The program has gained a strong following due to its light-hearted and entertaining style, offering viewers a break from the more serious news segments. It airs on weekends and is popular for its sharp satire and fun-filled atmosphere. "Hoshyarian" is loved for providing comedy while subtly reflecting on important social issues.
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00:00Hoshi Aariyan
00:18Asalam-o-Alaikum viewers, I am Haroon Rafiq and you are watching Hoshi Aariyan.
00:21Friends, JK Rowling, who wrote Harry Potter,
00:24there was a time when she was a single mother and she had nothing to eat.
00:28She used to live in a lot of stress.
00:30She used to sit in different restaurants,
00:32she used to paint the walls black,
00:33and she adopted her child.
00:35She used to go to different places, but no one would help her.
00:38No one would show her love.
00:40No one would sympathize with her.
00:42No one would listen to her.
00:44There was no one who would come and hold her
00:46and give her child a chance to make a living.
00:52But she kept writing.
00:54She was persistent and kept writing.
00:56There came a time when she became one of the billionaires in the world.
01:01Do you know what she did after that?
01:03She distributed all her wealth among the poor
01:06and came down from the billionaire list.
01:09She came out of that list.
01:11Once she was asked,
01:13after so much hard work,
01:15you achieved all this and became a billionaire.
01:18So you came out of that list.
01:20You distributed everything. Why?
01:22She gave an answer.
01:24She said,
01:25my target was not to become a billionaire.
01:28My target was to become that person
01:31who was not there,
01:33who would come and show her love,
01:35who would help her.
01:37I wanted to become that person.
01:39And today I have become that person.
01:41Becoming a billionaire was not my goal.
01:43Let's start today's show with this message.
01:46Today we will take you to the fort where the king is imprisoned
01:50and he is under siege.
01:52He had conquered it on his own.
01:54Let's see what his condition is.
01:58King.
01:59King.
02:00What is this way to call the king?
02:02Your name?
02:03Yes, Lancelot.
02:04How are you?
02:05Thank God.
02:06What happened, King?
02:07You look very worried.
02:08The enemies seem to be in a bad mood today.
02:11The enemies are not in a bad mood.
02:14We are worried
02:16that there is nothing left to eat inside.
02:19Oh.
02:20King, do you want to drink tea?
02:22Do you want to drink tea?
02:23Will the king drink tea now?
02:25Yes.
02:26Give him some juice.
02:28I am not in a good mood.
02:33We have been cheated.
02:35What?
02:36There is no treasure inside.
02:37There is nothing to eat.
02:38And there is no dragon inside.
02:40Oh.
02:41This is not what happened.
02:44But why did he think that all this would happen inside?
02:47This story is about a camelot.
02:50This is a fictional story.
02:52There are many renditions of this story.
02:55Actually, this Lancelot is the court of a great king.
03:01He is a very wise and kind hearted man.
03:05But there is a problem with him.
03:07Yes.
03:08He is kind hearted with people.
03:10And...
03:11This should remain a secret in history.
03:13No.
03:14It was our mistake.
03:16We accepted it.
03:17Yes.
03:18He accepted it today.
03:20Actually, there was this king Arthur.
03:23His ideal kingdom was called Camelot.
03:27He used to do justice there.
03:30All the people were happy.
03:32He had a very wise and kind court.
03:35He was one of them.
03:37And he was the best man in the court.
03:40And not only was he good, but he was also a great man.
03:43Because once or twice, he went on an expedition.
03:48And he won.
03:50And when he won, the king who was fighting with his army...
03:55When he got a sword on his neck, he said, leave it.
03:59And someone asked, why?
04:02He said, look, the real warrior is the one who makes difficult decisions.
04:08When it was difficult to fight him, I made that decision.
04:12When it was difficult to leave him, I made this decision.
04:16So, he fell in love with the queen.
04:20Arthur's wife.
04:22Oh God, he's so rude.
04:23No, son, not rude.
04:26You didn't see it.
04:28You didn't get him to say anything nice.
04:30He was tired, so he did it.
04:34What happens is, he likes her and the king finds out.
04:38According to our history, the majority of queens
04:43were never happy with their king.
04:45They used to look here and there.
04:47They didn't have time.
04:49The king didn't have time.
04:52No, the king didn't have anyone.
04:54Yes, that's true.
04:56Because of that, he used to lose.
04:58He used to give saris.
05:01That was Mickey Arthur's job.
05:03Mickey Arthur?
05:08There's a rendition of it.
05:10There's this one novel in which it's mentioned.
05:13In that, it's said that once the king...
05:16Okay, don't speak English in between.
05:17Because I should understand.
05:20Okay, fine.
05:22He's not Camelot.
05:23Okay, fine.
05:24So, it happened once that the king went hunting with him.
05:27King Arthur used to ride a horse very fast.
05:31So, he rode the horse.
05:32And they both came out very far.
05:34So, when the king fired his sword,
05:37instead of hitting the animal,
05:39it hit the king's finger.
05:41And one of his legs got cut.
05:43When he saw the king shouting,
05:45he saw the king.
05:46So, he said to the king,
05:48you should be happy.
05:49It's a good omen.
05:50It's a good omen.
05:51Okay, his finger got cut.
05:52His finger got cut.
05:53So, he had a lot of sagacity.
05:55So, the king...
05:56Don't do it in front of them.
05:57Do it at home.
05:58Don't cut your own fingers.
06:01He had a lot of sagacity.
06:03I remember him.
06:05He had a lot of sagacity.
06:11Don't do it.
06:12Don't do it.
06:13Don't sit here.
06:16It's sour.
06:17It's sour.
06:18Then why are you lying that there's nothing to eat inside?
06:21He had a lot of sagacity on an empty stomach.
06:25He had a lot of sagacity on an empty stomach.
06:28That's why I'm not bringing it.
06:30I'm fed up.
06:32Okay, he had a lot of sagacity.
06:34He was a wise man.
06:36So, he had a lot of sagacity.
06:38He said, it's a good omen.
06:39It's a good omen.
06:40It's a good omen.
06:41I don't want to talk.
06:42I don't want to talk.
06:44So, the king got angry.
06:45He said, my finger got cut.
06:46It's a good omen.
06:47It's a good omen.
06:48So, he told him to throw him in the dungeon.
06:51So, he said, it's a good omen for me.
06:54It's a good omen for me.
06:55So, he went to jail.
06:57So, when his finger was healed after a long time,
07:00he went on a hunt again.
07:01And he ran away.
07:02The horse ran far away.
07:04So, the wild people caught him.
07:07And they didn't know that he was a king.
07:08Because he was in his hunting clothes.
07:11So, his paraphernalia was also hunting.
07:13So, they thought that he was a king.
07:16So, we will sacrifice him.
07:18So, when they started bathing him,
07:19they saw Arthur, his finger was cut.
07:21So, they said that he can't be sacrificed.
07:23So, they left him.
07:24So, he remembered that Lancelot had said,
07:28It's a good omen.
07:29It's a good omen.
07:30So, he called him and said,
07:31Actually, it was a good omen.
07:33It was a good omen.
07:34But you were in jail for three months.
07:37So, what was a good omen for you?
07:38You said, it's a good omen for me too.
07:40He said, your finger is cut.
07:41I didn't cut my finger.
07:43So, he had to sacrifice me.
07:45He was a very sensible man.
07:47If I had known that he was going to be caught,
07:49I would have hidden my finger.
07:56It's a good omen because
07:57they make an army of such people in jail.
08:00And they did.
08:01People used to like him so much.
08:03They used to like him so much
08:05that whatever he used to say,
08:07the people used to believe it.
08:08But not the king.
08:09Ask him too.
08:10He is going to die.
08:11Son, what happened?
08:12Segestry.
08:15Son, what happened to you?
08:16Why are you so worried?
08:17Sir, I am very hungry.
08:20The king's segestry killed me.
08:25Long live the king.
08:26Long live the king.
08:27Yes, brother.
08:31Who is he?
08:32He is his soldier.
08:33Your Majesty,
08:35I have put a mark on the wall.
08:38Now, we can come to the city.
08:40Now, the way is open.
08:41Now, I will go to the city
08:43and get the necessary things.
08:45What things will you get from the city?
08:46Your Majesty,
08:47the tissue papers are over.
08:49My signature is going to be torn.
08:52Bring the food.
08:53Bring the food.
08:54Let's collect the tissue papers.
08:55To go to the bathroom
08:56the tissue papers must be very important.
08:58I don't want to go to the bathroom.
09:00I will go to the bathroom alone.
09:03Your Majesty,
09:04the razor is over.
09:05And the scissors are pulling my hair.
09:08I have a soldier with me.
09:09All of them are scoundrels.
09:15This was the problem of the kings.
09:16Whether there is something to eat or not,
09:18instead of making the scoundrels dance.
09:21You have to bring the razor.
09:23You have to bring the scissors.
09:25I don't have scissors.
09:26I don't have scissors.
09:28He will also bring the make-up.
09:30Will you bring the make-up?
09:31No, I won't bring the make-up.
09:32Because I have the razor with me.
09:35Yes.
09:36It's a pity.
09:37He died in the war.
09:40Your Majesty,
09:41everyone is hungry here.
09:43If you allow me,
09:44I will leave immediately.
09:45I have to bring the food too.
09:47If you are hungry,
09:48there is garbage in their stomachs.
09:51Your Majesty,
09:52if you are locked up in the fort
09:53and there is nothing to eat,
09:54then why aren't you running away?
09:55All of you run away from that hole.
09:57Now he has put a fence in the wall.
09:59First of all,
10:00I will leave from here.
10:01Your Majesty,
10:03this is not your sign
10:05that you should leave your fort and run away.
10:08You are not alone.
10:10Really?
10:12He is saying that
10:13he should leave from the narrow lane
10:14and you all stay stuck here.
10:16No,
10:17we never thought like that.
10:18Yes, it was not like that.
10:20Do you know
10:21when he got married to the queen,
10:22he got married to the queen
10:23and he got the kingdom.
10:25With Arthur's wife?
10:26Yes,
10:27he got married to her.
10:28Is King Arthur
10:29the same King Arthur
10:30with the sword in the stone?
10:31Exactly.
10:33And he also got the kingdom
10:35because there was a sword
10:36stuck in the stone.
10:38It had to come out
10:39from the one who wanted to rule.
10:40So King Arthur took it out.
10:42Who has done this?
10:43Your Majesty,
10:44the archer.
10:45Let it be.
10:46Don't think about us.
10:48He is not in his senses.
10:49The king has also..
10:50He is trapped.
10:53He is the commander of the opposing army.
10:54Your Majesty,
10:56the queen has sent for you
10:57for the discussion.
10:59Whatever you want to talk to us,
11:01bow down.
11:03Okay.
11:08Where were you going?
11:15I was going to the boys
11:16to get a razor.
11:20Why do you need a razor
11:21when you are going to the boys?
11:24I think
11:25you should get
11:26yourself chosen here.
11:27It will be our decoration piece.
11:29You are talking nonsense.
11:31Tell me the message
11:32that you have brought.
11:33Such a big king
11:34will sell his head
11:35at a very high price.
11:39If you want to die,
11:40you just have to take the head.
11:41He was trying to escape.
11:43Soldiers!
11:44Hey!
11:45Soldiers!
11:46Hey!
11:47Bring the sacks.
11:48He is trying to come out.
11:49Your Majesty,
11:50Your Majesty,
11:51come out.
11:52Haroon.
11:53Pull the sacks.
11:58Your Majesty,
11:59you knew
12:00that the king was coming.
12:01Come here.
12:02He has
12:03caught the crown
12:04in his mouth.
12:06Take him inside.
12:07Pull the sacks.
12:11My moustache
12:12and crown
12:13will be cut off.
12:16Pull the sacks.
12:17Pull the sacks.
12:18Pull the sacks.
12:19Oh, God!
12:20What are you doing?
12:21You take half
12:22and I will take the other half.
12:24Your Majesty,
12:25keep it here.
12:28He went inside.
12:29Keep the sacks here.
12:38You are a coward.
12:40You were trying to escape.
12:41Wait.
12:42Let me come with you.
12:43What?
12:44Let me come with you.
12:45How much beard
12:46do you have?
12:47He has a lot of beard.
12:48I don't believe you.
12:49Your Majesty,
12:50fight in your place.
12:51But,
12:52running away like this
12:53is not your style.
12:54I was not running away.
12:55What are you doing?
12:56There were a lot of stories
12:57about bravery.
12:58You were running away.
12:59I was not running away.
13:00My bravery
13:01is known by the world.
13:02Why are you shouting?
13:03Your Majesty,
13:05the queen asks
13:08friendship or war?
13:09War.
13:10Oh, God!
13:13Open it.
13:14Open it.
13:15I will…
13:16Wait a minute.
13:18Hey!
13:19Hey!
13:20Come down.
13:21Cease fire.
13:22Cease fire.
13:23Wait a minute.
13:24Close it.
13:27You must be
13:28conscious now.
13:30You must be hungry.
13:33Your ego must have broken.
13:34No one can break
13:35my ego.
13:37I am hungry right now.
13:39I want to eat snacks.
13:42Your Majesty,
13:43calm down.
13:45Do you present yourself
13:46for arrest
13:48or war?
13:49War.
13:50Oh, God!
13:51Open it.
13:54Cease fire.
13:56Okay.
13:57Get up.
13:58He is your father's son.
13:59How many times do I have to tell you?
14:00You must be conscious now.
14:01Hit him twice
14:02and hit me twice.
14:04Your Majesty,
14:05you are forgetting
14:06that you were also
14:07on the other side.
14:08I did not forget.
14:10I forgot
14:12that I was there
14:13yesterday
14:14and he is there
14:15today.
14:16Oh!
14:17I think
14:18that you do not know me.
14:19I know you very well.
14:21Very well.
14:22Play the drums.
14:24You play the drums
14:25for yourself as well.
14:27I think you should
14:28go to the army.
14:29They will bring you
14:30to Dihari.
14:31You will be useless
14:32in the war.
14:33You will be useless
14:34because your father is useless.
14:35He is not useless.
14:36Uncle, get out of here.
14:37What do you think?
14:38We will be scared
14:39of the drums?
14:40Open their door
14:41and let there be war.
14:42Let it be.
14:43Your Majesty,
14:44we have three soldiers.
14:45The rest are useless.
14:46It is a holiday.
14:48Leave this nonsense
14:49and open the door.
14:51She is saying
14:52leave this nonsense.
14:53Your Majesty,
14:54we have four main men
14:55who are cooking today.
14:56The real queen
14:57leads the war.
14:58Technically,
14:59you should be
15:00standing in front of them.
15:01If she is not there,
15:02she sits on the side
15:03and slaps us.
15:05I am enough
15:06for the entire platoon.
15:08Open the door
15:09and let there be war.
15:10Open the door
15:11and let there be war.
15:13First,
15:14straighten your helmet.
15:15How can I do that?
15:16Iron is outside.
15:18Open the door
15:19and let there be war.
15:20Okay.
15:22As you wish,
15:23Your Majesty.
15:24Open the door
15:25and take your positions.
15:27You have to open it with respect.
15:28The king
15:29asked me to do it.
15:31Wow.
15:35Come out.
15:40Come out.
15:45Queen Alia,
15:47this war can end.
15:48How?
15:49I have a beautiful proposal.
15:51Tell me.
15:52Just like the wars
15:53ended before this,
15:55similarly,
15:56this war can end.
15:57How?
15:58I propose to you.
16:00I want to marry you.
16:02In the name of God.
16:03In the name of God.
16:04Come.
16:05No.
16:07Congratulations.
16:08You have brought a boy.
16:09You have brought a boy.
16:12Not at all.
16:18I have some conditions.
16:20If they are accepted,
16:22then I am ready to get married.
16:24Come on, queen.
16:25Let's go home.
16:32You are a soldier.
16:34Yes.
16:35You can't do this.
16:36You have to fight wars.
16:39Listen to me.
16:40Let's go.
16:43Queen Alia.
16:44Yes.
16:45Tell me your conditions.
16:46Tell me
16:47that after marriage
16:48do I have to live
16:49with your mother?
16:50Yes.
16:51This is not possible.
16:52Oh God.
16:55We have a solution.
16:57What?
16:58Decide quickly.
16:59I think
17:00this war
17:01should turn into a war.
17:02I have accepted
17:03one of your conditions.
17:04You have to accept mine.
17:05What?
17:06Your two sons
17:07will live with you.
17:08I don't accept this.
17:09What is this?
17:12One minute.
17:13Hello.
17:14Yes.
17:15Yes.
17:16Wait.
17:17Didn't you listen to me?
17:19Take them out of the house.
17:22Come on.
17:24Queen,
17:25how will you survive?
17:26Okay.
17:27You stay here.
17:28Let them eat.
17:29We will leave.
17:30Okay.
17:31Let them eat.
17:32We will leave.
17:35Before marriage
17:36think about
17:37our salary.
17:38It will be paid
17:39before marriage.
17:40You go to the next house.
17:41How much will you pay us?
17:42What next house?
17:43We will go to the next house
17:44after marriage.
17:45The entire population
17:46will be one.
17:47This will not happen.
17:48Soldiers
17:49will not be allowed
17:50to go with us.
17:51Because you didn't hear
17:52that a brother
17:53in a sister's house
17:54and a soldier
17:55in a queen's house.
17:56Will we go to Maldives
17:57for our honeymoon
17:58after marriage?
17:59Not at all.
18:00Oh, God.
18:02I will take you.
18:03I will take you.
18:04Okay.
18:05I will take you.
18:06Okay.
18:07We will take you.
18:08Okay.
18:09We will take you.
18:10Oh.
18:11He is smiling
18:12like a mad person.
18:16Give me the permission
18:17to make peace.
18:18What are you doing?
18:19Didn't you hear?
18:20There is only
18:21love and war.
18:25Listen to me.
18:26Hello.
18:28Don't act smart.
18:31Why did Charlie
18:32run inside?
18:37Darling,
18:38let's take a break.
18:39Let's get out
18:40of the script
18:41and meet after the break.
18:42My love
18:43doesn't stay
18:44in a dark room.
18:45Wow.
18:46Wow.
18:47When the lamps
18:48get extinguished,
18:49I light my heart.
18:51Wow.
18:52Wow.
18:53Very good.
18:54What are you saying?
18:55What are you saying?
18:56What are you saying?
18:57What are you saying?
18:58He is a poet.
19:00When the lamps
19:01get extinguished,
19:02I light my heart.
19:03Who did you
19:04make to sit with?
19:05What happened?
19:06When the lamps
19:07get extinguished,
19:08I light my heart.
19:15Welcome back,
19:16viewers.
19:17Viewers,
19:18we wanted
19:19to have
19:20a fun
19:21and colorful
19:22poetry
19:23gathering here.
19:24Wow.
19:25First,
19:26we invited
19:27two poets.
19:28One of them
19:29is a great poet,
19:30Sahir Bhairavi.
19:31He is
19:32a great poet.
19:33Like this.
19:34Wow.
19:35And
19:36there is
19:37another poet
19:38with him.
19:39I am forgetting
19:40the name
19:41because we
19:42invited
19:43Bhairavi
19:44and he came.
19:45But the other
19:46poet,
19:47we got
19:48his phone
19:49and we
19:50gave him
19:51the card
19:52but he
19:53missed
19:54the name
19:55of
19:56Nasir Talismati.
19:57Nasir
19:58Talismati?
19:59Yes,
20:00he missed
20:01the name.
20:02You wanted
20:03to invite a poet
20:04but he
20:05is a magician.
20:06Look,
20:07Nasir Talismati
20:08is with us.
20:09But
20:10my question
20:11was that
20:12you didn't
20:13invite him.
20:14He is
20:15a great poet.
20:16Like this.
20:17Okay.
20:18So,
20:19what do you think?
20:20That you
20:21are not
20:22a great poet?
20:23No.
20:24No.
20:25No.
20:26No.
20:27No.
20:28No.
20:29No.
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21:40No.
21:41No.
21:42No.
21:43No.
21:44No.
21:45No.
21:46No.
21:47No.
21:48No.
21:49No.
21:50No.
21:51No.
21:52No.
21:53No.
21:54No.
21:55No.
21:56No.
21:57No.
21:58No.
21:59No.
22:00No.
22:01No.
22:02No.
22:03No.
22:04No.
22:05She knows that the third person is four.
22:09I don't feel the right one.
22:14PETE...
22:15Sir...
22:16Sir...
22:17Sir...
22:18Can you talk in a British accent?
22:19There is a song that I hum.
22:22Wow!
22:24There is a song that I hum.
22:27I am sure that I would remember it now.
22:32Wow!
22:33I would love the song and take a picture with my wife.
22:37You should.
22:38Why?
22:38People like him are useless.
22:44When you listen to poetry, you often find an anklets.
22:47Which poet has anklets on his legs?
22:49No, I...
22:50Listen, I will recite a poem for him.
22:53He will listen to it with anklets on his legs.
22:56I am sorry.
22:57You don't have manners with him.
22:59No, I don't.
23:00You are right.
23:00He will listen to it with anklets on his legs.
23:03Don't misbehave.
23:04Okay.
23:04You present the poem.
23:05There is a song that I hum.
23:08Wow!
23:09I am sure that I would remember it now.
23:13Wow!
23:15It's a good poem.
23:16It's a good poem.
23:18What happened?
23:20He is slapping me on my face.
23:23Okay, it's fine.
23:24It's a good poem.
23:25It's a good poem.
23:27Thank you very much.
23:29What are you saying?
23:30I am looking at you.
23:31You keep quiet.
23:33How can Goga go back?
23:35Why?
23:36I am getting irritated.
23:38Irritated?
23:39Goga is sitting here.
23:40It seems that both the women are looking at each other.
23:44You told me that there is a poet here.
23:47Yes, I am the poet.
23:47I am calling you in that regard.
23:49Yes.
23:50He is sitting all around.
23:53I am sorry.
23:53My love doesn't stay in a dark room.
23:58Wow!
24:00My love doesn't stay in a dark room.
24:04He is scared.
24:05He is scared.
24:06What is this?
24:07He is scared.
24:09My love doesn't stay in a dark room.
24:13Wow!
24:14I burn my heart when the lamps go out.
24:18Wow!
24:21Very good.
24:21What is he saying?
24:24He is a poet.
24:25Very good.
24:27He doesn't put oil in the lamps.
24:29He burns his heart.
24:30Who is he talking to?
24:32What happened?
24:33He doesn't put oil in the lamps.
24:36He doesn't put oil in the lamps.
24:39He burns his heart.
24:40Which poet are you?
24:42Nasir Talismati.
24:44I don't remember your name.
24:45Leave it.
24:47You tell me.
24:48I am saying.
24:49It is a strange thing in me.
24:51This is the gift of my passion.
24:54Wow!
24:55It is a strange thing in me.
24:57This is the gift of my passion.
24:59I remember the one who forgets me.
25:03Wow!
25:05Very good.
25:07Very good.
25:08Very good.
25:09Thank you very much.
25:10What is he saying?
25:11He is saying that he doesn't burn his heart.
25:12Salutation.
25:12Salutation.
25:13It is not like that.
25:14He must have done something.
25:16That is why he remembers you.
25:17He made you a poet.
25:18What is this?
25:19What happened?
25:20He must have done something.
25:23He must have remembered you.
25:24He must have done something.
25:26He must have done something.
25:28He must have done something.
25:32We talk to each other.
25:33We should have a gathering.
25:35What?
25:36We should have a gathering.
25:39Now, it is time for the poetry.
25:41I want to present this poem to you.
25:43Please.
25:44I think your moustache has turned into a mouse.
25:50I read the poem for the first time in Sydney.
25:53The foreigners didn't let me read it there.
25:58The Australians and the foreigners
26:01made me read it.
26:03Mr. Bhairavi, why are you bothering him?
26:05He let me read it.
26:06No, he didn't.
26:08He didn't say that.
26:09This is called democracy.
26:10Did you read the poem?
26:11Yes.
26:12We came to Lahore to sell songs.
26:15Wow!
26:16He sold his children and left.
26:20You said that we came to Lahore to sell songs.
26:24Yes.
26:25It is a crime to not praise this poem.
26:28Oh!
26:30I worked so hard.
26:31I stayed up all night.
26:33What is wrong?
26:34It is a poem.
26:35It is okay.
26:36You wrote a poem for me.
26:37I am a poet. I will read it a hundred times.
26:39I will read it a hundred times.
26:40I didn't ask you to read it a hundred times.
26:42I will read it a hundred times.
26:43I won't let you read it once.
26:44I will read it a hundred times.
26:47I won't let you read it a hundred times.
26:50I am a servant.
26:51I am a master.
26:53Read it.
26:54We came to Lahore..
26:56It is like a lion sitting on a chair.
26:57It is sitting on the floor and reading.
26:59We came to Lahore to sell songs.
27:02We sold our old clothes.
27:05What is the poem?
27:06No, I didn't read it.
27:07What are you doing in front of them?
27:09Is this a poem?
27:10Is this a poem?
27:11Is this a poem?
27:11Mr. Bhairavi, leave it.
27:13Leave it.
27:14Do you write poetry or cut the bill of a chungi?
27:18Mr. Bhairavi, why are you getting angry?
27:20We sold our old clothes.
27:23Mr. Bhairavi, you are not a good person.
27:24What is this?
27:26We sold our old clothes.
27:28But it is a bad thing.
27:28No, we didn't sell it.
27:30You are also saying the same thing.
27:31Mr. Arun, you are a sensible person.
27:34You are selling your old clothes.
27:35How many poets have sold their old clothes?
27:37Look at me.
27:38I am a great poet.
27:39Yes, I am a great poet.
27:41You are praising me.
27:42Next time, I will sell my clothes to six children.
27:45Sir, I apologize to you.
27:50It is possible that you didn't like my poem.
27:52You tell me first.
27:54I will start the poem according to you.
27:55You will start the poem according to him.
27:56Yes, that is right.
27:58Tell me the poem that I like.
28:01Your poetry, sir.
28:03The poem of Punjabi, according to you.
28:06Today, I am in a lot of pain.
28:09Wow!
28:10It is a good poem.
28:11It is a poetry for the laborers.
28:13Wow!
28:14Today, I am in a lot of pain.
28:16You can understand the pain of a laborer in this poem.
28:18Wow!
28:19I have been working for eight hours and I have earned Rs. 1300.
28:22Wow!
28:23Today, I am in a lot of pain.
28:26Wow!
28:26Today, I am in a lot of pain.
28:28I am in a lot of pain since I came to Shivlapadi.
28:31Wow!
28:32What?
28:33Mr. Bhairavi.
28:35Hello.
28:35Mr. Bhairavi.
28:37Mr. Bhairavi.
28:38No, no.
28:38Shut up!
28:39Sit down.
28:41I will take a short break.
28:43I will be back after the break.
28:45Mr. Arun, I have brought your boss.
28:47You have wasted your money on this set.
28:49You are also a jungle man.
28:51If you want to abuse him in anger, what do you say?
28:55He will abuse me.
28:56What?
28:58Mr. Agha.
29:00Arzu.
29:01I don't want to sit here.
29:10Welcome back, viewers.
29:11In the break, we have two guests
29:15who have come from a place in Africa.
29:18It is a very rural place.
29:20They have come from there.
29:22They want to say something about their language.
29:26Let's talk to them.
29:27Greetings.
29:28Greetings.
29:29Who is this jungle man who is saying greetings?
29:32I have learned all the languages.
29:34I am fond of languages.
29:35He is fond of eating.
29:44He is saying that your mouth is very sweet.
29:48Tell me, what is the matter?
29:50The matter is that we have a language in an area in Africa.
29:55What?
29:57Is this the name of the language?
29:59Mr. Haroon, this is the sound of a hen when it lays eggs.
30:02I know that it is the sound of a hen.
30:05But I didn't know the meaning.
30:07So, what do you want to say?
30:09We want to say that our language is getting extinct.
30:13I see.
30:14Very few people are left to speak it.
30:15How many people are left?
30:16Both of us are left.
30:17Thank God.
30:19I see.
30:21It is just a matter of time.
30:22If you don't want to stay, then I will stay.
30:24I have brought two languages.
30:25The thing is that everyone loves their language.
30:28Everyone loves it.
30:29But if it gets extinct, what will happen to their language?
30:33I think it is not getting extinct.
30:35You must have it.
30:37We have it.
30:39But it is not getting extinct.
30:41Yes.
30:41It is just a language that is spoken by one or two people.
30:44But our language has started speaking English.
30:47Okay. So, you speak English there.
30:49No, we speak that. We don't know that.
30:51I see.
30:52And he doesn't know any other language.
30:54He doesn't know our mother tongue.
30:57I see.
30:57He keeps crying that our language is getting extinct.
31:01I see.
31:03We want to promote our language.
31:05I see.
31:06How many shows do you do in a week?
31:08Yes.
31:09You have to do four shows.
31:10Why?
31:11You have to do one show in our language.
31:12If I do a show in your language, how will I open the show?
31:16What do you say in the start?
31:17I say, greetings, viewers.
31:19I am Haroon Rafiq and you are watching Oshiyan.
31:21Yes.
31:21Tup tup tup tup tup tup tup.
31:23Tup tup tup tup tup tup.
31:25In the end, it is Haroon Rafiq.
31:31Tell me, what does that mean?
31:33I see.
31:34It's not over yet. There is one more woman.
31:38Whee! Whee!
31:40Whee! Whee!
31:41Whee! Whee!
31:44Did you understand?
31:45What are you saying?
31:46He didn't understand.
31:48He has lost his tongue.
31:49Tell me, what is this?
31:50He has lost his tongue.
31:51He has lost his tongue.
31:54Tup tup tup tup tup tup tup.
31:57He is saying that even Rajiv is lost in Punjabi.
32:00He is lost in Punjabi.
32:02He has a big moustache and he is very bad at words.
32:05He wants his tongue to progress.
32:08Yes.
32:08You must have seen that there are Punjabi conferences.
32:11There are Urdu conferences.
32:13There are conferences of other languages.
32:15There are conferences of Israiki.
32:17There are conferences of Pashto.
32:18He wants his tongue to progress.
32:19So, I would like to say this with all due respect.
32:22All of them are my colleagues who are doing this.
32:24It is a big job.
32:25It is a great job that they are doing.
32:26But there is a problem.
32:27The problem is that with all due respect,
32:29I feel that the tongue will never progress like this.
32:32The tongue will never progress by doing a Punjabi conference.
32:34Tongues are forced to communicate.
32:38It is a compulsion.
32:39If your child doesn't speak,
32:41if he doesn't speak any language,
32:42and if he is one year old,
32:43and if he is two years old,
32:45then the parents get worried.
32:46They get worried.
32:47It is a compulsion that he has to speak.
32:48If he speaks, he will convey his message.
32:51So, the tongue is a compulsion.
32:53If your tongue is not a compulsion,
32:56then you will not be able to save your tongue.
33:00How will you become a compulsion?
33:01It is written in the knowledge that
33:03a child cannot learn a computer
33:05until he learns Punjabi.
33:06For example,
33:07if a child becomes a compulsion,
33:08he will be able to speak Punjabi all over the world.
33:11If there is a medicine,
33:12the whole formula of that medicine,
33:15if it is written in Israiki,
33:17and if Israiki people have invented it,
33:19and if they teach in Israiki,
33:22then it will become a compulsion
33:23that a person sitting in London will also teach in Israiki.
33:26That tongue will become alive.
33:28So, if you want your tongue to survive,
33:31to progress,
33:32the progress of literature,
33:33the progress of Urdu,
33:34the progress of Punjabi,
33:35did it make progress?
33:37No, it didn't make progress, right?
33:38Absolutely.
33:38Progress yourself,
33:40and translate the knowledge into that language.
33:44The major sciences of the world were earlier in Arabic,
33:46so everyone had to learn Arabic.
33:48Do you know that
33:49until all the sciences were not in Arabic,
33:52these Arab countries were not Arab countries.
33:55Here, they had their own languages,
33:57regional languages.
33:58But when the book came down,
33:59when more knowledge came,
34:00then everyone had to learn Arabic,
34:03had to learn.
34:04Exactly.
34:05So, that's why all these became Arab countries.
34:07So, English is an international language
34:10because computers are written in it,
34:12formulas are written in it,
34:13mathematics is taught in it,
34:15all the knowledge is in it.
34:16And they converted from Arabic to English.
34:18Talking about you,
34:19I feel like my tongue is going to shut down.
34:24Tell me something,
34:25it's so cold,
34:27you've wrapped leaves around you.
34:28It must be very cold.
34:30I've seen the entire jungle,
34:32there's no Khawaja Taylor there.
34:35Is this your jungle?
34:36Yes.
34:37It's half white, half white.
34:38What's going on?
34:39Half white, half white.
34:41It's half white, half black.
34:43Yes.
34:44I think it's because of the umbrella.
34:47I'm leaving, I'm sorry.
34:49Why? What happened?
34:50I'm serious, Mr. Haroon. I'm leaving.
34:51What happened?
34:52I've told you ten times,
34:54it feels like an earthquake is coming.
34:55Stop moving your legs.
34:57Change the seat.
34:57Mr. Agha is forced to move his legs.
35:00Why?
35:01The sewing machine inside him is a motor one.
35:07I swear, I'm shaking.
35:09No, sir, she's lying.
35:11Mr. Haroon, this is wrong.
35:12It's okay.
35:13You're saying this on air that he's shaking his legs.
35:17I'm saying this on air that he's shaking his legs.
35:19No, his feet don't touch the floor.
35:22That's why he's saying,
35:24move your legs, move your legs.
35:25I'm crazy.
35:26She's still saying she's crazy.
35:28Sit here.
35:29No, I want to sit here.
35:32I want to sit here.
35:33Sit here or sit on the chair.
35:38Our family doesn't talk much.
35:40We're bored people.
35:41But my grandma used to sleep in the lane.
35:42Yes, yes, yes.
35:44She's a girl. She can't even kiss you.
35:49What is he saying?
35:50He said, move your legs.
35:51Why?
35:52He said, my tongue is stuck.
35:53If it's stuck, then I'll start cursing.
35:56Mr. Haroon, how would you feel
35:58if a man or a woman is sitting with you
35:59and constantly doing this?
36:01How would you feel?
36:02Oh, God.
36:02Okay, Mr. Haroon, I think you've wasted your money on this set.
36:06Son, you're also a jungle man.
36:08Okay, if you want to abuse him in anger,
36:10what do you say?
36:11All of us are dirty-mouthed.
36:13What?
36:15Mr. Agha.
36:17Arzu.
36:18Hey, don't put your hand here.
36:21Mr. Salim, when you want to stop someone's face,
36:22you should put your hand here, not here.
36:24His face is as big as you want it to be.
36:26Hey, you put your hand here.
36:27You're a teacher, for God's sake.
36:29Arzu, didn't you hear?
36:31People's faces shouldn't be touched.
36:32I see.
36:33His face isn't touched at all.
36:36Where will I get honey from?
36:38You go to the box and put a umbrella inside.
36:42Okay, if you want to express your love to someone,
36:45how do you say it?
36:46I love you.
36:48Why aren't you saying it to me now?
36:52When you're angry, how do you express it?
36:56If someone is really angry with you,
36:58you should do this.
37:00Hey, he's not angry with me now.
37:05He's angry with you.
37:06You should say it to him.
37:08Okay.
37:08I think we didn't have our own language.
37:10We should have taught you a lesson.
37:12Let's not talk about the jungle.
37:14If kids come to our house,
37:16we'll give them a lion.
37:18Why?
37:19And the lion will also come in the evening.
37:20What?
37:21The one who's staring at you,
37:22will say, stop right there.
37:27We'll take a short break at night.
37:29We'll meet again after the break.
37:30You've come to fall in love.
37:32At least, open the door of love.
37:34You'll get a chance to feel the soil.
37:36You'll get a chance to feel the soil.
37:38We'll give you a role in the soil.
37:40We'll give you a chance to feel the soil.
37:42Oh, my!
37:43You'll get a chance to feel the soil.
37:45At least, open the door of love.
37:48You'll get a chance to feel the soil.
37:50At least, open the door of love.
37:52Wow!
38:02Welcome back, viewers.
38:03Yes, Irza Khan.
38:04How are you, Mr. Haroon?
38:05How's the audience?
38:08Who's the guest in the audience?
38:11Greetings.
38:11Greetings, sir.
38:12My name is Ali Waqas.
38:14Okay.
38:15I'm an associate professor
38:16and head of department of computer science
38:19in a government college.
38:20Very good.
38:21So, I want to consult you about something.
38:24If you don't mind.
38:25Yes, of course, sir.
38:26When you were doing the program,
38:28my wife, Dr. Uzma,
38:30she told me,
38:32Ali, you can do this program.
38:35That's not fair.
38:37I want to know,
38:38if I eat in a good restaurant,
38:42she'll say,
38:43Ali, you can cook.
38:46If I travel in a good bus,
38:48I can become a good driver.
38:50I know that.
38:51It's okay. I can do this job.
38:53You see, she has always told you
38:56that you can do this job, Ali.
38:58You can do this job.
39:00Did she ever say that
39:02you can become a good human being, Ali?
39:06She never said that, Irfan.
39:08She said, have you ever seen a 65 year old
39:10wearing a saree on her head?
39:13Ali, even you can do this.
39:16He's an over-supportive wife.
39:19Yes.
39:20She wants me to always support her husband.
39:22Keep your morale high.
39:23Actually, what Irza Khan just said,
39:26I'm standing in front of you today
39:28because my friends
39:31and my friends
39:32never said that you can't do this.
39:35Absolutely.
39:36They were the ones who said
39:38what your wife is saying to you.
39:40Because usually, husbands are told
39:43that you can't do this, move back.
39:45I'll do it.
39:46So, if she's telling you that you can do this,
39:48you can cook,
39:49you can wash clothes.
39:53So, my friends were the ones
39:54who told me that you can do this.
39:56I'll give you a small example.
39:58Babar Azam will never say this to anyone.
40:00Never.
40:01He's never said anything to anyone in cricket.
40:04Never.
40:05Wazim Akram will never say this to anyone
40:08that there's nothing in cricket.
40:09Elon Musk will never say this to anyone
40:12that there's nothing in technology.
40:14He'll always tell you
40:16what he himself couldn't do.
40:19The new players who always say
40:21that you can't do this,
40:22they're telling you that they can't do this.
40:25Or if they were in your place,
40:26they wouldn't have done this.
40:27And if your wife is saying this
40:29that she's married to you,
40:30she stays with you day and night,
40:32and if she's still saying that you can do this,
40:35then I'm sure
40:37that either you can do this
40:39or she's cheating on you.
40:44Let's ask her if she's cheating on you.
40:45Yes, yes.
40:46It's better that you take her side.
40:48Yes, absolutely.
40:49Yes, sister-in-law, greetings.
40:50Greetings.
40:51My name is Dr. Uzma Ali.
40:53Yes.
40:54I'm a dentist.
40:55Okay, okay.
40:55And in my opinion,
40:59he's a very good person.
41:02A talented person.
41:03A very elegant person.
41:05Was it a love marriage?
41:06No, it was an arranged marriage.
41:08It was an arranged marriage.
41:09And what do you think is the best thing about him?
41:12He's a gentleman.
41:15Yes, like he's a man of his word.
41:16He's a man of his word.
41:18I would like to answer this.
41:19Yes, yes.
41:19When you have three sisters,
41:2113 daughters, one wife, one sister-in-law,
41:24then he's like this.
41:25Okay.
41:26God bless you.
41:27God bless you.
41:28My students are with me.
41:29They're my daughters.
41:30They're your daughters.
41:31Yes, they're your daughters.
41:32So...
41:32What did you cover, sir?
41:34Yes, yes.
41:34Your sister-in-law.
41:35Thank God you clarified it.
41:37Irza was in a bad state.
41:38No, your daughter.
41:39Your daughter, yes.
41:40I got scared too.
41:41Okay, what do you think is the best thing about him?
41:44Sir, he's a very good person.
41:47He's a noble person.
41:49If any woman should have a husband,
41:53then I see that my husband has all those qualities.
41:55Wow, wow, wow.
41:58Very good.
41:59Very good.
42:00Okay, one thing that you want to change from Mr. Ali.
42:04Just one thing.
42:05If you don't mind, you can change this.
42:06What would you like to change?
42:08Sir, he thinks too much.
42:13Yes, next.
42:14Who's next?
42:15Greetings.
42:16Greetings.
42:16My name is Syeda Maryam Fatima.
42:18I'm doing BS Zoology.
42:20Okay, God bless you.
42:21I would like to recite a poem from Waris Shah.
42:23Go ahead.
42:24Love, you have to fall in love.
42:26Even if the thorn of love opens.
42:28It doesn't give you a role in the soil.
42:30So, speak of love, speak of love.
42:32Oh, my.
42:33There are thousands of joys and sorrows.
42:36Even if love is weighed heavily.
42:38Even if your smiling eyes melt.
42:40Even if love blooms from within.
42:42Wow, wow, wow.
42:46Okay, the thing is that you read it very well.
42:50You read it with a lot of weight.
42:51And you are also getting education.
42:53I don't think Waris Shah has ever recited a poem like this.
43:01No, he hasn't.
43:01I think that Waris Shah.
43:05Because he has never written on TikTok.
43:08He has written in a book.
43:10So, I think you should read Waris Shah's book.
43:12The world belongs to Waris Shah Kabab.
43:14Yes.
43:16Dear, there is a trend in the world right now.
43:20People write their names on things.
43:23There is a voice these days, Mr. Amitabh.
43:25It's a style of voice.
43:26Yes, absolutely.
43:26The one who is roaming in front of you.
43:29There is a voice, right?
43:30Yes, there is.
43:31When you hear that voice, you feel it's authentic.
43:34Although, it's very wrong.
43:36Even today, I say it again and again.
43:39Google has proven that books are the real thing.
43:43The real source of knowledge is a book.
43:48Okay, we have Sheroz with us.
43:51Yes.
43:51And he has brought a parody song for us today.
43:54So, sir, please give it to him.
43:58Wow. Very nice.
44:02Viewers, this was today's show.
44:03We will meet you in the next show.
44:05Take care of yourselves.
44:07Goodbye.