Category
😹
FunTranscript
00:00♪♪
00:12♪♪
00:37♪♪
01:08Funny skipper, nothing biting tonight.
01:14Ahoy there!
01:16That you, Spud?
01:17Yeah.
01:18Hi, Collins.
01:20How's the lighthouse business?
01:21On the rocks.
01:23How's the fishing?
01:24Oh, good.
01:27I got that tobacco for you.
01:30Watch it now.
01:34Thanks, Spud.
01:36Okay.
01:37C.G. 254 calling base 37.
01:44Have they said anything?
01:46No, but keep your eyes open.
01:47Well, what do you think I'm doing, talking in my sleep?
01:50Careful, Wilson.
01:51This is Lieutenant Hayes speaking.
01:52Oh, excuse me, sir.
01:54I thought I was talking to that other mug.
01:56I mean, Radio Operator Jones.
01:58How do you like that?
01:59Meat on a table!
02:01Hey, skipper!
02:04Thanks, skipper.
02:05I'll have it for breakfast.
02:07No, you won't! That's mine!
02:08All right, I'll listen. I'll listen.
02:10C.G. 279 calling 254.
02:12279 calling 254.
02:14254 answering. Go ahead, 279.
02:16A speedboat just got past us in the fog and headed your way.
02:18Think it's what we're after.
02:19Okay, 279.
02:21Any of your grease monkeys in the engine room
02:22that we're not trolling now to be on their toes?
02:24Don't worry about my department!
02:38We're outrunnin' them!
02:45Can't see them anymore, Chief.
02:47Neither can I.
02:49Half speed.
02:50Half speed.
02:51Head for the breakwater to light.
02:53C.G. 254 calling base 37.
02:5637 calling base 37.
02:58Half speed.
02:59Half speed.
03:00Half speed.
03:01Half speed.
03:02Half speed.
03:03Half speed.
03:04Half speed.
03:05Half speed.
03:06Base 37.
03:08Base 37. Go ahead, 254.
03:10Just fired on Smuggler's boat.
03:11Got away and headed out to sea.
03:13Got away, huh?
03:14Don't you fellas ever catch anything?
03:15Yeah, fish.
03:18You know, if we had any motors in this tub,
03:19they wouldn't get away from us.
03:20You mean if you guys could shoot a machine gun?
03:23Yeah, put this in your beak, you pelican.
03:25I'll get that!
03:37What's that?
03:39Money.
03:40Give me that.
03:55When a lady sits at a table for two
03:59With a man that's oh so tired
04:02When the music is hot
04:04And he doesn't know what to do
04:06He's uninspired
04:08Somebody ought to tell him
04:10In such a situation
04:12That she feels the urge
04:14And she's on the verge
04:17Of nerve-wrecking salvation
04:20She's got rhythm in her nose
04:23Goodness knows
04:24The lady wants to dance
04:26So let her
04:28If she wants to dance
04:30When the music starts to play
04:32Watch her sway
04:34The lady wants to dance
04:36So let her
04:37If she wants to dance
04:40You've got the wrong idea
04:42She doesn't want to sing
04:44Just get the right idea
04:46The lady wants to swing it all
04:49There's a twinkle in her eyes
04:51When she sighs
04:53There's something in her glance
04:54That tells me
04:56That she wants romance
04:58Oh, can't you see
04:59The lady wants to dance
05:02OK, do it.
05:20We couldn't get by the Coast Guard.
05:22They poked a machine gun at us.
05:25You know, Skip, it's a luck
05:27I ain't safe on the water anymore.
05:28Put that stuff back in the store.
05:32Oh, hello, Gordon.
05:33Did you get that shipment through tonight?
05:34Oh, the coast guard blocked us.
05:35Got to figure out a smart way to get by them.
05:36You mean you have to?
05:37That's your part of the deal.
05:38Yes.
05:39Mine is to handle the goods after they reach my store.
05:40I know.
05:41Wait a minute.
05:42Did you come down here on your own boat?
05:43Yes.
05:44Why?
05:45I'll show you how to get that load in.
05:46Say, if you think I'm going to get it,
05:47I'll show you how to get it.
05:48I'll show you how to get it.
05:49I'll show you how to get it.
05:50I'll show you how to get it.
05:51I'll show you how to get it.
05:52I'll show you how to get it.
05:53I'll show you how to get it.
05:54I'll show you how to get it.
06:03Wait a minute.
06:04Don't get excited.
06:05You've got nothing to worry about.
06:32Just guess the right idea.
06:33The lady once said ding-dong.
06:35There's a sweet soul in your eyes when you sigh.
06:40Oh, now can't you see, the lady wants ya?
06:53Say, girl, don't forget,
06:54we're here for the night after the show.
06:57Oh, I'll try to stay.
06:58I want you to meet a friend of mine.
07:00a friend of mine. To go out a little later I was telling about shake hands with
07:07a tranny I didn't try that why it's
07:09a pleasure Mr Grant has spoken up many times I hope it's all for the good.
07:30I. Want to.
07:40I want you to. Use this barcode I think I'm going to be one I got
07:47a bank that goes by twenty five grand twenty five grand. But I just didn't show
07:53a. Smell like. The coaches now.
07:57I. Was first back in
08:01a street book ready to shove off. A. To tell I'm going to close shave you
08:07a head with
08:08a close guard why sure I guess you want to go back for
08:11a haircut. I like my new boat that's. Your feet right home in
08:19a water taxi there you know me well enough to call me back I know you well enough
08:23to. Say
08:31what's the matter. Something's wrong with
08:33a motor. I've never had this happen before I have come on Mr Gordon quit stalling
08:40and let's be on our way that's totally it really won't run. I don't know how.
08:46But I can send up
08:50a rocket. Now
09:00isn't that just. I want to go home and you want to shoot off fireworks.
09:05But. That is. All right.
09:14Say that you see that sure I see it's just
09:17a signal that I had to tell you that the coast guard has
09:21a chance to reach. Isn't that
09:23a small boat you ship behind that's what you're supposed to say isn't it what
09:29people. Are going to be both United States Coast Guard what's the problem we've
09:35brought them down don't look broken down to me coming alongside.
09:42I called it off here but let me take a look at it you don't need it there you are
09:48here what is around your shoulder. Don't mention. That's right get out of
09:55a cup of coffee OK. I have to ask you
09:58a few routine questions that's all right with me I don't know she she focuses me to
10:03you. But we are going on the motor stall I was coming home from the gambling chip
10:07with Mr Gordon your husband I should say now he's
10:10a customer I work on the floor show on the ship Oh. I like
10:20that most men do thanks but what's your name I'm Riley but my friends call me
10:26good what do you look good friends already are your address he's got
10:32a part room one one three. Say what is this
10:38a double entry system but I just so he can't double cross me.
10:51I bought I got that look through all right. But I think about keeping
10:58a gun it was quite. Well I had to bump him off but you have to be the body where
11:03the cops are trying to get by the coast guard before what you're going to be now
11:07what I mean I was one of the first out of the whole of what kind of you put
11:09a bonehead trick like that. News will be on in
11:13a minute I thought you might want to hear.
11:20A. Little while I get back.
11:39To give me
11:39a little pancake if you hadn't double crossed me last night. Maybe you're the guy
11:46that is running away with my.
12:02Well come on come on where my pancakes.
12:10And now we bring you the highlights of the latest news what's the idea out with it
12:13again smugglers last night slipped past the coast guard boats and landed another
12:17load of contraband this time at the lighthouse on the end of the jetty where they
12:21fatally wounded Sam Collins the lighthouse keeper to get out they shot college
12:25beginning consciousness before he died this morning I was unable to give any
12:30description of his assailant Washington. I'd like to get my hands on those guys
12:35maybe last night I was talking to Collins going to be pretty tough on his kid
12:39and I guess you have to quit that part in school now. Why can't you come here and
12:43stay with us are you and that's we don't make enough money. So I don't you men
12:50are you all asleep these fellows are making monkeys you read the papers it is
12:55evident the coast guard is unable to cope with
12:58a situation. Isn't that
13:01a fine thing for the public to read. Best to get him
13:05a grab here has been assigned to the case do everything you can to help him.
13:09That gang must be broken up.
13:39I. Have
13:57you
13:57a guest concert guest card Yes Sir you must either have
14:00a card or you must be accompanied by a friend who has but I'm
14:03a stranger in town sorry sir those are orders yes it's one way to treat
14:07a person along Helen. Well hello Helen this is
14:13a surprise I haven't seen you in ages how have you been why haven't you called me I
14:18know you've been awfully busy let's have lunch together soon I'll give you
14:21a ring good night good night. Who is he I don't know
14:27don't lie to me Helen Wilbur Crane don't you dare talk to me that way I'm going
14:33home. But
14:43even able to know what's the number that's right I think that's not permitted in
14:48dressing room so it's against the rules. You have rules here. You have
14:53a break in.
15:04I. Have
15:17a way to see you how do you get here. I come on the road. Sneaking around
15:23a find out across the you are
15:25pal. I. Have you get here only me well but I I
15:32wish I was so good I'm trying to get me out of my commission but I ain't the only
15:36double profit you've got across that.
15:46That what to do you got
15:47a pencil what's the idea here take this envelope when I question to it you write
15:52down the answers but for for evidence. But come on get this kind of work which
15:57can't be no I ain't getting no clock I get it we just want to hurry up when you
16:01can get it. I can't write it's too dark.
16:07All right brain here here's the match that's different.
16:22Hey. So I got to get number seven I'm
16:25a cop that's all yeah I think it's
16:28a quote. Only Jack.
16:40Looking for your bathing suit. He says he hasn't time to change.
16:47I know I told you I was going to go across but I didn't even have to do this for
16:52me to get away.
17:00I thought it was it is the only thing I don't know I'll give the nightlife world
17:06open here on business. You're mixing water and gasoline but if you drink I still
17:11the wisecracks do you know why Gordon's motorboat broke down the other night I had
17:15my position but he never even tried to put his arm around me nice man nice girl and
17:21you didn't know that there was water in the gasoline tank. Well forget it I guess
17:27I'm climbing up the wrong man well you better do your time. I got to get ready for
17:31my next number can I help you now that's an idea you can blow up my costume Oh so
17:37you don't want to be kind of that.
17:46What you do if it's broke.
17:51I've got this little trick you never try with this thing.
18:09Pretty neat trick.
18:16Hey you forgot your.
18:24All the spirit of fun.
18:31I'll be seeing you. Hey buddy. What do you want to tell my pal number seven I'm
18:37waiting for your pal yeah he's picked up on what he did.
18:46Maybe I'll. Take your hands off.
18:51You can't throw me off the ship. Oh no.
18:59Thank you meeting you here let me in that boat.
19:06Yeah I did don't you get it.
19:12OK.
19:15You want me to.
19:40What do you want but.
19:46I'm not going to my phone.
19:53I want to give my hand on you while you're waiting you better wrap around that
19:57don't wait over there because this is where I leave you.
20:03So long. If you want anything bring the bell.
20:09You better keep on rowing till you get to China.
20:15I.
20:45I.
20:56Like it but you're set I was going to give you
20:58a big night of your life you're
20:59a softie you are five minutes the water you catch cold. But don't worry I feel
21:04all. I hope you'll blow your head off if only all you're going to consider now.
21:12I say I was to meet Blondie here last night did you say yes. For
21:17a minute you wouldn't put anything funny would you. Of course not but she's your
21:22girl but I was too sick. You think I'm pretty dumb don't you know.
21:30She was only here for a minute you can take my word for it well this time I don't
21:33have to you were sitting on that point all night weren't you. Sure I was.
21:42But this wasn't what. A microphone I got up to
21:47a home recording machine that makes records. For me. Just in case I wasn't
21:54here when Blondie came well it won't do you no good because I never turned the
21:57thing off oh yes you did but you didn't know I had a fix to start when you turn
22:01this light out. What's the matter you don't look so good. I feel awful
22:08they. Helped me get to the bedroom. If there's anything on this record I'll tell
22:14you in places that now we'll see what we got.
22:26Why did you turn out the light Jimmy there's my eyes. My what's soft and you
22:32have. You know I can't like you. I'll make you feel that girl
22:39say girls don't interest me but you're different tell me what is
22:44a pretty girl like you seen
22:46a big love like. I don't want to miss anything you look beautiful with
22:52a moonlight on your hair and how your eyes are cool just like
22:57stars. All my life I've been with someone like you I'm your what what did you say
23:05you saw the snake. Come back here I'm going to get what's coming to you.
23:10It's going to go. To my life.
23:26I got to get away from me this time stand up and take it like
23:30a man. Pretty girl you're not kidding me I ain't falling for any of your.
23:36Tricks. Would you mind stepping around here where you can see a pretty girl.
23:47I was just telling Jim what happened in
23:48a fight I saw the other night. Whatever you're selling I'll buy some.
23:56Don't you remember me I'm Patricia Collins. Well you're certainly
24:02fool me when you think you know I'm
24:05a big girl now I'll say you are you're much too big to be kissing him. And she's
24:11too big to be kissing you too well Pat come on in the house but I'll bring
24:15a suitcase.
24:25And then I got a telegram asking me to come here I packed my things and here I am
24:29well that's what I talked it over and decided this is just where you belong.
24:37I do take out that sugar one please and spot and I'll back on the sun porch I
24:42couldn't do that I'll take the sun porch now listen. You remember what I used to do
24:46to you and you wouldn't mind me you can't do that she's
24:49a big girl now he won't have to but that's what it is. You want to know something.
24:55You're both well. As soon as I find
24:58a job I'm going to pay my share Oh no you don't your father meant a lot to us we've
25:03got
25:03a right to take care of you we want to get besides what could a little girl like you
25:07do what can I do but you both sit down and I'll show you.
25:18I'm.
25:25Going to be.
25:33First I thought.
25:37Maybe it's just.
25:40Just.
25:52A.
25:55High.
26:03I'll be.
26:10Just.
26:19That's well what kind of a school did you go to that's all right I'll say it is.
26:25I mean. What's the idea of leaving me standing on
26:29a street corner for two hours on
26:31a street yes it's pretty funny you made
26:33a date with me didn't you. Do focus and use my name I would use your name I'm not
26:38but
26:38a tombstone you made a date with and I'll keep it well that I've got to stay in
26:42everything that sounded to me like she was entertaining you doing very well. Oh
26:47I took that this Patricia Collins that is just right how do you do I'm afraid it's
26:52my fault Jim kept you waiting you see I'm sort of an adopted daughter of theirs I
26:57just arrived in town today that's the daughter. We're sort of relatives I'm their
27:02grandmother are you coming or aren't you. Don't worry about that I'll entertain
27:08her you just went along with grandma and have
27:10a nice time. Come on granny.
27:16So long pal.
27:18I.
27:20Know. We started.
27:29I.
27:34Last night.
27:39That's been. My office.
27:48That's. What's on your mind.
27:54I don't have it for in the morning. I want to. Bring up
27:59a chinchilla cake OK.
28:05How are you going to get past the customs officers. Going to do it I don't know
28:10yet.
28:11I.
28:15Don't want to.
28:24Learn.
28:33The.
28:41The.
28:50Oh gosh I mean you're
28:51a while if I had a voice like that I could go back to long dresses. What's the matter
28:56with you I wish I told you but we were going to do this all day. Come on
29:02grandma. He thinks you're
29:04a knockout you want to get at least a hundred a week a hundred a week with your
29:08voice and personality it's
29:10a thing. When you look at this. Hey come on try it on see what you look like
29:16you know but I'll go on you heard it. Now that proves what I've always known the
29:22only difference between
29:23a chicken and a peacock is the fact that. When I give a lot for a coat like this.
29:29It has to. But she's got to keep up and I'm glad she had
29:36a good mother when you're giving
29:37a fashion show next Saturday night out you just want to start having
29:40a choice store you have it out here on the ship that's all right you see me my
29:43apartment and I was.
29:51You know very beautiful voice. I think I can use at what salary let's say fifty
29:57dollars a week. At least
29:59a hundred all right to say she's such a good friend of yours will make it seventy
30:02five stop we'll take it for
30:04a start thank you very much Mr. That's perfectly all right.
30:10Miss Collins I wonder if you'd be good enough to do me
30:13a favor. Remember only singing for that seventy five that's just full of jokes now
30:19Miss Collins one of our guests very wealthy woman she happened to have a little too
30:24much to drink tonight she went ashore without
30:26a rat I wonder if you'd drop it off I'll give you this right here. The lady doesn't
30:31answer herself why you just leave it with
30:34a mate. I think it's much easier to wear this carry.
30:43Beautiful. I guess you need some taxi fare.
30:49One other thing is common due to this woman's position I appreciate if you treat
30:54this whole matter with the utmost secrecy I understand.
31:01But.
31:20I think I'll tonight I'll lock up the store.
32:32I.
32:49And look it's twelve o'clock. That's not like to be out at this hour well maybe
32:53she's out but
32:54a guy she is I'll break his neck. With the guy I know what you're supposed to look
33:00out for up no more than you are we're not doing
33:02a very good job all right let's call the police.
33:10If she comes.
33:18Where have you been you should be out so late Jim and I've been worried I'm sorry
33:24but I have good news for you just got me
33:26getting on the porch a job seventy five dollars a week seventy five a week but
33:31that's
33:31a gambling ship no place for
33:32a nice girl like you you will I see just I'll tell her what I'm going to bet. That
33:38told part of the job of course not Jim Mr Durant the owner of the fortune asked me
33:43to deliver it to this address when I came ashore I only stopped by here because it
33:47was so late. Give me that.
34:15Your name Durant. This yours. As a matter of fact it is
34:22it you gave it to Miss Collins just to get her up here didn't you know what if I
34:26did just this.
34:44Thank you come on over and sit down. I'm not hungry but I'm so full I could need
34:49not
34:49a bite. Please
35:00don't be crass with me Jim I'm not cross I was just. Getting the job.
35:07I'm afraid you haven't got
35:08a job I haven't got it yet I don't understand well I had to talk with Durant.
35:15I didn't part the best of friends you mean expect them in the kitchen or would you
35:18pipe down Oh Jim it was such
35:21a wonderful opportunity for me to help out here how about you mean give us money to
35:26all I won't take it you don't mourn your share already I won't let you go to work
35:30well it ain't right but yesterday Jim was saying it will you stop spouting OK.
35:36Come on skip it we're going to take
35:38a walk.
35:47Beautiful isn't it. You're going to get cold out here. Jim something's troubling
35:52you. I don't you realize today how much you mean to me.
35:58You're going to leave us no no no Jim I won't I love it here I need you both of
36:03you you're wrong that you can earn as much as I can put together you prove that
36:08you don't need us but I do you don't understand forget it. But Jim please.
36:27You look beautiful the night in your hair. How your eyes. Just like
36:33the star nice go on. You don't understand why I understand
36:39plenty I love that sure you know Pat may be in Florence and Bronte and all the
36:45rest of what you're saying but he hasn't even changed his speech is the last time
36:50I heard it come in here if you don't believe me.
36:52Give me that record you keep away from me I don't want to record.
37:00All. You look beautiful with the moon right on your hair. And how your eyes
37:06are. Just like star. All my life I've been with someone like you and I'm.
37:12You're saying. I mean.
37:17Stop it stop it I'm old enough to know what I'm doing without your help and I'm
37:22old enough to know when I've made
37:23a mistake I don't want to ever see the one of you again.
37:29This is the only time I've ever seen you.
37:34I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm sorry I'm
37:39sorry. This house isn't big enough for the two of us anymore.
38:09♪
38:14♪ Ever since Adam went mad over Eve ♪
38:18♪ Folks have been falling in love ♪
38:23♪ It was so peaceful in the Garden of Eden ♪
38:27♪ Why did they grapple with that big red apple? ♪
38:30♪ Ever since Adam the public's been fooled ♪
38:34♪ By moonlight and stars above all ♪
38:39♪ A fellow can't hold his heart, he's old ♪
38:42♪ Ever since Adam said, boys, meet the madam ♪
38:46♪ Ever since Adam and Eve... ♪
38:50♪♪
38:52Say, did you know there was a coach guard boat alongside of us?
38:54Yes.
38:56Uh, here's a list of the furs the girls are gonna model.
38:57Put them in their dressing rooms.
39:00As a matter of fact, they're here at my request.
39:02Your request?
39:03My request.
39:06Protection against hijackers.
39:07You see, they happen to be the same fellows
39:09that, uh, guarded your empty packing cases on the way out.
39:12Get it?
39:15Got it.
39:17Hi, babe.
39:18Hiya.
39:19Toots!
39:21Is it really you?
39:24By golly, it is, all right.
39:25Why don't you try remembering faces?
39:27Oh, I like figures better.
39:29You know...
39:30If I could forget what I know, I'd be like sweet 16.
39:35Oh, still carrying the torch for Jim, huh?
39:38Let's skip it.
39:43Say, you know, if I loved a guy that much, I'd go after him.
39:46You wouldn't if you'd heard that record.
39:48He even used the same words.
39:49Sure he did.
39:50That's his line.
39:51Every guy has a line.
39:52He tries to peddle a tanning gal that'll listen to him.
39:56But I'll bet my bubble Jim meant every word he said to you.
39:59But he's had so many girls.
40:01Oh, listen, honey.
40:02When you go to get a head of lettuce,
40:04you don't take the first one you see, do you?
40:06No.
40:07You feel around and you pick out the best ones.
40:09You ought to be flattered, not sad.
40:12I could never be happy with Jim while he and Spud
40:14feel the way they do.
40:17The fact that I had broken up their friendship
40:18would always stand between us.
40:20Well, now there must be an answer to that somewhere.
40:24I'll see if I can get an idea.
40:34Ripping off these lids is sure tough on my manicure.
40:37I'll take it.
40:38It's better than dodging Coe's gun bullets in an open boat.
40:40Makes sense, will you?
40:41What's that got to do with carting
40:42around a lot of empty crates?
40:43They ain't going to be empty long, stupid.
40:45All those furs in there has got to go back
40:47to town in them crates.
40:48I get it.
40:49They were supposed to come over for the fashion
40:50show on the empties.
40:51Sure.
40:52You catch on quick.
40:53Hey, toss me the keys, will you?
40:54They're already upstairs.
40:55It's over.
41:04That's the guy with the top of the dick.
41:05What clock 10?
41:07Same stuff that killed the Moors.
41:08That guy couldn't live 30 minutes in there
41:09with the door closed.
41:11He must have been sneaking around and got locked in, huh?
41:12Poor guy.
41:21Get him out of here.
41:25Put him in the paid locker.
41:33Hey!
41:37Hey, what's the idea?
41:40Hi, Toots.
41:41Bud, what are you doing here?
41:43I'm guarding them furs.
41:45How's Pat?
41:46Eating her heart out.
41:47Say, Bud, you love Pat, don't you?
41:49Of course I do.
41:50Well, then, this is going to hurt, but Jim's her man.
41:54Yeah, I guess so.
41:56And if you're the right kind of a guy,
41:57you want to keep her happy.
41:58And something tells me you're that kind of a guy.
42:01Yeah, but what can I do?
42:02Well, you can make out with Jim and come back in
42:04and tell Pat.
42:05Her room's right next to mine.
42:08You honestly think that'll fix things up?
42:10Well, I'm pretty sure it will.
42:12OK, Toots, I'll do it.
42:14Bud, you're a darling.
42:17Gee, I've been missing something.
42:19Well, that isn't my fault.
42:21OK, Toots.
42:23OK, Bud.
42:31Well, hello, skipper.
42:35Hey, Jim, there's been kind of loads of them at the house
42:37with me and skipper, and we was thinking that.
42:39You mean skipper was thinking?
42:41You don't know how.
42:42Oh, now, wait a minute, Jim.
42:43I want to talk to you.
42:44I don't want to talk to you.
42:47OK.
43:35Oh, pal, you gave me an awful scare.
43:38What are you hiding from me?
43:41Shh, don't move.
43:43Sounded like it came from the pave locker.
43:45Yeah.
43:50Come on out.
43:52Anybody in there?
43:58Wish we could throw that body overboard right now.
44:00It leaves me nervous.
44:03Gee, buddy, I thought you was going to say something.
44:05What's the matter?
44:07You sick?
44:13A grat.
44:18Come on out of there, you.
44:25Hey, wait a minute.
44:27You're on the wrong ship, ain't you?
44:28Well, I just thought I'd sort of sneak up
44:30and see the floor shop.
44:32Yeah.
44:33Yeah.
44:34Yeah.
44:35You see, I ain't your...
44:45Put him in a storeroom.
45:04You tell the rent, I'll bring these furs up.
45:35You say this fell out of one of the coats?
45:36Yeah, this one here.
45:39That guy was a copper.
45:48Just put him in all of them.
45:49Quick, get him out of all the coats the girls
45:50are using in the first number.
45:55It's too late.
45:56The show's on.
45:57I said get him.
45:58Get him.
45:59Get him.
46:00Get him.
46:01Get him.
46:01Get him.
46:02Get him.
46:03Get him.
46:28Hey, what are you doing in here?
46:30Oh, just looking things over.
46:31Oh, yeah?
46:32Well, look over there.
46:55Did you get them?
46:56They came in before I was through.
46:57I only got five.
47:03Jonesy.
47:05Tell Spud I want to see him.
47:07Yes, sir.
47:15Spud ain't a bore, Chief.
47:17I looked every place for him.
47:19I know where he is.
47:32Skipper, Skipper, never mind the rats.
47:35Come back where you belong.
47:37Skipper, Skipper, never mind the rats.
47:40Come back where you belong.
48:07Let's have those coats.
48:08Come on.
48:09Can't you wait till we get to our dressing room?
48:10I can't wait, sister.
48:11You enchanted me.
48:12Yeah, she just enchanted me, too.
48:22Oh, hello, Jim.
48:23Spud in here?
48:24No.
48:24Where's Pat's room?
48:25Right there.
48:32Oh, hello, Jim.
48:33Spud in here?
48:34No.
48:34Where's Pat's room?
48:36Here.
48:41Pat.
48:42Pat.
48:43One peep out of your wound, I'll let him have it.
48:47She must be in there.
48:51Well, hello there.
48:53So we meet again, eh?
48:56Can I be of any assistance to you?
48:57I'm looking for one of my men.
49:00Surely you won't find him back here.
49:01He's on board somewhere and I'm going to find him.
49:04right ahead I'll send this gentleman along to help you. Thanks I'll get all the help I
49:08need from my own men. Well you'd better take them anyway you know you might get lost.
49:24Go ahead.
49:34What happened? He fell down the ladder.
49:44We'd better get him to a hospital right away. I wonder if they... I'll do it. Thanks.
49:53Barnacle bring this stretcher. What's the matter with him? A little accident.
49:59All right hurry up Barnacle.
50:05Anyone with the stretcher?
50:08All right now easy boys.
50:10I'll let you know. Thanks.
50:34Tell Oda to bring that Collins girl down here. Put that Coast Guard guy on the
50:37slip of the speedboat. Hurry up. Base 37 answering. Go ahead 254.
50:43Bringing in badly injured man from the gambling ship. I have ambulance to meet us at the dock.
50:47That's all. Better make it a hearse chief.
51:08Head back to the gambling ship. Get the men ready for a boarding party. Yes sir.
51:21Get in there.
51:27Coast Guard's coming back. Shut off.
51:37Follow that speedboat.