Not Rated | 1h 32min | Film-Noir, Thriller | February 1953 (USA)
As two couples are visiting Niagara Falls, tensions between one wife and her husband reach the level of murder.
Director: Henry Hathaway
Writers: Charles Brackett, Walter Reisch, Richard L. Breen
Stars: Marilyn Monroe, Joseph Cotten, Jean Peters
As two couples are visiting Niagara Falls, tensions between one wife and her husband reach the level of murder.
Director: Henry Hathaway
Writers: Charles Brackett, Walter Reisch, Richard L. Breen
Stars: Marilyn Monroe, Joseph Cotten, Jean Peters
Category
🎥
Short filmTranscript
00:00:30Water.
00:00:31Water.
00:01:00Why should the falls drag me down here at 5 o'clock in the morning?
00:01:29To show me how big they are and how small I am?
00:01:36To remind me they can get along without any help?
00:01:38All right, so they've proved it.
00:01:41But why not?
00:01:42It had 10,000 years to get independent.
00:01:45What's so wonderful about that?
00:01:49I suppose I could too, only it might take a little more time.
00:01:57I suppose I could too, only it might take a little more time.
00:02:25I suppose I could too, only it might take a little more time.
00:02:53I suppose I could too, only it might take a little more time.
00:03:22Rose?
00:03:26Rose?
00:03:51Rose?
00:03:52Rose?
00:03:53Rose?
00:03:54Rose?
00:03:55Rose?
00:03:56Rose?
00:03:57Rose?
00:03:58Rose?
00:03:59Rose?
00:04:00Rose?
00:04:01Rose?
00:04:02Rose?
00:04:03Rose?
00:04:04Rose?
00:04:05Rose?
00:04:06Rose?
00:04:07Rose?
00:04:08Rose?
00:04:09Rose?
00:04:10Rose?
00:04:11Rose?
00:04:12Rose?
00:04:13Rose?
00:04:14Rose?
00:04:15Rose?
00:04:16Rose?
00:04:17Rose?
00:04:18Rose?
00:04:19Rose?
00:04:20Rose?
00:04:21Rose?
00:04:22Rose?
00:04:23Rose?
00:04:24Rose?
00:04:25Rose?
00:04:26Rose?
00:04:27Rose?
00:04:28Rose?
00:04:29Rose?
00:04:30Rose?
00:04:31Rose?
00:04:32Rose?
00:04:33Rose?
00:04:34Rose?
00:04:35Rose?
00:04:36Rose?
00:04:37Rose?
00:04:38Rose?
00:04:39Rose?
00:04:40Rose?
00:04:41Rose?
00:04:42Rose?
00:04:43Rose?
00:04:44Rose?
00:04:45Rose?
00:04:46Rose?
00:04:47Rose?
00:04:48Rose?
00:04:49Rose?
00:04:50Rose?
00:04:51Rose?
00:04:52Rose?
00:04:53Rose?
00:04:54Rose?
00:04:55Rose?
00:04:56Rose?
00:04:57Rose?
00:04:58Rose?
00:04:59Rose?
00:05:00Rose?
00:05:01Rose?
00:05:02Rose?
00:05:03Rose?
00:05:04Rose?
00:05:05Rose?
00:05:06Rose?
00:05:07Rose?
00:05:08Rose?
00:05:09Rose?
00:05:10Rose?
00:05:11Rose?
00:05:12Rose?
00:05:13Rose?
00:05:14Rose?
00:05:15Rose?
00:05:16Rose?
00:05:17Rose?
00:05:18Rose?
00:05:19Rose?
00:05:20Rose?
00:05:21Rose?
00:05:22Rose?
00:05:23Rose?
00:05:24Rose?
00:05:25Rose?
00:05:26Rose?
00:05:27Rose?
00:05:28Rose?
00:05:29Rose?
00:05:30Rose?
00:05:31Rose?
00:05:32Rose?
00:05:33Rose?
00:05:34Rose?
00:05:35Rose?
00:05:36Rose?
00:05:37Rose?
00:05:38Rose?
00:05:39Rose?
00:05:40Rose?
00:05:41Rose?
00:05:42Rose?
00:05:43Rose?
00:05:44Rose?
00:05:45Rose?
00:05:46Rose?
00:05:47Rose?
00:05:48Rose?
00:05:49Rose?
00:05:50Rose?
00:05:51Rose?
00:05:52Rose?
00:05:53Rose?
00:05:54Rose?
00:05:55Rose?
00:05:56Rose?
00:05:57Rose?
00:05:58Rose?
00:05:59Rose?
00:06:00Rose?
00:06:01Rose?
00:06:02Rose?
00:06:03Rose?
00:06:04Rose?
00:06:05Rose?
00:06:06Rose?
00:06:07Rose?
00:06:08Rose?
00:06:09Rose?
00:06:10Rose?
00:06:11Rose?
00:06:12Rose?
00:06:13Rose?
00:06:14Rose?
00:06:15Rose?
00:06:16Rose?
00:06:17Rose?
00:06:18Rose?
00:06:19Rose?
00:06:20Rose?
00:06:21Rose?
00:06:22Rose?
00:06:23Rose?
00:06:24Rose?
00:06:25Rose?
00:06:26Rose?
00:06:27Rose?
00:06:28Rose?
00:06:29Rose?
00:06:30Rose?
00:06:31Rose?
00:06:32Rose?
00:06:33Rose?
00:06:34Rose?
00:06:35Rose?
00:06:36Rose?
00:06:37Rose?
00:06:38Rose?
00:06:39Rose?
00:06:40Rose?
00:06:41Rose?
00:06:42Rose?
00:06:43Rose?
00:06:44Rose?
00:06:45Rose?
00:06:46Rose?
00:06:47Rose?
00:06:48Rose?
00:06:49Rose?
00:06:50Rose?
00:06:51Rose?
00:06:52Rose?
00:06:53Rose?
00:06:54Rose?
00:06:55Rose?
00:06:56Rose?
00:06:57Rose?
00:06:58Rose?
00:06:59Rose?
00:07:00Rose?
00:07:01Rose?
00:07:02Rose?
00:07:03Rose?
00:07:04Rose?
00:07:05Rose?
00:07:06Rose?
00:07:07Rose?
00:07:08Rose?
00:07:09Rose?
00:07:10Rose?
00:07:11Rose?
00:07:12Rose?
00:07:13Rose?
00:07:14Rose?
00:07:15Rose?
00:07:16Rose?
00:07:17Rose?
00:07:18Rose?
00:07:19Rose?
00:07:20Rose?
00:07:21Rose?
00:07:22Rose?
00:07:23Rose?
00:07:24Rose?
00:07:25Rose?
00:07:26Rose?
00:07:27Rose?
00:07:28Rose?
00:07:29Rose?
00:07:30Rose?
00:07:31Rose?
00:07:32Rose?
00:07:33Rose?
00:07:34Rose?
00:07:35Rose?
00:07:36Rose?
00:07:37Rose?
00:07:38Rose?
00:07:39Rose?
00:07:40Rose?
00:07:41Rose?
00:07:42Rose?
00:07:43Rose?
00:07:44Rose?
00:07:45Rose?
00:07:46Rose?
00:07:47Rose?
00:07:48Rose?
00:07:49Rose?
00:07:50Rose?
00:07:51Rose?
00:07:52Rose?
00:07:53Rose?
00:07:54Rose?
00:07:55Rose?
00:07:56Rose?
00:07:57Rose?
00:07:58Rose?
00:07:59Rose?
00:08:00Rose?
00:08:01Rose?
00:08:02Rose?
00:08:03Rose?
00:08:04Rose?
00:08:05Rose?
00:08:06Rose?
00:08:07Rose?
00:08:08Rose?
00:08:09Rose?
00:08:10Rose?
00:08:11Rose?
00:08:12Rose?
00:08:13Rose?
00:08:14Rose?
00:08:15Rose?
00:08:16Rose?
00:08:17Rose?
00:08:18Rose?
00:08:19Rose?
00:08:20Rose?
00:08:21Rose?
00:08:22Rose?
00:08:23Rose?
00:08:24Rose?
00:08:25Rose?
00:08:26Rose?
00:08:27Rose?
00:08:28Rose?
00:08:29Rose?
00:08:30Rose?
00:08:31Rose?
00:08:32Rose?
00:08:33Rose?
00:08:34Rose?
00:08:35Rose?
00:08:36Rose?
00:08:37Rose?
00:08:38Rose?
00:08:39Rose?
00:08:40Rose?
00:08:41Rose?
00:08:42Rose?
00:08:43Rose?
00:08:44Rose?
00:08:45Rose?
00:08:46Rose?
00:08:47Rose?
00:08:48Rose?
00:08:49Rose?
00:08:50Rose?
00:08:51Rose?
00:08:52Rose?
00:08:53Rose?
00:08:54Rose?
00:08:55Rose?
00:08:56Rose?
00:08:57Rose?
00:08:58Rose?
00:08:59Rose?
00:09:00Rose?
00:09:01Rose?
00:09:02Rose?
00:09:03Rose?
00:09:04Rose?
00:09:05Rose?
00:09:06Rose?
00:09:07Rose?
00:09:08Rose?
00:09:09Rose?
00:09:10Rose?
00:09:11Rose?
00:09:12Rose?
00:09:13Rose?
00:09:14Rose?
00:09:15Rose?
00:09:16Rose?
00:09:17Rose?
00:09:18Rose?
00:09:19Rose?
00:09:20Rose?
00:09:21Rose?
00:09:22Rose?
00:09:23Rose?
00:09:24Rose?
00:09:25Rose?
00:09:26Rose?
00:09:27Rose?
00:09:28Rose?
00:09:29Rose?
00:09:30Rose?
00:09:46Rose?
00:09:49Come on aboard.
00:09:51Maid of the Miss Most Famous Poet of America.
00:09:54It's tour starts in two minutes.
00:09:56It's tour starts in two minutes.
00:11:27I'll have two, please.
00:11:36Two, please.
00:11:48Size?
00:11:49Ten and a half.
00:12:13You ready, honey?
00:12:37Ten and a half.
00:12:52Ten five.
00:12:56What's that?
00:13:12Farther back, honey.
00:13:33What's the matter? I was coming down.
00:13:35Didn't that Mrs. Loomis say she was going shopping?
00:13:37Yeah, why?
00:13:39She sure got herself an armful of groceries.
00:13:41Come on.
00:13:49Rose.
00:14:18Rose.
00:14:19Did you get the cigarettes?
00:14:21Didn't I give them to you?
00:14:23No, you didn't.
00:14:25They're in my coat pocket, then.
00:14:55Sight me up, too, Georgie.
00:15:16I feel good.
00:15:17Dry my back.
00:15:22Bunch of kids must have checked in.
00:15:24Sounds good to hear a laugh for a change.
00:15:51Hey, I thought you forgot out of dance.
00:15:53Oh, there's still some shredded wheat in my joints.
00:15:56I'm thirsty.
00:15:57You are?
00:15:58Come on.
00:16:05Hi, Mr. Quah.
00:16:06Having supper?
00:16:07No.
00:16:08Great cake.
00:16:09Have one.
00:16:10Best picnic anybody ever had.
00:16:11No, thanks.
00:16:13Oh.
00:16:24Hey, get out the fire hose.
00:16:39Why don't you ever get a dress like that?
00:16:43Listen, for a dress like that, you've got to start laying plans when you're about 13.
00:16:58Would you mind playing these?
00:16:59Yeah.
00:17:00Sure thing, lady.
00:17:03Kiss me.
00:17:09Won't you kiss me?
00:17:14Oh, kiss.
00:17:18Kiss me, say you miss.
00:17:24What about it, lady?
00:17:27Got enough?
00:17:42Plain Coke or did you just bike them?
00:17:43No, just plain.
00:17:44Would you like one?
00:17:45That's all right.
00:17:51You kind of like that song, don't you, Mrs. Lewis?
00:17:54There isn't any other song.
00:17:55This is a moment of thrill.
00:17:56Thrill me, thrill me.
00:17:57Take me, take me in your arms.
00:17:58And make my life complete.
00:17:59Take me, take me in your arms.
00:18:00Take me, take me in your arms.
00:18:01Take me, take me in your arms.
00:18:02Take me, take me in your arms.
00:18:03Take me, take me in your arms.
00:18:04Take me, take me in your arms.
00:18:05Take me, take me in your arms.
00:18:06Take me, take me in your arms.
00:18:07Take me, take me in your arms.
00:18:08Take me, take me in your arms.
00:18:09Take me, take me in your arms.
00:18:10Take me, take me in your arms.
00:18:11Take me, take me in your arms.
00:18:12Take me, take me in your arms.
00:18:13Take me, take me in your arms.
00:18:14Take me, take me in your arms.
00:18:25Take me, take me in your arms.
00:18:26Take me, take me in your arms.
00:18:27Take me, take me in your arms.
00:18:28Take me, take me in your arms.
00:18:29Take me, take me in your arms.
00:18:30Take me, take me in your arms.
00:18:31Take me, take me in your arms.
00:18:32Take me, take me in your arms.
00:18:33Take me, take me in your arms.
00:18:34Take me, take me in your arms.
00:18:35Take me, take me in your arms.
00:18:36Take me, take me in your arms.
00:18:37Take me, take me in your arms.
00:18:38Take me, take me in your arms.
00:18:39Take me, take me in your arms.
00:18:40Take me, take me in your arms.
00:18:41Take me, take me in your arms.
00:18:42Take me, take me in your arms.
00:18:43Take me, take me in your arms.
00:18:44Take me, take me in your arms.
00:18:46Take me, take me in your arms.
00:18:47Take me, take me in your arms.
00:18:48Take me, take me in your arms.
00:18:49Take me, take me in your arms.
00:18:50Take me, take me in your arms.
00:18:51Take me, take me in your arms.
00:18:52Take me, take me in your arms.
00:18:53Take me, take me in your arms.
00:18:54Take me, take me in your arms.
00:18:55Take me, take me in your arms.
00:18:56Take me, take me in your arms.
00:18:57Take me, take me in your arms.
00:18:58Take me, take me in your arms.
00:18:59Take me, take me in your arms.
00:19:00Take me, take me in your arms.
00:19:01Take me, take me in your arms.
00:19:02Take me, take me in your arms.
00:19:03Take me, take me in your arms.
00:19:04Take me, take me in your arms.
00:19:05Take me, take me in your arms.
00:19:06Take me, take me in your arms.
00:19:07Take me, take me in your arms.
00:19:08Take me, take me in your arms.
00:19:09Take me, take me in your arms.
00:19:10Take me, take me in your arms.
00:19:11Take me, take me in your arms.
00:19:12Take me, take me in your arms.
00:19:13Take me, take me in your arms.
00:19:14Take me, take me in your arms.
00:19:15Take me, take me in your arms.
00:19:16Take me, take me in your arms.
00:19:17Take me, take me in your arms.
00:19:18Take me, take me in your arms.
00:19:19Take me, take me in your arms.
00:19:20Take me, take me in your arms.
00:19:21Take me, take me in your arms.
00:19:22Take me, take me in your arms.
00:19:23Take me, take me in your arms.
00:19:24Take me, take me in your arms.
00:19:25Take me, take me in your arms.
00:19:26Thanks.
00:19:29Your husband doesn't seem to like music.
00:19:33Depends.
00:19:34He'll get right down and dig if you give him a rocking chair and a corny old tune like in the gloaming.
00:19:50What is it?
00:19:56I brought you some mercurochrome for your hand.
00:19:58I'm Polly Cutler.
00:20:01I suppose she sent you to find out if I cut it off.
00:20:04Well, tell her I didn't.
00:20:06Do you want me to fix it or not?
00:20:12I...
00:20:14I guess it was silly what I did.
00:20:18But that song...
00:20:21She didn't tell you about that, I bet.
00:20:24Of course not.
00:20:26She didn't tell you where she first heard it or with who.
00:20:29Well, she didn't tell me either.
00:20:31Hold still, please.
00:20:33Parading around, showing herself off in that dress.
00:20:37Cut down so low in front you can see her kneecaps.
00:20:40It's a stunning dress.
00:20:42Would you wear it?
00:20:45I'm not the kneecap type.
00:20:46She's a pretty girl. Why hide it?
00:20:49Don't worry about that.
00:20:51She'd like to wear that dress where everybody could see her, right in the middle of the Yankee Stadium.
00:20:56Tramp!
00:20:59I'll tell you now so you won't have to ask.
00:21:02You love her very much, don't you?
00:21:06What do you know about it?
00:21:10You're stuck on her.
00:21:13Otherwise you'd walk off and forget her.
00:21:18I...
00:21:20I guess so.
00:21:22That's some confession to make, isn't it?
00:21:25Here.
00:21:27Let me fasten the end of it.
00:21:34What's that?
00:21:36It's 8.30.
00:21:38Look out the window.
00:21:55Oh!
00:22:00Let's go out with the others.
00:22:02I can't see anybody now.
00:22:06I feel goofy after what happened.
00:22:11Let me tell you something.
00:22:14You're young, you're in love.
00:22:17Well, I'll give you a warning.
00:22:20Don't let it get out of hand.
00:22:22Don't let it get out of hand like those falls up there.
00:22:27Up above.
00:22:29Did you ever see the river up above the falls?
00:22:33It's calm and easy.
00:22:35You throw in a log, it just floats around.
00:22:39Let it move a little further down and it gets going faster.
00:22:42It hits some rocks and in a minute it's in the lower rapids and...
00:22:46nothing in the world, including God himself, I suppose, can keep it from going over the edge.
00:22:51It just goes.
00:22:53Don't worry.
00:22:55I'm one of those logs that just hang around in the calm.
00:23:00Hi.
00:23:02Hey, Polly, come on, you're missing the big show.
00:23:04Got myself a ringside table.
00:23:06Oh.
00:23:09Look at those.
00:23:11A couple of colors I never heard of before.
00:23:13This is my husband, Mr. Loomis.
00:23:15Hello.
00:23:17You got yourself quite a girl.
00:23:19Well, she'll do for a while.
00:23:21Hi.
00:23:24We better be going.
00:23:32What's that?
00:23:34It was a 1907 Maxwell.
00:23:37You make different models from little kids.
00:23:40Look kind of nice on a mantle.
00:23:42But you have a mantle.
00:23:44Oh, it's cute.
00:23:46It'll be all right if I don't foul it up. I generally foul things up.
00:23:48Don't be silly.
00:23:49Well, I have lately anyway.
00:23:51Everything I touch ever since Duluth.
00:23:54I met her in a big beer hall.
00:23:56She was the most popular waitress they had.
00:23:59I guess it was the way she put the beer on the table.
00:24:04Up in Atlanta I ran a pretty good sheep ranch.
00:24:06Then all of a sudden the sheep went dumb.
00:24:08I did.
00:24:10That winter it kept snowing and the sheep kept dying.
00:24:13Everybody gets a run of bad luck.
00:24:15That won't cover it.
00:24:16I rented it to another rancher.
00:24:18He had worse winters and made out all right.
00:24:21It's just that she was bored with the ranch.
00:24:23We spent half our time in town, bars, nightclubs.
00:24:28After that I fouled up a couple more jobs.
00:24:32Then career.
00:24:34I went just to show I was young enough.
00:24:36They made me a company clerk and sent me home with battle fatigues.
00:24:38So don't tell me I can't foul up a 1907 Maxwell.
00:24:43Didn't do any good to fix that hand.
00:24:44You like to suffer.
00:24:46Maybe.
00:24:49My wife told you I was neurotic, didn't she?
00:24:51She just said you weren't feeling very well.
00:24:53Well, she'd like everybody to believe I'm crazy.
00:24:55Don't be silly.
00:24:57Why would you want people to think you're crazy?
00:24:59I don't know, but she's got a reason.
00:25:01You can bet on that.
00:25:03She's got a reason.
00:25:05Dr. Peacel, there is...
00:25:15Hello.
00:25:17Is this the bus terminal?
00:25:19I'd like to know what time the buses leave tomorrow for Ottawa.
00:25:21No, no, no.
00:25:23You got the wrong number.
00:25:25This is McGraham's Boarding House.
00:25:28Why don't you look up the right number before you dial?
00:25:31I'm sorry.
00:25:33I'm sorry.
00:25:35I'm sorry.
00:25:37I'm sorry.
00:25:39I'm sorry.
00:25:41I'm sorry.
00:25:42Look up the right number before you dial.
00:25:44I'm sorry.
00:25:47This is McGraham.
00:25:49That wasn't for me?
00:25:51No, someone asked him for that bus terminal again.
00:25:53It's the fourth time in two days.
00:25:55Must have changed the number or something.
00:26:10Hello.
00:26:12You called?
00:26:14Listen, it's got to be tomorrow.
00:26:16Do you hear me?
00:26:18Tomorrow.
00:26:20He just made a big row in front of everyone.
00:26:22After this, nothing's going to surprise anyone.
00:26:24It's made to order.
00:26:26Can you get in there?
00:26:28There's always a way to handle George.
00:26:30Be at the place as soon as it opens.
00:26:32Okay, kid.
00:26:34It's a date.
00:26:36Good luck, darling.
00:26:42Good luck.
00:26:43Good luck.
00:26:44Good luck.
00:27:11When we go to Chicago, do you know what we're going to do?
00:27:12No.
00:27:14We're going to ride straight to Marshall Field.
00:27:16I'm going to buy you the slinkiest, meanest,
00:27:18laziest evening gown they've got.
00:27:20No!
00:27:22Price, no object.
00:27:24Yeah, and when I put it on, we're all set to step.
00:27:26Who put one of his jealous fits to lock the door?
00:27:28Hold on.
00:27:30Don't worry about that stuff.
00:27:32You wait and see.
00:27:34I'll take you to any dance place you want,
00:27:36and we'll have fun, the both of us.
00:27:38You know what I'm going to do?
00:27:40I'm going to take some lessons.
00:27:42Six hours, could have you doing the rumba, the samba.
00:27:44Georgie, this is quite a change.
00:27:46What brought this on?
00:27:48You know what?
00:27:55It's getting late.
00:27:57I'm having my shift.
00:27:59No, I hate to move.
00:28:01When we have a fight and make up that way,
00:28:03I never want to leave your side.
00:28:05Give me some orange juice, Georgie.
00:28:13You know, I'm sorry we're leaving today.
00:28:15Just as well.
00:28:26Wish we'd brought the car.
00:28:28Driving home, we could take our time on the road
00:28:30and stop any place we please.
00:28:43What were you getting all dressed up for?
00:28:45I'm going to pick up the bus tickets.
00:28:47Pick up the bus tickets?
00:28:49We'll buy them when we get to the terminal.
00:28:51I'm not going to stand all the way to Chicago.
00:28:53I want reservations.
00:28:55There are no reservations.
00:28:57We just go early and get aboard early.
00:28:59You're getting all dressed up to go out and buy tickets.
00:29:01Why?
00:29:03Where are you going?
00:29:05Here we go again.
00:29:07All right, I'm not going to the bus station.
00:29:09Does that make you feel any better?
00:29:10I know what that means.
00:29:12Sure, I'm meeting somebody.
00:29:14Just anybody handy, as long as he's a man.
00:29:16How about the ticket seller himself?
00:29:18I could grab him on my way out.
00:29:20Or one of the kids with a phonograph.
00:29:22Anybody suits me.
00:29:24Take your pick.
00:29:26Okay, okay, so I don't know this guy.
00:29:28This guy you sing to, hum to.
00:29:34Build you, Maxwell.
00:29:36I'll be back.
00:29:40I'll be back.
00:30:10I'll be back.
00:30:40I'll be back.
00:31:10I'll be back.
00:31:40I'll be back.
00:32:10All done.
00:32:41How do you like that?
00:32:43You know what they say now.
00:32:45Mr. Kettering probably won't be back till Tuesday.
00:32:47If I'd only known that before.
00:32:50Hold it, kid.
00:32:52The sun's just right.
00:32:58Now, I don't know what you're talking about.
00:33:00I'm not talking about you.
00:33:02I'm talking about you.
00:33:04I'm talking about you.
00:33:06I'm talking about you.
00:33:08I'm talking about you.
00:33:10Come on, swing around.
00:33:11We'll get a profile.
00:33:13Come on, Polly.
00:33:14Profile.
00:33:19That's it.
00:33:20Now, inhale.
00:33:23You've got nothing to hide.
00:33:25Inhale.
00:33:30That's right.
00:33:34What?
00:33:36Oh, oh.
00:33:38Just a minute, please.
00:33:39Oh, your shadow.
00:33:41I'm sorry, but have you seen my husband?
00:33:43No, I haven't.
00:33:44Isn't he in the cabin?
00:33:45Well, that's just it.
00:33:47You see, I left for the bus station,
00:33:48and when I got back,
00:33:50Mr. Quah hasn't seen him either.
00:33:52Oh, he probably went across the street
00:33:53to get a magazine or something.
00:33:55He wouldn't do that.
00:33:56He knows we're supposed to be
00:33:57at the bus station at 11 o'clock.
00:33:59Well, you've still got 40 minutes.
00:34:01I shouldn't have left him alone.
00:34:03Especially after last night.
00:34:05He was so upset and everything.
00:34:07Well, you saw it.
00:34:09I'm sorry.
00:34:14There's nothing to worry about.
00:34:15He's over on the other side
00:34:16getting one for the road.
00:34:19I don't know.
00:34:20I think I'd be worried.
00:34:22All right.
00:34:23Now get back into that same pose again.
00:34:40Mr. Quah.
00:34:59Okay.
00:35:05Oh, Sam.
00:35:06Bring in the missing persons file.
00:35:07All right, sir.
00:35:17Anything important?
00:35:18Might be.
00:35:19What have we got this recent?
00:35:21Uh, a Mrs. Verna McGuire.
00:35:23She says her 18-year-old daughter
00:35:24has been missing since yesterday noon.
00:35:26She's always missing.
00:35:27Some fraternity house down at Rensselaer.
00:35:29What else?
00:35:31A man called George Loomis.
00:35:33A transient.
00:35:34Gotta call it four.
00:35:35People named Cutler,
00:35:36phoned in for his wife.
00:35:43Gold bag.
00:35:44Tell him to meet me at Table Rock House.
00:35:45Souvenir shop.
00:35:46Very well, sir.
00:36:07Good afternoon.
00:36:08Which of you is Mrs. Loomis?
00:36:09I am.
00:36:10Oh, my name is Starkey.
00:36:11I work at the police station.
00:36:12Where is he?
00:36:13Do you know something about my husband?
00:36:15You're the Cutlers?
00:36:16Yes.
00:36:17You've heard something about my husband?
00:36:18Just that he is your husband.
00:36:20Tell me, Mrs. Loomis,
00:36:21is there any chance he could have come here today?
00:36:23Here?
00:36:24Yes, here.
00:36:25No, not possibly.
00:36:27He has to be here.
00:36:28He has to be here.
00:36:29He has to be here.
00:36:30He has to be here.
00:36:31He has to be here.
00:36:32He has to be here.
00:36:33He has to be here.
00:36:34He has to be here.
00:36:35No, not possibly.
00:36:36He hates the false.
00:36:46What are we doing here?
00:36:48Wasting your time, I hope.
00:36:53Hello, Mr. Starkey.
00:36:54Oh.
00:36:55Did you check again?
00:36:56Yes, sir, I did,
00:36:57and there's still one missing.
00:36:58Over here.
00:37:03Let me see.
00:37:05Remember anything you told about the man?
00:37:07No, sir, I don't.
00:37:13Never seen these before?
00:37:17They're his.
00:37:19But why is everyone standing around?
00:37:21Do something! Look for him!
00:37:23Find him!
00:37:25Listen, Mrs. Lomas, you better go home.
00:37:28Have you got anyone to take care of you? Any friends or close relatives?
00:37:31No.
00:37:33Well, that is no one except these people.
00:37:35No one.
00:37:37No one? What about them?
00:37:39Will you be able to take her home?
00:37:41Sure.
00:37:43Come on.
00:38:04You've been very kind, but thanks.
00:38:06I'd rather walk.
00:39:03Hold on, wait a minute.
00:39:15I think we've got him.
00:39:17Yes, on the far side.
00:39:19It's hard to say.
00:39:21I imagine he's pretty beat up.
00:39:23Okay, we'll run him down to the morgue.
00:39:33Why didn't those friends of yours bring you the cutlers?
00:39:48I'm all right. Where is he?
00:39:50Now listen, this isn't going to be pleasant.
00:39:52I don't expect it to be.
00:39:54Please wait.
00:40:25Mrs. Lomas, do you identify this body as that of your husband, George Lomas?
00:40:54Hold on.
00:41:03Oh, I'm sorry.
00:41:05It's all right.
00:41:06I put in everything I thought you'd need.
00:41:13No.
00:41:15I want to leave you here.
00:41:18No.
00:41:20No.
00:41:22No.
00:41:25I want to get away.
00:41:27I want to get away.
00:41:34What's all this?
00:41:36I want to talk to her.
00:41:37Come around in the evening.
00:41:38She'll be out till then.
00:41:43Please.
00:41:49Business pretty good?
00:41:50Yeah, pretty good.
00:41:51Booked out for about a month ahead.
00:41:53How many accommodate here?
00:41:54Oh, about 15.
00:41:55How's the food?
00:41:56Oh, it's good.
00:41:57Well, here she is anyway.
00:41:59Hi, Mrs. Cutler.
00:42:00Well, well, well, hello there.
00:42:04Hey, since to see you belong to the Shredded Wheat family, I'm Jess Cannery.
00:42:08Oh, I want you to meet the big boss.
00:42:10How are you doing?
00:42:11Oh, sure.
00:42:12Sorry we weren't here when you first arrived.
00:42:13We'd have red carpet all over the bridge.
00:42:16Oh, here's a little spinach for you by way of apology.
00:42:20Hey, where's that prize-winning husband of yours?
00:42:23What a boy.
00:42:24Turkey stuffed with shredded wheat.
00:42:26Had it right the next day and I loved it, loved it, loved it.
00:42:29Better move out of range, dear.
00:42:32Oh, this is very sweet of you.
00:42:35They're just lovely.
00:42:37Isn't my husband back yet?
00:42:39He's been in and out all morning.
00:42:40Tell you what we'll do.
00:42:41We'll take you along in our car.
00:42:43Leave word for that no good husband to join us.
00:42:45And before we're through, you'll see the Cave of the Winds, Gold Island, the old fort,
00:42:50and we're going to get in some of the best fishing you ever did.
00:42:53Just wait till you see that little boat of ours.
00:42:55Now, Miss Cannery, look.
00:42:56Mrs. Cutler would rather wait for her husband.
00:42:58And speaking of Niagara, you and I could both do with a shower bath.
00:43:01Been driving since 6 this morning.
00:43:03Why don't we all do that and the minute Ray gets back, we'll call you.
00:43:06You bet.
00:43:07Well, toodle-oo for now.
00:43:08Pip-pip.
00:43:09Come on, Bubba.
00:43:25Oh, not that way, Mrs. Cutler.
00:43:27I put your things in cabin B.
00:43:29And I told your husband I'm not going to charge you one cent more.
00:43:32You waited long enough.
00:43:36The key's in the door.
00:44:27© BF-WATCH TV 2021
00:44:57© BF-WATCH TV 2021
00:45:28© BF-WATCH TV 2021
00:45:39Mrs. Cutler!
00:45:40What is it?
00:45:42Mrs. Cutler!
00:45:46Mrs. Cutler!
00:45:52What's the matter?
00:45:53I don't know. I heard a yell a minute ago.
00:45:56Polly!
00:45:58Are you in there, Polly?
00:46:00Polly!
00:46:09What's the matter, honey?
00:46:10Ray.
00:46:11What's all the screaming about?
00:46:12Ray.
00:46:13Now, get organized, baby.
00:46:14What's wrong?
00:46:15I was half asleep.
00:46:17Yes?
00:46:18Oh, now, look, darling.
00:46:19It was probably just a nightmare.
00:46:21Now, calm yourself down.
00:46:23I'll get you a glass of water.
00:46:27It's all right. She's okay.
00:46:32Ray!
00:46:34Don't go in there, Ray.
00:46:35Oh, come on, honey. Wake up.
00:46:36He's in there.
00:46:37Who?
00:46:38He's alive. He was standing right here looking at me.
00:46:40Oh, Polly, you're still half under.
00:46:41Who was looking at you?
00:46:43Mr. Loomis.
00:46:44Mr. Loomis.
00:46:45Go, Ray.
00:46:46No, Polly, I've got to prove it to you.
00:46:50Well, where is he?
00:46:51Under the icebox?
00:46:52Under the sink?
00:46:53Oh, Polly.
00:46:55Mr. Loomis.
00:46:56If I hear that name once more, I'll start yelling myself.
00:46:59No wonder he got you.
00:47:00We wait three years for a honeymoon and spend it with a couple of spooks.
00:47:05Here.
00:47:06Drink this.
00:47:08Mr. Loomis.
00:47:09From the time we get here, we're patting his hand, looking for him,
00:47:12burying him and her,
00:47:14running around sobbing, yelling, asking if we'll pick out a tombstone.
00:47:17It's enough to drive anybody nuts.
00:47:19Well, we're going to kiss off this place right now.
00:47:22Give me a hand with this stuff, will you, honey?
00:47:25Sport clothes.
00:47:27All we needed here was a couple of shrouds.
00:47:33Sorry, women.
00:47:35What's this thing?
00:47:37Oh, the flowers.
00:47:39The Ketterings brought them.
00:47:40The Ketterings?
00:47:41Yes, they stopped by.
00:47:42Here?
00:47:43Yes.
00:47:44We're supposed to see the sights and have dinner with them.
00:47:46Well, what do you know?
00:47:47Well, what do you know?
00:47:48J.C. Kettering himself?
00:47:49Yes.
00:47:51Well, it's out.
00:47:52The way you feel, the whole idea is silly.
00:47:56Old J.C., king of the V.P.s.
00:47:59He seems to think you're pretty hot stuff, too.
00:48:01He does?
00:48:03Well, that doesn't alter this one way or the other.
00:48:07Still, we have to eat somewhere.
00:48:09Just a bite, maybe.
00:48:10I'll tell you what.
00:48:11You lie down and I'll get a shave and we'll decide later.
00:48:14Okay?
00:48:15Now, lie down.
00:48:17Okay.
00:48:48Hello.
00:48:49Police Department.
00:48:50Will you put me through to Mr. Starkey, please?
00:48:54Well, do you know where I can reach him?
00:48:56I'm Mrs. Cutler.
00:48:58No, I can't be reached either.
00:49:00I'm leaving now.
00:49:01We're going out with some people to see the falls.
00:49:03But would you tell Mr. Starkey when he gets back to stay there?
00:49:07I've got to talk to him.
00:49:08It's about Mr. Loomis.
00:49:10Yes.
00:49:18Mr. Loomis.
00:49:20Mr. Loomis.
00:49:48All right, now, everybody, listen to me.
00:49:50That's it.
00:49:51The cave of the wind.
00:49:59A great risk to life and limb.
00:50:01These bridges were built in 1885.
00:50:04A world-famous attraction ever since.
00:50:07Now, everyone, buck up your coats real good and follow me.
00:50:09Let's go.
00:50:10It wasn't 1885.
00:50:11It was 1881.
00:50:12No panic.
00:50:13That's right.
00:50:14It wasn't 1885.
00:50:15It was 1881.
00:50:16No panic next to him.
00:50:17I'll show you.
00:50:18Come on, Ray boy.
00:50:19Follow me.
00:50:21Let me do the mountain climbing.
00:50:23You know what we're going to do?
00:50:24We're not going to have a smoke.
00:50:26After all, it's just a lot of water.
00:50:28Yeah.
00:50:29I think I'll stay here.
00:50:30You go on ahead.
00:50:31If you don't mind, I will.
00:51:15Follow me.
00:51:16Follow me.
00:51:17Come on now.
00:51:44Follow me.
00:51:45Follow me.
00:51:46Follow me.
00:51:47Follow me.
00:51:48Follow me.
00:51:49Follow me.
00:51:50Follow me.
00:51:51Follow me.
00:51:52Follow me.
00:51:53Follow me.
00:51:54Follow me.
00:51:55Follow me.
00:51:56Follow me.
00:51:57Follow me.
00:51:58Follow me.
00:51:59Follow me.
00:52:00Follow me.
00:52:01Follow me.
00:52:02Follow me.
00:52:03Follow me.
00:52:04Follow me.
00:52:05Follow me.
00:52:06Follow me.
00:52:07Follow me.
00:52:08Follow me.
00:52:09Follow me.
00:52:10Follow me.
00:52:11Follow me.
00:52:12Follow me.
00:52:13Follow me.
00:52:14Follow me.
00:52:15Follow me.
00:52:16Follow me.
00:52:17Follow me.
00:52:18Follow me.
00:52:19Follow me.
00:52:20Follow me.
00:52:21Follow me.
00:52:22Follow me.
00:52:23Follow me.
00:52:24Follow me.
00:52:25Follow me.
00:52:26Follow me.
00:52:27Follow me.
00:52:28Follow me.
00:52:29Follow me.
00:52:30Follow me.
00:52:31Follow me.
00:52:32Follow me.
00:52:33Follow me.
00:52:34Follow me.
00:52:35Follow me.
00:52:36Follow me.
00:52:37Follow me.
00:52:38Follow me.
00:52:39Follow me.
00:52:40Follow me.
00:52:41Follow me.
00:52:42Follow me.
00:52:43Follow me.
00:52:44Follow me.
00:52:45Follow me.
00:52:46Follow me.
00:52:47Follow me.
00:52:48Creep.
00:52:49You killed that man.
00:52:54What was I supposed to do?
00:52:55He came after me with a wrench.
00:52:57After that, it was the case of who killed who.
00:52:59If it was self defense, go to the police.
00:53:02On the floor on the tunnel, I found his claim to me.
00:53:04That meant I could put on his shoes and walk out of there officially dead.
00:53:09All the good that helps you.
00:53:10At least I could go somewhere, find a choice.
00:53:12a job get organized if you'll help help you the only one who knows I'm alive your wife knows it
00:53:20they found the body when she gets out of the hospital she'll tell hospital rose won't talk
00:53:27she'd have to walk up to the police and say I had a plan to kill my husband but it backfired
00:53:32no not rose she'll go to some new town and drift up to the right bar stool
00:53:35what about it please I do the same for you as much let me stay there take your hands off me
00:54:05so
00:54:35me
00:54:51oh
00:55:05oh
00:55:35oh
00:55:52ah
00:56:05oh
00:56:18nonsense ray here wants all the time out on that river he can get he's a real fisherman hey boy
00:56:23well I sure like it a lot gee I hope we're not putting you out you've been so nice to us already
00:56:28putting us out listen I've been wanting to meet ray boy here for quite a while
00:56:32all right okay five o'clock in the morning right here huh olive oil is afraid to say
00:56:38thanks a lot
00:56:54you take this I'll check on the mail
00:57:02so
00:57:14hello hello I've been using your view is anything wrong you just stole my question
00:57:22at 2 45 the sergeant took a message you wanted to see me about the loomis case it was urgent
00:57:27well the sergeant's exaggerating wasn't that important just a silly question I hope maybe
00:57:33that you'd heard from mrs loomis how could I she'll be unconscious for the rest of the day
00:57:39mrs gutter the doctor says only panic or fear could have broken through that drug
00:57:44but what could have scared her so much that she came to and skipped
00:57:48skipped yes skipped gone disappeared in the hospital no mail though
00:57:54what is this what do you want wait a minute look if it's another funeral have the corpse
00:57:57leave his name at the desk we're bisque ray loomis is trying to kill his wife he's alive
00:58:01oh honestly polly you ought to have your head examined she had a nightmare she thinks this
00:58:06loomis is alive that he was here now I thought we had this out now you bring it up again it
00:58:10wasn't a nightmare he is alive and his wife knows it too oh please polly mr starkey I'm sick of this
00:58:16whole thing look what it's done to her now look if you've got a problem take it someplace else
00:58:20take it someplace else we're washed up we're through with it good night good night thank you
00:58:31I bought two tickets for Chicago can I have a refunding one
00:58:36sure
00:58:40that's 12 50
00:58:50so
00:59:12well what is it are we leaving are they going to keep us here all day they say there's going
00:59:15to be a little delay the police are checking up on everybody's identification checking up
00:59:18why the bus is supposed to leave at 5 55 well at this rate we'll never get home it won't take long
00:59:24they're looking for some game the bus will make up for lost time once we get started
00:59:28let's visit niagara falls I'm sorry I ever mentioned
00:59:42hop in say what I want to know is can you get me to the bus station on the American side
00:59:46if you're not in too much of a hurry they've got some kind of a road block up there at the bridge
00:59:50smugglers or something that's not good what about the sidewalk where you walk can I get
00:59:55through that way could be take that walk over there just to the right side of the gate thanks
01:00:16so
01:00:36now the tower is under control of both countries just the same a lot of Americans claim them bells
01:00:40don't play the star spangled banner as well as they do god save the queen now right over there
01:00:46on june 30th 1859 Blondine a French tightrope walker made his famous walk right over the
01:00:52falls you'll follow me I'll show you a little better where it happens
01:01:11so
01:01:17hello hello please
01:01:40so
01:02:10so
01:02:24so
01:02:41so
01:02:46too bad they can't play it for you now rose
01:03:10ah
01:03:40so
01:04:10so
01:04:22so
01:04:40so
01:04:52so
01:05:10so
01:05:20so
01:05:36I loved you Rose you know that
01:05:50so
01:06:20so
01:06:34so
01:06:50so
01:07:02so
01:07:20so
01:07:50so
01:08:02so
01:08:20so
01:08:28so
01:08:44oh
01:08:58so
01:09:12so
01:09:28oh
01:09:46all right
01:09:58so
01:10:10so
01:10:28so
01:10:38so
01:10:51hey what's wrong over there hey
01:11:00so
01:11:16so
01:11:30so
01:11:42so
01:12:00so
01:12:14so
01:12:30so
01:12:42get off this boat get off the boat
01:13:00so
01:13:08hey
01:13:30hello give me the police
01:13:50yeah
01:14:00so
01:14:12so
01:14:30so
01:14:38sorry you wouldn't get off are you all right of course i'm all right
01:14:46you turn this boat around go back to the police and give yourself up it's a little late for that now
01:14:52talk to the police tell them it wasn't your fault you should have done it two days ago
01:14:56are you afraid to stand up and defend yourself i can't
01:15:00not anymore
01:15:06i killed rose
01:15:10so
01:15:29any other boat in the inlet no there's nothing fast enough sorry
01:15:34you
01:15:36united states river patrol morris on united states river patrol where are you come in
01:15:42river patrol morris speaking we're a beam of navy island
01:15:46try to intercept a power launch standing out of chippewa slip
01:15:50he's a 20-footer coming on our way to buffalo george loomis is aboard
01:15:54yes sir
01:16:04so
01:16:14so
01:16:32he isn't crazy enough to head downstream is he
01:16:44so
01:17:02so
01:17:14so
01:17:16look where is he trying to go
01:17:18i guess he's making a run for gill creek
01:17:20mr starkey
01:17:22mr starkey this is morris on the launch speaking
01:17:24something wrong up ahead
01:17:26starkey here
01:17:28lost headway
01:17:30engine trouble or something they're in the drift
01:17:32must be some gas on board
01:17:44i don't think so
01:17:46uh
01:18:03they're being pulled right into the main current sir that's a 12 knot drift what
01:18:06does that mean it means they're in real trouble
01:18:16so
01:18:28they can't they'll be torn to pieces can't you tell them to hurry up on that
01:18:33police boat can't they get there morris on united states river patrol can
01:18:37you reach them no sir we're a thousand yards past the
01:18:41limit now we're turning back
01:18:54scuttle it scuttle it
01:19:11so
01:19:21we can take on enough water to ground
01:19:41so
01:19:53so
01:20:11so
01:20:25so
01:20:41so
01:20:53so
01:21:11so
01:21:23so
01:21:41so
01:21:51so
01:22:21so
01:22:33so
01:22:51so
01:23:03so
01:23:21so
01:23:33so
01:23:51so
01:24:13inspector cars waiting
01:24:21well goodbye mr starkey
01:24:25and thank you i know you've seen enough of the falls for one trip but
01:24:29who crosses off your list goodbye goodbye and my thanks i bet that was the first
01:24:34time anyone ever used scuttle as a prayer and had it answered
01:24:51you