Category
🎥
Short filmTranscript
00:00♪♪
00:30Well, I know you're not going to see him now, María,
00:32but maybe he's the best for you.
00:34He's been told over and over again
00:36that the only way to make money urgently
00:38is to sell the land.
00:39I'm also telling you that you've been away
00:41from the management of La Promesa for a while,
00:43and that maybe there's no other option right now.
00:45No, that's not true.
00:46What you have to do is adapt.
00:48And his father?
00:49Is he also one of the owners?
00:51He was.
00:52Now that percentage belongs to Martín.
00:55So why did he travel to Madrid?
00:57I thought it had something to do with all this.
00:59Well, it turns out that Marcelo
01:01thought he saw one of the men of the Duke of Sarabia
01:03in town.
01:04What?
01:05Don't worry.
01:07Because he arrested him
01:08and in the end he confirmed that it wasn't him.
01:10So what's the problem?
01:12The problem is that Marcelo lives in fear.
01:14Afraid of being discovered.
01:16I'm going to be direct.
01:17Hannah shouldn't get involved again
01:19in the decisions regarding La Promesa's business.
01:22I know what I'm asking you is very difficult,
01:24but you have to understand it.
01:26These are issues that affect the Marquis
01:28and the rest of the owners of La Promesa.
01:30Please, Hannah, give it to me.
01:32There is no conversation that can change what happened.
01:35And I haven't forgotten it.
01:36Well, this is the perfect opportunity to prove it.
01:38I promise you that I will be impartial.
01:40I will listen to both versions equally.
01:42Stop manipulating me.
01:43And if you see her, tell her to go where she came from.
01:46I need Angela to return to Switzerland as soon as possible
01:48to resume her studies.
01:49Talk to Curro
01:50and have that conversation with my daughter.
01:52I trust that you will be able to convince him.
01:56What do you mean with the door of Mrs. Marquesa?
01:59Well, Judy, I said that this room connects to the chamber
02:02that used to belong to Mr. Marquis,
02:03but now belongs to Mrs. Marquesa.
02:06Where do you think you're going?
02:08I owe it to all my parishioners.
02:09Well, start with those who have paid for the renovation
02:11of the parish house.
02:13This family needs your spiritual support more than ever.
02:16Especially in these moments of great need
02:19that ravage our palace.
02:25How long do you think the priest will be late?
02:28Well, he has to be on his way.
02:30He went to the noble plant to say goodbye to the lords.
02:32I mean, I didn't have much to tell him either, did I?
02:35Give him a couple of blessings and have him rest in peace.
02:38Woman, what if someone had died?
02:41Well, I hope God gives him a lot of health for many years.
02:44Well, we're going to miss him a lot,
02:45because he's not one of those priests
02:47who spend all day giving sermons.
02:49Well, no, of course not.
02:51Of course not.
02:52Noleo is the opposite.
02:53Well, because he doesn't like injustice
02:55and he faces it as if it were a beast.
03:02Have you already said goodbye to the Marquis?
03:05Don't be so serious, for God's sake.
03:07It's always better to say goodbye with a smile, right?
03:12I'm not leaving.
03:14What?
03:16What did the Marquis tell you?
03:18What happened up there?
03:20The Marquis asked me to stay.
03:22Well, rather, he has demanded it.
03:26But who is she to demand you or let you demand?
03:29It's not that she wants to get in the way, huh?
03:31But it's true.
03:32She is no one to impose her will,
03:35let alone a man of God.
03:37But don't get us wrong,
03:39we are delighted that she stays.
03:41I believe it, we are very happy.
03:45So what did the Marquis tell you?
03:47He has taken my decision to leave as a ...
03:51personal betrayal.
03:54But that woman, everything that contradicts her,
03:56is a personal matter.
03:58And it is often when she gets angry.
04:00I haven't had many options to reply to him either.
04:03According to him, the family needs spiritual support
04:07in these difficult times.
04:09Well, against that, little can be argued.
04:12Well, I almost sent the Marquis to fry asparagus.
04:15Well, that would not have been very typical of a priest.
04:17But I had already left the room
04:19and I had my things ready.
04:21Now I have to ask Don Rómulo to accommodate me again.
04:24It will be a good room, man.
04:25Approve and change a friend.
04:29Although it is true that the Lujan welcomed me
04:31when I needed it the most.
04:34The regañadientes, but they did.
04:36You say that yes,
04:37that it is a good thing to be born grateful.
04:40And it is true that now they are in a dead end,
04:43jumping from one scandal to another.
04:45And what if the light came out,
04:47that they are firing one of their guests right now?
04:50Rather, I think the Marquise fears that she will spread
04:54the situation that is being experienced here in the palace.
04:57Everything adds up.
04:58For my part,
04:59the only thing I can offer is all my spiritual comfort
05:03where they need it.
05:05Although, since I have been accommodated here,
05:08they hardly turn to me.
05:10Well, the case is that it stays.
05:13That's right, that's right.
05:15More flies are hunted with honey than with ice.
05:19And something tells me
05:22that I will be more useful,
05:23fulfilling God's commandments,
05:25staying here,
05:27in the promise.
05:29And we celebrate it.
05:39To tell you
05:41the things that have happened since I saw you.
05:45The lights that have danced through our garden.
05:49The new rumors
05:51between the heart and the walls.
05:55In the promise
05:57there will be particles of love in motion.
06:01There will be secrets that will never come out.
06:05It will be as beautiful as the flight of a plane.
06:11In the promise
06:13the farewells are spins on the ground.
06:17Even the flowers will dance in their own way.
06:21Balancers between fear and passion.
06:27We are like a jump to the D3.
06:31We are love when you live life to death.
06:36A long way to go.
06:40In the promise you will be a matter of luck.
06:44We are like a jump to the D3.
06:48We are love when you live life to death.
06:52A long way to go.
06:56In the promise you will be a matter of luck.
07:00In the promise you will be a matter of luck.
07:07It may seem silly,
07:09but serving a tea like this, alone, without anything,
07:12would entail a good repression of the service.
07:15Those would be more buoyant times.
07:17In any case, I don't think the money is the economy of the promise.
07:21But still, I think we should take more careful measures.
07:25I agree.
07:27And the Marquis is in that, as I understand.
07:28Yes, but I think Caterina is right in this case.
07:32Selling those lands is a mistake.
07:34Are you afraid that the heritage you are going to inherit will fade away before long?
07:38No, of course not.
07:40I'm lucky. I know it's not that.
07:42Of course it's not that.
07:44I just think that selling some lands that are going to give benefits
07:48is like making a stew with the magical beans of the story.
07:51Or roasting the golden eggs in a cauldron.
07:54I can't agree with you anymore, Hanna.
07:55Alonso is wrong.
07:57If he thinks that selling part of his lands is the solution.
08:00Anyway, if we want to get a good share of those lands,
08:03we would have to cultivate them entirely, as Catalina said.
08:07I'm glad to see you so firm in your convictions.
08:10And above all, that you have been able to say your opinion in front of everyone,
08:15no matter who falls.
08:17I thank you very much, but I've seen what you've done for me.
08:20Well, you've helped everyone see that you have a voice that can't be silenced.
08:23Well, maybe I have.
08:25I would surprise those who have come to convince me.
08:30Tecruz didn't expect anything.
08:32Tell me, please.
08:35Come on, Hanna, you know you can trust me.
08:40They have turned a family matter into a marital one.
08:43I see.
08:45You've told your husband the story.
08:48Manuel has asked me not to intervene anymore
08:50in the financial matters of the promise.
08:53With what argument?
08:55It's what the Marquis has asked him.
08:57Don Alonso says that these matters are not for the lady,
09:01but rather for the gentlemen.
09:03I see.
09:05Women can't think,
09:07but it is said that Catalina has much better accounts than her father.
09:10That everything must be said.
09:13Anyway, it has been preferred not to argue with Manuel.
09:15So are you going to accept his request?
09:18Well, I don't want to make a fuss.
09:20I just got to this family
09:22and I don't know who to mess with where they don't call me.
09:25You are the mother of the future heir to the Marquis of Lujan.
09:28The most suitable person to defend his heritage
09:31is to take a step back, Hanna.
09:33Don't do it.
09:35Sincerely, I prefer to remain silent.
09:38They are missing you.
09:40Don't allow it.
09:41They are missing you.
09:43Don't allow it.
09:45I appreciate your concern,
09:47but I don't want to open more fronts.
09:49It's not a new front.
09:51It's the only one.
09:53And you know perfectly well who is on the other side.
09:55I see.
09:58I think I'm still going to do it.
10:02When they ask you to keep your mouth shut,
10:04what they're really asking you to do
10:06is to stop thinking about yourself.
10:08I know.
10:10Listen to me, Hanna.
10:12I'm not a good example
10:14because I haven't always done well in life.
10:16But what I can assure you
10:18is that neither the man nor the woman
10:20is capable of keeping their mouths shut.
10:21Keep your mouth shut.
10:38Do you have something to tell me?
10:40If it's natural for you,
10:42it's hard for you to keep your mouth shut.
10:44Well, you see,
10:46with how clumsy I am,
10:48I've been left out.
10:49No, I didn't say that.
10:51But I don't know how you feel
10:53that Mrs. Marquesa forced you to stay.
10:55She didn't point a gun at me either, Maria.
10:57Well, but she insisted.
10:59And she forced you, come on.
11:01When I made the decision to leave,
11:03I was convinced
11:05that it was for the best for everyone.
11:07Yes, I know.
11:09It's very clear to me.
11:11And what has changed?
11:16Maybe
11:18what I want is one thing
11:20and what the Lord expects from me is another.
11:25That now it's the Lord
11:27who wants you to stay here.
11:29I think he's putting me to the test on the way.
11:32So now I'm not a sin,
11:34I'm a test.
11:36No, Maria, I didn't mean that.
11:43Look, Samuel, I don't want to be a sin,
11:45a test or anything.
11:47So what happened between the two of us
11:50is just that.
11:52Past.
11:54And for my part, it won't happen again.
11:56Really?
11:58Yes.
12:00I don't want to see you suffer because of me.
12:02And even if I really want
12:04something else to happen between the two of us,
12:07it's more worthwhile to see you like this.
12:10And I think we've done very beautiful things together.
12:13Helping all those people is.
12:14It is.
12:16Of course, Maria.
12:18Those people deserve
12:20to recover their lives
12:22and their dignity.
12:24And he's doing it.
12:26Especially thanks to you.
12:28They see you as a lighthouse
12:30in the middle of the storm.
12:32Maria, you have also been
12:34an indispensable part in all this.
12:36And I want to continue to be
12:38if you let me.
12:41So don't worry,
12:42I'm not going to be an impediment
12:44in that path you say you have to follow.
12:48Maria, I'm not the one who says it.
12:51Yeah.
12:53The path of God.
12:55I know.
12:57You still think I'm arrogant
12:59for thinking that our Lord
13:01has a path prepared for me.
13:03No.
13:05I think our Lord
13:07has a path for everyone.
13:09But you are very clear about it.
13:10And I'm lost.
13:24You don't know how much I admire you.
13:27Hanna, that's not what I meant.
13:30And what did you mean?
13:32Can I know?
13:34Oh, those faces.
13:36What were you talking about?
13:41Well, you'll see.
13:43Hanna has told me
13:45that her husband has kindly asked her
13:47to stop meddling in the financial matters
13:49of the promise.
13:51And it was very good if she listens to him.
13:53If it serves as a reference,
13:55I don't get involved in those matters either.
13:57They seem to me the most boring.
13:59Well, good for you.
14:01But it turns out that she is interested
14:03and she also has good ideas.
14:05You can't ask her not to think.
14:07Please, what a tremendous way to see it.
14:08You can't ask her not to think.
14:10It's just that you have to take
14:12the place that belongs to you.
14:14And what is the place that belongs to me?
14:16The one of the lady you aspire to be.
14:18It's not taking care of the financial matters
14:20of the promise.
14:22Even if she thinks I can help?
14:24Leave that to the men.
14:26We already have Catalina.
14:28You have no right to belittle her.
14:30I don't.
14:32I'm just showing
14:34how ridiculous her behavior is.
14:36If I wanted to belittle her,
14:38I would do it.
14:40I'm pregnant too.
14:42So I imagine that, according to you,
14:44what I have to do now
14:46is to wait for Lu
14:48in the most discreet way possible, right?
14:50It would be a whole detail on your part.
14:52Well, I hope she finds out
14:54that I'm not going to do that.
14:56Is it so difficult to give in
14:58to what your own husband has asked you?
15:00No. If Manuel has done this,
15:02it has been because he has felt the pressure
15:04of his father and hers.
15:06And besides, I want him to know
15:08that you need to have a class
15:10that you will never have, dear.
15:12Whatever you want.
15:14In any case,
15:16I think there is nothing lower
15:18than hurting a newlyweds couple
15:20by turning their son into a junkie.
15:22I have a lot to do
15:24to put up with your nonsense.
15:26Goodbye.
15:28Nothing.
15:32Not even a loaf of bread.
15:35I confess that I would have devoured it with pleasure.
15:37Good hunger and no bread, I doubt it.
15:39Let's see.
15:41What are you two doing here, glooming?
15:43We were looking for some leftovers
15:45to take to the butchery.
15:47Well, I don't know.
15:49I don't know.
15:51I don't know.
15:53I don't know.
15:55I don't know.
15:57There are no leftovers.
15:59And you know it.
16:01No, our stomachs know it, Mrs. Simona.
16:03We have been eating soups made
16:05with the bundles of vegetables for days.
16:07Santos, we do what we can.
16:09And be careful not to complain,
16:11because some people don't even have that.
16:13Stop thinking about food and do something useful.
16:15And we can't help here
16:17to smell what they cook.
16:19They don't say that, smell what they feed.
16:21Look, I'm going to take your word for it.
16:23Go to the pantry and get a sack of flour
16:25because we are going to make a cake.
16:27Yes, gentlemen.
16:29Well, I'm sure they'll leave something.
16:31I'm going to get it right now.
16:34Santo,
16:36we have received that your mother
16:38has visited the promenade.
16:40And so it is.
16:42I'm sorry
16:44that we get in where they don't call us,
16:46but we thought
16:48that the woman was in eternal rest.
16:50No, there is nothing to forgive.
16:52My father made me believe that, me too.
16:54Do you know why your father thought that?
16:56Well, the important thing
16:58is that she is alive
17:00and that surely for you
17:02meeting her has been a very beautiful moment.
17:05Yes.
17:07Yes, of course.
17:09And also for Mr. Pellicer,
17:11because if the man thought that the woman was dead ...
17:14My father knew very well that she was alive.
17:16How would your father know something like that
17:18if he was starting relations with Mrs. Arre?
17:20Mrs. Candela,
17:22don't tell me you really knew.
17:25Come on, of course.
17:27That's why he broke off relations with Mrs. Arre.
17:29Mrs. Candela,
17:31that doesn't matter now.
17:33Santos,
17:35do you know if she will come back here?
17:37Where did you go to find her?
17:39Look, I don't know if she's going to come back or not,
17:41but what I do know is that you should stop asking
17:43things that don't interest you.
17:45Here I bring the last sack of flour.
17:47What do you mean the last one?
17:49There must be at least two more.
17:51In the pantry there is no more than this sack.
17:53No, Marcelo, it can't be.
17:55Well, I'm telling you it's the last one left.
17:57No, it can't be.
17:59I'm going to the pantry to check it.
18:01Yes, as soon as I find it.
18:04Let's see, Marcelo,
18:06I was here a while ago and you and Santos
18:08are here like crazy looking for something to take to the bus.
18:10Hey, what are you insinuating?
18:12That we have taken the flour to eat it.
18:14Not raw,
18:16but it is not very difficult to make some gachas.
18:18But what barbarities are you saying?
18:20Besides, I don't know how to cook what you say.
18:22No, me neither, and it seems very offensive
18:23to have stolen it.
18:33Curro, where are you going?
18:38Good afternoon.
18:40I was thinking of going for a ride.
18:43And before enjoying your free time,
18:45don't you have any urgent task?
18:48Urgent task?
18:50I understand that a few nights ago
18:51my friend Leocadia asked you
18:53to do something for her.
18:55Yes.
18:57If you mean to talk to her daughter,
18:59I already told her that ...
19:01I didn't think she was the right person for that.
19:03Badly thought.
19:05No, I don't understand, Aunt Cruz.
19:07Why do I have to be the one talking to her?
19:09Because she listens to you.
19:11You went to that dance with her.
19:13No, no, no, I remind her that I was forced by you.
19:15You'll have to find your ways, Curro.
19:17But she won't listen to me, I know it.
19:19You have to try.
19:21Do you want me to go back to Switzerland
19:23to finish your law studies?
19:25No, I didn't know it was so important to you
19:27that a woman would continue her studies.
19:29If it's important to my friend, it's important to me.
19:31Don't reply to me.
19:33Aunt Cruz, I insist.
19:35I'm not the right person.
19:38Ángela and I don't get along.
19:40That's it.
19:42So I'm very sorry I can't help her,
19:44but I can't do anything.
19:46Wait, wait.
19:48I don't think you understand me, dear.
19:49I'm not suggesting anything to you.
19:51This is an order.
19:53I'm not Leo Cade's pamphlet.
19:55You have to obey me.
19:57I said do it and that's it.
19:59Do you understand me?
20:01Yes.
20:03Very well.
20:05And if you're not going to tell me
20:07you were going to take that horse ride with Ángela,
20:09I recommend you go up to your room
20:11and change your clothes right now.
20:20Well, we shouldn't take things out of context, Santos.
20:23But they're accusing me of stealing a sack
20:25that I didn't steal.
20:27And me.
20:29Well, it was the nerves of the moment.
20:31I'm sure there's a logical explanation for all this.
20:33Look, he's going crazy out there
20:35and I'm sure he's telling us.
20:37What?
20:39The flour that was missing has appeared?
20:41Those sacks have disappeared.
20:43But how are two sacks of flour going to disappear?
20:45They don't have legs,
20:47so they can only have gone.
20:49Obviously, someone has taken them.
20:51Oh, the Virgin.
20:53Oh, the Virgin that we have thieves in the promise.
20:55And they're not accusing us of anything.
20:57So let's see who is the one with the long hands.
21:00It's going to be very complicated to find out.
21:02It's just that it has to be more strange
21:04for something like this to happen.
21:06Yes, well, Easter has come.
21:08And how are we going to make the Lord's bread now?
21:12Well, we'll have to ration the sack we have left.
21:15And why don't we make corn bread
21:17like the one we drink?
21:19Mrs. Candela, where has it been seen
21:21that there is no white bread on the table of a marquis?
21:23No, no, that can't be.
21:25They will eat less bread,
21:27but the bread they eat has to be wheat flour.
21:29But we'll have to deal with the thief.
21:31I'm sure it was someone
21:33who was desperate
21:35because of hunger
21:37because it's not normal to be robbed.
21:39I've had the feeling for a long time
21:41that there is no food in the pantry.
21:43Candela, why didn't you say it before?
21:45This is a very serious thing.
21:47Someone has taken it.
21:49It is more likely that you have done it.
21:51What? What are you talking about?
21:53You are in the kitchen all day.
21:55You could have taken it,
21:57sold it, taken it to the rooms.
21:59Are you listening to him?
22:01Have I ever seen you take a handful of almonds?
22:03Come on, the other one.
22:05Are you looking for satins?
22:07Mrs. Catalina is here.
22:09Is something going to happen?
22:11Nothing, what's going to happen?
22:13Nonsense that is said in the stoves.
22:15But I heard something about stolen flour, right?
22:16No, miss, what happens is that
22:18we are going to prepare the bread with less flour.
22:20That's what you heard.
22:22That's it, it's not that the flour has been stolen,
22:24but now the bread will weigh less.
22:27Well, that must have been it then.
22:39Martina, admit that in the end
22:41you don't have it so clear.
22:43Well, it's been a week
22:44that I've been in La Promesa, aunt.
22:46Precisely for that.
22:48You should get rid of that heavy burden
22:50and allow others to manage it for you.
22:52Well, my mother was doing great.
22:54Your mother was of another age
22:56and above all, another experience in life.
22:59As for business, no, aunt.
23:01And she let herself be advised by Catalina,
23:03which was what I had planned to do.
23:05It is true that Catalina has helped a lot
23:07with the management of La Promesa,
23:09but from now on, with two children on the way,
23:11she will not be able to take care of herself.
23:12Children require a lot of attention, right, Leocadia?
23:15Of course.
23:17Although, who knows?
23:19Catalina is a very organized woman.
23:21The same can be said for everything.
23:23Of course, I trust her.
23:25It's not a matter of trust, Martina.
23:27It has to do with ability.
23:29Manuel and your uncle Alonso are much more suitable
23:31to take care of your part of La Promesa.
23:33Well, since I don't have to make this decision
23:35urgently either ...
23:37There you are wrong.
23:39The more time passes, the more money you lose.
23:40What?
23:42The properties you have are not giving you any profit.
23:44It's not like that.
23:46Well, I don't know.
23:48I would have to ask Catalina
23:50to see if any of the shares are leased.
23:52And if so, why are you not receiving the money?
23:56I don't know.
23:58As Martina says,
24:00it's still a little early.
24:02You have to give it time.
24:04I think it's too late.
24:06La Promesa is not having its best time, let's say.
24:08And it is precisely now
24:10when we all have to be united.
24:12That is clear.
24:14What is not so clear is
24:16whether Martina should join Alonso or Catalina.
24:18And both are members of the family.
24:20Well, as far as I know,
24:22the Marquesado is still in Alonso's hands.
24:24And no one has doubted it.
24:26Aunt, I'm going to think about it calmly, really.
24:28And when I have an answer,
24:30you will be the first to know.
24:32But?
24:34But I want to go to sleep
24:36because tomorrow I want to do things
24:38that I have to do.
24:40Good night.
24:42Good night.
24:49What's that smile for?
24:53I've known you since we were kids
24:55and yet,
24:57you still surprise me.
24:59Really?
25:01Yes.
25:03You have amazed me with your attempt
25:05to manipulate that poor girl.
25:06By the way,
25:08how are things going with my daughter's case, Angela?
25:10Well, I've asked Curro to understand
25:12that he has to collaborate with us.
25:14He doesn't even want to know
25:16what you've done to convince him.
25:18In any case, I've done what you asked me to.
25:20And Ocadia, another thing is that it works.
25:22It has to work.
25:24You really want your daughter
25:26to return to Zurich, don't you?
25:28It's for her own good.
25:31I see.
25:36I see.
25:54Are you sure Mrs. Marquesa isn't coming?
25:57I'm sure.
25:59After dinner, she always goes to the tea room
26:01and now she's with Mrs. Lea Ocadia.
26:03In any case, we don't have much time.
26:04How do I find this door?
26:06I assure you it won't be an easy task.
26:09Any clue?
26:11Unfortunately, no.
26:13The only thing we suspect is that
26:15there is a passage that should connect
26:17this place with the secret room.
26:19And that door that leads to the passage
26:21has to be close to the fireplace, right?
26:23And it would open with a hidden mechanism.
26:27Hanna, I think it's better if we leave.
26:29Mrs. Cruz can come back at any time.
26:31Teresa won't come back.
26:32And if she does, I'll be responsible.
26:34I'll say I forced you to be here and that's it.
26:36But we don't know if she's going to believe you.
26:38How is she not going to believe me, Teresa?
26:40If she always thinks I'm to blame for everything
26:42and for this too.
26:44Well, anyway, she can't fire you.
26:46And I can.
26:48That's not going to happen.
26:50I assure you, it's not going to happen.
26:52Let's hope so.
26:54Because otherwise, we would have to give
26:56a lot of explanations.
26:58And anyway, Vera and I are already looking for that mechanism
27:00and we can't find anything.
27:02Let's go.
27:22Do you see anything?
27:23No.
27:29One day,
27:31Vera came here
27:33and Marcelo and I went to the secret room.
27:35And why did you do that?
27:37Well, to see if the blows could be heard.
27:40And did you hear anything?
27:42Vera thought she heard the knock-knock
27:44that Marcelo and I emitted from the secret room.
27:46But it was something very weak,
27:48so much so that it could even have been the result of her imagination.
27:53Let's go.
28:11Good evening.
28:13Good evening.
28:15Does it bother you?
28:17No.
28:19Because I was going to do it.
28:20Well, because ...
28:22I came to ask you a favor.
28:26A favor?
28:28To me?
28:33Okay.
28:35Tell me, what is it about?
28:39I need the car tomorrow to do some errands
28:42and I have been told that you have requested it.
28:45Yes, I'm sorry.
28:46I'm sorry.
28:48I asked for the car because I wanted to go around Lujan.
28:51I see.
28:53Well, if it's not too much trouble,
28:55I would like you to give it to me.
28:59And can I know why you are in such a hurry?
29:02I already told you.
29:04I have to do errands.
29:06Okay.
29:08Well, since you're also going to Lujan,
29:10we could share it.
29:12No, the problem is that I'm not going to Lujan.
29:14Oh, no?
29:16I'm going to need it all morning.
29:18I have to do errands for several towns and ...
29:21Well, they are things that I should have done
29:23as soon as I arrived from Switzerland,
29:25but you know how these things are, right?
29:27In the end they are delayed and postponed and ...
29:29And well, I don't want to bore you
29:31by explaining what each management is about.
29:33But I have to go to the grocery store, the drugstore ...
29:35I'm not asking for your opinion
29:37or suggesting anything to you.
29:39This is an order.
29:41I told you to do it and that's it.
29:43Do you understand me?
29:44Ángela ...
29:46It would do me a great favor.
29:48What?
29:50Oh, about the car.
29:52Yes, yes, I give it to you.
29:54You are very kind when you propose it.
29:59Vera, I wanted to talk to you
30:01about a matter that I would like to clarify.
30:05Excuse me.
30:07Can I take refuge here with you?
30:10Yes, of course, of course.
30:12Why take refuge?
30:14Well, rather, of whom?
30:17And especially from Aunt Cruz,
30:19but also from Mrs. Leocadia.
30:21My mother?
30:23And what do you want?
30:25Well, to submit to her holy will, apparently.
30:28And that's why I made up that I was sleepy
30:30and that I was going to sleep, but ...
30:32But she has met with us
30:34and joined the conversation.
30:36Because I am absolutely not sleepy.
30:38Yeah, Martina, but I still don't understand
30:40why they are intoxicating you.
30:42Because they want to know what I do
30:44with the percentage of the promise
30:46that my mother gave me.
30:48Wow.
30:50I'm sorry, Martina.
30:52Yes, Aunt Cruz is tireless
30:55and does not accept a no in response.
30:59How was I going to know
31:01that this was going to happen?
31:03When my mother gave me that percentage,
31:05I felt very happy.
31:07A poisoned gift.
31:09Well, yes, yes, because I couldn't imagine
31:11that now I was going to have to decide
31:12with one or the other.
31:14Well, when I see this palace,
31:16the strange thing is that you didn't foresee
31:18that something like this could happen.
31:20Well, you're not helping me.
31:24Martina, but what do you think I should do?
31:32Well, I don't know.
31:34I don't know because on the one hand
31:36I have my cousins, Manuel and Catalina,
31:38telling me the good things
31:40about not selling the land.
31:42But on the other hand,
31:44I have my uncles,
31:46who constantly press me
31:48on the other side, so ...
31:50Well, try not to get overwhelmed.
31:52I just feel like I'm constantly
31:54between the sword and the wall.
31:59Well, don't worry.
32:01Let's have a drink
32:03and then if Aunt Cruz or Mrs. Leocadia come,
32:05you'll be safe with us.
32:07Sure.
32:09We'll talk about something relaxed
32:10and obvious.
32:28I'm very glad to have you back.
32:31I didn't want to leave without seeing you first.
32:34And I thank you.
32:36I know it's not easy for you to come
32:38knowing that my father
32:40is also in this palace.
32:42If I do it, it's for you.
32:44And I thank you very much for the effort, mother.
32:47Just as ...
32:49I thank you for not telling my father
32:52that I was the one who asked him to come
32:54and that he would even make the parapet
32:56in front of Doña Petra.
32:58Your wish is that your father and I talk.
33:00And I tried,
33:02but he doesn't want to know anything about it.
33:04Yeah.
33:05I understand that that bastard
33:07no longer wants to face his past behaviors.
33:09Santos,
33:11don't talk about him like that.
33:13I know very well who he is, mother.
33:15I don't need you to defend him.
33:17Nor will I ever.
33:19But it hurts me to see you talk like that about your father.
33:21He should be an example for you.
33:23A reference to follow.
33:25Well, it's quite the opposite.
33:27And much more is still avoided
33:29having a miserable conversation with you.
33:31Yes.
33:33I know.
33:35Especially you.
33:37But I had no choice.
33:39That's right.
33:42And that's why my father should give explanations,
33:44especially to you.
33:46He doesn't want to, son.
33:48That's it.
33:50Let's not turn him around anymore.
33:54Well, now I feel responsible for this cell.
33:57I was the one who asked him to come,
33:59the one who begged him, sending him that cable.
34:01I could also have rejected your invitation.
34:03And I would have understood.
34:06But I'm so glad to have seen you again.
34:11We've lost so much time.
34:14I know, mother.
34:16Although I don't know if it makes sense to keep trying.
34:21And I understand that.
34:23Perfectly.
34:25But even so, I want to ask you one more thing.
34:28What?
34:30Don't leave.
34:31Don't leave.
34:33Let me talk to my father one last time,
34:35to change my mind.
34:37Things can't stay like this.
34:40I don't think you'll achieve anything.
34:43But go ahead.
34:55Curro.
34:57What are you doing here?
34:58Hello.
35:00I was looking for Manuel.
35:02And you?
35:04Me too.
35:06He got up very early this morning and I don't know where he is.
35:09Well, I'm sure he went for a walk and will be back soon.
35:13Yes, I guess.
35:17Sister.
35:19Is everything okay?
35:21Yes.
35:24Nothing, I just had a conversation with Manuel and ...
35:26It's not that we ended up badly, but ...
35:29I would like to see him to clean up the mess.
35:33Well, don't worry.
35:35I'm sure you will.
35:37As soon as you see him.
35:39Yes.
35:41And what are you doing here?
35:43Shouldn't you be taking a car to go to Luján?
35:46Yes, the car.
35:49I asked Ángela.
35:52Yes, yes, for her to do her errands.
35:54And you didn't offer to go with her?
35:57Yes, yes, I did, Hanna.
35:59Out of courtesy, more than anything else.
36:01Curro.
36:03It's true.
36:05Thinking about it, you would have done a torture to spend the morning with her, right?
36:08Besides, I was looking for Manuel because I wanted to talk about her.
36:12What do you mean about her?
36:14Yes, about Ángela.
36:16And you can't talk about Ángela with me?
36:19Yes, Hanna, but my aunt Cruz is involved in this.
36:22I see.
36:24That you prefer an impartial opinion, not like mine.
36:29Well, it's not that Manuel's opinion is impartial either.
36:33But yes, yes, it's more useful to me.
36:35Out of closeness, I mean.
36:38And what is supposed to have happened?
36:42My aunt Cruz is pressuring me to convince Ángela to do something she doesn't want to do.
36:49How strange.
36:50Yeah.
36:52And the worst of all is that I agreed.
36:55And now I don't see myself with moral authority to ask her for anything.
36:59Well, look, Curro, I wasn't going to say anything, but I'm going to give you my opinion.
37:04Yeah.
37:06I didn't expect you to keep quiet either, so ...
37:10Don't do it, Curro, don't do it.
37:15How easy it is to say.
37:18In the end, you're going to end up doing it.
37:20And you'll end up going through the ring like everyone else.
37:24And if Manuel and I have argued so much, it has always been because of Mrs. Cruz.
37:32I'm sorry, Hanna.
37:34Come here.
37:44Hanna, what's going on?
37:46Nothing, Curro, I have to go.
37:47If I have to go, it's because I forgot that I had to finish something.
37:52Hanna.
37:55Don't worry, Curro, I'm going to tell you everything, really.
37:57But I have to go.
38:07I have nothing to tell you.
38:09This has nothing to do with you. It's something between your mother and me.
38:13For God's sake, father, I'm her son.
38:17Aren't you going to say anything?
38:20Damn it.
38:35Come in.
38:41Mrs. Arcos.
38:43I just saw Santos leave here very upset.
38:47And you come to ask me for an account?
38:49Look, Mr. Pellicer, I ... I don't want to get into where they don't call me.
38:55And I know very well that you don't want to talk to Hanna.
38:59No, I don't want to talk to her and yes, she's getting into where they don't call her.
39:04Yeah, but even so, I'm going to ... I'm going to make the last effort to try to convince you.
39:10Well, you won't get it.
39:12Did my son send you as a messenger?
39:13No. No, he hasn't sent me anything.
39:17I am aware of how difficult it must be for you to talk to your wife.
39:23But you must also understand how important it is for your son, for Santos, that the two of you have that conversation.
39:29But I have nothing to talk about with that woman.
39:32That's the least of it.
39:34All that matters here is to give Santos a little peace. He needs to clear himself.
39:40Believe it or not, I am aware of it.
39:43But the only problem here is that that woman lies more than she speaks.
39:48Well, that's your point of view. But by refusing to talk to her, what you are going to understand is that you have a lot to hide.
39:55No, no. Not at all.
39:59Maybe you are right. But the only reality here is that Santos has had many shortcomings in his life.
40:07Yes, I know. And I am the main responsible.
40:13Mr. Pellicer, your son ... your son has not asked you for anything in a long time.
40:18Do it for him.
40:21Does it cost you so much work to please him in this?
40:24Do it. Do it, even if it's to fix this once and for all.
40:32Think about it.
41:14Catalina, are you okay?
41:16Yes, yes. Yes, of course. Excuse me.
41:20You seemed very upset.
41:22I'm sorry I gave you that feeling.
41:24I was thinking about something. That, of course. And judging by your expression, it didn't seem nice at all.
41:30It's hard not to think sometimes.
41:32Well, you should control your afflictions and listen to the doctor.
41:35Remember that you are a doctor.
41:37It's hard not to think sometimes.
41:39Well, you should control your afflictions and listen to the doctor.
41:42Remember that you are a doctor. Remember what he said, that you have to be calm and avoid worries.
41:47Yes, that's right. But I can see that the doctor's advice is not very transcendental in this family.
41:53Yes, I'm realizing it.
41:57And is it possible that you are so thoughtful about economic problems, perhaps?
42:03Well, that's not something that calms me down, of course, but it wasn't for that. At least not now.
42:09And do you want to share with me what makes you so selfless?
42:17Do you know the priest at home? Father Samuel?
42:21Yes, that's right. I think he's a very pious and interesting man too.
42:26Yes, he has many facets. Too many, perhaps.
42:30The fact is that yesterday I heard him having a very disconcerting conversation with one of our maidens, María Fernández.
42:39Now I'm the one who is disconcerted.
42:41I couldn't hear what they were saying, but I was surprised that they were so close.
42:45I don't know.
42:47Do you think they were talking about something inappropriate?
42:51I don't know.
42:53So, what do you mean?
42:55What do you mean?
42:57Well, I thought maybe the priest was taking advantage of her.
43:04What are you laughing at? No, I'm sorry. I'm sorry. It's just that I know that's not possible.
43:10And how are you so sure?
43:11Because he's a good man and a priest, Catalina.
43:15Of course, that's why I'm worried.
43:17I know that this maiden collaborates with him and helps him in everything she can.
43:20And she does it in a totally voluntary way. I guess that's why they are so close.
43:25Are you sure?
43:26Totally.
43:28Sometimes things out of context can seem like they are not.
43:32Well, yes, it's true.
43:33Yesterday, without going any further, I thought I heard a discussion about the cooks.
43:37Because someone had stolen a bag of flour.
43:41Has there been a theft in the kitchens?
43:43That's what I thought I heard.
43:45But apparently it was all my imagination.
43:48Do you want some tea?
43:49Yes.
43:50Yes.
43:56Do you get anything?
44:01I'm afraid not.
44:05Anyway, I'm not going to give up. There has to be a way to open this door.
44:09Hanna, we've been here a long time.
44:11Teresa, it's practically impossible for them to find us.
44:14But they will miss us.
44:16Yes, especially you.
44:18Okay, then leave. I'll stay here alone.
44:21What?
44:22Don't even talk.
44:23Don't even talk.
44:25Come on, Teresa.
44:26I don't have to tell anyone.
44:27And you're dealing with a Petra problem.
44:30Yes, it's true that it's not nice to give Mrs. Arcos a beating.
44:33So?
44:34So nothing.
44:35Hanna, you're coming with me.
44:36I've already told you that I'm not going to leave you here alone.
44:39Teresa, nothing's going to happen to me.
44:41And I'm going to open this door a hundred times.
44:43I will.
44:45Vera, Lope, Marcelo and even myself have tried many times without success.
44:49And I'm not going to give up, Teresa.
44:51So leave, please.
44:54Okay.
44:56But you have to know that I'm not going to leave you alone.
44:59Yes.
45:00Come on, leave.
45:17Mother,
45:19help me discover the whole truth about this.
45:22Help me open this door too.
45:30Do you really want to tell me?
45:32Of course.
45:33Why not?
45:35I think it's inappropriate.
45:37We should go to the Luján parish where we have some great confessionaries.
45:41Formalisms are not important.
45:43Besides, I'm not looking for absolution.
45:46I want to confess something to you.
45:48Well, what is it?
45:50Well, you should know that if you tell me it's a sacrament,
45:53I'm not obliged to keep it a secret.
45:55I'm not telling you as a priest,
45:57but as a trusted person.
46:00Okay.
46:02Tell me.
46:04There has been a dispute in the kitchens over the disappearance of some bags of flour.
46:09And what does that have to do with you?
46:12Well,
46:15I was the one who took them.
46:16Who took them?
46:18Who stole two bags of flour.
46:20For the refuge.
46:22Yesterday I picked them up and this morning I took them to the Marquis' car.
46:25But girl ...
46:27Those poor people have nothing.
46:29At least with the flour they will be able to eat bread for a few days.
46:32What I didn't know is that they were going to miss them so soon,
46:35and even less that a dispute was going to be set up because of me.
46:38Okay, I know you did it of good will.
46:40Of course I did.
46:41But that's not enough.
46:43Your intentions were good, but you didn't act well.
46:46You have to study.
46:48Although stealing from the rich to give to the poor is not so bad.
46:52However,
46:54stealing from the poor to give to the poorest makes no sense, Angela.
46:58Yes, you're right.
47:01I shouldn't have put the cooks in that mess.
47:04Next time I will choose my victims better.
47:08Unfortunately, the damage is already done, Angela.
47:11But I thank you for the gesture,
47:14on behalf of the people of the refuge.
47:17And what will we do with the promise?
47:19We can't leave everyone without bread.
47:22We'll think of something to solve it.
47:36Hi, Ricardo.
47:38Hi. Come in.
47:47I thank you very much for finally agreeing to speak.
47:51It is very important for Santos.
47:54And also for me.
47:57I can understand Santos.
48:00But honestly, I don't know what you're looking for
48:04after all the time that has passed.
48:07It's never too late.
48:09Don't you think?
48:10Yes, you do.
48:12I've been lying to my son for years.
48:14Lying to my son.
48:16My sister and I made up a story
48:19and we told him what we thought was appropriate.
48:24Fortunately, now he knows the truth.
48:29What truth, Ana?
48:31Hey, what are you doing here?
48:34Haven't you had enough?
48:36Even if you don't believe it, I don't intend to cause you more pain.
48:40Well, let me doubt it.
48:41Otherwise, you wouldn't have filled Santos' head with all those lies.
48:45We both lied to him.
48:46Yes, but not now, for God's sake.
48:48None of what you told the boy has the slightest hint of truth.
48:51Let me explain, please.
48:53No, I'm not going to let you fool me again.
48:56You've already ruined my life once.
48:57And don't be such an idiot to let you do it again.
49:00Ricardo, please.
49:01No.
49:03You're not going to hurt me.
49:04Neither me nor Santos.
49:06He's suffered enough because of you.
49:08Hey, what are you looking for in the promise?
49:12Tell me what you really want and then get out of where you came from.
49:27We had never seen each other like this.
49:30In the worst moments.
49:32When our debts overwhelmed us.
49:33I understand.
49:34I can't get my head up.
49:37Numbers don't lie, Manuel.
49:38And this is unbearable.
49:41I can't even sleep at night.
49:45I'm sorry, Father.
49:50But honestly,
49:52I'm worried about his permanent state of dissociation.
49:57Let's let Dr. Gamarra know.
49:59Dr. Gamarra can't help us.
50:01So what are you going to do?
50:03Look, in other circumstances,
50:06I would go on doing what I thought was convenient,
50:09but now it's more complex.
50:12What do you mean by that?
50:13Well, I don't think it's fair to make a decision
50:16without listening carefully to the parties involved.
50:21Wow.
50:24I'm glad you've thought about it.
50:26I should be getting older.
50:29Look, whether I like it or not, I have to listen to Martina.
50:33And I can't ignore Catalina either.
50:35She knows these lands well.
50:37So she's going to accept my sister's proposal?
50:42Are you here, Alonso?
50:44Yes.
50:45What's going on?
50:46Is it true what the lawyer just told me?
50:49I don't know what you mean.
50:51I don't know.
50:52Is it true what the lawyer just told me?
50:55I don't know what you mean.
50:56Don't play dumb with me.
50:58He called to tell you that you can now collect the documentation
51:01relating to the transaction you commissioned.
51:05Transaction?
51:08Father, what transaction?
51:10Your father, Manuel, has given Catalina the palace of Madrid.
51:14Is it true or not?
51:22It's true.
51:52It's true.
52:15Dear Romulo,
52:17my worst fears have been confirmed.
52:20What was an unpleasant possibility has become an obligation.
52:25We have to start firing members of the service.
52:28And have you consulted him with your fiancé?
52:30But Jacob has nothing to do with the promise.
52:33Don't be naïve, Martina.
52:35As soon as that 25% of the promise is given,
52:38which now corresponds to him,
52:39it will be administered by his husband.
52:43Your father, Samuel, is a great person.
52:45Well, yes, he must be.
52:47Why?
52:48Not because of the look on your face.
52:50As if ...
52:51As if what?
52:52As if you felt something very strong for the priest.
52:55If two bags of flour disappear,
52:56it may mean not the fact that the inhabitants of this house stop eating rich,
53:01but stop eating.
53:03I have expressed myself quite clearly now.
53:05María, I have the bags here.
53:08It seems very good to me.
53:12And I need someone to help me clear the way.
53:14Well, yes, because one thing is that I saw you stealing a very expensive crucifix
53:17and another thing is that they see you carrying that bag of flour.
53:20As someone who has never done anything useful,
53:21nor has he had to fight for anything,
53:23and who lives here, in the body of a king,
53:24with a noble title that has fallen from the sky,
53:26you have the audacity to tell me what I have or don't have to do.
53:29You don't know anything about my life.
53:31As much as you know about mine.
53:32Idiot.
53:33Mother, you didn't even want to hear about giving my brother the palace of Cádiz.
53:36Of course not.
53:37And I respected your opinion.
53:39I really don't understand when you two decided to go through the ring
53:42to give that shameless woman the pleasure.
53:45Did you hear that?
53:47What?
53:48Yes, yes, I heard it.
53:49How strange.