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03:46Water!
03:49Water!
03:53Water!
04:05Here's water, miss.
04:06It's mighty precious stuff in the desert.
04:08I'll say it is. Thanks.
04:15Hey, hey, I thought you were dying of thirst.
04:28I am, but I can last until I get some water in the car tank.
04:45I'm sorry. It took the last drop.
05:10Do you mind?
05:11Not a bit. That happened along.
05:13You must be a stranger around here.
05:15There's a good auto road a mile south.
05:17Yes, I know about that.
05:19I came this way because I didn't want anyone...
05:21That's all right, Miss Moore. Don't tell any secrets.
05:24Who are you?
05:26How do you know my name?
05:34Oh, I see.
05:38Too bad they don't put them on horses.
05:42Well, thanks for the water.
05:44Goodbye.
05:45Good luck.
06:11My name is Jerry Lane.
06:28I am from up Pecos Way.
06:30I sold my ranch in stock and thought I might buy something in this neighborhood.
06:34That's fine.
06:36How big a place do you aim to buy?
06:38Oh, big enough to run a few hundred head of steers.
06:40But it's got to be a bargain.
06:42I'm buying for cash.
06:44Great. I got just the place for you.
06:46Good land, good buildings, and a good price.
06:49Hey, Jensen, you going out to the auction?
06:51No, I can't be bothered with that sort of thing.
06:54Now, this place I was telling you about, Mr. Lane, is...
06:56What about the auction?
06:58Why, that's old Hiram Moore's place.
07:00He died about a year ago, and it's a sheriff's sale to pay off the debts and taxes.
07:04What did you say his name was?
07:06Moore.
07:07You wouldn't be interested. The place is all run down.
07:12Say, didn't he have a granddaughter named Jean?
07:16I don't know.
07:18Well, I'll have a look at it anyway.
07:20You better let me show you some real ranch land.
07:22Sure, some other time.
07:35Sale is to pay off the taxes, claims, and debts of the late Hiram Moore.
07:39I'm going to sell off the furniture first, and then we'll put up the property.
07:42Now, what have I offered for this elegant chair?
07:45A genuine Grand Rapids antique.
07:48Fifty cents.
07:51Fifty cents?
07:53Now, listen, Colonel, I don't want to have any trouble with you.
07:56Now, here's a chair, folks, that anyone might be proud to own.
08:00Look at this magnificent piece of furniture.
08:02Do you mean to say you offered me fifty cents?
08:04Yes, sir.
08:06Fifty cents for this fine piece of furniture. Do I hear a dollar?
08:12Sold to the Colonel for fifty cents.
08:14Get his half-dollar gym, and I'll bet it's plump.
08:18Now, ladies and gents, there's a painting of the old boy himself,
08:23Hiram Moore, one of the real pioneers of this country.
08:27Now, what have I offered for this?
08:28Comment to my bid.
08:30You said you searched all that furniture. How about that picture?
08:33What do you mean?
08:35If old man Moore had a paper to hide, that picture is a mighty likely place.
08:39A genuine painting of the old boy himself.
08:42How much for this fine painting of this fine gentleman?
08:45Comment to my bid.
08:46Five dollars.
08:47Five dollars?
08:49Five dollars?
08:51Friends, did you hear that?
08:53Five dollars for this magnificent oil painting of this old gentleman?
08:56Here's a picture of a car man that anybody would be proud to hang in his parlor, gentlemen.
09:01Five dollars for a masterpiece.
09:03I'm offering five dollars, five dollars for this beautiful picture.
09:07Now, come on. Let's shake it loose, friends. Come on, shake it loose.
09:11Let's hear some bids. Five dollars.
09:13Going for five dollars once.
09:16Going for five...
09:17Wait. I'll bid ten dollars on that picture.
09:20Ten dollars. Now, there's a little lady that appreciates the beautiful in art.
09:24You hear that? I was right.
09:26Fifteen dollars.
09:27Do I hear twenty?
09:28Twenty.
09:29Twenty dollars. Twenty dollars.
09:30Thirty dollars.
09:31Now you're talking, folks. Thirty dollars is bid. Do I hear forty?
09:35Fifty dollars.
09:36Fifty dollars.
09:37The young lady says fifty dollars for this elegant painting.
09:40Fifty dollars. All done.
09:43Sixty dollars.
09:44Seventy.
09:45One hundred dollars.
09:46A hundred and ten.
09:48Ten. All done.
09:50Going for a hundred and ten.
09:53Going for a hundred and ten once.
09:56Going for a hundred and ten twice.
09:59Two hundred.
10:08Where in the world did you come from?
10:11What are you doing in there, stranger?
10:13Why, I thought I'd like to buy the picture. Any objections?
10:16Where are the dollars?
10:18Five hundred.
10:21Sheriff, this man's making a lot of loose talk.
10:24You better find out if he can back it up.
10:26That's a fair question, stranger.
10:29You mean, can I make good on my bids?
10:31Yes.
10:32Why, Sheriff, I'm surprised at you.
10:42Go on with the sale, Robert.
10:44Five hundred dollars. Do I hear six?
10:46Do I hear six? Do I hear six?
10:49All in.
10:51Sold to this gentleman for five hundred dollars.
10:53And not a cent too much.
10:54Mister, you've got a fine eye for all.
11:00If you're ready to put up the property,
11:02I'd like to bet on the ranch and all that goes with it.
11:05All right.
11:06Folks, what am I bidding?
11:09For six hundred and forty acres of fine grazing land.
11:13The house, the contents, and everything that goes with it.
11:16Everything on the place. What am I bidding?
11:18How much is against it?
11:19Twelve hundred dollars.
11:20Twelve hundred dollars.
11:21Then I'll bid fifteen.
11:23Two thousand.
11:24Two thousand dollars.
11:25Two thousand dollars for ten thousand dollars' worth of property.
11:28Can I hear twenty-five hundred?
11:30Twenty-five hundred?
11:32Don't I hear another bid?
11:34No bids.
11:36Sold to Mister...
11:38Jerry Lane.
11:46If you'll get the papers drawn up,
11:48I'll come into town tomorrow and close this thing up.
11:50That's fine.
11:51I'll get somebody to move the furniture back in the house.
11:54Thanks.
12:08Just a minute, Miss Moore.
12:13I guess this is what you came for.
12:15But would you mind telling me why you were willing to pay seventy dollars for it?
12:19Suppose you tell me why you paid five hundred for it.
12:23Well, I sort of liked your looks, and...
12:25you seemed to want the picture, so I...
12:27So you thought I looked like the kind of a girl that would let a stranger buy her five hundred dollar present?
12:37If you don't want it, throw it in the first ditch you come to.
12:41Sir, when you get through, come down to the barn. I'll pay you for helping.
12:44Very good, sir.
12:45Wait a minute.
12:47Where'd you come from?
12:49Originally from England, sir. A gentleman's gentleman, sir.
12:52I see. Why'd you quit?
12:54Well, sir, you see...
12:56it was a matter of ten pounds that was lost.
12:59And they said you stole it?
13:01Oh, no, sir.
13:03But they said they might have found it if I hadn't helped them look for it.
13:07Oh, Mr. Lane.
13:19Well?
13:20I'm sorry I said that.
13:22I didn't mean it the way it sounded.
13:24I think you were splendid.
13:26Forget it.
13:27Oh, please, please don't go yet.
13:29I want to answer your question about that picture.
13:32It's my grandfather.
13:33Oh, so that's the answer.
13:35You like the old fellow?
13:37No.
13:38It wasn't that I liked Grandfather.
13:40I never saw him.
13:41Well, then, we won't call it a present.
13:43But I'll loan it to you and you can take it home with you.
13:46And I can't take his picture home with me because I haven't any home.
13:50Oh, so that's the answer.
13:52Maybe I'd better tell you all about it.
13:54That might help if you feel like confessing.
13:57Mother often talked about Grandfather.
13:59We wanted him to come and see us, but he just wouldn't leave the ranch.
14:03The old gentleman with set ideas.
14:14Is there a thing worth taking?
14:17Is there a thing worth taking?
14:20Is there a thing worth taking?
14:46I was Grandfather's only heir,
14:48the taxes and penalties on this place were more than I could cover,
14:51even though it was worth it.
14:53So I just never came to look at it.
15:01You think I got stuck with the place?
15:03Oh, no.
15:19Oh, please, sir, don't shoot again, sir.
15:21One shot was quite convincing.
15:23I suppose you were going to help me to find my money.
15:26Oh, no, sir. This time I wasn't earnest.
15:28You see, I haven't been able to find me a job.
15:31You've got a job now.
15:33Unsaddle my horse and put him in the barn.
15:35Then you're not going to jail me, sir?
15:37What do you think?
15:38Oh, thank you, sir. Thank you.
15:40Thank you. Thank you, sir.
15:44That was fine of you to give him another chance.
15:47I need help if I'm going to run this place.
15:49Oh, you were telling me why you wanted the picture.
15:52People thought maybe he buried his money somewhere on the ranch.
15:55Sounds reasonable.
15:56But I still don't see what this picture has to do with it.
15:59Neither do I.
16:01You see, I had a notice of this sale
16:03and thought I ought to come down here and see if anything could be salvaged.
16:06Then when those men started bidding so high,
16:09I thought, sure, I ought to get it.
16:11Same here.
16:12Those three birds know something about Grandpa
16:14Those three birds know something about Grandpa
16:16that you and I ought to find out.
16:18I guess you'll have to do that, Mr. Lane.
16:20You see, when I got the hunch to come down here,
16:23I drew out all my savings and gave up my job.
16:26You've got a job.
16:27Since I'm going to have a gentleman's gentleman,
16:30I'd better have a secretary.
16:31I'm sorry, Mr. Lane, but I couldn't...
16:33Now, don't get me wrong again.
16:35You're to go into town now
16:37and hire a sort of a combined cook and chaperone.
16:40And then what?
16:42Then we'll move in here and try and find out
16:44why Grandpa's picture's worth so much money.
16:46Is it a go, Jeanne?
16:48It's a go, Jared.
16:50I bid for Brandon because I thought that was my cue.
16:54Severin had a hunch.
16:55I was right.
16:56If there's a chart to old man Moore's money,
16:59that picture holds the secret.
17:01This man Lane, the girl, whoever she is, knows it.
17:04Well, if you're so sure about it, why didn't you outbid Lane?
17:07Because I know a cheaper way to get that picture.
17:10I'd like to, if we need it.
17:19I'm sure you'll be satisfied with your housekeeper, miss.
17:22She worked for us at the hotel.
17:23She seems very capable.
17:25Where's the sheriff's office?
17:26Just a block down the street.
17:28Thanks.
17:41All right.
17:44All fixed.
17:45Miss Moore is hard for a leader, for a housekeeper.
17:47Good.
17:48That puts a friend inside the house.
17:51Lane's over at the sheriff's office.
17:53If he only knew what his game is.
17:55I'll find out.
17:56Or I'll persuade him to drop it.
17:59Do you know what you're to do?
18:01Sure.
18:02Come with me.
18:04Well, I'm glad that we got a good substantial citizen on the Moore place.
18:09Since the old man died, there's been a lot of queer stories about the ranch.
18:15What kind of stories?
18:16Well, now that I got your check, Lane, I'll tell you.
18:20People say that the ranch is haunted.
18:23Is that right?
18:24Hmm.
18:26Haunted?
18:27What do you mean?
18:29Just one of those stories that get around.
18:32You see, old Hiram Moore was a miser.
18:35No offense to you, Miss Moore.
18:37And there's a lot of talk about buried treasure.
18:40Some people say that the old man couldn't sleep easy in his grave.
18:44I never saw his ghost.
18:46I never talked to anybody that did.
18:48But it won't do you any harm, except that you may have some trouble getting the boys to work.
18:54Well, maybe old Hiram Moore will quit haunting when he finds his granddaughter there.
19:01Now, Mr. Lane, if you'll just put your John Hancock right there on the bottom line, everything will be all right.
19:16Hello, Sheriff.
19:17Oh, hi.
19:18I didn't know you were here.
19:21Hello, Sheriff.
19:22Oh, hi.
19:23I didn't know you were busy.
19:24I'll come back later.
19:25No, no, no, Don.
19:26Come in, come in.
19:27I want you to meet some people.
19:29This is Miss Moore, granddaughter of old Hiram Moore.
19:32Delighted.
19:33How do you do?
19:34And this is Jerry Lane, who's going to be your neighbor.
19:36He just bought the Moore place.
19:38Mr. Brandon.
19:39Glad to know you, Mr. Lane.
19:40His place borders yours on the south.
19:42Well, that's fine.
19:43Mighty glad to have a neighbor, Mr. Lane.
19:46Maybe with folks living in the Moore house, we'll hear less about old Hiram's ghost riding the reins.
19:52What about this ghost, Mr. Brandon?
19:54Did you ever see it?
19:55Well, I don't believe in ghosts myself.
19:58But several of my men claim to have seen it.
20:01Men who are generally thought to be reliable.
20:05But you still don't believe in ghosts.
20:07Well, I'll put it this way.
20:09I don't have a man who might walk after death.
20:13He's the man.
20:15Thanks, Mr. Brandon.
20:17Don't forget to be neighborly.
20:19You'll see a good deal of me, I expect.
20:21Drop in sometime, Sheriff.
20:22I will.
20:36Well, that's settled.
20:38Did you get the chaperone?
20:40A half-breed woman.
20:41Homely, but she seems capable.
20:44Homely?
20:45You're not going to start by being jealous, I hope.
20:47No.
20:48I took what I could get.
20:50The clerk at the hotel found her for me.
20:52She'll be at the ranch tonight.
20:57Look, Judy.
20:58How about me and you having a drink?
21:00Jerry, be careful.
21:01That's all I gave him.
21:02Come on, old man.
21:03You've had one too many.
21:04Better go home and sleep it off.
21:06You think I'm drunk, eh?
21:07Well, what do you think?
21:08That's what I think.
21:10I apologize.
21:12You're not drunk.
21:40Oh, my God.
21:41Oh, my God.
21:42Oh, my God.
21:43Oh, my God.
21:44Oh, my God.
21:45Oh, my God.
21:46Oh, my God.
21:47Oh, my God.
21:48Oh, my God.
21:49Oh, my God.
21:50Oh, my God.
21:51Oh, my God.
21:52Oh, my God.
21:53Oh, my God.
21:54Oh, my God.
21:55Oh, my God.
21:56Oh, my God.
21:57Oh, my God.
21:58Oh, my God.
21:59Oh, my God.
22:00Oh, my God.
22:01Oh, my God.
22:02Oh, my God.
22:03Oh, my God.
22:04Oh, my God.
22:05Oh, my God.
22:06Oh, my God.
22:07Oh, my God.
22:08Oh, my God.
22:09Oh, my God.
22:10Oh, my God.
22:11Oh, my God.
22:12Oh, my God.
22:13Oh, my God.
22:14Oh, my God.
22:15Oh that.
22:16Oh, my God.
22:17Oh believe me.
22:19Oh my god.
22:21Oh that.
22:22Oh, my God.
22:23Oh Gosh.
22:24I'm not looking for trouble.
22:25Keep Out of my way.
22:26Next Time, you'll Really get hurt.
22:30I'm sorry this happened, folks.
22:32The man's a stranger, here.
22:34I hope you won't hold it Against The community.
22:36Cowboys will get drunk.
22:38Sure they will.
22:39But he isn't a cowboy and he wasn't drunk.
22:42He's a professional pug if I ever saw one.
22:45You want me to prefer charges against this man, Lane?
22:48No, just keep him out of my way.
22:52Well, you certainly know how to handle him, Lane.
22:55Yes, and I'm pretty good on ghosts too, Mr. Brandon.
23:06I say, what are you hiding?
23:26Ah, so you won't talk, eh?
23:29Ready?
23:30Ready well.
24:59Lady!
25:00Lady Parson!
25:01Your gentleman seems to have other accomplishments.
25:29I'm afraid he's got too many.
25:34I beg your pardon, sir.
25:35I failed to hear your arrival.
25:37I didn't know you were a musician, Eddie.
25:39Very kind of you to take notice, miss.
25:41I'm a bit out of practice, but I find my fingers retain their nimble touch.
25:45I've noticed that.
25:48Oh, thank you, sir.
25:50I did a bit as a seeing waiter in a big London restaurant.
25:53It paid rather well.
25:54I imagine your make it pay pretty well.
25:57Thank you, sir.
25:58Thank you, sir.
25:59Take care of my horse.
26:00There'll be more in the morning.
26:01More horses, sir?
26:02Yes.
26:04More horses.
26:14Well, what do we do now?
26:16Give Grandfather the third degree.
26:33Jerry, maybe it is true.
26:37Maybe what's true?
26:39Maybe Grandfather's ghost really does ride the range.
26:43He was a strange man from what my mother told me.
26:47Never gave up anything that once belonged to him.
26:51Maybe he won't give it up even when he's dead.
26:55Now, listen.
26:58Yes, Jerry?
27:00When I hired you as a secretary, I thought you were grown up, not a kid.
27:05I'm going to be too busy to be sitting up nights telling you bedtime stories.
27:08Well, but if there really should be a ghost...
27:10Should be.
27:11There unquestionably will be.
27:13If Grandfather's ghost comes, I intend to catch him.
27:17Perhaps he can tell me about his picture.
27:40When you've finished the dishes, Virginia, you may go to bed anyway.
28:11Senorita, permit, I shall block my door.
28:15Why, of course.
28:16But what on earth for?
28:21Because of the ghost in this house.
28:24Aren't you afraid?
28:30What ghost?
28:32The ghost of Senor Moo.
28:35At night, he rides sometimes through the ranch,
28:39opening a great white hole.
28:50Jerry, what was that?
28:52Blimey, a banshee!
28:53What is it?
28:54Just a coyote.
28:55It always howls when the moon is up.
29:18Hey, sing one of your London songs.
29:22Righto.
29:35I'm not a barley snob, you know.
29:38Far from it.
29:39I do the tasks that's set for me, of course.
29:42But I'm a sentimental man, and I'm working for a gentleman.
29:46I itch to be a valet to an ox.
29:49I itch to be a valet to an ox.
29:52It fills my soul with sadness and remorse.
29:55How can a faithful servant feel he's being helpful and gentile
29:59when he's a valet, a valet to an ox?
30:02I can't approve the funny-looking features,
30:04the size and shape and celiac-wine features.
30:07I've been footman, butler, page.
30:10Who'd ever thought at my age I'd come to be the valet to an ox?
30:41I'm not a barley snob, you know.
30:43Far from it.
30:44I do the tasks that's set for me, of course.
30:48But I'm a sentimental man, and I'm working for a gentleman.
30:52I itch to be a valet to an ox.
31:01What's that?
31:08Jerry, it's there!
31:12Wait!
31:19Jerry, do you think it's a ghost?
31:21Not yet.
31:22But it will be if it comes in within range.
32:07Well, better luck next time.
32:35I beg your pardon, sir, but I think it's a bit of luck that he didn't stop.
32:50All this hocus-pocus is intended to scare us off.
32:53Who's ever doing it knows something about that picture that we don't know.
32:57It's gone!
32:59Floor, blind me if it ain't.
33:01Belita!
33:06Belita! Belita, open the door!
33:08Si, senor.
33:10A moment, please.
33:17What is that, senor?
33:19Santo Dios, you are frightening me.
33:28What is that you see, senor?
33:32What is that you seek, senor?
33:34Nothing. I just had a hunch and I was wrong. Sorry.
33:37Good night.
33:38Good night.
33:46Made a wrong guess. It wasn't there.
33:48Oh, I knew it wouldn't be.
33:50Jerry, I'm frightened.
33:52Let's give it up and get out of here.
33:54Yeah, I guess we might as well.
33:57Oh, I'm sorry.
33:59I know you've done all this for me.
34:01Spent your money and risked your life.
34:04Oh, that's all right. Buying the ranch was just a gamble.
34:07Those fellows were too smart for me.
34:09They got what they came for.
34:18I beg your pardon, sir, but I...
34:20I don't think they did.
34:22You're not going to tell me you think a ghost took it.
34:24Well, I don't know anything about a ghost.
34:26Whoever took the picture is going to be disappointed.
34:28What are you driving at?
34:29Well, you see, sir, I sort of anticipated this happening,
34:31so I examined the picture myself.
34:34I found this hidden in the frame.
34:45What did you intend to do with this?
34:47Well, I sort of intended to sell you out, sir,
34:51but I found I couldn't.
34:53Sort of intended to sell you out, sir,
34:55but I found I couldn't go through with it.
34:58I see.
35:02Thanks, Eddie.
35:04Full moon.
35:05Yeah, I took the liberty of looking that up, too, sir.
35:07There'll be a full moon a week from tonight.
35:09A week from tonight, eh?
35:12I wonder...
35:14Come on.
35:21Whoop, whoop, whoop.
35:22I say, old pig, you'd be much better off if you didn't quite wiggle so.
35:32Whoa!
35:33Whoa!
35:35Come here now.
35:38Whoop, whoop, whoop.
35:39You're on the wrong side.
35:41Get around on the left and he'll stand.
35:43Is that so, sir?
35:44Of course.
35:45Oh, thank you, sir.
35:47Whoa now.
35:57Amazing, sir.
35:58I didn't know an orphan knew which was his left side, sir.
36:02When Miss Moore wakes up, tell her I've gone to town to see the sheriff.
36:05Very good, sir.
36:09Whoop, whoop.
36:14Whoop, whoop.
36:25Keep this for me, Dave.
36:26It may get me in trouble.
36:27Right.
36:30We found the compartment in the picture frame where the chart probably was hidden.
36:35But Wayne had beat us to it.
36:38The compartment was empty.
36:47And...
36:49And...
36:51And...
36:53And...
36:55And...
36:57And...
37:00Secrets, eh?
37:02I do all the dirty work.
37:04Fighting, ghostwriting, but I ain't told nothing.
37:07You're paid for what you do.
37:10Not for what you know.
37:12Is that so?
37:13Well, there's one man that'll pay me for what I know.
37:16Yes?
37:17And who is that man?
37:19Jerry Lane.
37:20Ever hear of him?
37:28I'm afraid text is no longer useful to us.
37:36I was just thinking the same thing.
37:41See you at the ranch?
37:42Perhaps.
37:44I'll see the sheriff.
37:57Oh, shit.
38:27Who was it, man?
38:48I didn't get a good look at him.
38:57Let's go.
39:17Lee, I'm not gonna leave you.
39:19Save your breath.
39:20Let's stop this blood.
39:27Hey, sheriff!
39:28You know that fella Lane that bought the moor place?
39:30What about him?
39:31I just saw him shoot text.
39:33Text was just riding along, peace of the mind.
39:35He came out of the rocks and downed him with the first shot.
39:38Sheriff, Lane threatened to get text after they had that fight.
39:41He'll probably head for his place.
39:43He don't know we seen him.
39:44Let's go.
39:45Well, follow me.
39:46I'll show you the very spot.
39:47Come on.
39:48Come on.
39:49Come on.
39:50Come on.
39:51Come on.
39:52Come on.
39:53Come on.
39:54Come on.
39:55Come on.
39:56I'll show you the very spot.
39:57Right.
40:01If you got anything to say, you better start talking.
40:05Lane, I was hired to beat you up.
40:09Bye.
40:10Bye.
40:11Yes, you were hired.
40:12Bye.
40:13Get your hands in the air, Lane.
40:33You know, I was just coming after you, Sheriff.
40:54This is murder.
40:56Yeah.
40:57So I heard.
41:01You don't think I shot him.
41:03You shot the man, but from those rocks.
41:06Is this the man you saw, Mark?
41:08That's him.
41:10You rode out of those rocks and shot text out of the saddle.
41:13That's a lie.
41:14I was 200 yards away when the shot was fired.
41:18I heard you threaten that man, but I didn't think you'd shoot him when he was unarmed.
41:23No use, Lane.
41:24There's a shot fired out of this gun.
41:26Sure there is.
41:27I took a shot at the killer as he rode off.
41:31Who's this man that accuses me?
41:34Mark Graydon, my foreman.
41:38Oh, so he's your foreman, is he?
41:41He's also a buyer of fine old oil paintings in his spare time.
41:45I don't know what you're talking about.
41:48But Mark's got good eyes, and if he says you did the shooting, it's mighty certain you did.
41:57All right, Sheriff.
41:59This is a frame-up, but I guess I'll have to prove that in court.
42:03Bring your handcuffs along.
42:05I reckon there's enough of us to ride herd on you.
42:08Shorty, get his horse.
42:10Dearborn, take Tex into town.
42:27As a matter of fact, Sheriff,
42:29I'll have a tough time proving my innocence if you put me in jail.
42:33The only way I can get the guilty man is to be free myself.
43:27Hold that till we need it.
43:29Come on, we'll pick him up below.
43:56A clean getaway.
44:14You should have let me get him in the water.
44:16You're just a little bit anxious, ain't you?
44:18I want that fellow alive.
44:20Shorty, you circle around and see if you can pick up his trail.
44:24I'll head to the ranch in case he goes home.
44:42Any luck?
44:43I couldn't find a trace of him.
44:46We'll try the house.
44:57Well?
44:58He ain't come yet, Miss Jean.
44:59I've been watching the road.
45:00Oh, I'm frightened, Eddie.
45:02If anything should happen to Jerry, he's into all this on my account.
45:06And he has that chart in his pocket that those men want.
45:09That's right, Miss.
45:10I was worried about Mr. Lane, so I took the liberty of...
45:12You what?
45:14Rifled his pockets, Miss.
45:16I have the chart.
45:24Put it away, Eddie.
45:25Someone's coming.
45:48Morning, Miss Moore.
45:49Where's Lane?
45:51I don't know.
45:53Why?
45:54What's happened, Sheriff?
45:55Why do you want Mr. Lane?
45:57You two boys search the house.
45:59The rest of you fellas look the barns over.
46:07What does this mean, Sheriff?
46:09Lane's wanted for murder.
46:14Murder?
46:18My word.
46:21Senor.
46:23Senor.
46:28The paper you want, the English lucky has it.
46:32I have seen it, Senor.
46:34Roses.
46:38No, it's a clear case.
46:40He threatened the man, and I found him standing over the body.
46:44Incredible.
46:49I'm leaving one of my men for your protection, Miss Moore.
46:53I know why you're leaving him.
46:55It's very thoughtful of you.
46:57Good morning.
47:26Good morning, Sheriff.
47:56That officer is walking back and forth, just waiting to pounce on Jerry if he comes.
48:01Bobby can't happen, Miss.
48:02That's his job.
48:03Oh, I don't care.
48:04I wish something would happen to him.
48:11There's Deputy Barnes.
48:16Get him first.
48:41Must be just another coyote, Miss.
48:43Just sit down.
48:44Sit down, Miss.
48:45And listen to this.
48:46I have something nice I want you to hear.
49:09What does this mean, Mr. Brandon?
49:31Mr. Lane isn't here.
49:32We know that.
49:33You will not see Lane again.
49:36We've just asked your English friend to hand over the paper he took from the frame of
49:39Hiram Moore's picture.
49:41The paper?
49:42Why, my dear chap, I know nothing about the paper.
49:45You must be mad, mad.
49:47Enough of that.
49:48Hand it over.
49:54Mr. Lane.
50:03Mr. Lane.
50:24Watch them.
50:31But there are four of them in there and you ain't on.
50:34You tell the sheriff if I'm not here to look for me at the Tower Rocks.
50:53That's clear enough.
50:55It means the Tower Rocks.
50:57The moon's full enough now for our purpose.
51:22What are you going to do with them?
51:26Tie him up.
51:29Drop that gun, Graydon.
51:40So here we are, all the picture bars.
51:43And Mr. Brandon.
51:45I'll have a look at that map.
51:53Thanks.
51:54Get back to the rest.
52:02One of you four killed Tex.
52:05I'm going to find out which one before I'm through with you.
52:11Get the hardware ready.
52:14Hardware, sir?
52:17Oh, you mean that gun, sir.
52:19Right you are, sir.
52:20Righto.
52:21Right?
52:28Gary, let go!
52:56Let go!
53:25Let go!
53:54Let go!
54:23Let go!
54:51Let go!
55:17Don't look as old as Lane needed any help.
55:19Howard, Dearborn, take care of those two fellas.
55:44Turn me up, Lane.
56:08Turn me up.
56:09Who killed Tex?
56:10Talk fast.
56:11In ten seconds, you'll drop.
56:16Time's up.
56:17Who killed Tex?
56:23I did.
56:24I did.
56:25That's enough, Lane.
56:27All him up.
56:28Well, look who's here.
56:33Help him, boys.
56:49Listen.
56:50Listen.
56:52That's it.
57:16Gold!
57:19My word.
57:20You could finance a small war without that loot, sir.
57:24It doesn't belong to me.
57:29It belongs to Hiram Moore's granddaughter.
57:31Don't talk nonsense.
57:32You bought the place, didn't you?
57:34I didn't buy a half a million in gold, did I?
57:37Yes, your agreement was for the ranch and all that went with it.
57:40A big pardon, sir, and Miss Jean, but I'd somehow come to the conclusion that you were
57:45going to, uh, uh, pool your resources.
57:51Well?
57:53Well yourself, fella.