doubt it.
32:11And ...
32:13what exactly happened yesterday?
32:15Can you refresh my memory?
32:20Yes.
32:22Yes.
32:24I thanked you.
32:30You thanked me?
32:32Why?
32:35Because I asked Martina to warn me that the wedding they planned behind my back
32:40was with a daughter of the dukes of Castroviejo.
32:43Yes, that.
32:45Yes.
32:47And if I remember correctly,
32:48you were a little cold.
32:51And ...
32:53what did I want?
32:55I accepted them and period.
32:57I was hoping you would thank me for thanking me
33:00and that this would become an infinite loop of thanks.
33:04You know,
33:06you are a specialist in turning the omelette.
33:09I think that when the omelette is made, there is no more turning than turning it.
33:13But I really don't understand you.
33:15What reaction did you expect from me?
33:19I don't know.
33:21I had the hope of ...
33:23maybe being able to leave our grudges
33:26aside.
33:28Even if it was just a little.
33:30Look, leave it because I think you're getting tangled up alone.
33:35Stop focusing on that and focus on the truly important thing.
33:39And I remind you that your aunt and your father are fixing a wedding for you.
33:43I see.
33:45Yes, you are right.
33:48Of course I have it.
33:50Look, I'm going to be honest with you.
33:52I've thought about it a lot.
33:54And I don't know what to do.
33:56Well, you'll have to do something.
33:58Unless your plan is to get married, of course.
34:00No, Ángela, it's not in my plans.
34:02But I don't know how to oppose something that no one has officially told me yet.
34:06And that I, in theory, do not know.
34:08As I have already told you, you have to act as soon as possible.
34:12It is ...
34:14complicated for me
34:16to say it in any way.
34:19It is true that mentioning it would be giving yourself away.
34:23The Marquis would realize that she has been spied on.
34:26That's right.
34:28And even if you don't believe it,
34:30the last thing I would like is for her to see herself trampled
34:33for trying to help me.
34:36Sincerely, at this point I don't care what the Marquis thinks of me.
34:40And even less so that my involvement in this matter is discovered.
34:43So, for my part, she has a clear path.
34:45Does it mean that I can mention the subject?
34:48In fact, not only can you, but you must do it.
34:51Without further delay and as soon as possible.
34:55Ángela, are you sure?
34:58Of course.
35:00If she reacts now, she may win a precious time
35:03and prevent the ball from getting bigger.
35:05However, if she waits, they will give it all to her
35:08and you will have no chance of denying it.
35:15I hope so.
35:32Wow, you finally show up.
35:34Where have you been? I've been looking for you everywhere.
35:37Excuse me, it is true that I have disappeared without warning.
35:40I hope it was for a major cause.
35:41A major cause.
35:44Ana, who feels unwilling, has accompanied her to Wuhan.
35:48And what happened to her that you had to accompany her?
35:51Well, Ana came here looking for Santos,
35:54taking advantage of the fact that she has the afternoon off and suffered a faint.
35:57And did it happen to a major cause?
35:59No, no. Fortunately, she recovered immediately.
36:01And then why didn't Santos attend to her?
36:03Well, because Santos had a lot to do.
36:06And as you will understand, he was not going to allow her to go alone to Wuhan
36:09in those conditions, so he offered me to accompany her.
36:11Do you say that Santos was there when the incident occurred?
36:15That's right, yes.
36:17Well, if you want me to tell you the truth,
36:19I wouldn't trust Santos very much, nor Ana.
36:22Because maybe that fainting was not so casual,
36:26but something they had agreed on in advance.
36:29What are you saying, man?
36:31How can you say something so offensive, so out of place?
36:34It's a suspicion.
36:36No, it's not a suspicion, Romulo.
36:38That's an accusation in full. Do you have proof?
36:40No, no, you're right. You're right.
36:42Sorry, I might have exaggerated.
36:44No, I understand that you say it without malicious intent.
36:47But anyway, I would be careful with your son, huh?
36:50And that?
36:52Because I believe that the boy would be with the illusion
36:55of a possible reconciliation between you.
36:57And that's why, that's why I thought
36:59that maybe all this was a strategy for ...
37:01For what?
37:03Well, for what? For what?
37:05For you to spend more time alone, huh?
37:07You didn't accompany him to Lujan, huh?
37:09Well, because he was dizzy and he was feeling bad.
37:12Yeah, but he got sick in a Santiamen.
37:17Romulo, these insinuations are very twisted, huh?
37:22Look, friend, look, at this point,
37:25something like that wouldn't surprise me.
37:27No, man, no, Romulo.
37:29I have made it very clear to Santos
37:31that the only thing between his mother and I is a cordial relationship.
37:33And that's it. And that if we try to keep it, it's for him.
37:35And you are sure that he has understood it?
37:37Well, I have not left room for doubt.
37:39It's just that that doesn't answer my question.
37:41Let's do one thing, Romulo.
37:43It's too late. We're going to leave him here, okay?
37:45Good night.
37:47Good night.
37:59Martina!
38:01What are you doing here?
38:03And at this time?
38:05I just arrived from Lujan and I came straight to see you.
38:08Where is Hanna?
38:10She was tired and went to bed already.
38:15What did you want?
38:18To give you a little gift.
38:20That Jacob and I have bought for the son you are waiting for.
38:24But I would have liked if Hanna were there too, to give it to her.
38:29Why don't we do one thing?
38:30You keep giving us the gift, but tomorrow.
38:33I promise you that I'm going to put on the best interpretive face you've ever seen.
38:39I don't doubt that, but I can't wait.
38:42Open it.
38:44Are you sure you don't want to wait?
38:47Okay.
39:01A hand puppet.
39:03Do you like it?
39:05Yes.
39:07Yes, it's beautiful. Thank you, cousin.
39:11And thank Jacob too.
39:14I already am.
39:16But I chose it.
39:18Really?
39:20You know, I was imagining something.
39:23You've always had great taste, Martina.
39:25It's beautiful.
39:27Do you know how many games and stories I'm going to have to make up
39:31so that my son can play with this?
39:34And you're going to have to imitate voices.
39:36Really?
39:38Let's see.
39:42I'm going.
39:45Hi, Martina.
39:47Wait, wait. I can do it better.
39:50Hi, Martina.
39:52Hi.
39:53Wait, wait. I can do it better.
39:58How are you?
40:11I can tell you're in a very good mood.
40:17I am.
40:19Is that a sin?
40:21Quite the opposite.
40:24I'm with the woman of my dreams, cousin.
40:27And we're expecting a baby.
40:31Honestly, I don't think you can ask for more in life.
40:35I guess not.
40:38You see, I...
40:42I go to bed every day with the woman I love.
40:47And every night I touch her belly.
40:49And when I do, I can feel the baby we're expecting.
40:54Or a child.
40:57Honestly, cousin, sometimes life can be wonderful.
41:05I hope one day I can be half as happy as you are now.
41:10Of course you will.
41:14Of course you will.
41:15I'm sure you will.
41:17And sooner than you can imagine.
41:20Remember, you're getting married.
41:25What's wrong?
41:27You don't want to get married?
41:32Of course I do.
41:35Is it because of Jacob?
41:37Aren't you in love with him?
41:40Yes, yes, I am. But...
41:43But what?
41:50I don't know.
41:52I feel that...
41:54that what we have, Jacob and I,
41:57is different from what you and Hannah have.
42:01And that's why it's hard for me to think
42:04that we can achieve what you've achieved.
42:06That we can achieve what you've achieved.
42:27Do you want some fachos, Lupe?
42:29No, no, no, I don't want any. Give it to Vera.
42:32I'm not hungry.
42:34Thanks, Lupe.
42:35No, not at all.
42:37If you don't want your fachos, give them back to the source.
42:40And share them among all of us.
42:42I don't think it's fair that one eats twice
42:44and the rest of us go hungry with these disgusting meals.
42:46I didn't mean to take advantage of you, Mrs. Arcos.
42:48Everyone does what they want with their share.
42:51And if Lupe, instead of eating,
42:53wants to be Vera's,
42:55well, it's up to her.
42:57And you don't get involved in this.
42:59I get involved if I want to.
43:01Come on, ladies, be quiet.
43:03I have to tell you something.
43:06And this way, you'll get rid of your grubs.
43:09I wanted to tell you that
43:11in a few days, you'll have a mouth to feed.
43:15And this way, you'll have more to share
43:18because I'm leaving La Promesa.
43:21Are you both leaving?
43:23No, no, Mrs. Darre.
43:25Only Marcelo.
43:27I've been offered a very good job
43:29and I can't refuse it.
43:30Near here?
43:32On the other side of Spain.
43:34In a conservatory in Vigo.
43:36But given the situation in La Promesa,
43:38it's a golden opportunity.
43:40I don't understand.
43:42How are you going to be far away from each other?
43:45Look, long distances
43:47aren't good for couples.
43:49It's hard, yes.
43:51But it's called for.
43:53Well, let's hope it doesn't last long
43:55and that we can be together again soon.
43:57That's right.
43:58But in the meantime,
44:00someone has to earn some money
44:02to build a future together.
44:04But is it really worth it to be apart?
44:06Well, we have to make sure of one thing.
44:09And if things in La Promesa
44:11don't go well,
44:13God forbid,
44:15we'd both end up on the streets at the same time.
44:17That's true.
44:19You don't put all the eggs in one basket.
44:21Well, Marcelo, I think it's a very prudent decision.
44:24A conservatory is a good place to work
44:26and Vigo is a very important city.
44:28And who knows,
44:30things might go well for Marcelo
44:32and Teresa has to go to Galicia with her husband.
44:34Well, yes.
44:36You can never say no to this opportunity.
44:38Well, I hope it's Marcelo
44:40who comes back to La Promesa
44:42and not you going to those faraway lands.
44:44Yes, you've already been there once
44:46and we miss you a lot.
44:48But I ended up coming back.
44:50Of course, because this is your home.
44:52Well, let's hope things get better
44:54and I don't have to leave again.
44:55Hey, but I'm the one who has to leave.
44:57You're right, boy.
45:00We're going to miss you a lot.
45:02Of course,
45:04if you leave a big hole here in La Promesa.
45:06Look, at the beginning,
45:08you were a little clumsy,
45:10but little by little,
45:12you've won everyone's heart here in the palace.
45:14Of course we're going to miss you, right, Marcelo?
45:16And you.
45:25And you.
45:48What are you doing here?
45:50And you?
45:52What did you ask first?
45:53Have you mentioned Mr. Baeza?
45:55About you?
45:57About the same thing.
45:59About you, why?
46:01Well, I'm going to get a good touch.
46:03I'm sure he's not going to yell at us
46:05for trying to steal the vase.
46:07But why do you say that, Maria?
46:10If someone has to wear a rag,
46:12that's me.
46:14You haven't done anything.
46:16Ah, here you are.
46:18Have you been the one who hasn't mentioned Miss Catalina?
46:20Catalina?
46:22Stop, I don't understand anything.
46:25The vase, I knew it.
46:27Here, if there is a culprit, that's me.
46:29Yes, because sinners are not infected with each other.
46:32And miss, you know that I don't have a hair of a thief.
46:35Have you reported all this to Mr. Baeza?
46:37No, he doesn't know anything.
46:41I appreciate your discretion, miss.
46:43Because I can't imagine
46:45what Mr. Baeza would do to us
46:47with how fair and decent he is.
46:50You can keep the vase.
46:52But not because you stole it,
46:54but because I give it to you,
46:56which is very different.
46:58What do you mean, miss?
47:00I want you to keep it
47:02so that you can sell it
47:04and make good money for it.
47:06The vase is worth a fortune.
47:08You had a good eye there.
47:10What you were completely wrong about
47:12was that no one paid attention to it.
47:14In fact, an acquaintance of the family,
47:16the Count of Monteverde,
47:18has been keeping an eye on it for years.
47:20It's not a bottle.
47:22What happens unnoticed?
47:24Well,
47:26if there was a bottle in the middle of a living room,
47:29I assure you that it would not go unnoticed.
47:32The point is that I am convinced
47:34that the Count of Monteverde would like to buy it.
47:36So I want you both to come to Cadiz,
47:38to his palace,
47:40and offer it to him.
47:43Really?
47:46I'm not used to lying, father.
47:50And why do you both do it?
47:53Because I fully trust you, Maria.
47:56Something that doesn't happen to me with the priest,
47:59no matter how much you have Otana.
48:01Something that he has earned himself.
48:03And so I assure you that the father
48:05is not running away with the vase.
48:07That happens to you for having a very long hand.
48:10So you will both go to offer it to the Count of Monteverde.
48:38Curro.
48:41Wow, I had never seen you so focused.
48:44You're even going to get smoke out of your head.
48:47I'm sure you're thinking about something of vital importance.
48:51What is it?
48:52You don't know if you're going to ride a horse
48:54or play a game of billiards?
48:56Indeed, you are very observant.
48:59But I keep thinking about an important matter
49:02that has nothing to do with what you suggest.
49:05Oh, so you're not thinking about what to do with your free time.
49:08No.
49:10Rather, I'm talking nonsense about my future.
49:13About your future?
49:14Huh?
49:16And what is that so interesting that has to do with your future?
49:20Specifically,
49:22with the wedding that you and the captain
49:25are fixing behind my back.
49:28I don't know what wedding you're talking about.
49:31Yes, the one you're preparing for me
49:33with a daughter of the dukes of Castroviejo.
49:35What's her name?
49:37I'm sorry, I don't remember now.
49:39Maybe you can help me, right?
49:41Am I going the wrong way?
49:42I'm telling you I don't know what you're talking about.
49:44You'll have to talk to your father.
49:46That's what I'm asking you.
49:48Besides, I know she's the instigator of this initiative.
49:51What nonsense are you talking about, Curro?
49:53Nonsense?
49:55With this marriage,
49:57you want to kill two birds with one stone, right?
49:59Not only do you want to regain your lost prestige,
50:02but you also want to get the promise of your financial wealth.
50:05Look, Curro, I've already told you
50:07that I have nothing to do with that
50:09and that you'll have to talk to your father.
50:10I want to talk to you.
50:12I don't want to talk to a kid
50:14who thinks my world revolves around him.
50:17You're always so arrogant.
50:20You know what?
50:22Be careful.
50:24Don't let him swallow his words.
50:26And you, clean your mouth before talking to me like that.
50:28Insolent.
50:30No, you should be careful.
50:32Don't let the corpses you're hiding in the closet
50:34come to light.
50:41It would be to go to Cádiz and come back.
50:43Yes.
50:45Those are two or three days minimum.
50:47Yes, but if we were in the diligence
50:49that comes out of Luján,
50:51we wouldn't waste a lot of time.
50:53Although,
50:55we would lose a lot less
50:57if we were in some vehicle of the gentlemen.
50:59If we want to build a future together,
51:01we need money to be able to buy a house
51:03and have children.
51:05If you say so,
51:07why wouldn't I want to leave, Marcelo?
51:09I know perfectly well
51:11what your little husband is up to.
51:13Don't play hard to get.
51:15I need cash
51:17to face some urgent payments.
51:19And I had thought
51:22that maybe you could give me
51:24some of your jewels.
51:26I thought about asking Cruz
51:28for some of his jewels,
51:30but I know I would end up throwing it away.
51:32I would have loved to be able to accompany her,
51:34but I had a lot of homework.
51:36But your father did it
51:38and he was very grateful for it.
51:40He couldn't deny it either.
51:42Maybe, but nothing forced him
51:44to be as attentive and affectionate as he was.
51:46Martina, those jewels
51:48must have been in your family for many years.
51:50Yes, but I have selected the jewels
51:52that I value the least.
51:54And I understand that you try to help,
51:56but don't you think
51:58that you are being too generous?
52:00My uncles have always treated me
52:02as if I were their daughter, so...
52:04Don't forget that not long ago
52:06they tried to deceive you.
52:08They think
52:10that even the slimmest animal
52:12gets involved with faithfulness
52:14when it sees its life in danger.
52:16So imagine what Cruz would be capable of
52:18if she feels threatened.