¿Cuál es su historia?
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00:00Obviously, there is a talent on your side, a gigantic talent.
00:05And Angel, there are people who are born with Angel, you are Angel.
00:09But there is also a lot of work, and life sometimes puts you in the right place,
00:15but you have to know how to take advantage of it.
00:17And I think that being a TV show that puts you in another perspective,
00:23I think it changes your life.
00:30You started to lose your life!
00:33The meme, the meme.
00:35Who are you?
00:39It's me, I'm Rodolfo.
00:45A model.
00:46Who are you?
00:47Ignacio, please, no.
00:49There is a detail, there is a detail.
00:51With the brooch jacket and the other one.
01:01I'm sorry.
01:12Yes, there is a before and after Amores de Mercado, without a doubt.
01:17The third track, 1963, the last chapter.
01:21Explain to me what happened when you proposed the character,
01:24to make two opposite characters, who are twins.
01:28Look, they had thought that Luciano would do it,
01:33they had also talked to me, I didn't feel like it.
01:37You didn't feel like it?
01:38No, because there was a lot of glue.
01:41And suddenly they told me to write everything.
01:44And I said, well, let's go.
01:48And I started reading the TV series and it happened to me that when I read the chapters,
01:53the screenwriter wrote everything the same.
01:56All the characters speak the same,
01:58the way the screenwriter writes, man, woman, cuico, fly, everything.
02:03All the good ones speak the same.
02:05So I had to do a little bit of work to be able to put together and differentiate these characters.
02:11So I had glued here next to the bed, I had some sheets that I had made,
02:15and I grabbed the texts and the same words that the two said.
02:19So how would I say each of the characters?
02:21You started to put together a vocabulary of each of the characters.
02:23Exactly, so I put together a vocabulary of the peyuco,
02:25which was the one that was the most difficult to interpret for me.
02:31And every night I would change the texts,
02:33with the liquid paper, very meticulously,
02:35and I would write on top of the word how the character would say it,
02:38and I would put together the sentence how the peyuco would say it.
02:43But I had the time, I could do it, because I lived alone and I was dedicated to...
02:48100% to that.
02:50And I had a lot of glue, because it was not that one character would pretend to be another,
02:55no, because these characters were two protagonists,
02:58so they were in one scene, they were in the other, they were in one scene, they were in the other.
03:02How was that period for you, humanly?
03:05It was crazy, it was a stress like that, but heavy.
03:10And of course, I didn't have time to dimension what it meant,
03:13nor the success of what happened with the TV series, because it was focused...
03:18I remember that we recorded in the Omnium, there was a studio,
03:21from there we would go to a location of the house in Ladeza,
03:24from there we would go to the market,
03:26and there was a driver of a van, and they were always waiting for me to record,
03:31because I had to go to Ladeza.
03:32You were always late to get back.
03:33I was always late.
03:34So, I was always with a makeup and hairdresser girl,
03:38who was changing my hair on the way,
03:40and I arrived, I recorded there, and from there I had to go to Ladeza,
03:43and from there I had to go to Omnium, and so I was recording all day.
03:47So, there came a moment where there was a lot, a lot of pressure,
03:51and the head, you know, gets tired too.