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Short filmTranscript
00:00Hi.
00:02Take it off.
00:05You're the one that served me that drink, right?
00:08Then you should be the one to put out the fire.
00:11Don't look at me like that. We're not in love.
00:13Where are you? You were out all night.
00:16You better not ruin the meeting with your fiancé's family.
00:19Fiancé?
00:20If you say no, I won't go. I won't get married.
00:23Why would I want to say that? What we had was an arrangement only.
00:26Mr. Cooper wants you back at the mansion.
00:28I'm his fiancé. I can't move.
00:30Fiancé?
00:32Here you go. Consider this a gift from your former sponsor.
00:35Take the money and leave my sight.
00:37Everybody's here.
00:44You little thief!
00:49There's no need to check yourself out.
00:51You look pretty enough already.
00:53Grandpa, I've changed my mind.
00:55I want to marry her.
00:57Are you suggesting that my grandson is part of a compensation package for her?
01:02No, no, no. There must be a misunderstanding.
01:06Freya, your mom is still in a coma.
01:09If you want her to recover, you'll do what I say.
01:12You just got out of my bed.
01:14And now you're deeply in love with Oscar.
01:17Don't test my patience.
01:23I'll do it.
01:24Uncle! What's happening in there?
01:26Don't you have any manners?
01:28Knock!
01:43You're late.
01:50Hi.
01:52Take it off.
01:55What? Do you want me to take it off?
01:59Eric, can we talk?
02:01I've got something to say.
02:03Don't do this.
02:04I'm waiting.
02:09That's what I thought.
02:11Wasting time and we won't be able to handle it later.
02:16Don't look at me like that. We're not in love.
02:20The twisted fate between Eric and me began with a misunderstanding two years ago.
02:44You're the one that served me that drink, right?
02:48Then you should be the one to put out the fire.
03:01After that night, he lured me into an arrangement.
03:07What's the rush?
03:09You found a new target behind my back?
03:17Where are you?
03:18You were out all night.
03:20You better not ruin the meeting with your fiancee's ballet.
03:23Fiancee?
03:24Hey, I'm warming my bed while planning out anything behind my back.
03:28I don't give a damn.
03:31Sometimes I truly hate how faint your voice is.
03:34If you say no, I won't go. I won't get married.
03:37Why would I want to say that? What we had was an arrangement only.
03:41But you know, I like...
03:43Ria, you're crossing the line here.
03:45It was only a scheme.
03:47It was just a transaction.
03:49Only sex, nothing more.
03:51In the future...
03:52Future? There is no future!
03:54It ends now.
03:55I don't need this.
03:58After all, why would I want to be and share a whore with others?
04:03I...
04:04What?
04:05You want money, right?
04:11Here you go.
04:12Consider this a gift from your former sponsor.
04:14Take the money or leave my sight!
04:33Mr. Eric.
04:35Is Miss Freya...
04:36That ungrateful leech. I don't want to see her again.
04:41Understood.
04:42Anything else?
04:44Mr. Cooper wants you back at the mansion.
04:46Mr. Oscar's fiancée will be coming over.
04:49Fiancée?
04:51She's the daughter of the Brown family.
04:54What trash father invites over to the house?
04:57You oppose the marriage?
05:00The Browns, they need money.
05:02Oscar needs to be kept out of trouble.
05:05So everybody wins.
05:07I can live with that.
05:08So we're going?
05:10Right to the mansion.
05:11As Oscar's uncle, I should be the one to make sure that his future wife checks out.
05:16Very good, sir.
05:30You!
05:31Looking for trouble?
05:34Who do you think you're staring at?
05:36You hung up on me, then you have the audacity to show up here.
05:40Wait!
05:41This is Sophie's engagement. Why should I marry in her place?
05:46Freya, your mom is still in a coma.
05:48If you want her to recover, you'll do what I say.
05:53Marriage isn't a child's play. I won't do it.
05:55You ingrate. Who are you to say no?
06:00You little thief!
06:05You stole this from us.
06:07Were you planning to use it for your mother's medical expenses?
06:10You know what, Sophie?
06:11Call the assisted living facility.
06:14I'm not paying another dime.
06:19This is my own money. It has nothing to do with you.
06:22You're George's daughter.
06:23Every penny you earn belongs to us.
06:27Please, I beg you.
06:28My mother needs the care.
06:30I might change my mind if you get inside and agree to that wedding.
06:38I'll do it.
06:46I'll do it.
06:48That's more like it.
06:50See, doesn't it feel good to behave?
06:52You know, a bastard.
06:54Marrying into the Cooper family is a great blessing.
06:57You should be grateful to Sophie for her generosity.
07:00She was hesitant.
07:02Could it be she already has a man?
07:05You killed me.
07:06Who would want someone so utterly useless?
07:09But if you do, you better never see him again.
07:14No need to warn me. Eric won't see me again.
07:18Your mother's not dead yet.
07:21So why so glum?
07:23Oh, God.
07:25Fix yourself before you go inside.
07:29Fix yourself before you go inside.
07:49There's no need to check yourself out.
07:51You look pretty enough already.
07:54I can already tell I'd like to spend more time with you.
07:58Oh.
07:59Well, if you think this car is nice, you haven't seen anything yet.
08:07And these aren't even all of my toys.
08:11You see, here, you get to showcase your true beauty.
08:16And I get to admire you from any one of these cars.
08:21Oh.
08:22Let me introduce myself.
08:24I'm Oscar.
08:26Your fiancé.
08:30Oh, come on.
08:31Let's get this meeting over with.
08:33But, just so you know, I'm not interested in this arranged marriage.
08:38No, I'm only here today to clear the air with my uncle.
08:41See, my uncle's the real decision maker in this family now.
08:45And it's been a living hell.
08:50What?
08:51You don't believe it?
08:53No outsiders dare to come near him.
08:56He hasn't had a girlfriend in years.
08:59I'm starting to expect that he might be impotent.
09:04I, on the other hand, am known to please women.
09:20Hey, everyone.
09:22Mr. Oscar.
09:26Everybody's here.
09:33Uncle?
09:35Mr. Eric, this is my daughter, Freya.
09:40So this is the girl set to marry my nephew?
09:43Yes, yes.
09:45So this is the girl set to marry my nephew?
09:48Yes, yes.
09:49If my memory serves me correctly, Sophie was supposed to be the bride.
09:55But you put someone in her place.
09:59Now, why?
10:01Mr. Cooper, Freya was lost for so many years that I want to make it up to her.
10:09And if she could marry Mr. Oscar, I could die without regret.
10:15Well, a lost child is indeed deserving of compensation.
10:20But what does that have to do with Oscar?
10:25Are you suggesting that my grandson is part of a compensation package for her?
10:30No, no, no.
10:32There must be a misunderstanding.
10:35No, we surely did not mean that.
10:38The Brown family, they're not a worthy match for marriage.
10:42Fortunately, both Oscar and his grandpa oppose this marriage.
10:46Otherwise...
10:47Grandpa.
10:48Oscar, I knew you did not like this agreement.
10:53I promise you, I will get you a good match.
10:57Grandpa, I've changed my mind.
10:59I want to marry her.
11:04She is beautiful.
11:09Alright, Oscar.
11:11What do you mean?
11:13Well, Grandmother's last wish was for me to marry a member of the Browns.
11:17And I intend to honor that wish.
11:20Oscar, this is a lifetime decision.
11:25I know.
11:26I know.
11:27I know.
11:28I know.
11:29I know.
11:30I know.
11:31I know.
11:32I know.
11:33I know.
11:34I know.
11:35I know.
11:36I know.
11:37I know, Grandpa.
11:39And I'm not being rash.
11:41And look, don't blame the Browns.
11:44I asked them to change it.
11:46You asked them?
11:48Yes.
11:49Freya and I have been in love for some time.
11:52And I didn't know she was a lost member of the Browns.
11:55This saves me a lot of trouble.
11:58This...
12:00This is your choice.
12:02So I will not oppose it.
12:04We will set a wedding date.
12:11Of course.
12:13I disagree.
12:15Uncle.
12:16Eric.
12:20This woman isn't for you.
12:22The marriage won't last.
12:25Do you know this girl?
12:27Nor.
12:28Not only do I know her, but we had some very close conversations.
12:31What?
12:32Isn't that right, Ms. Freya?
12:37Not only do I know her, but we had some very close conversations.
12:40What?
12:41Isn't that right, Ms. Freya?
12:45Mr. Eric, you must be mistaken.
12:48Freya has injured her vocal cords, and she can barely speak.
12:53She's nonverbal.
12:55Eric, do you have to humiliate me like this?
12:58Well, she's...
12:59Nonverbal?
13:02Oscar, did you know this?
13:05Well, I'm an introvert.
13:08We'll get along just fine.
13:10Mr. Cooper, Freya may shut down from time to time, but she has many good qualities.
13:16Yes, my Freya is the best.
13:20Oscar, are you sure?
13:24Freya and I are deeply in love.
13:29I'll marry no one else.
13:32Gosh, it's so windy outside.
13:37You too, deeply in love.
13:40Uncle, we've been dating for so long.
13:45You guys have been dating for a long time, is that so, Ms. Freya?
13:52Well, if that is the case, I won't interfere.
13:56Look at the time.
13:59Thank you, Mr. Oscar, for your hospitality.
14:03You know, the weather is getting bad outside.
14:05Why doesn't everyone just stay the night?
14:10How kind of you.
14:27So this phone call was about marrying my nephew.
14:31We're over. What I do is none of your business.
14:35None of my business?
14:37First you seduce me and then you seduce my nephew.
14:41Do you want to call me uncle?
14:45I didn't know it would be Oscar.
14:49Do you want me to believe that?
14:51I told you to stay away, so what is this?
14:56Hey, you just got out of my bed.
15:00And now you're deeply in love with Oscar.
15:03Freya, I have really underestimated you.
15:12I have my reasons. I can explain.
15:15Explain what? That my money is enough for you?
15:19Just name your price and I'll give it to you.
15:23But if you dare to make an arrangement with Oscar,
15:27you'll pay for it and you'll pay for it dearly.
15:32I'm not.
15:34If it's not for money, is it for Oscar?
15:40Do you two really have something going on?
15:46What if I do?
15:48Didn't you say our deal is over?
15:50Did he touch you?
15:54Well, let's just check it out ourselves.
15:59Mr. Eric!
16:08Mr. Eric, you...
16:11Don't you have any manners? Knock!
16:14I'm sorry.
16:16Get out.
16:21Knock!
16:44You just can't help falling for me, huh?
16:48You know I understand sign language.
16:51Why did you change your mind?
16:54Does love at first sight come as a reason?
16:59I'm serious.
17:01Regardless, you are my fiancé now.
17:05So take a drink.
17:08Oh, come on. Do you think it's poisoned?
17:12Take one. Any one.
17:17There you go.
17:20Cheers.
17:22See? It's just wine.
17:28Drink more. Relax a little.
17:39I wonder if I touch you tonight, how will my uncle react?
17:47The next day
17:55What's going on?
17:57Freya's drunk.
17:59So I'm just taking her to her room.
18:01Not this way.
18:03Well, she is my fiancé, so naturally...
18:06Your grandfather wants to see you as far as her.
18:10You haven't married her yet.
18:14Mrs. Hughes is going to take care of her.
18:18Okay.
18:44You used this despicable trick to seduce me.
18:48And now you're doing the same to my nephew.
18:51Freya, do you crave men?
18:56Or is it just the money?
18:59If it's about money, make a new deal with me.
19:03There's no need to involve Oscar.
19:06I can provide for you.
19:10I won't be your mistress again.
19:17So you're determined to be my nephew's wife.
19:23That's what you want, right?
19:26Well, uncle is going to get to you.
19:39The next day
20:10What's there to cover?
20:12Haven't I seen every inch of you?
20:17The offer from last night still stands.
20:21Renew our agreement and I will give you everything you want.
20:30Please do this.
20:35Mr. Oscar.
20:37Thank you again for your kind hospitality.
20:40And we slept so well.
20:42It's good to hear.
20:44Where is Freya?
20:47Who knows? We haven't seen her this morning.
20:51I think I know where she might be.
21:03I don't want to be involved with you anymore.
21:06Don't test my patience.
21:14Uncle, are you awake?
21:16Oscar. No, he can't know I'm here.
21:19Your fiancé is here.
21:21Uncle.
21:22What is it?
21:24No one has seen Freya this morning.
21:26I'm wondering if you've seen her, maybe.
21:29Oh, my dear niece.
21:32If Oscar finds out you're here in uncle's room,
21:36do you think he would have any place in this house?
21:40No. If the marriage falls through, mom will die.
21:43Mr. Oscar, she can't be in there.
21:46No, no way she'd be in there.
21:49Renew our contract.
21:52Or marry Oscar.
21:54I will make the choice for you.
22:03Uncle, what's happening in there?
22:09We're coming in.
22:21What makes you think she's in my room?
22:24Sorry, uncle. I couldn't find my fiancé's.
22:29Sorry, uncle. I couldn't find my fiancé's.
22:32So I got a bit anxious.
22:33I knew she wouldn't be here.
22:35Why would Freya dare come to Mr. Eric's room?
22:39It's highly inappropriate.
22:41This is just a misunderstanding.
22:43You're certainly anxious.
22:45I guess your marriage has undecided.
22:48Sounds like uncle wants to break up us lovebirds.
22:51I never said that.
22:52Freya's always been wild.
22:54God knows where she is.
22:57The missing girl isn't here.
23:00You should leave.
23:02We won't disturb uncle any longer.
23:06There, over there.
23:12There, over there.
23:28There, over there.
23:38Would you care to organize my chained slippers as well, Miss Sophie?
23:43Do you need me to leave the room so you can continue your search?
23:46I was too impulsive, uncle.
23:48Mr. Eric, I'm sorry. I just... I saw the slippers and I...
23:52If you're done causing trouble, get out.
23:56Yes, get out.
23:59Of course, I had nothing to do with this.
24:01I knew she wasn't here.
24:06Nice decor.
24:09I'll see you later.
24:17Freya, are you sure you're not afraid of death?
24:27We're all going to be a family soon.
24:29Nothing is settled yet.
24:32Tired, Eric.
24:34Handle it.
24:35Grandfather, I said I agree.
24:39Why don't we ask Miss Freya?
24:45Why don't we ask Miss Freya?
24:49Our family would be blessed with this marriage.
24:52I'm sure Freya would never refuse.
24:55I'm asking her.
24:57Uncle, you're making her uncomfortable.
25:00She's just shy.
25:02If she's too shy to discuss her marriage, then there's no need to proceed.
25:06That makes sense to me.
25:09Hey, think about your mother.
25:15Well, I guess this engagement is off, then.
25:18I agree.
25:20What do you mean?
25:21I agree to marry Mr. Oscar.
25:23She means she would like to marry Mr. Oscar.
25:29Oh, is that so?
25:31Uncle, please allow this marriage.
25:35Well, I guess we'll have to see.
25:37Did you hear that?
25:38Uncle has agreed to our marriage.
25:41Let's go.
25:47Let's go.
25:52Come.
26:00You.
26:09You.
26:10What is it?
26:11What happened to your leg?
26:12I accidentally fell in the garden earlier. It's okay.
26:15That just solves the mystery, doesn't it?
26:17But we need to deal with that wound immediately.
26:19Oscar.
26:22Marriage is a very big decision.
26:25But since you insist,
26:28next weekend is my birthday banquet.
26:31If you have not changed your mind by then,
26:35I will agree to arrange the engagement.
26:41Grandfather, thank you for giving us this chance.
27:02Did you find out about it?
27:04Yes.
27:06Miss Freya is the daughter of George Brown's mistress.
27:11She is indeed a member of the Brown family.
27:14Mistress, you say?
27:16Yes.
27:17And according to the late Mrs. Cooper's wishes,
27:21upon a marriage between the Brown and the Cooper families,
27:24the Browns are entitled to massive business sponsorship
27:28worth millions of dollars from the Cooper family.
27:32It's all about our money.
27:36Like mother, like daughter.
28:02Conclusion
28:24Emily! My lovely granddaughter!
28:28Oh, grown-up!
28:31How was your trip?
28:32It was really nice.
28:34Why is everyone so formal?
28:36Smith family reps are in the house,
28:37and we're planning your wedding.
28:40What?
28:40My wedding?
28:42I'm way too young for this.
28:43Ted, close that door!
28:45You can't do this to me.
28:46What?
28:47What?
28:48What?
28:49What?
28:50What?
28:50What?
28:51What's up?
28:52Grandpa!
28:53What?
28:54What?
28:54What's up?
28:55What's up?
28:56What?
28:57What?
28:58What?
28:58What?
28:59What?
29:00Our company was gutted by an insider.
29:02Why didn't you tell me something so important?
29:05I just wanted you to marry into the Smiths family
29:08and have a carefree life.
29:10But I can't let this thief friend free.
29:14I heard from the housekeeper that they're
29:15going to the Smiths.
29:17Don't bother yourself, honey.
29:20No one messes with the Williams and gets away with it.
29:23I'll join the Smiths company and catch them all myself.
29:30Mr. Smith, Mr. Williams just called.
29:52His granddaughter, your fiancee,
29:54is coming to work at Dazzling today.
29:58What?
30:00I called off the engagement and they're still sending her?
30:05If they think this is going to change anything,
30:06they're dead wrong.
30:07Look, we could just deny her application if you wanted to.
30:12No.
30:14Just treat her well.
30:15I want to maintain any relationships we
30:17have with the Williams family.
30:18Understood.
30:19Understood.
30:19I'll call the creative head, Bella.
30:21Yeah?
30:22Yeah.
30:22Sir, you're going to work in baseball clothes again.
30:26Of course.
30:27Of course.
30:31What?
30:37The CEO's fiancee is going to be our new intern.
30:41Don't worry.
30:42I'll take good care of her.
30:44Sure.
30:46I'll keep it a secret.
30:51Everyone, I shouldn't be saying this,
30:54but the Williams heiress, who's also our CEO's fiancee,
30:59is going to be working with us.
31:00What?
31:03Let's give Miss Williams the ultimate princess treatment.
31:20It's Miss Williams.
31:21No, I'm not.
31:23What is going on?
31:24I just told Grams to keep my identity a secret.
31:28Are you the new intern?
31:30We're so pleased to meet you.
31:32Yes, I'm the new intern for the creatives team.
31:35So they're not talking about me?
31:43Are you the new intern?
31:44We're so pleased to meet you.
31:47So they're not talking about me?
31:49That's good.
31:51Yes, I'm the new intern for the creatives team.
31:54Come with us.
31:55We're the creatives team.
31:56We'll show you the office.
31:58Nora?
31:59Is that you?
32:01You've changed so much since high school.
32:03Emily Williams?
32:05She's been stealing my spotlight at every opportunity
32:08since high school.
32:09And you haven't changed at all, still as nosy and pitiful
32:12as I remember.
32:13Well, you look 10 years older.
32:15What happened?
32:16How dare you?
32:19Hi, I'm Emily.
32:20I'm an intern for the creatives team.
32:23Can I join you?
32:25You can read.
32:26The directory is over there.
32:29Let's go, Ms. Williams.
32:40So which one is the Williams heiress?
32:42Well, her name's Nora Williams.
32:44It's got to be her.
32:51There's something regal about her, right?
32:57Ms. Williams, we got you a welcome gift.
33:02Oh, this is for me?
33:04You guys are so sweet.
33:05Of course.
33:06Anything for the CEO's fiancee and the Williams heiress.
33:11You think she's the Williams heiress?
33:15Anyone could claim that.
33:16I can be the CEO's fiancee, too.
33:19You think anyone would mistake a high school dropout
33:21for the CEO's fiancee?
33:23A high school dropout?
33:26I wonder what strings you pulled to get a job here.
33:29I graduated early, not dropped out.
33:32But she looks like a good bait to scare
33:34the mole out on my behalf.
33:37Yeah, you're right.
33:38Who am I compared to the true heiress?
33:41I'm no one.
33:44Oh, that makes sense.
33:46They think I'm the Williams heiress.
33:48It's payback time, Emily.
33:50You can never steal my spotlight now.
33:52I like to keep it low key.
33:56Yeah, Miss Williams here likes to keep things under wraps.
34:06Where do you think you're going?
34:08Where do you think you're going?
34:14I need 100 copies of those.
34:17I'm a creative intern, too.
34:18I have my own tasks.
34:19You can do your own.
34:20How dare you talk back to Miss Williams?
34:23Know your place, newbie.
34:25And as a newbie, you are to obey whatever
34:28Miss Williams tells you.
34:30No questions asked.
34:31Are we clear?
34:33Sure, if you say so.
34:46Are you kidding me?
34:49Don't break down on me now.
34:50I'm not even halfway done yet.
35:04Hi, this is for the creative floor.
35:07I was just hoping to get a tech guy for the printer.
35:10Yeah, it's urgent.
35:11Thanks.
35:21You need some help?
35:23Wow, you're here so fast.
35:27Wait, you were expecting me?
35:29Yeah, you're here for the printer, right?
35:32She thinks I'm the tech guy?
35:35Let me take a look.
35:51Oh, there's the black right here.
35:53I need another one of these.
35:55I wouldn't have guessed that.
36:05Well, looks like it's working.
36:06It works.
36:07You did it.
36:12You got some all over your face.
36:15Emily, you bitch!
36:18Emily, you bitch!
36:20Emily, you bitch!
36:21The company pays you to work, and you're here flirting
36:23with filthy repairmen?
36:24She's only here to seduce men.
36:27Even the repairman doesn't get past her.
36:29I'm so sorry you had to see this, Miss Williams.
36:33Miss Williams?
36:35Oh, is this arrogant brat my fiancee?
36:38Guess I made the right choice in calling off the engagement.
36:42Excuse me, I will not tolerate harassment at my company.
36:48No one asked for your opinion, repairman.
36:50You're not a part of this company.
36:53I'm not.
36:54Of course I am.
36:55I own it.
36:58Dream on.
36:59The owner of this company is my fiance, Theodore Smith,
37:03and you're obviously not him.
37:05Security, get these two out of here.
37:08That's them.
37:10Throw out that fake boss and that slut.
37:19You dare call the CEO a fake?
37:22You want me to throw you out instead?
37:27CEO?
37:29Mr. Smith?
37:31Bella, we do offer health insurance.
37:33You know, you could get an eye exam, please.
37:36Theodore, my fiance, I'm sorry.
37:39I must have misunderstood what Bella said earlier.
37:42Mr. Smith, I'm so sorry.
37:44I didn't recognize you.
37:44I promise it won't happen again.
37:48You know, I promised your grandfather
37:51that we would take care of you, so I'll forgive this once.
37:56But as for you, apologize to your co-worker.
38:02Sorry, Emily.
38:07Dazzling is a safe workplace.
38:11Don't let this happen again.
38:19Don't get too smug.
38:22Nora, Theodore is your fiance.
38:26Why didn't you recognize him earlier?
38:42I just returned from overseas, remember?
38:45And besides, we haven't seen each other since we were kids.
38:52That's sweet.
38:54I heard that Mr. Smith is looking for a new gallery
38:56for an upcoming project.
38:58I remember that you have a huge gallery.
39:01Surely we can use it.
39:03A gallery?
39:04Oh, right, the Williams Art Gallery.
39:07It's one of the city's top galleries.
39:09I heard they have over 100 artists,
39:12and they've sold over a billion dollars worth of artwork.
39:18Of course, I own the biggest gallery in New York.
39:23I'm sure it's up to company standards.
39:26It's going to be so fun.
39:28Perfect.
39:29It's clearly my family's gallery.
39:31You seem to enjoy impersonating me.
39:34Let's see what you can do.
39:36Then, Miss Williams, will you be so kind
39:40and give us a tour of your gallery?
39:43This foolish woman finally comes up
39:45with a halfway decent idea.
39:48That would be fun.
39:49I've never been to a billionaire's gallery before.
39:51Let's go tomorrow?
39:53How can I afford to take them into a high-end gallery?
39:58I have an idea.
40:11Nora, darling, how are you, my love?
40:14I have no time for chit-chat, okay?
40:16I need you to leave the door to the Williams Gallery unlocked
40:20so that me and my colleagues can come by tomorrow.
40:22Do it if you really love me.
40:24Are you crazy?
40:25I could get fired, Nora.
40:32Here we are, my darling.
40:33I'm so sorry, Nora.
40:35I'm so sorry.
40:36Ugh.
40:39Here we are.
40:40Welcome to my gallery.
40:42I can't wait to see what's inside.
40:44Shall we?
40:46Why are we entering through the back door?
40:48Wouldn't the owner want to show off the grand entrance?
40:50This is my favorite entrance, okay?
40:53Miss Williams is not that vain.
40:55She just uses this entrance like the rest of her staff.
41:07I'm familiar with that lock.
41:09It updates its password every three days
41:11and voice recognition works too.
41:14Only Miss Williams' voice can unlock it.
41:18It's just a simple lock.
41:20Miss Williams would know that already.
41:22It's not your place to speak up.
41:24Miss Williams, please show us how you unlock the door
41:27with your heavenly voice.
41:33I can do it.
41:36I can do it.
41:51Miss Williams, is this the person responsible
41:54for your gallery?
41:55She's Miss Williams?
41:57It's been a while, Miss Williams.
42:00Are these your friends?
42:02Hey, welcome.
42:03Come on in.
42:05Come on in.
42:06Come on in.
42:12The gallery is down the hallway.
42:20Wow, your gallery is so much bigger in person.
42:23Of course.
42:24My grandpa always wants what's best for me.
42:29What's so funny, Emily?
42:31She's just too happy
42:32because it's her first time being surrounded by luxury.
42:36Do you have any idea
42:38how much Miss Williams' collections are worth?
42:40These are worth millions of dollars.
42:42I've been collecting art my whole life.
42:45Whoa, look at this one.
42:47It's the famous sunset at Giverny Gardens.
42:51That's not what that is.
42:53Wait till you see it up close and personal.
43:06Miss Williams, what is that?
43:07I don't know.
43:08It's the gallery security alarm.
43:10Why would the alarm go off?
43:12Because Miss Williams touched the painting.
43:14You pathetic loser.
43:15Are you really blaming me?
43:16Oh no, I'm just stating a fact.
43:18The police are probably on their way now.
43:20The police?
43:21Yeah, the police should be here anytime
43:24unless we turn off the alarm.
43:26The police can't come.
43:28I will be exposed.
43:31I'm sorry, Miss Williams.
43:33I will be exposed.
43:37This is all your fault, you dirty little brat.
43:40Miss Williams, don't waste your energy
43:41on that jealous beggar.
43:48It stopped.
43:50What the hell's going on?
43:51Emily, you must have touched something.
43:53Oh, I saw a beggar girl.
43:54She touched something over there.
43:56I didn't do anything.
43:57It wasn't me.
43:59I'm just surprised Miss Williams doesn't know
44:00how to turn off her own alarm system.
44:03I haven't been here in a while, okay?
44:04I forgot.
44:05And I bet the alarm turned off
44:07because Emily was reckless touching stuff
44:09that wasn't hers.
44:12I agree, Miss Williams.
44:13Next time we won't be bringing that clumsy beggar with us.
44:18I promise I will do everything in my power
44:20to get that bitch fired.
44:24Hi, who's ready for some refreshments?
44:27What the heck?
44:28My gallery is a no eating zone.
44:33Who's up for some refreshments?
44:35Wow, you even got your attendant to prepare a snack?
44:38Of course, your eyes feasted on my art
44:40and now your stomachs will feast too.
44:42Great, I'm starving.
44:44Come on girls, dig in.
44:45Wow, everything looks delish.
44:47Yep, I ordered the waiter to select the best snacks for you.
44:52Don't most art galleries have a no food policy,
44:54especially fancy ones like this?
44:56My gallery, my rules.
44:58Shut your trap.
44:59Miss Williams was kind enough to invite you here
45:01and this is how you repay her?
45:03Are you blind?
45:05Everything that happened here
45:06shows that she's not Miss Williams.
45:12How dare you?
45:14Are you really looking for trouble?
45:17Miss Williams.
45:22Miss Williams.
45:23What have you done?
45:24You spilled juice all over the floor.
45:26Go get a mop and clean it this instant.
45:29I'm so sorry, Miss Williams.
45:31Why is she looking at Emily?
45:33Hey, I'm talking to you, eyes over here.
45:36It's Miss Williams to you.
45:43Miss Williams, why don't you call the person
45:45in charge of your gallery?
45:47I don't take orders from you, gutter clown.
45:49Isn't that why we're here, to seal the deal?
45:52Yeah, Miss Williams, Mr. Smith did say
45:54to get the gallery's contact information.
45:57I'm the owner.
45:58I'm the contact person.
46:01Yeah, but Mr. Smith is gonna want to see the paperwork.
46:03He won't accept word of mouth.
46:05So what's the name of the person in charge, Miss Williams?
46:15It's Max Collins.
46:16Of course I know Max Collins.
46:18I put him in charge of my gallery.
46:20Can you call him so we can get the paperwork done?
46:28Attendant, come here.
46:30Mom, you have to cover for me.
46:32Nora, I can't.
46:38Attendant?
46:41You don't even know her name?
46:43I don't bother, she's just a servant.
46:45Go get Max Collins for me.
46:47I don't know where he is.
46:49Oh, you good for nothing servant, call him then.
46:52I don't know where he is.
46:54Oh, you good for nothing servant, call him then.
46:57I don't have his number.
46:59Why don't you call him yourself, Miss Williams?
47:02You must have him in your contacts.
47:04I just got a new phone
47:05and my contacts haven't transferred over yet.
47:07I'll call him for you.
47:15Hi, Max.
47:16Could you come by the gallery?
47:18Oh, you're upstairs?
47:20Could you come down please?
47:24But you really think that we'd believe
47:27that stupid little phone call trick?
47:29We're not idiots, you know.
47:30Yeah, I bet she called the pizzeria.
47:33She's lost her mind.
47:38It's good to see you here, Miss Williams.
47:40Oh!
47:54Hi.
47:58He's pretty handsome.
48:00What's up?
48:03Don't say anything.
48:04Just kiss me.
48:10What are you doing?
48:18Not saying anything.
48:20Just kissing you.
48:21No, no, no.
48:22Your friends told you to do this, didn't they?
48:37So truth or dare?
48:39Um, truth.
48:42Let's talk about that husband you've never met.
48:45I don't really know him that well.
48:47We got married and then I left the country pretty quick.
48:49Well, let's go with the dare then.
48:51If your husband isn't up here, he can't stop you.
48:53Okay, what's the dare?
48:55Ask that guy over there for a kiss.
48:58You want me to do what?
48:59I've been watching him for a while.
49:02He's drinking alone, seems classy, and he's probably good looking too.
49:06Come on, Isabella, go for it.
49:17How did you know?
49:18The mask suits you a little more than a cat.
49:30That man was so handsome, you spoiled.
49:33He seems so familiar.
49:35Is he the CEO of the Avery Group?
49:39Dean Avery?
49:40Dean Avery?
49:42Isn't that my husband?
49:49Are you sure that's Dean Avery?
49:51I wouldn't mistake him for someone else.
49:53Too bad he got married so young.
49:55He is every girl's dream in the city.
49:59Whoever he married is one lucky woman.
50:02Samantha?
50:04Where are you?
50:26Dean, who's that girl?
50:31Dean, Dean who's that girl?
50:33I don't know how you got me married, but I won't honor it!
50:48Yes, you will.
50:51Hey, are you okay? Your phone is ringing.
50:57By the way, Mr. Avery, your mom called. She wants you home early. Your wife's back in the country.
51:06God, she wants to suppress the fucking scandal!
51:09Didn't you sleep together?
51:10Please. That woman tricks me into bed and then conspires with the whole media to get whatever she wants.
51:16I never would have agreed to marry that woman, unless it was for black men.
51:20It's been two long years of that fucking marriage. I would be rather married to a cow than deal with this humiliation.
51:25But you know what? Now that she's back, I'm going to put an end to this farce once and for all.
51:37You know you can call me mom. You'll be dropping by later, yes?
51:42So, did he recognize me?
51:46Sign this and get out.
51:50Ew. What are you doing here?
51:58Your mother let me in.
52:02Huh. Quite the uninvited guest. You got a wild streak?
52:08I don't know what you're talking about. What did you need me to sign?
52:13Don't worry about it. That's, uh, where is that other woman?
52:18There's another woman here?
52:20Nope. Don't worry about it. Right now it's just you and me.
52:24Are you cheating on me?
52:27According to my calculations, this is only the second time we've met, little wildcat.
52:32Stop calling me that. Wait, did you say the second time?
52:36Yeah. And I'm going to need to know your name.
52:40You don't know who I am?
52:43I know that you're the woman who came back to my house for little kids.
52:55What do you think you're doing?
52:57Oh, uh, nothing. Do you need a ride home?
53:01No way. I have an interview tomorrow. I can drive myself home.
53:04Well, I'll let you work for my company.
53:06Yeah, right. To be exploited by you. Last thing I'd ever do is work with you.
53:14Interesting. I like her.
53:24I'm going to need you to get some documents over to the Johnson family. ASAP.
53:30Dean Darling, you mentioned about hiring a new designer, so I'm helping you with the interviews.
53:37Okay, see you later.
53:40Miss Johnson's resume is quite impressive. I think that she would make a great addition to the company.
53:48Being a jewelry designer isn't something you can do just because you have a pretty face.
53:53What matters is creativity and skill.
53:57And maybe spend less time on flashy outfits and more on creating beautiful designs like this.
54:06This one actually needs some improving.
54:09What do you know? This design won a European Emerald Design Competition Gold Award.
54:15Shawna, actually...
54:17Actually what? You mean by this way of appearance, but I'm not.
54:22This is Miss Johnson's design.
54:26What?
54:29The interview went so well. Now I just have to wait for the job offer.
54:47Oh, hello there, little wildcat.
54:59Well, hello there, little wildcat.
55:03Dean Avery?
55:05So you do know my name.
55:07So, you see me at my home, and then now at my company.
55:13Your company? This isn't Avery Corporations, this is Paya Jewelry.
55:18No, see, Paya Jewelry is a little project I did with my friends back in college.
55:22It just kind of blew up into a thing, and now I run it alongside Avery Corp.
55:28Wow, that's impressive.
55:33Well, thank you for the compliments.
55:44Dean?
55:46What?
55:47There's a camera watching us.
55:51Well, then I'll just turn it off.
55:53No, that's not the point. The issue is...
55:55What?
55:56Aren't you married? You have a wife.
55:59You mean the Johnson girl? She doesn't care about me. She hasn't even seen me in years.
56:05Just because I don't care doesn't mean you can cheat. You're such a jerk.
56:09Are you jealous?
56:11Now, why would I be jealous?
56:13Okay, fine. So, you're not jealous, so I'll just get a divorce, and then we can get married.
56:20Do you even realize what you're saying?
56:23Yeah, of course I do. There's no love between us, and it's just not going to make a difference to her.
56:28Are you sure? You want to be with me?
56:31Well, you're the one who's chasing after me.
56:36You really are something, Dean.
56:39Goddamn, you're wet.
56:53Oh