En un momento crítico para Mecha, hija de Susana Giménez, la famosa presentadora se encuentra decepcionada por la falta de apoyo de sus nietos y familiares cercanos. Tras una operación complicada en Miami, Mecha está internada en Buenos Aires bajo el cuidado del equipo médico del Dr. Drueto. Sin embargo, Susana esperaba que su familia estuviera más presente durante el proceso de recuperación.
#ALaTarde
#ALaTarde
Category
🗞
NewsTranscript
00:00This complaint that the girl is disordered, well, that she gave her everything and that, however, the girl continues as if without rounding up, but there is now a new conflict, Ambrosio.
00:12There is a new conflict that has to do with the fact that Susana just said, right? I mean, now it's up to Mecha to take care of her daughter.
00:21Of course.
00:22In any case, Lucia would have to be taking care of her mother, right? At this moment.
00:28No one is taking care of Mecha.
00:29No one.
00:30Because Susana is in Punta del Este.
00:32No, but Susana was there until recently.
00:34Well, okay, but now there is no one.
00:36Susana was with Mecha in Miami where the operation was.
00:39Yes.
00:40Let's not forget when it arrived, which were the images that we saw Mecha arriving in a wheelchair and Susana carrying the bags and everything.
00:48Guys, the reality is that today Mecha is hospitalized in a sanatorium for many days.
00:53Susana is in her house in Punta del Este.
00:55Did she help her? Yes, of course, she helped her.
00:57But now she is in her house in Punta del Este.
00:59The daughter, we don't know where she is.
01:02The son, we don't know where he is.
01:04Mecha is hospitalized alone.
01:06Alone.
01:07And the brother, where is the brother too, who could be helping the brother?
01:11No, they are going to play the guitar.
01:13Gloria Garnieri just said it with the same words.
01:15We don't know.
01:16And if Lucia is next to her and we don't know.
01:19It's nothing.
01:20That's why I ask Descalzi.
01:22What do you know Descalzi?
01:24Who is taking care of Mecha?
01:26No, no, no, no, no, no, no, no, no.
01:28Mecha is alone taking care of a technical team of Dr. Drueto.
01:33The doctor just arrived in Buenos Aires, I think it was yesterday, and he started to take charge of the recovery.
01:39What they tell me is that the recovery is going to be long.
01:43But why?
01:44When I say long, I'm talking about all of March.
01:46But excuse me Descalzi, was there any inconvenience in the operation?
01:50There is something I can't tell you.
01:52There is a secret.
01:54There is an inconvenience.
01:58Say it.
02:00Something that didn't go well.
02:02There is a prosthesis supported on the base of the bone that is doing something that shouldn't be doing.
02:08Otherwise, he would have to have the rehabilitation on the way.
02:11The rehabilitation.
02:13Yes sir.
02:14Well, it requires, first of all, dedication from the patient.
02:18Give him an amount of time during the day to rehabilitate the muscle and also the bone.
02:23But that starts from a good integration of the prosthesis to the bone where it has to be screwed.
02:35A good basis.
02:36That it has a good compatibility with the leg.
02:39Excuse me.
02:40Maybe the prosthesis is not incorporated, it doesn't stick well, it's not in place.
02:45Listen to what Descalzi said.
02:46What did he say?
02:47He said a good practice.
02:49He had a bad practice in the operation that was done in the United States.
02:53But that happens in all operations.
02:55If you operate badly, you're going to go wrong.
02:58There are techniques that you can operate well and incorporate more.
03:01All the times that Susana had a health problem, she came to attend to our country.
03:06It caught my attention that in this opportunity, and being such a complex operation,
03:11she has had other trauma problems, Susana, in the elbow, in the arm,
03:14and wherever she is, she comes as she can, with analgesics.
03:17In fact, Susana was operated on the hip.
03:20It's perfect.
03:21But it was operated here in Argentina.
03:23It can't always be a bad practice.
03:26It may be that the body rejects the prosthesis.
03:28Excuse me, excuse me.
03:29Let's see what Descalzi says.
03:30I take up the axis of the report.
03:32Therefore, since the operation went wrong, is it Susana's granddaughter's fault?
03:36No.
03:37But they are pointing it out.
03:39But let's go beyond the operation.
03:41Here, she is surrounded by a medical team that is telling her.
03:44Yes, of course.
03:45Emotional containment.
03:46Why?
03:47There is an affective containment.
03:49That person who is experiencing something that was not in the plans,
03:52needs, I don't know, that they help you go to the bathroom,
03:55because you can't stop.
03:56You need help.
03:57I mean, excuse me, excuse me.
03:59I mean, something affective too.
04:01The nurses are there for that.
04:02But it's an affective thing, Dani.
04:04They hold your hand.
04:05I understand.
04:06Enough with the body of health.
04:08Enough, old man.
04:09Those who have to assume responsibility are the family members.
04:12Then there are the doctors.
04:13Come on, ma'am.
04:15You need to change your penis.
04:16Ma'am, feed him.
04:17Ma'am.
04:18Sir, come on.
04:19Doctor, look at him.
04:20Do you understand?
04:21If you don't know how we treat you, as a comrade,
04:23looking at the ceiling and getting up alone.
04:25All nice, Ventura.
04:26All nice, Ventura.
04:28But all that movement in a person who was operated on
04:32has to be done by a specialist or at least by a nurse.
04:35You can't lift your daughter because you don't know
04:38if that movement can hurt her.
04:40Excuse me.
04:41What happens if the girl doesn't have emotional solvency
04:43to be able to accompany her mother in this moment?
04:45But that's why, what do they ask the nurse to do?
04:47A girl who was pointed with her finger, as we saw.
04:50The grandmother, the mother.
04:51They said it's useless, that it's a vacancy,
04:53that it's a disaster.
04:54And now they tell her, go take care of your mother.
04:57Attention, attention.
04:58This is the last moment.
05:00To Gustavo Descalzi's cell phone.
05:02Let's see what Descalzi says.
05:03What is this information about?
05:07Oh, Descalzi.
05:08What's wrong?
05:09The phrase is like this.
05:10I would have liked, I would have liked
05:13Yes.
05:14that you take care of your mother.
05:18How, how?
05:19Did Susana send that message to the grandchildren?
05:23I would have liked you to take care of your mother.
05:27Well.
05:28She's fed up, she's tired.
05:30But wait, this is so sexual.
05:32She's angry.
05:33This is sexual, Descalzi.
05:34She's talking about Susana Jimenez, isn't she?
05:35It's the message she sent to her grandchildren.
05:37It's textual with something else.
05:38What else is there?
05:39It's textual, it's, it's, and something else.
05:43And something else that the other has to do with this part of the story.
05:46But I want to tell you that Susana told someone
05:50who's very, very close to her.
05:52She's disappointed with her grandson.
05:54She says, I never imagined that...
05:56Yes, yes, and also that the whole trip was...
05:59She thought of celebrating her birthday, have a good time, go shopping, generate...
06:04And well, this fell apart, as they say over there in the north.
06:08It fell apart.
06:09She ended up taking care of her, accompanying her in the operation.
06:13Well.
06:14Make a decision.
06:15Well, her son is also...
06:16And this we can tell.
06:17Her son is not so bad.
06:19I don't think so.
06:20I think...
06:21I want to get a little bit into this, right?
06:23What is the construction of the emotional bonds that one has.
06:26One also has to be responsible, right?
06:29To see what he does with his closest circle.
06:32So I think that until the moment you need the help of your family, of your friends, right?
06:38At times when you are hospitalized and there is no one.
06:40Yes.
06:41And maybe think, right?
06:42Ah, she's with me, she's with me.
06:44Not all are trips, not all are apartments, not all is money.
06:47But it's not that your grandmother did this to you.
06:49At some point the emotional and affective has to come out.
06:52The girl is 31 years old.
06:54Yes.
06:55And I repeat, not all...
06:56What girl?
06:5731 years old.
06:58Well, the woman is 31 years old.
06:59And I repeat, it's not all.
07:01Travels, expenses, shopping, money, not all.
07:04Look what they're doing, the easiest thing.
07:05Hit the girl, huh?
07:06Yes.
07:07It's the easiest.
07:08It's the easiest.
07:09It's the easiest.
07:10Put the problem aside.
07:11If you have a family, you know what?
07:13You have to defend.
07:14And the education starts with the children and then with the grandchildren.
07:17But, but if the...
07:18I'm going to hit that girl, I'm going to hit that girl.
07:20Go to a sanatorium to see who comes to take care of you.
07:22Go to a sanatorium to see who comes to take care of you.
07:23Dad, listen to what...
07:24Go to a sanatorium to see who comes to take care of you.
07:25Go to the nurse.
07:26Listen to what Descalzi says.
07:27Who hits him is Susana Jiménez, not us.
07:29Yes, of course.
07:30Susana says...
07:31No, no.
07:32I'm talking about Susana.
07:33You should have been with your mother.
07:35Of course.
07:36Susana is the one who hits the grandchildren.
07:38But...
07:39Let's see, dad.
07:40I'm not who to talk to Susana.
07:41But it's Susana's friend who tells her that the granddaughter is a disaster, disorderly,
07:44lazy, that she doesn't work.
07:46But she also says it with humor.
07:47Ah, sorry, sorry.
07:48It was a show with magic.
07:50Sorry I misunderstood then.
07:51Yes, son.
07:52She says it with humor.
07:53You take it at the foot of the law.
07:54Let me go a little with Descalzi there in Uruguay.
07:57Descalzi, what else?
07:58There are truths.
07:59Yes.
08:00There are truths that are sometimes said within the animus jocandis.
08:04Of course.
08:05Those that are said are a joke.
08:06There are truths, irony.
08:08Ah.
08:10But what the production just passed to her, a phrase that is almost textual.
08:14So it's really, not a joke.
08:16So if our producer is encouraged to put it on air...
08:18I don't know.
08:19I don't know.
08:20Let's see if it arrived.
08:21Modify something.
08:22Natalia Palmeiro says that it has not arrived.
08:24Modify something for Brota.
08:25Because it comes by mail, guys.
08:27Descalzi's information did not arrive.
08:29I just sent it to her.
08:30Let's see.
08:31If you want, I'll read it to you.
08:32And if you are encouraged...
08:33If you are encouraged to say it.
08:34If you are encouraged, I'll say it.
08:36Go ahead.
08:37I'll read it.
08:38Don't say it like that.
08:39But let's not kill the messenger.
08:40Let's see.
08:41I don't want to know...
08:42I don't want to know anything about medical issues.
08:45I already have enough with mine.
08:48And in the middle...
08:49Yes.
08:50Something is missing that I'm going to keep.
08:52And it's going to end with me...
08:55There.
08:56Sorry, he said, I already have enough with mine.
08:58Yes, he said that, Corita.
09:00I already have enough with mine.
09:02And what's wrong with Susana?
09:03Who said, who said?
09:04With which I put the focus back on Susana.
09:06With mine, regarding the health, regarding what you said at the beginning.
09:10Descalzi, forgive me.
09:11You were talking about the ex-husbands being close.
09:15That you went close to the ex-husbands.
09:17I think it has more to do with...
09:18Does it have more to do with that or with a health issue?
09:20Everything has to...
09:21Let's see.
09:22Everything has to do with everything.
09:24This is a moment where Susana has been hit hard.
09:27Yes.
09:28It's not that someone hit her with a letter of document, with a lawsuit.
09:32No.
09:33There is an adverse situation.
09:34Yes.
09:35That has to do with the behavior of her whole environment.
09:39Wait, forgive me.
09:40And I'm also talking about the friends.
09:41Descalzi, wait.
09:42I told you that...
09:43I want to ask you the following.
09:45Is there also a situation that worries Susana Jimenez regarding her work and her return to television?
09:55No.
09:56No.
09:57No, no, no, no.
09:58That is decided.
09:59I think that...
10:00No.
10:01It was clear to her that there was a closure.
10:03If they call her and the project is good and she loves it, she does it.
10:06Okay.
10:07She has no problems.
10:08Not even...
10:09Oh, oh, oh, oh, oh.
10:10After all this that happened.
10:11She has no problems.
10:12Neither for protagonism, nor for money, nor for appearing on screen, nor for having a screen,
10:18nor for having the protection of the media.
10:20Look at what I'm telling you.
10:21Yes.
10:22Nor for having the protection of the media.
10:24The care, I would say.
10:25We have always been very careful with Susana.
10:28Yes.
10:29As I said, it did not correspond perfectly to any of the production.
10:33Susana, you can get the message.
10:35So everything is family.
10:36What I'm telling you is what happens in Susana's intimate circle, where there is a behavior
10:42of her intimate circle that integrates family, friends, that disappointed Susana.
10:48Of course.
10:49But there is another disappointment, in addition to the mother.
10:52Of course.
10:53Because she, from the message you read, is disappointed, waiting for her grandchildren
10:57to take care of her mother, right?
10:59Mecha is hospitalized, going through a very important ailment.
11:03But is there any other disappointment that has to do with her intimate circle?
11:08Any friend, any friend who failed her?
11:10Yes, there is another disappointment.
11:12There is another disappointment.
11:14I want to tell you that she had contact with four friends.
11:18Two and two.
11:19Two girls, two ladies and two gentlemen.
11:21She has contacted via message.
11:23It is not that Susana who raised the tube and talked for two hours with so-and-so,
11:27with Vengano, and said, no, science, look what happened, what I did, let's do this.
11:32No, it is a Susana who is taking care of the words, even with her friends,
11:39even with her loved ones.
11:41I'm talking about another Susana.
11:43A Susana who may have dropped a card.
11:45But what made her do that?
11:47A Susana who may have been so enigmatic.
11:50Yes, what happened?
11:52From when?
11:53What is the trick in this new Susana?
11:56When I can, I run.
11:57Look, look, look.
11:58When I can, I run.
11:59Stop throwing the towel out, Descalzi.
12:01Let's talk straight.
12:03Enough, old man.
12:04Turn around, turn around.
12:05Define me.
12:06I can't, I can't.
12:07Look how you put Luis.
12:09If you throw it out, put it inside the court.
12:12I can't say anything because we want to guess.
12:16You have to listen to Descalzi, but let him speak.
12:18Speak, Marica.
12:21I'm telling you that she is disappointed.
12:23I'm telling you that she is looking at her and inside for the first time.
12:29But why do you take care of your words?
12:31Gustavo, why do you take care of your words with your closest environment?
12:36Of course.
12:37We all know who Susana's closest environment is.
12:39Who is it?
12:40Mirta Alegrande, Tete Bustaro.
12:42I mean, we know who the people are.
12:44Tete, yes, but Mirta.
12:46Mirta, no.
12:47Mirta is not a friend.
12:50And Mirta, according to them, they talk every night.
12:56There was a meeting, which is on the birthday of Mrs. Mirta Alegrande,
13:00where Susana, as she was hospitalized,
13:02went in the afternoon to visit only Mirta.
13:06She didn't participate on the birthday, but she went to Mirta's house to say hello.
13:11Do you know what was said in that talk?
13:13Yes, ma'am.
13:14Of course, of course, of course.
13:15And then this week they talked, I don't say every day, but they talk often.
13:20And they had a conversation that there was even crying.
13:23What a disaster.
13:25There was even emotion.
13:26But then it's not Mirta who betrayed her.
13:28Someone else betrayed her.
13:30No, no, Mirta, no.
13:32No, no, I'm not talking about betrayal.
13:33I'm talking about her feeling disappointed.
13:35No, the same.
13:36Disappointment.
13:37But the disappointment has to do with Lucia, it has to do with the grandchildren.
13:41There is another disappointment, with friends.
13:44I don't think Susana's friends, knowing her, betray her.
13:49Do you know something?
13:50No, no, no, betrayal.
13:52I say that they have left her aside, that they have not taken care of her.
13:56And maybe Susana is a moment of introspection,
13:59that she is needing a frank conversation, a call from a friend.
14:04Someone who, well, I'm going to give you some data.
14:07At some point it was speculated that Tete Custaró could travel to Punta del Este
14:11as if they were going to eat there, to go out.
14:14Now let's think about the following situation.
14:17Susana Jiménez, an artist of Argentine television, one of the greatest.
14:22I think I have the fingers of a hand to count the great artists of Argentine television.
14:27At 80 years old, you worked all your life since you were 17.
14:31You raised your daughter alone.
14:33Let's say, what do you want?
14:34At 80, what do you want?
14:35Rest, be calm, that they come to take care of you.
14:39Yes, that they answer you.
14:42In a situation like this, I say, maybe also ...
14:44She is disappointed with everything.
14:46With everything, because I imagine that she, in this situation, a big girl, 80 years old,
14:50who has to take care of her daughter, etc.
14:52She also needs to be taken care of, that her closest friends ...
14:56But her friends are the same age as her.
14:58No, she went to live in another country.
15:00But I'm not saying that they are going to help her with Mecha.
15:03If not, let's have a coffee, how are you?
15:07But she is right, Carmela.
15:11But if you go to another country, it does not mean that they will stop talking to you.
15:14Are they charging her in any way that she went to live in another country?
15:16No, I don't think they are charging her.
15:18I think Susana must feel alone in Punta del Este, really,
15:22because all her friends, especially Tete Custaro, who is splendid,
15:27Susana has her age, and she has her life, and they are working.
15:31All her life, Susana took her friends wherever she wanted,
15:34marked the rhythm of the whole world.
15:36Well, people have their own lives too.
15:38In other words, all big people, you said, because even the granddaughter is over 30.
15:43Susana modifies, takes a life decision, and everyone behind, above the cart,
15:48you have to follow her wherever Susana goes.
15:50And if she doesn't do what she thinks grandchildren, friends, children have to do,
15:56stick for everyone.
15:57Do you know what hurts Susana?
15:59Do you know what hurts Susana?
16:02That when there is to go shopping, when there is money,
16:07everyone gets on that cart.
16:09When you need something that has to do with how emotional, with how affective,
16:13people get off the cart.
16:17I'll ask you a question.
16:18I'll ask you a question.
16:20People are bad and get on Susana's cart, or is it what Susana had to offer?
16:24She buys everything with money.
16:26And affection is not bought with money.
16:28But wait, how many people do we know that Conguita pays for moments she didn't have,
16:33but for appearances she didn't have?
16:35Well, they are forms.
16:36I'm not saying it's the right or the wrong, it's what each one can do.
16:40Maybe she wanted to be affective through her economy,
16:45and today, when she needs that it's not the economy that is helping her...
16:50Well, she should have taught values to her granddaughter instead of paying...
16:53No, she doesn't have a mother.
16:55She doesn't have a mother.
16:57The bill, Carmelo, is going to Susana.
17:00Grandmothers are there to spoil their grandchildren.
17:04Let's say that's it.
17:06If I had a millionaire grandmother,
17:10I would wait for her to give me an apartment, a car...
17:14And if you don't ask for it...
17:15Sorry, sorry.
17:16Josefina said it a while ago.
17:18Bonds are fostered, built.
17:21Today, what each one feels for the other is on the table.
17:25The maternity mother, the annoying grandmother in Uruguay,
17:29and the granddaughter, who knows where.
17:31Well, maybe they don't want to cross paths in life nowadays.
17:35Maybe it's also about life itself,
17:38where there are so many people waiting for a return at some point,
17:42because I was there at this moment, because I gave you here...
17:45And at 30, you have your head somewhere else.
17:48Do things without expecting grace.
17:50The soul takes you somewhere else.
17:52That's what you just said, right?
17:54When you do it to be returned, right?
17:57And in reality, when you do it to be returned,
18:00what usually happens is that that return never comes
18:03because we are not able to see it.
18:05Now, when you give, because you get to give,
18:08because that's love.
18:10Love is giving, right?
18:12Then the return of the other, when that comes,
18:16we have that ability to see it,
18:18waiting for it to return in the same way.
18:20But doesn't it happen to us that we always wait?
18:23Of course.
18:24It's not good.
18:25Because you have to give without expecting anything in return.
18:27But it also arises on its own.
18:28But when you know that the other should be taking the stand
18:32and is not there.
18:33Wait for a child to accompany you when you operate.
18:35But it's logical.
18:36It's the least.
18:37First we are very low.
18:38I stand in the same position as before.
18:41We don't know on a daily basis
18:44if Lucia calls her on the phone...
18:47Susana says so.
18:48Susana, it's Susana's feeling.
18:51I don't disbelieve, obviously...
18:52Susana talks to Mesa on the phone all the time, Dani.
18:54It's not Susana's feeling.
18:56It's what Mesa tells her.
18:57Okay, I don't disbelieve at all
18:59all the information that Gustavo Descalzi is giving.
19:01I think it's great information.
19:03But I say, maybe Lucia communicates with Mesa.
19:07Descalzi, what do you know?
19:08Descalzi, we're listening to you.
19:11How many days has she been hospitalized
19:13or had to be hospitalized with enormous pain?
19:16Have you seen Lucia?
19:18On Mirta's birthday.
19:20There, in the sanatorium,
19:21buying her a soda.
19:23Have you seen her?
19:25So, what Susana is claiming,
19:27that is, I already have my own problem,
19:29my own things.
19:31Take care of the situation of Mesa.
19:34She now has a long process.
19:36I said it 18 times.
19:39Mesa has a recovery of all March
19:41and is in the hands of the best technical team
19:44that Argentina has.
19:45Descalzi, do you know what are the moments in life
19:48where you realize who is who
19:51inside your family?
19:53In the disease?
19:54Yes.
19:55And in the sanatorium.
19:56There you realize who is against everything,
19:59that they go, that they are, that they present themselves.
20:01In the sanatorium it is no longer useful.
20:03No, no, no.
20:04Because there comes the other part of the story.
20:06The review of life, the one who left.
20:08There, where, why did he leave this there?
20:10Why didn't he do this?
20:11There come all the claims
20:13or all the thanks.
20:15And when he leaves, and that person was worth it,
20:18then everyone starts to remember him.
20:20Let's see.
20:21Yes, because the little train that was going up,
20:23the locomotive that pulls is no longer there.
20:25Okay.
20:26So who brings it?
20:27And what is the relationship of Susana and the granddaughter for you?
20:30For me?
20:31Yes.
20:32Of love.
20:33But they leave.
20:34And what does it have to do?
20:35And what does it have to do?
20:36But in the bad moments they are not.
20:37Ah, didn't your father challenge you?
20:38Sorry.
20:39I ask you, didn't your mother either?
20:40Yes.
20:42Yes.
20:44Well, that I didn't understand either.
20:47In the bad moments you were or not?
20:49In the bad moments you were?
20:51Yes.
20:54In the bad moments you were with her or not?
20:56Always.
20:57She, the granddaughter is not.
20:58Ah, well.
20:59Ah, ready.
21:00Then what is happening is almost true.
21:02That is the great pain of Susana.
21:04Obviously, yes, Carmela.
21:05You know that I believe anyway.
21:07Susana has always been the center of her family, right?
21:09Always the one who made the decisions.
21:11Where she lived, where she traveled, where she ate.
21:13And the family got used to that.
21:15And Susana today is big to face those decisions.
21:17Of course, she has other desires, she has other energy.
21:19Last moment of Mr. Gustavo Descalzi from Uruguay.
21:23Come on.
21:27Well, I'm still here in a bus from La Valle.
21:29I just had a communication from Dr. Drueto.
21:32Yes.
21:33He just contacted me and tells me,
21:35Gustavo, she is perfect.
21:39Dr. Drueto tells me.
21:40Good.
21:41All the prosthesis is all perfect.
21:43Good.
21:44So now if someone is watching us or someone is close to Dr. Drueto,
21:47tell us if there was a pain caused by the support of the prosthesis on the base of the bone.
21:55Yes, or some kind of infection.
21:56Tell us, because if everything is perfect,
21:57Of course, if you are not hospitalized, everything is perfect.
22:00And if it is true, and if it is true that he will be in recovery all March.
22:06Tell Dr. Drueto and then we will be calm.
22:09Perfect.
22:10Let's do the following.
22:11Dr. Descalzi.
22:12We call him, we call you.
22:13Totally.
22:14I propose the following to you, Descalzi.
22:15I propose the following to Dr. Drueto.
22:17If you are watching in the afternoon, we will try to communicate with him.
22:21And we resume this topic in a little while.
22:23Descalzi, do we all agree?