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Short filmTranscript
00:00You don't have to make a call!
00:08Forgive me, my love.
00:14Forgive me.
00:31Ouch!
00:33Oh! El Tunche!
00:34What do you mean, El Tunche?
00:36Take your time, Mrs. Tere.
00:39Well, I was screwing her with Yuli. You know that.
00:43She thought I was making her sick to go get her.
00:47Don't tell me that after the show I did at the movies, you kept bothering her.
00:52It's hard for me to accept that she forgot everything we had.
00:55We don't know what her true feelings are.
00:58But if she asked you to stay away, it's for a reason. Respect her.
01:02Yes, aunt, I know.
01:04Did Juan come back?
01:06No, but if you like him, tell me and I'll bring him to you.
01:13Can we take some pictures?
01:15Oh, you're dirtying your hands.
01:18Better with your cell phone.
01:20What?
01:21Yes, a quick picture.
01:23Don't you have a cell phone?
01:24Yes, I do.
01:25Oh, just once, please.
01:27Be spontaneous and make me look skinny, please.
01:31The board has decided to suspend you for indefinite time and with no pleasure to see you.
01:36Ma'am, listen...
01:37Hey!
01:39Shut up and help more.
01:41Your absence is very serious, Yuli.
01:44Be grateful that you have not reported us legally.
01:48If not, you would be in serious trouble.
01:50And the polyclinic too.
01:52Talking to Leonardo gave me peace.
01:55Peace?
01:57What peace are you talking about?
02:00Leave me alone.
02:02I need to be alone.
02:05As you wish.
02:22It's good.
02:24It warms you up.
02:27It's sweet.
02:29Because it's from your country.
02:38Oh, what a delicious lunch.
02:40Delicious.
02:42But you ate a lettuce.
02:44A delicious lettuce.
02:46I'm going to take a shower.
02:48Again? Do you take a shower all day?
02:50Please.
03:07Aren't you going to tell me anything about my new look?
03:09You are beautiful, love.
03:11No.
03:12No.
03:13I don't want to look beautiful.
03:15I want to look respectable.
03:17You look detestable, mom.
03:19Why are you disguised as your mother?
03:22Besides, the attitude is what makes one look respectable.
03:26Not the disguise.
03:28I see her differently.
03:30But I don't see her disguised.
03:32Very good, my faithful reflection.
03:34Your father is a beast.
03:36He doesn't know that the habit makes the monk.
03:39Tere, don't call my husband a beast either.
03:41Well.
03:42To what we came to.
03:45Today I am dressed like my mother in honor of her.
03:47Because feeling like her
03:50makes me be empowered,
03:52sure of myself.
03:54I sympathize with you, Gasparina.
03:56Why me?
03:58Of course, because Mrs. Angel had a crush on Mr. Gil.
04:00Are you going to tell me no?
04:02You only talk nonsense, damn you.
04:10What's up, Yoli?
04:12Has he done something to you?
04:14No, no, no.
04:16No, family, I have...
04:18I have something to tell you.
04:20Yes.
04:21You're already pregnant, damn you!
04:23No!
04:25I was suspended from the polyclinic for no reason.
04:28Because of the wig!
04:29Assila! Assila, no!
04:31Don't tell me it was because you didn't attend to Cristobal.
04:36Mr. Diego filed a complaint against the clinic with negligence.
04:40For negligence?
04:43And just when I was presenting my papers for another job.
04:47In what clinic are they going to accept me with a job
04:50where there is a...
04:53a negligence.
04:58So much effort to graduate and end up like this.
05:04Open the door!
05:05Open the door!
05:08Who is it?
05:09Open the door!
05:11Open the door!
05:12No, no, no, no, no, no.
05:13Please, please, don't do anything.
05:15It's my first day at work.
05:16What scandal is this, you mountain bears?
05:19How dare you report my niece?
05:21She was suspended from her job because of you!
05:24Who are you?
05:25Mrs. Tere!
05:26Yes.
05:27Assila was suspended?
05:28I'm going to call right now to have her completely fired.
05:31You are an evil, abusive.
05:33You love to feel powerful, don't you?
05:35Abusive and exploitative,
05:36because I'm sure you're only paying Lucio one salary.
05:39No, no, miss.
05:40Don't get me in trouble, please.
05:41It's my first day at work.
05:43Please leave my house.
05:44I already have enough problems to deal with.
05:46No, no, sir.
05:47No.
05:48There is no right to screw up the future of a young worker.
05:50Worker?
05:51An irresponsible.
05:52A criminal is what she is.
05:54What?
05:55Yes.
05:56Don't you know?
05:57Didn't she tell you?
05:58She almost killed my son.
05:59I should lock her up in a dungeon and never let her out again.
06:01Family, let's go.
06:02Please, Mr. Diego.
06:03Sorry.
06:04We didn't want to bother you.
06:05Don't talk to me like that, negligent nurse.
06:08Please.
06:10You should have stayed cleaning floors,
06:12which you did very well.
06:16Get out of here!
06:17Get out!
06:18Get out!
06:33Have you been complaining about me?
06:36Me?
06:37No.
06:38Not at all.
06:39I'm a good person.
06:45You know what I'm going to do with Mr. Diego?
06:47Instead of asking, you should have joined Carrabontón.
06:50Yes, but I saw that they were full.
06:51Get out!
06:52Are you going to do that?
06:53Get out!
06:54You don't need a friend like that.
06:55Get out!
06:58Mrs. Tere.
07:00Yes.
07:01Sorry, Mrs. Tere.
07:02My Ignacio is at home, just in case I tell you.
07:04Why did you ask me so early?
07:07Get out!
07:14What's going on?
07:16If I meet that stinky Guachimana, I'll kill him.
07:25Sir, I know you're at home.
07:32But why are you dressed up, you dirty bitch?
07:38Listen to me carefully, Adefesio.
07:41This woman in front of you is the new Tere Collazos.
07:43Not a colorful parrot, not a drunk cockatoo.
07:47Do you understand me?
07:48This woman in front of you is going to defend her family with nails and teeth.
07:53Is that clear?
07:55Excuse me.
07:56Let's get out of here.
08:03What happened?
08:04I heard screams.
08:06What happened?
08:08Nothing, nothing.
08:11A flying cockroach came out and I got scared.
08:14Guacala.
08:16It's probably that disgusting cockroach on the side.
08:19I don't think so either.
08:21I don't know you, Mikey.
08:22What are you waiting for to demolish them at once?
08:25I told you the same thing.
08:27I like the voice of your house.
08:30I'm going to keep bathing.
08:31I need to soap.
08:36It's true.
08:40I don't know what I'm waiting for to demolish it.
09:05Frank.
09:07I don't like being like this with you.
09:10Neither do I.
09:13How's Cristobal doing?
09:15Fine.
09:16Tomorrow they're going to kick him out.
09:19I thought you'd go with him tonight.
09:22What for?
09:27Tell me what you talked about with Leonardo.
09:29It's been a long day.
09:31I rested.
09:33Aren't you going to tell me?
09:35Well.
09:37Things of the past.
09:40But above all,
09:42of our love for Isabela.
09:45I don't trust that manipulator.
09:48Good night.
09:50Frank, don't bother.
09:53I know he's sleeping.
09:55He's sleeping.
09:56Don't bother.
09:58I know Leonardo did bad things.
10:01But my daughter loved him and was responsible.
10:05Whatever you say, Frank.
10:07See you tomorrow.
10:10See you tomorrow.
10:22Do you think I should accompany Cristobal to the clinic?
10:27Take advantage of the fact that you still have children who need you.
10:46Brother.
10:48We have to thank you
10:50that we didn't find Alesia the first time.
10:52Why do you say that?
10:53Because with how desperate you were,
10:55we could easily find her,
10:57reconcile her, carry her,
10:59take her to Lima
11:01and we'd miss this adventure.
11:03I'm still desperate for her.
11:05We understand.
11:07But what has changed is my concept of Hope.
11:09Hope is...
11:11She's an angel, brother.
11:13She's helping us.
11:15They already told me where we can find her.
11:17You see, brother?
11:19Brother.
11:20Brother.
11:22Calm down, I'm nervous.
11:24Thank you, Hope.
11:33You pay.
11:35I don't have money.
11:37I'll pay.
11:39I don't have money.
11:41I'll be back in a bit.
11:50To the bathroom.
12:05To the bathroom.
12:20To the bathroom.
12:44Hey, man!
12:46What's up?
12:48What's up?
12:50What's up, man?
13:04Beautiful, huh?
13:07It's beautiful.
13:09What a beautiful city.
13:11How beautiful.
13:13Wow.
13:15Fujo, we're here.
13:17Damn.
13:18Manito, now I can tell you with absolute certainty that Joe is our guardian angel.
13:23I'm telling you that he's your Joe, my Joe. Our Joe. That's my Joe.
13:48Hiya.
14:18Hiya.
14:49Tito.
14:52Tito, you're thirsty.
14:53Oh, leave me alone.
14:57Oh, there's a message on your cell phone. It's important.
15:00Huh?
15:01Your cell phone.
15:06Oh, look. Joel has sent you pictures from China.
15:18Ha, ha, ha, ha, ha.
15:23Oh, look.
15:24Oh, they're so cute.
15:26They're from Minnesota, right?
15:27Yes.
15:29Look at this one.
15:34Oh, is that a real person?
15:36Yes. Isn't it cute?
15:38Come in.
15:49Oh.
16:00Honey, look. Joel has sent you pictures.
16:03Honey, wake up, honey.
16:05Honey!
16:09I'm sorry, I'm sorry.
16:10Why are you waking me up like this?
16:11I'm sorry, honey. It's just that your nephew has sent you pictures. Look, look, look, honey, look.
16:14Oh, how beautiful.
16:16Look at this.
16:17Joel, what a thing.
16:20Come on, come on, come on. Let's see more pictures.
16:23Okay.
16:29Listen, honey, listen to me. Honey, honey.
16:31Honey, everything has an explanation, okay?
16:33Honey.
16:36Everything has an explanation.
16:37Shut up! Shut up!
16:38Shut up! Shut up!
16:39Shut up! Shut up!
16:40Listen to me, honey. I'm going to explain it to you.
16:42Shut up! Shut up!
16:43Shut up! Shut up!
16:44Shut up! Shut up!
16:45Shut up! Shut up!
16:46Shut up!
16:47I'm going to kill you!
16:48Shut up!
16:49Shut up!
16:50Shut up!
16:52Please, she's just a child.
16:53No, she's not a child!
16:54No, honey!
16:55No!
16:56No!
17:15Did you know that if you have Claro in your house and Claro on your cell phone, you are Fulcaro?
17:21Live full benefits, without paying more and for life.
17:25Become Fulcaro by calling 0800 00200 or at claro.pe
17:37I have to do as Aunt Maca has said.
17:39And manifest so that Yuli comes and the universe conspires in my favor.
17:46Ahorita llega Yuli, ahorita llega Yuli, ahorita llega Yuli, ahorita llega Yuli, ahorita llega Yuli.
17:54Thank you, universe.
17:58Little son.
18:01I came to accompany you, get up to sleep together tonight.
18:05I'll take care of you.
18:08Thank you, universe.
18:09There is better.
18:11See you tomorrow.
18:12See you tomorrow.
18:15See you tomorrow.
18:20Get up.
18:40Family.
18:41I have called you good because ...
18:45The truth, yesterday I lost a little control, right?
18:51A little.
18:53It was a misunderstanding, Gaspar already explained to me and ...
18:58I want to believe him.
18:59Yes.
19:00But do not worry that he will fix all this mess.
19:05Uh!
19:07Family.
19:08They will have to use the silo, huh?
19:10I have to go to the bathroom again.
19:13Yes, please.
19:14Silent please.
19:16Silent.
19:17Silent please.
19:18I'm not done yet.
19:20Yuli, niece.
19:22You know that we are strong women, that we go forward in the face of adversity.
19:27You are going to find a new job.
19:29Quiet.
19:30Thank you, Aunt Tere.
19:32Now, if you excuse me.
19:37I have something very important to do.
19:38Please go taking care of breakfast.
19:46Apparently Tere is taking her matriarchal role very seriously now.
19:53A race to the park?
19:56I'm going to win.
19:57Oh, I want to see that.
19:59Hey!
20:01Oh!
20:03Listen to me!
20:04Be very careful when you approach my Gaspi again,
20:06because I tear your extensions off and leave you bald!
20:11It's a disaster.
20:14They were with their mouths open!
20:21You screwed up, Teresa Collazos!
20:25You do not know who you have woken up to!
20:28You hit me and now you want to poop on me!
20:33You have gone too far, little woman of fifth!
20:38I am Miguel Ignacio de las Casas!
20:41And I'm going to make you and your whole family regret being born!
20:54That's it.
20:56That's it.
20:57How handsome my son is!
21:08Thank you, Dad.
21:13Thank you for what?
21:17For taking care of me.
21:18For accompanying me.
21:23Am I your father?
21:26I'm going to recover as soon as possible to rejoin the job.
21:32You do not have to hurry.
21:34Rest everything you need.
21:38You said you were the most essential of all.
21:45Sometimes I say nonsense.
21:48Let's go home.
21:51Yes, let's go.
21:53Slowly.
21:55Slowly, son.
22:14Yes, sir.
22:15And taking advantage of the moment, this is my second day of work.
22:18Could we talk about my schedule?
22:20Later.
22:21Good morning.
22:22Good morning.
22:25Julie.
22:26Stay away from my son.
22:28Dad, please.
22:30I came to offer you my services as a nurse technician to attend to Chris.
22:37Of course, I would not charge you anything.
22:38Nurse technician, please.
22:41I would not leave my son in your hands.
22:43I trust her, Dad.
22:44Your criteria is not valid.
22:46Mr. Diego, please let me correct my mistake.
22:49Isn't the suspension enough for you?
22:51Do you want them to take your title away from you?
22:53Suspension? What suspension?
22:54Nothing, nothing.
22:55Come on, you have to rest.
22:56Mr. Diego, please.
22:57But do I speak Chinese or what?
22:58I don't want you near my son.
23:01Come on.
23:02Come on.
23:03Dad, I asked you not to do anything against Julie.
23:25But Julie is a public danger.
23:27I couldn't leave her there acting like a nurse as if nothing happened.
23:30Please withdraw the complaint you have filed against her.
23:32She can't lose her job, Dad.
23:33Why do I let you talk so much?
23:35Chris, I'll help you.
23:36Yes, yes, take her.
23:39And Frank?
23:41He's in the office.
23:42Mr. Diego, taking advantage of the fact that the two of you are going to be there,
23:45could you define my salary?
23:47Because I seem calm, but I'm a little nervous.
23:49Later.
23:52I get anxious sometimes.
23:53Are you a mayor?
23:54Yes.
23:55Good luck.
23:59Don't worry.
24:00I know what I'm doing.
24:03I'll call you later.
24:06Who were you talking to?
24:08Someone, business.
24:11Why did you hang up?
24:12Because it wasn't important and I wanted to ask about Chris.
24:16He's in his room.
24:17Lucio is helping him.
24:18I'll go up to see him in a while.
24:33Don't worry.
24:34Yes, I'm not upset.
24:36Really?
24:38More than upset, I'm surprised.
24:41You shouldn't have gone to see those people after what they did to you.
24:45I feel very bad.
24:46My duty was to attend to something.
24:48And you're already paying for not having done it.
24:50I just can't.
24:51I can't help but feel bad.
24:53I'm sorry.
24:54I'm sorry.
24:56I'm sorry.
24:57I'm sorry.
24:58I'm sorry.
24:59I'm sorry.
25:00I'm sorry.
25:01I'm sorry.
25:02I can't feel okay.
25:09I will always support you.
25:10Okay?
25:12But those people don't deserve your tears or your will to solve things.
25:20And to think that Diego Montalvan was in a pedestal.
25:31Lucio, I'm fine here.
25:33Leave me here. I don't want to go to my room.
25:35I want to walk a little.
25:36Are you sure?
25:37Very sure.
25:38Okay.
25:43What's wrong?
25:45Sorry, I was waiting for the tip.
25:47By force of habit.
25:50Come on.
25:58Seriously, didn't you bother even a little bit?
26:00Just a little bit.
26:02Do you really find that so hard to believe?
26:05I'm not a chihuahua.
26:08I know that.
26:21Well, what do you want to eat for dinner?
26:23What are you going to cook for me?
26:24Whatever you want.
26:25Whatever I want?
26:28He's a chicken.
26:30What is he?
26:31He's a chicken.
26:32Hey, hey, hey.
26:33I haven't seen him in a couple of years.
26:34What do you mean?
26:35He's a chicken.
26:36What do you mean?
26:37He's a chicken.
26:38What?
26:39He's a chicken.
26:40You talk to him like a chicken.
26:41You don't know how he is.
26:42Alright, alright.
26:43We are here in China very connected.
26:44The legend.
26:45That my people knows.
26:46Please, say something.
26:47I'm getting anxious.
26:48Eat?
26:49Are you hungry?
26:50No.
26:51You don't understand me.
26:52Damn, are you hungry?
26:53Oh, oh, oh.
26:54Did you miss me?
26:55Missed you.
26:56It's richie ray.
26:59You're so funny, Joder Gonzales.
27:02It's a gift.
27:04Are you really hungry?
27:06You're not?
27:19Is it here?
27:21Everything here must be cheap.
27:23It's called Sansongshi.
27:26It's a stone from the legend.
27:29If a couple writes their name on the stone,
27:32they'll be together for three lives.
27:35Three lives?
27:36We find it, we bring it here, and they write.
27:40How beautiful.
27:42How beautiful.
27:53I was just saying that I'm eating a lot.
28:04You have to be clear.
28:06Don't you realize that she's just trying to understand us?
28:10She's paying for all this.
28:12Be patient.
28:14You're going to eat this.
28:18No, give it to me.
28:19Give it to me.
28:24I hope the old lady can respect this.
28:28Let's see, some meat.
28:30This looks like rice with seafood.
28:46Guys, bad news.
28:49Anessia died!
28:51How did it happen?
28:52Tell me, please.
28:53What happened? I knew it.
28:55Please tell me what happened.
29:11We have to tell the family.
29:21We have to tell the family.
29:22We have to tell the family.
29:23We have to tell the family.
29:24We have to tell the family.
29:25We have to tell the family.
29:26We have to tell the family.
29:27We have to tell the family.
29:28We have to tell the family.
29:29We have to tell the family.
29:30We have to tell the family.
29:31We have to tell the family.
29:32We have to tell the family.
29:33We have to tell the family.
29:34We have to tell the family.
29:35We have to tell the family.
29:36We have to tell the family.
29:37We have to tell the family.
29:38We have to tell the family.
29:39We have to tell the family.
29:40We have to tell the family.
29:41We have to tell the family.
29:42We have to tell the family.
29:43We have to tell the family.
29:44We have to tell the family.
29:45We have to tell the family.
29:46We have to tell the family.
29:47We have to tell the family.
29:48We have to tell the family.
29:49We have to tell the family.
29:50We have to tell the family.
29:51We have to tell the family.
29:52We have to tell the family.
29:53We have to tell the family.
29:54We have to tell the family.
29:55We have to tell the family.
29:56We have to tell the family.
29:57We have to tell the family.
29:58We have to tell the family.
29:59We have to tell the family.
30:00We have to tell the family.
30:01We have to tell the family.
30:02We have to tell the family.
30:03We have to tell the family.
30:04We have to tell the family.
30:05We have to tell the family.
30:06We have to tell the family.
30:07We have to tell the family.
30:08We have to tell the family.
30:10Hey!
30:17Hello, Cousin
30:31What's going on?
30:32What happened?
30:33What happened?
30:34What just happened?
30:35What just happened?
30:36what just...
30:37what...
30:38What was that scream? They cut my inspiration!
30:40I don't remember the girls.
30:41Are you okay?
30:43Yes, I mean, it was Yuli who screamed.
30:46What happened to Yuli?
30:48Well, at least she fulfilled her dream of graduating.
30:51What's wrong with you?
30:52No, no, dad, she's fine, but she got some terrible news, now she's going to tell you.
30:56Yuli, what happened?
30:57Yuli, Yuli, and that face?
30:59Family.
31:01Alicia.
31:03She died.
31:04What?
31:05It can't be!
31:06What are you saying?
31:07I don't know, I don't know.
31:08How can it be?
31:09Jimmy just called me from China, he made me cry, confirming the death of his beloved
31:15love and my best friend.
31:17I wouldn't joke about something like that, would I?
31:19Oh, but for God's sake, so young.
31:21What happened?
31:24And he's so old to find death.
31:26It would have been cheaper for him to have died here.
31:28Dad.
31:29Or he's comforting Jimmy, but my cousin is not going to be the same again.
31:33Poor thing.
31:35He went in search of her to live his great love and they brought her back here.
31:39It can't be, but what would have happened?
31:42She was so full of life.
31:44Anything, China is huge, there are like a thousand million Chinese.
31:47This love was probably crushed because she was so skinny.
31:49Oh no!
31:50She lost her breath, my God.
31:52What's wrong?
31:53I've been waiting for you for hours.
31:56What's wrong?
31:57Who died?
31:58Alicia.
32:00Oh my God, but so young.
32:03They crushed a thousand Chinese in an elevator.
32:06Oh no, what a tragedy.
32:08Jimmy was waiting for her on the last floor, but a corpse arrived.
32:11And I can't cancel the reservation anymore.
32:13It was his last dinner.
32:15Oh my God, how horrible.
32:17Shall we give a surprise to the Montalban when the body arrives?
32:20No, no, no.
32:21China is very far away.
32:23And the body is sure to smell ugly.
32:25And we don't know how long the ice will last.
32:28But if they put it in the ice, it will last a little longer.
32:30Oh, let's go again, let's go again.
32:31But wait, they must be dying.
32:33Lorena, please.
32:34Their daughter has died.
32:48What noise is that?
32:50Fran, you must be dreaming.
32:52Have you heard me?
32:54Yes, but I'm also dreaming.
33:01Hey, the González are entering the garden.
33:03How do you know it's them?
33:05They bring a painting.
33:07It's true, it's them.
33:08But what are they doing tearing flowers at this time of night?
33:11What happened to them now?
33:13We have to put an electric fence.
33:16They are entering the house.
33:18Who opened the door for them?
33:20It must be Lucio's pusillanime, as good people are believed.
33:24That good people brings me problems with the house.
33:27But what do they want?
33:29I don't know what they're doing here.
33:37I'm sorry, gentlemen.
33:38They told me it was an emergency.
33:40Who are you?
33:41Go away.
33:42This is property invasion.
33:44We came to present peace.
33:47Yes, we want to show you our respect.
33:50Respect?
33:51Waking up in the middle of the night?
33:53To show you our respect.
33:55Respect?
33:56Waking up at this time of the night out of respect?
33:59In more sense, weigh me, Ratatouille.
34:02This is the time to put aside our differences.
34:04Weigh me? What are these people talking about?
34:06Oh, yes, they are.
34:07They take advantage of anything to get into stealing.
34:09Oh, no.
34:10It was my best friend.
34:13Julie.
34:14And I'm going to miss him a lot.
34:16You too?
34:17Julie?
34:18We share his sorrow.
34:19And we just want to join in a solidarity hug and we're leaving.
34:22But what are you talking about?
34:27We found a photo, but we didn't have time to frame it.
34:30Alessia Montalban.
34:32Present.
34:33Alessia Montalban.
34:34Present.
34:35Alessia Montalban.
34:36Present.
34:37No, no.
34:38Messing with my daughter is too much.
34:39Get out of this house, Lucio.
34:40Get them all out.
34:42Go away, please.
34:43Now you've gone too far.
34:45In more sense, weigh me, Mr. Diego.
34:47I know how you feel.
34:48I also had my pet, my Cooper, Roberto.
34:50I know.
34:52We feel it a lot, really.
34:54We leave you with your sorrow.
34:55Yes, but first a group hug.
34:57A group hug.
34:58Group hug.
34:59Group hug.
35:00Group hug.
35:01Group hug.
35:02Group hug.
35:03Group hug.
35:04Group hug.
35:05Let me go.
35:06Let me go, margins.
35:07My daughter is in Beijing working in a restaurant.
35:09I'm calling her right now so you can stop being stupid.
35:12It's denial.
35:13It's denial.
35:14It's denial.
35:15It's denial.
35:16It's really true.
35:17Now you've gone too far.
35:18You are a plague.
35:21And?
35:22I don't know.
35:23She doesn't answer.
35:24Logical.
35:25With a thousand million Chinese,
35:26she jumped that they gave her her number to others.
35:28My daughter is not dead!
35:30Mr. Diego, my cousin Jimmy called me
35:32and told me that his only love
35:34had had a better life.
35:36Shall we tell her now that she died
35:38crushed in an elevator?
35:39No.
35:40I'm sorry.
35:41I'm sorry.
35:42I'm sorry.
35:43No, no.
35:44You've just changed the number.
35:45That's it.
35:46Diego, don't fool yourself anymore.
35:48Come.
35:49Embrace your pain with me.
35:50Come, Diego, come.
35:51Come.
35:52Let's go.
35:53Wait here.
35:54Breathe.
35:55Breathe.
35:56Breathe.
35:57It's already coming out, huh?
35:58I'll put you in the coffin.
35:59Cristobal!
36:00That's it!
36:01He always talks to his sister.
36:02He has to know.
36:03Let's go.
36:04Let's go.
36:05Let's go.
36:06Let's go.
36:07Let's go.
36:08Let's go.
36:09Let's go.
36:10Let's go.
36:11Let's go.
36:12Let's go.
36:13Let's go.
36:14Let's go.
36:15Let's go.
36:16Let's go.
36:17Let's go, Vampirin!
36:18Let's go.
36:19Let's go.
36:21You did it.
36:22Cristobal went to Elise's room.
36:23He took his hair tie as well.
36:24Of course.
36:25They're sellotape.
36:26It happens to them both anyway.
36:27Poor Vampirin.
36:28Death by a thousand Chinese alike
36:29He didn't even leave his room.
36:30But he couldn't stop saying silly stuff?
36:31He isn't there.
36:32But, what?
36:33Isn't his body there to watch him?
36:34What the hell?
36:35I don't get it.
36:36This is all so strange.
36:37Mira, don't worry.
36:38There's always an explanation.
36:39Cristobal was so attached to his sister.
36:40Maybe he went to Elise's room to cry.
36:41Don't lose anything.
36:42Let's go.
36:43He went to Alicia's room to cry.
36:45Let's not lose anything. Let's go.
36:46I'm going to see.
36:50Family.
36:53The Maldini and Montalban are going through a very complicated time.
36:56Let's forget our differences
36:59and let's get together to support them.
37:01Let's go with number 14.
37:02And one, two, three, four.
37:04Lord,
37:07you have looked into my eyes.
37:12Smiling,
37:16you have said my name.
37:22She's not here either.
37:25Look at the look in her eyes.
37:25I don't know what to do.
37:27Look at the look in her eyes.
37:28I don't understand anything.
37:29Do you want to shut up?
37:31Look.
37:33Look.
37:36Little sister.
37:37You don't know how much I miss you.
37:40I miss you a lot.
37:42My God, was it true?
37:44Come on, love. Come on.
37:47I need to talk to you and you're not here.
37:49I just saw Julie flirting with her new boyfriend.
37:53I don't want to live anymore.
37:55What?
37:55No, no, no.
37:56Wait, wait, wait.
37:59I don't want to live anymore
38:01in front of the González family.
38:03Oh.
38:05Maybe Julie is to blame for leaving the house.
38:07This doesn't say anything about Elencio's death.
38:09The vampire only cares about Julie and her new boyfriend.
38:11That's it.
38:12Or maybe she's not dead.
38:14Call him.
38:19I shouldn't complain.
38:22Anything is better than staying in the New Lomas
38:25and seeing Julie with her boyfriend.
38:31Who's calling me at this time?
38:38My dad?
38:41He just realized I'm not in my bed.
38:45I don't want to argue right now.
38:48He doesn't want to answer.
38:49Julie!
38:50What?
38:51Please call him.
38:52You're the only one who's going to answer.
38:54Yes.
39:01What a pain in the ass, my dad.
39:03I don't know what to do.
39:06What a pain, my dad won't let me sleep.
39:16Julie?
39:20Hello?
39:21Cris, please come.
39:23We already found out about Alesia.
39:27What happened to Alesia?
39:32I don't understand, what happened?
39:33It was from one moment to another.
39:34She didn't suffer.
39:35I should never have done that trip to China.
39:37Now there's nothing we can do.
39:40Should we tell her about the elevator?
39:42No, no, no.
39:43I don't understand anything.
39:44I talk to her all the time.
39:45You talked, you talked.
39:47She left.
39:48But how did it happen?
39:49Gibi called Julie to inform her.
39:52My cousin is devastated.
39:54She loved Alesia.
39:55She would never joke about something like that.
39:57Cris, if you have her new number, call her.
39:59So we'll know what happened to her.
40:01Yes, of course.
40:02Son.
40:03Son, please don't collapse.
40:05I need you to bring his ashes to Lima.
40:08Yes, dad, count on me.
40:18Thank you, marginals.
40:20I will never forget what you have done for me.
40:28Hello, Cris?
40:30Dad?
40:31Why are you crying?
40:34What do you mean I'm dead?
40:37That the Gonzaleses say that?
40:39Look, dad, please tell those people that I'm alive, okay?
40:42That I'm more normal and happy than ever.
40:46Resurrected!
40:47Glory to you, Lord!
40:50Who started this gossip?
40:52Run.
40:54Run!
40:56Run for your lives!
41:01Run!
41:16There are two of them!
41:19Watch out!
41:20Watch out!
41:23Hurry, hurry, hurry!
41:24Stop, you two!
41:27Come here, damn it!
41:31Run!
41:38Thank you, Lord.
41:40Jesus Christ, thank you for your mercy.
41:42Calm down, calm down.
41:43You can't get in with those furniture, calm down.
41:46Yes, love, thank you.
41:47So Alicia is alive, everything is fine.
41:50Nothing happened here.
41:51What do you mean nothing happened?
41:53Diego Montalvo almost killed us.
41:54Yes, he chased us to the house.
41:56But what happened to that pair of idiots to get us into this story?
41:59No, no.
42:00Jimmy has done us a favor.
42:01Joel told him in good faith.
42:02Oh, Joel!
42:04My God.
42:05But now they're going to listen to me.
42:06Love.
42:07Now they're going to listen to me about this pair of idiots.
42:10Calm down, love, calm down.
42:11Calm down, calm down.
42:12Brother, brother, brother.
42:13Please, you have to listen to me.
42:14Brother, listen to me.
42:15Listen to me.
42:16Brother, listen to me.
42:17No, no, no.
42:18Calm down, calm down.
42:19Please, I know it's difficult.
42:20Let's see, brother.
42:21I know it's very difficult.
42:22Let's see, brother.
42:23You have the message.
42:24The horrible Diego Montalvo has made us the idiots.
42:27And he has treated us horribly.
42:28He says he just talked to Alesia, who is alive and kicking.
42:32Where did they get that awful news from?
42:35Oh no, she's alive.
42:36She's alive.
42:37She's alive.
42:38She's alive.
42:39She's alive.
42:40She's alive.
42:41No, no, no.
42:42Alesia is not here in Fucho.
42:44I love you so much.
42:46I love you so much.
42:47So we came for the pure?
42:49No, Joel, you're a mechanic, right?
42:52Of course, haven't you seen?
42:54Here in Fucho there is something that may interest you.
42:57Well, I've worked on a ship.
42:59Imagine.
43:00Let's go.
43:01Ship.
43:02Let's go.
43:03Okay.
43:25Are you sure you don't need the car?
43:27Take it away.
43:29After the night they made us pass the Gonzalez,
43:32I prefer to rest.
43:33Tell me.
43:34I almost believe the story of my dead daughter.
43:37See you later.
43:43For me it was not a story.
43:46No.
43:54Don't turn around.
43:55Keep driving.
44:16I love you.
44:46I love you.
45:06Well, it's time to put a little splendor to this neighborhood.
45:11Are you ready, Mikey?
45:12Always.
45:14Remember to go slowly to start.
45:17No, calm down.
45:18I've been trotting for a long time.
45:19So let's go to your rhythm.
45:20I'm just with physical.
45:21Let's start.
45:22Go.
45:23Come on.
45:24One, two, three, four, five, six.
45:36Oh, blessed.
45:38How are you?
45:39Felix.
45:40What's wrong with you?
45:41Behave.
45:45And we are far.
45:46Park there.
45:47I have nothing.
45:48What are you going to do to me?
45:49Park there and turn off the car.
46:06And we are far.
46:07Here we can talk.
46:08I already knew it was you.
46:10You never scared me.
46:11Aren't you happy to see me?
46:14The truth is that no.
46:15Is that necessary?
46:16Yes, this is my breakfast.
46:18To give a little excitement to our meeting.
46:21Don't tell me you peed yourself.
46:23No, I'm already learning to control myself.
46:26And what's so important you have to tell me that you kidnap me?
46:30What happened to Cristóbal?
46:32They told me that they saw him pernoctando in a park and that you kicked him out.
46:37They told me they saw him pernoctating in a park and you kicked him out.
46:41And that's why you kidnap me? My son is crazy.
46:44He doesn't want to go home to not see Julia in Arrumacos with his new boyfriend.
46:48Yuri has a new boyfriend.
46:51Salvador Ocampo.
46:53A young cook with a promising future, but with vernacular tastes.
46:59Since he couldn't do it with my daughter, he did it with Julia.
47:03A shame for the Basquemeyer.
47:05I missed your disgusting classism.
47:08Oh, don't play the fool.
47:10You and I are contemporaries of a time when the place in society was respected.
47:18Well, Diego, it's been a pleasure to see you. I have to go.
47:22No, no, no, wait, wait, wait. Now I want to ask the questions.
47:26Did you have anything to do with the body buried in my garden?
47:35Let's start. Let's talk.
47:44I congratulate you, my love. I didn't think it would last five laps.
47:48Water. Water.
47:51Oh, I ran out of everything. But let's go shopping.
47:54Let's go.
48:06Thank you for joining me, my love. You are the best boyfriend in the world.
48:10And you are the most beautiful girl in the world.
48:12Hi, do you have water?
48:13Hi, yes. Valentino, do you remember when ...
48:17Valentino!
48:18Shut up, moron.
48:20Hey, don't call my boyfriend a moron.
48:24Well, I don't judge them.
48:26It's three soles. Thank you, beautiful.
48:29Love.
48:36Write it down.
48:37What? No, no, I can't trust you. It's three soles.
48:40No, I didn't tell you to trust me. I told you to write it down.
48:42I'll pay you everything at the end of the month.
48:44Everything? You don't have an account here.
48:46It's three soles.
48:47And why not?
48:49If I am the most important character in the New Lomas.
48:52Girl, thank you. Write it down.
48:54No, no, no, no. You are not going anywhere without paying.
48:56Valentino, grab them.
48:57I grab it.
48:59Hey, let go of my girlfriend.
49:01I'm your girlfriend.
49:03I'm your girlfriend.
49:05What?
49:06No, I mean, let go of her.
49:08Three soles.
49:09Well, pay your debt and let her go.
49:12Oh, Mikey, don't you have any coins?
49:14What do you want her to have?
49:15I don't know where to bring her.
49:16We'll wait for her.
49:17Take your time.
49:19And you, let her go, right?
49:21I dare you.
49:22Oh, he said she was his girlfriend, right?
49:25Did you hear that?
49:26He said she was his girlfriend.
49:28He said she was his girlfriend.
49:30He said she was his girlfriend.
49:31I told you she was my girlfriend.
49:33Aguava!
49:34Hey, hey!
49:35You're wetting me!
49:36Be careful!
49:37Don't worry.
49:38I said Aguava.
49:39These shoes are worth more than your house.
49:41Well, I hope they're waterproof, then.
49:43She's looking for you, Teresa.
49:44She's looking for you.
49:45Please, look how I tremble.
49:46Just get up.
49:47Get up, get up, get up.
49:48Get up.
49:49Get up.
49:50Get up.
49:51Get up.
49:52Get up.
49:53Get up.
49:54Get up.
49:57She's a noble cradle, and I'm a humble plebe.
50:02Blood is not different, nor is the heart, sir.
50:08Because beings are not of equal value.
50:14Sir!
50:15Hello.
50:16Franchi!
50:17I'll open it, I'll open it, I'll open it.
50:22Come in, please.
50:26I know it's very often, but I had to give you this.
50:48It's her.
50:57Give me a few days and I'll find out everything about that Leonardo.
51:02In the meantime, keep away from him.
51:06You don't have to tell me.
51:09Here will be witnesses to how a car is made from scratch.
51:14A car from scratch?
51:18Look, ma'am, you're alone.
51:22Gaspar, everything here is done alone.
51:27I don't need you anymore, I don't need you anymore, Gaspar.
51:32I have to do something to make them disappear from the face of the earth.
51:37But what?
51:38They are like cockroaches, they never die.
51:44They are like cockroaches, they never die.
51:47And on top of that, they have this winery located in the middle of the New Lomas.
51:52If only they had a competition to make them disappear.