1h 15min | Action, Drama, Music, Western | 15 October 1947 (USA)
With a $10,000 note Roy co-signed for the Pioneers due, Roy plans to get the money from the reward for the capture of the Gypsy. After he captures him he lets him go realizing he is innocent and it's not long before the real outlaws show their hand.
Director: William Witney
Writers: Sloan Nibley (screenplay), Gerald Geraghty
Stars: Roy Rogers, Trigger, Tito Guízar
With a $10,000 note Roy co-signed for the Pioneers due, Roy plans to get the money from the reward for the capture of the Gypsy. After he captures him he lets him go realizing he is innocent and it's not long before the real outlaws show their hand.
Director: William Witney
Writers: Sloan Nibley (screenplay), Gerald Geraghty
Stars: Roy Rogers, Trigger, Tito Guízar
Category
🎥
Short filmTranscript
00:00:00Let me tell you a tale of the old Spanish trail.
00:00:23He and I used to ride side by side down the old Spanish trail.
00:00:33As the stars by our paths seemed to stray for the night,
00:00:42so we thought of a dune honeymoon on the old Spanish trail.
00:00:51One night I was passing the cantina.
00:01:01That night she was in somebody else's arms.
00:01:10Have I seen her since then? Only now and again.
00:01:18When together they ride side by side down the old Spanish trail.
00:01:49Down the old Spanish trail.
00:01:59Hi, Sheriff.
00:02:02Hello, Roy.
00:02:05Hey, that's a swell-looking coat you've got there.
00:02:08Thanks.
00:02:10Oh, this is Mr. Burnett, Roy Rogers.
00:02:12How do you do, Mr. Rogers?
00:02:13How do you do?
00:02:14Mr. Burnett has an I.O.U. from the Sons of the Pioneers for $10,000.
00:02:19It's got your signature on it.
00:02:20That's right. I did want a note for them.
00:02:24Why, didn't they pay up?
00:02:25No, they haven't. I've extended it twice already.
00:02:28I really need the money, and unless you can pay it, I'll be forced to take back their tent and show equipment.
00:02:33That'd close them up.
00:02:34That's right. But I've got to have the cash.
00:02:37Under the circumstances, there's nothing I can do about it.
00:02:40$10,000.
00:02:42I doubt if I could raise that much if I sold the whole ranch.
00:02:45Do you suppose you could give me a couple of weeks on it?
00:02:47Well, I...
00:02:48The boys worked pretty hard to get this little spread.
00:02:51Well, I...
00:02:53Sure.
00:02:54Well, thanks. I'll get in touch with the boys right away and see if we can't straighten this thing out.
00:02:57That'll be fine. Good luck, Rogers.
00:02:59Thanks.
00:03:00I'll be seeing you.
00:03:02Thank you, Sheriff.
00:03:10Don't look very good, old girl.
00:03:13I sure hope I don't have to find you a new home.
00:03:24Hey.
00:03:27What's the matter, Candy?
00:03:28Oh, one of my suitcases is missing.
00:03:30It must have fallen out of the car. That's the only thing that could have happened to it.
00:03:33Marcus, why don't you go back and have a look?
00:03:35No, that's all right, Harry. I'll go.
00:03:37Everybody's pretty busy.
00:04:01Well, Trigger, looks like somebody's lost something.
00:04:08Looks like that somebody was a girl.
00:04:24Hmm. Not bad.
00:04:31Hmm.
00:04:42Your eyes are like deep desert wells with sparks from silver stars above.
00:04:47Your voice as sweet as mission bells.
00:04:49Your skin is like a marble desert.
00:04:52Don't ever fall in love, Trigger. That's what it does to you.
00:04:55Always your devoted slave, Rico.
00:05:01Oh, no. No!
00:05:06Oh!
00:05:10Doesn't personal property mean anything to you?
00:05:13All I was doing was trying to find out...
00:05:15So? You've been snooping through my private papers, too.
00:05:18People shouldn't leave their stuff scarabble.
00:05:20Oh, there ought to be a law against people like you.
00:05:23You not-head, you!
00:05:25All I was doing was trying to...
00:05:26It's a little late now to apologize.
00:05:28Look at this stuff!
00:05:45Oh, now I can't get it closed.
00:06:11Here, let me help you.
00:06:12No, thanks. You've helped me enough already.
00:06:16Now look what you've done!
00:06:18Maybe I can fix it!
00:06:20You've fixed it up already!
00:06:32Your voice as sweet as mission bells.
00:06:34Your skin is like the marble desert.
00:06:37Hey!
00:06:38Hey!
00:06:39Hey!
00:06:40Hey!
00:06:41Hey!
00:06:42Hey!
00:06:43Hey!
00:06:44Hey!
00:06:45That's a very beautiful silver saddle.
00:06:54With one hand on buckle, you're gone.
00:07:01Now, please, amigo.
00:07:03Lend the guns to me for a moment.
00:07:15Bravo!
00:07:17Bravo!
00:07:18Bravo!
00:07:45Bravo!
00:07:46Bravo!
00:07:50Bravo!
00:07:56Seems to me like I've met you before.
00:07:59Your face looks familiar, too.
00:08:01Now, if you'll pardon me.
00:08:04This is what I'm after.
00:08:05You've gone to a lot of trouble just for a picture.
00:08:08Maybe to you, but it is worth it.
00:08:14Yeah, I think so, too.
00:08:38Yeah, I think so, too.
00:09:02Yeah, I think so, too.
00:09:30Yeah, I think so, too.
00:09:54Yeah, I think so, too.
00:10:14Yeah, I think so, too.
00:10:42Yeah, I think so, too.
00:11:06Yeah, I think so, too.
00:11:34Yeah, yeah, yeah.
00:11:38Yeah, yeah, yeah.
00:11:43Yeah, I think so, too.
00:12:05Yeah, I think so, too.
00:12:06Yeah, I think so, too.
00:12:07Yeah, I think so, too.
00:12:15Yeah, I think so, too.
00:12:16Yeah, I think so, too.
00:12:17Yeah, I think so, too.
00:12:18Yeah, I think so, too.
00:12:19Yeah, I think so, too.
00:12:20Yeah, I think so, too.
00:12:21Yeah, I think so, too.
00:12:22Yeah, I think so, too.
00:12:23Yeah, I think so, too.
00:12:24Yeah, I think so, too.
00:12:25Yeah, I think so, too.
00:12:26Yeah, I think so, too.
00:12:27Yeah, I think so, too.
00:12:28Yeah, I think so, too.
00:12:29Yeah, I think so, too.
00:12:30Yeah, I think so, too.
00:12:31Yeah, I think so, too.
00:12:32Yeah, I think so, too.
00:12:33Yeah, I think so, too.
00:12:34Come on.
00:12:42Come on.
00:12:55Rico, you're crazy.
00:12:57Why must you follow that gal everywhere?
00:12:59They'll catch him.
00:13:00They say you did many bad things.
00:13:02They'll never catch Rico.
00:13:05He's too small for them.
00:13:07But maybe Rico will catch the real bandits.
00:13:10And then they will believe me innocent.
00:13:12You know they will never believe you.
00:13:14Let us leave now.
00:13:17No, my angel.
00:13:18We are staying.
00:13:20If Doug tells you, you will not leave.
00:13:33Poor Lola.
00:13:35She's such a child.
00:14:03What can I do for you?
00:14:05How about a room?
00:14:06Sorry, we're all filled up.
00:14:08Could you suggest another place?
00:14:09Sure I could, but they'd be full too.
00:14:11All the hotels are crowded like a free lunch counter at high noon.
00:14:14I can't even get you in tomorrow.
00:14:16Those people with the tent show had reservations for two months.
00:14:19You don't happen to have a good park around here, do you?
00:14:22No, but you could try the cemetery.
00:14:24I guess Trigger's stall is going to be a little crowded.
00:14:27I don't know about Trigger, but I'm sure he'll be fine.
00:14:30I guess Trigger's stall is going to be a little crowded.
00:14:33Say, nice guns you got there.
00:14:35Mind if I have a look at them?
00:14:36Not at all.
00:14:38A good balance.
00:14:39Personally, I prefer double action.
00:14:41These do all right for you once you get used to them.
00:14:55Put your hands up. This is the law.
00:14:58Not the Constable of Santa Lucia.
00:15:01Yes, sir. Constable Bullfincher and no monkey business.
00:15:05Roy!
00:15:07Cookie, you've been seeing too many western pictures.
00:15:09I thought you were the gypsy. How are you?
00:15:11Fine. The gypsy?
00:15:13Oh, some fella just been driving his daffy around this neck of the woods.
00:15:18I think I know who you mean.
00:15:20Say, Cookie, what does a guy have to do in this town?
00:15:22Stand up all night?
00:15:24Being fine standing room.
00:15:25Hey, I got a place upstairs with an extra bunk.
00:15:27Why don't you stay with me?
00:15:29I can't very well refuse him, can I?
00:15:33Here you are, Constable.
00:15:37We haven't seen each other for a long time.
00:15:42I'm mighty lucky to have this room.
00:15:44Been living here 20 years.
00:15:48This was the bridal suite when I moved in.
00:15:53Here you are, Roy. This one never did fit me.
00:15:55You bunk here.
00:15:57Unpack your bags and hang your clothes in the closet.
00:15:59All right.
00:16:00I'm gonna turn in.
00:16:02Got a busy day tomorrow.
00:16:05Still a bachelor, I see.
00:16:08If you think I'd marry a woman, you're daffy.
00:16:11I rented this room nearly 20 years ago for my wedding,
00:16:14and two hours before the ceremony,
00:16:16Magnolia Bell ran off with a guy from the carnival.
00:16:20And I can't understand why.
00:16:23And I don't trust women or show people anymore.
00:16:27What you doing around here?
00:16:29Going to see some friends of mine.
00:16:31Say, Cookie, tell me more about this gypsy.
00:16:33Gypsy?
00:16:41Here's about all I know.
00:16:44Wanted.
00:16:45Boy, would I like to put a face in there.
00:16:48Wanted for questioning.
00:16:49Yeah, he sure is.
00:16:51There's a lot of oil company stick-ups around here,
00:16:53and they think he's got something to do with it.
00:16:57What do you think?
00:16:58I don't know.
00:16:59There's a $10,000 reward for whoever did it.
00:17:03$10,000?
00:17:05Hey, tell me more.
00:17:09Just what do you know about these robberies, Cookie?
00:17:11All the stuff's on the desk.
00:17:13There's a newspaper clipping from every city
00:17:15where an oil company was robbed.
00:17:17For $10,000, this might be worth looking into.
00:17:21What's the hobble for?
00:17:23Keeps me from walking in my sleep.
00:17:27Turn out the light, will you?
00:17:30Oh!
00:17:46Looks like most of the robberies follow a pattern.
00:17:50The oil office of Milo City was held up at noon.
00:17:54Noon, that's a pretty busy time to pull a job like that.
00:17:58Listen to this.
00:17:59Sheriff Flint in Dutchess County says
00:18:01that in each case of robbery,
00:18:02the Great Southwestern Tent Show was planned in the vicinity.
00:18:07One of the boys are having trouble.
00:18:10Did the show get in town today?
00:18:58No!
00:19:28No!
00:19:59Ooh!
00:20:24Hey, Bob, how about giving me a hand, will ya?
00:20:27I heard my old pal calling to me.
00:20:31He needs a helping hand.
00:20:35It makes me happy, partner, to say
00:20:40here is my helping hand.
00:20:44When traffic calls me, partner, just call me.
00:20:48Here is my helping hand.
00:20:52And shed all your cares, for I will be there for you.
00:20:56Here is my helping hand.
00:21:00When you find your sunshine comes all at one time.
00:21:05When you are sharing someone's burden.
00:21:09And it's just like playing when you are saying
00:21:13here is my helping hand.
00:21:18If you should wait with nothing to do,
00:21:22a gloomy day's at hand.
00:21:26Just call a friend and ask him if you
00:21:30can lend your helping hand.
00:21:34When traffic calls me, partner, just call me.
00:21:38Here is my helping hand.
00:21:42And shed all your cares, for I will be there for you.
00:21:47Here is my helping hand.
00:21:51And you'll find your sunshine comes all at one time.
00:21:56When you are sharing someone's burden.
00:22:00And it's just like playing when you are saying
00:22:04here is my helping hand.
00:22:08Here is my helping hand.
00:22:16Hey, that sounded swell.
00:22:19Pat, you could almost count it every...
00:22:22Pat, oh, Pat, are you all right?
00:22:27Oh, why don't you stop clowning?
00:22:30Yeah, clowning.
00:22:34Say, Harry, did you get the license all right?
00:22:37Well, I passed out a lot of cigars and I bought refreshments for the right people,
00:22:41but there's a hitch.
00:22:43What's wrong?
00:22:44The constable's holding us up.
00:22:46Oh, do you think I should talk to him?
00:22:47No, no, no, I wouldn't do that, Candy.
00:22:49You see, if there's anything that the constable hates worse than show people, it's women.
00:22:53Funny man.
00:22:54Yeah, he is, and a lot of him.
00:22:56Well, that's just something else for us to worry about.
00:22:59Yeah.
00:23:02Hey, Bob.
00:23:03Yeah.
00:23:04Will you come here a minute?
00:23:07Hey, am I seeing a ghost?
00:23:10Hey, fellas.
00:23:12Hiya, Bob.
00:23:13How are you?
00:23:16Come on, Harry.
00:23:18Sure good seeing you fellas again, but I guess you know the main reason I'm here is a little matter of about 10,000 bucks.
00:23:24Well, we've been sort of expecting to hear from you.
00:23:27We got off to a good start with the show, but, oh, it's been awful rough, right?
00:23:31We're a little busy in here to talk business.
00:23:33Do you suppose we could find a quieter place?
00:23:35I think so.
00:23:37I want you to meet somebody.
00:23:38Candy Martin, the star of our show.
00:23:40Roy Rogers.
00:23:41Hello there.
00:23:42Say, did you ever get that horn stopped?
00:23:43Yes, it stopped blowing after the battery ran down.
00:23:46I'm sorry if I seemed a little upset, but I had no way of knowing.
00:23:49That's all right.
00:23:50Hey, what's going on here?
00:23:51You two know each other?
00:23:52Slightly.
00:23:53We have a mutual friend.
00:23:55Oh, this is Harry Blaisdell, Mr. Rogers.
00:23:57Hi.
00:23:58How are you?
00:23:59Harry's the manager of the show, Roy, so anything you have to say in front of the boys and myself, you can say in front of Harry and Candy.
00:24:03We know about that note you signed, and we hoped to have it paid off long ago, but bad luck seems to follow us everywhere through no fault of our own.
00:24:10They're even canceling our bookings.
00:24:12Yeah, I know.
00:24:14My friend Constable Bullfincher told me all about the robberies.
00:24:17Your friend Constable Bullfincher is holding up our license, too, and that's not helping us any.
00:24:21Well, don't worry.
00:24:22I'll take care of Cookie.
00:24:23The main thing right now is the 10,000.
00:24:27But we just haven't got it yet, Roy.
00:24:30I guess the only thing we can do is close up the show and let them come and take the equipment back.
00:24:37Cheer up, boys.
00:24:38We've still got a couple of weeks.
00:24:39If we're lucky, we might be able to figure out something.
00:24:42See, I thought of something last night.
00:24:45Somebody's been making things look pretty bad for you.
00:24:47Might be the gypsy.
00:24:48We know that.
00:24:50Well, if we can capture that somebody, we collect the reward, pay off the loan, and everybody's happy.
00:24:55Except the gypsy.
00:24:56Or somebody.
00:24:57You make it sound awfully easy.
00:24:58We've all heard that.
00:25:00Well, anyway, it's an idea.
00:25:02I'll run over and see Cookie about your license right now.
00:25:04Don't worry about that.
00:25:05Thanks.
00:25:06See you later.
00:25:08I got an idea, too.
00:25:09You better keep it.
00:25:10We're in enough trouble already.
00:25:11No, honest.
00:25:12This is a good one.
00:25:13Roy!
00:25:16How about joining up with the act again and singing with us?
00:25:19Well, at a time like this, it might not be a bad idea at that.
00:25:22Let's talk about it, huh?
00:25:24Let's go.
00:25:35Someday you're going to hurt somebody kidding around like that, Marcus.
00:25:40What's new?
00:25:41Got another act for the show, a guy named Rogers.
00:25:44What does he do?
00:25:46Among other things, he sings.
00:25:48What about other things?
00:25:50He's after the reward for the payroll bandits.
00:25:52He thinks the gypsy's guilty.
00:25:54If he ever gets wise, we're in trouble.
00:25:56Eh, we'll let him hang around for a while.
00:25:58But if he gets too close to the gypsy, you know what to do.
00:26:00Sure.
00:26:03What about the pay office job?
00:26:04Everything set?
00:26:06All we have to do is help ourselves.
00:26:16Check the mechanism, fellas.
00:26:17We won't use it again till we do a show.
00:26:19And keep your mouth shut.
00:26:21Well, that's just another proof that there's one born every minute.
00:26:35Well, hello.
00:26:39And just what can I do for you?
00:26:41You can leave my Rico alone.
00:26:43Rico?
00:26:45Oh, I don't even know him.
00:26:47How can you say that?
00:26:49He has your pictures.
00:26:50He writes your love poems.
00:26:52He follows you everywhere.
00:26:54Look, I don't see how I can stop you or Rico or anybody else
00:26:57from going where he wants to go and writing what he wants to write.
00:27:00You'd better make him stop or it might be dangerous for both of you.
00:27:03Something terrible will happen to him.
00:27:06And maybe to you, too.
00:27:08What's the matter, Miss Martin?
00:27:10This young lady seems to think I'm chasing a friend of hers.
00:27:12And I don't even know him.
00:27:14You lie.
00:27:15You don't know the gypsy.
00:27:17The gypsy?
00:27:18Yes.
00:27:19Rico, the gypsy.
00:27:20You'd better make him stop or I'll...
00:27:26That's all right, Miss Martin. I'll take care of her.
00:27:35Hey, what's going on here?
00:27:37Mind your own business.
00:27:39When I tell Rico, he'll kill you for this.
00:27:42Just a minute. What's that about Rico?
00:27:45Hey.
00:27:50What's the matter with you?
00:27:51He didn't hurt anybody.
00:28:00Break it up there. Break it up. Break it up.
00:28:06What's the idea, Marcus?
00:28:07You had no right to hit Rogers. He's with the show now.
00:28:14Well, she's gone.
00:28:18Now let's finish this deal.
00:28:19Let it go. Let it go, Roy. He didn't mean anything.
00:28:21Somebody must have rung a bell on him, huh?
00:28:25Well...
00:28:28I don't know, boss. I guess I made a mistake.
00:28:30I thought he was gonna...
00:28:34I guess I lost my head.
00:28:36Yeah.
00:28:38It's like you said.
00:28:39Somebody must have rung the bell.
00:28:42I'm sorry, Rogers.
00:28:43She wasn't doing anything wrong.
00:28:45She just seemed a little excited, that's all.
00:28:47Did she say anything about the gypsy?
00:28:49She said he was in love with me.
00:28:51Looks like that $10,000's getting a little closer.
00:28:53Let's see if we can pick her up.
00:28:57Quick thinking.
00:28:59I'm gonna raise your cut in all those jobs we've pulled.
00:29:01Gee, thanks.
00:29:02Too bad they stopped the fight.
00:29:04I was just ready to tear that Rogers apart.
00:29:06Forget it. Forget it right now. We got more important things to do.
00:29:09Hey.
00:29:10Hey.
00:29:11That crack about the bell.
00:29:12You don't think I'm punch drunk, do you?
00:29:40It's gone
00:29:43Pardon me if I sigh
00:29:48Aye, aye, aye
00:29:50Aye, aye, aye
00:29:56Let me tell you a tale
00:30:00Of the old Spanish trail
00:30:05She and I used to ride side by side
00:30:09On the old Spanish trail
00:30:15Did you pay for two seats, senor?
00:30:17Passed.
00:30:18Oh, then move over.
00:30:22Oh, no!
00:30:24So we talked of a June honeymoon
00:30:27On the old Spanish trail
00:30:33One night
00:30:36I was passing the cantina
00:30:41That night
00:30:44She was in somebody else's arms
00:30:52Have I seen her since then?
00:30:57Only now and again
00:31:00Miss Martin, isn't she wonderful?
00:31:03Quiet. I want to listen to Rogers.
00:31:06On the old Spanish trail
00:31:10Pardon me if I sigh
00:31:15Aye, aye, aye
00:31:18Aye, aye, aye
00:31:34So, I found you again chasing that woman
00:31:38I told you before what I was going to do
00:31:40The next time I caught you
00:31:41You're mine, Rico, you hear me?
00:31:42No other girl's gonna get you
00:31:44No!
00:31:46No!
00:31:48Lemon, little dove
00:31:50My Rico
00:31:52Rico?
00:31:54The gypsy
00:31:56Roy!
00:31:58Roy!
00:32:00Roy!
00:32:02Roy!
00:32:05Roy!
00:32:08Roy!
00:32:12Roy!
00:32:15You want him to hang?
00:32:17You go back to the camp. I'll lead him away.
00:32:20He is a gypsy. I've seen him with my own eyes.
00:32:33Ten thousand in the bag.
00:32:38Let him go, let him go. He's got a good head start. They'll never catch him.
00:32:44All right, folks, the excitement's over. Marcus, you're on.
00:32:47Hey, boss, look.
00:32:51Listen, they should happen to catch up with that gypsy and he talks. We're cooked.
00:32:55We gotta get him first.
00:32:57He's bound to show up at their camp sooner or later. Follow that gal.
00:33:00He's bound to show up at their camp sooner or later. Follow that gal.
00:33:30He's bound to show up at their camp sooner or later. Follow that gal.
00:33:33He's bound to show up at their camp sooner or later. Follow that gal.
00:33:36He's bound to show up at their camp sooner or later. Follow that gal.
00:33:39He's bound to show up at their camp sooner or later. Follow that gal.
00:33:42He's bound to show up at their camp sooner or later. Follow that gal.
00:33:45He's bound to show up at their camp sooner or later. Follow that gal.
00:33:48He's bound to show up at their camp sooner or later. Follow that gal.
00:33:51He's bound to show up at their camp sooner or later. Follow that gal.
00:33:54He's bound to show up at their camp sooner or later. Follow that gal.
00:33:57He's bound to show up at their camp sooner or later. Follow that gal.
00:34:00He's bound to show up at their camp sooner or later. Follow that gal.
00:34:03He's bound to show up at their camp sooner or later. Follow that gal.
00:34:06He's bound to show up at their camp sooner or later. Follow that gal.
00:34:09He's bound to show up at their camp sooner or later. Follow that gal.
00:34:12He's bound to show up at their camp sooner or later. Follow that gal.
00:34:15He's bound to show up at their camp sooner or later. Follow that gal.
00:34:18He's bound to show up at their camp sooner or later. Follow that gal.
00:34:21He's bound to show up at their camp sooner or later. Follow that gal.
00:34:24He's bound to show up at their camp sooner or later. Follow that gal.
00:34:27He's bound to show up at their camp sooner or later. Follow that gal.
00:34:30He's bound to show up at their camp sooner or later. Follow that gal.
00:34:33He's bound to show up at their camp sooner or later. Follow that gal.
00:34:36He's bound to show up at their camp sooner or later. Follow that gal.
00:34:39He's bound to show up at their camp sooner or later. Follow that gal.
00:34:42He's bound to show up at their camp sooner or later. Follow that gal.
00:34:45He's bound to show up at their camp sooner or later. Follow that gal.
00:34:48He's bound to show up at their camp sooner or later. Follow that gal.
00:34:51He's bound to show up at their camp sooner or later. Follow that gal.
00:34:54He's bound to show up at their camp sooner or later. Follow that gal.
00:34:57He's bound to show up at their camp sooner or later. Follow that gal.
00:35:00He's bound to show up at their camp sooner or later. Follow that gal.
00:35:03He's bound to show up at their camp sooner or later. Follow that gal.
00:35:06He's bound to show up at their camp sooner or later. Follow that gal.
00:35:09He's bound to show up at their camp sooner or later. Follow that gal.
00:35:12He's bound to show up at their camp sooner or later. Follow that gal.
00:35:15He's bound to show up at their camp sooner or later. Follow that gal.
00:35:18He's bound to show up at their camp sooner or later. Follow that gal.
00:35:21He's bound to show up at their camp sooner or later. Follow that gal.
00:35:24He's bound to show up at their camp sooner or later. Follow that gal.
00:35:27He's bound to show up at their camp sooner or later. Follow that gal.
00:35:30He's bound to show up at their camp sooner or later. Follow that gal.
00:35:33He's bound to show up at their camp sooner or later. Follow that gal.
00:35:36He's bound to show up at their camp sooner or later. Follow that gal.
00:35:39He's bound to show up at their camp sooner or later. Follow that gal.
00:35:42He's bound to show up at their camp sooner or later. Follow that gal.
00:35:45Thank you, Rogers. I cannot swim.
00:35:51Mojadito, eh?
00:35:53I know you're after me because I am the gypsy.
00:35:56You're right. You've been wanted for a long time.
00:35:59I know what you're thinking, but you are wrong.
00:36:03I too am looking for the real bandits.
00:36:05That sounds like an alibi for always being near the hold-ups.
00:36:08I'm near them because I must be near the woman I love.
00:36:11These robberies are bringing misfortune to her.
00:36:14So I must solve them for her sake.
00:36:16Do you expect me to believe that?
00:36:18If I was a real bandit, I would not talk like this.
00:36:21I will kill you and save my breath.
00:36:24Do not follow me. Please.
00:36:44There will come a beautiful woman
00:36:49To kill or to live
00:36:54When the bell
00:36:59Will ring in the city
00:37:05There will come a beautiful woman
00:37:10There will come a beautiful woman
00:37:18Rico!
00:37:41Lolita, what are you doing here?
00:37:44Where have you been?
00:37:46What do you care where I've been?
00:37:48Well, I do care.
00:37:50Oh, Rico, you are a fool to risk your life just to see that woman.
00:37:54Lolita, I'm afraid you are jealous.
00:37:56I hate her.
00:37:58Oh, you tore them.
00:38:00And I shall tear them all.
00:38:02That woman is making you mad.
00:38:04Lolita, you should try to understand.
00:38:07She is wonderful.
00:38:09If I could only meet her, I will die happy.
00:38:14If you keep on, you may die before you meet her.
00:38:19Hey, I think she really got mad at me this time.
00:38:23Lolita, you must not say that.
00:38:25You know you're the only one. The others don't count.
00:38:33I'm going to kill you.
00:38:35I'm going to kill you.
00:38:37I'm going to kill you.
00:38:39I'm going to kill you.
00:38:41I'm going to kill you.
00:38:43I'm going to kill you.
00:38:45I'm going to kill you.
00:38:48Let's get out of here.
00:38:50Oh, Rico.
00:38:52The shot came from the hill.
00:38:54Are you all right, Rico?
00:38:55Si, but I want them to believe I'm dead. Follow them.
00:38:57Vamanos. Vamanos.
00:38:58Pick up the trail.
00:38:59Bring me a little water, please.
00:39:01Insegita.
00:39:02So, you faker, you're all right now.
00:39:06But what I told you in the wagon about that woman can still come true.
00:39:10Fool.
00:39:11I only say I wasn't hurt because I don't want the rest to worry.
00:39:17Blood.
00:39:25My poor Rico.
00:39:27I'm so sorry for the terrible things I said.
00:39:30Let me die in peace.
00:39:33Like this, I will die happy.
00:39:37Die happy.
00:39:47Take care of him, please.
00:39:54Now, let's see how bad it is.
00:39:57Oh, hey, Tony Scratch.
00:40:00Ah, just like I said, you're a faker.
00:40:05La-da-da-da-da-da-da.
00:40:08De-da-da-da-da-da.
00:40:12La-da.
00:40:15Oh, it's you.
00:40:17Well, what do you want now?
00:40:18I want to read your fortune.
00:40:20Well, that's very nice of you, but let's do it some other time.
00:40:23I'm pretty busy right now.
00:40:26Please.
00:40:28There's a man in love with you.
00:40:31The man I was going to marry.
00:40:33But I told you before, I can't help that.
00:40:35He's been shot and he wants to see you.
00:40:38He doesn't even know I'm here.
00:40:40But he told me that if he only could see you, he would die happy.
00:40:44Listen, I don't know what your game is, but you can't expect me to believe that.
00:40:48Now, just go away and leave me alone.
00:40:50You don't think my Rico asking for another girl is making me happy?
00:40:53She's mine, and you can have him.
00:40:55Now, I've got a show to do, so will you please just go and...
00:40:58You will come with me.
00:40:59Now.
00:41:02Yes.
00:41:03Yes, I guess I will.
00:41:18Mandy!
00:41:20Mandy!
00:41:30Shall we drive? My car is right over here.
00:41:32No.
00:41:33We're going only horses can take us.
00:41:36Oh.
00:41:39Oh, well, I'll take this one. I'm sure the owner won't mind.
00:41:43Remember, no monkey business.
00:41:46No monkey business.
00:41:51Hey!
00:42:12Hi, fellas.
00:42:13Hi, boss.
00:42:14Hello, boss.
00:42:15Say, how'd you boys like to go to jail?
00:42:17Oh, not me.
00:42:18Are you kidding?
00:42:20Hey!
00:42:21I thought you said you got the gypsy.
00:42:22That's what they were just telling me.
00:42:24We're dead. Got him with one shot.
00:42:25That's what you think.
00:42:26He's not dead.
00:42:27He's not dead.
00:42:28We saw him fall.
00:42:29He tricked you, you stupid fool.
00:42:30Come on.
00:42:32How about I chew?
00:42:34If there's any bungling to be done, I'll do it myself.
00:42:36Right.
00:42:49And you say the trail led into town?
00:42:51Si.
00:42:52But I don't know anybody there.
00:42:53Ah, the sheriff.
00:42:54Oh, he will not run from here.
00:42:56He can't run.
00:42:57He's too fat.
00:42:58Gordito.
00:43:02Come on, quick.
00:43:03Move out of sight.
00:43:04I call you if I need you.
00:43:05Mamacita, prisa, prisa.
00:43:07Si, si, hijo mio.
00:43:08Tapame.
00:43:09Andale. Cuidate.
00:43:19Oh, frico.
00:43:22Oh, thanks goodness you're still alive.
00:43:25Miss Martin.
00:43:26Why did you bring it here?
00:43:28Don't you know it's dangerous for anybody to know where we are?
00:43:32You should have not come.
00:43:34Well, it wasn't exactly my idea.
00:43:36Your girlfriend said you were dying.
00:43:38Oh.
00:43:39Si.
00:43:40Don't you remember?
00:43:43Yes, thank you, my pet.
00:43:45She is so thoughtful.
00:43:47Can't I get you a doctor?
00:43:48No, no.
00:43:50It's too late now.
00:43:52I'm a dead pigeon.
00:43:56Well, I guess there's nothing more I can do.
00:43:58I'd better be going.
00:44:00Miss Martin.
00:44:01Yes?
00:44:02I want to talk to you.
00:44:04I want to talk to you.
00:44:06I want to talk to you.
00:44:08I want to talk to you.
00:44:10Miss Martin.
00:44:11Yes?
00:44:12There is one thing that you can do.
00:44:14Just a little kiss.
00:44:16Well, I...
00:44:22Sure.
00:44:24It'd be a pleasure.
00:44:35Please, frico.
00:44:37Things like that will make you die quicker.
00:44:43I guess I can't help you, Eddie.
00:44:45I'll be running along.
00:44:46Oh, no.
00:44:47First you have to hold my hand and sing me a song.
00:44:50Not until we have a little talk first.
00:44:52Roy.
00:44:56Oh, am I glad to see you.
00:44:58I knew you'd follow Trigger.
00:45:00There's our $10,000.
00:45:04Looks like you have a little explaining to do.
00:45:06I'm not too sure about the $10,000.
00:45:08Well, this girl forced me to come here.
00:45:10That is right.
00:45:11She lost her.
00:45:12But she has never seen him before.
00:45:14I know.
00:45:15What she says is true.
00:45:17Hello, Royers.
00:45:19I'm looking down the other end of the pistola this time.
00:45:22But it won't do you any good.
00:45:24What's the matter with you?
00:45:25Well, I...
00:45:26He's been shot.
00:45:28Who did it?
00:45:29I don't know.
00:45:30Their camp is well hidden.
00:45:32But the shot came from the hill.
00:45:34Why don't you get Cookie and have him bring a doctor and a wagon?
00:45:36Oh, no.
00:45:37You can do your explaining in a nice, cool hospital bed.
00:45:40In jail.
00:45:41Now, señorita.
00:45:42Will you sing a song for me?
00:45:44Then you can take me.
00:45:47Sure, Rico.
00:45:48I'll sing for you.
00:45:49The one about the hacienda?
00:45:50Mm-hmm.
00:45:51Por favor, traele una guitarra.
00:45:53Will you help me to stand?
00:46:04Where is a home to compare with mine?
00:46:18When the evening shadows fall.
00:46:27Where does the moon never fail to shine?
00:46:35On the garden wall.
00:46:42In my adobe hacienda.
00:46:49There's a touch of Mexico.
00:46:56Cactus lovelier than orchids.
00:47:03Blooming in the patio.
00:47:10Soft desert stars and the strums of guitars.
00:47:17Make every evening seem so sweet.
00:47:23In my adobe hacienda.
00:47:31Life and love are more complete.
00:47:37Miren las desiertos en la adobe asada.
00:47:44La vida que nunca olvidará.
00:47:51En esta casita adobe.
00:47:58Como reina vivirás.
00:48:05Life and love are more complete.
00:48:18Atta boy, Rogers!
00:48:21Well, now we can pay off that mortgage and roll into the next town with our honor bright and clean.
00:48:26All right, tie him up.
00:48:27Wait!
00:48:28What are you gonna do?
00:48:29Oh, don't worry.
00:48:30That's right. We're not gonna hang him yet.
00:48:31We're just gonna tie him up and take him into town where somebody else can do it.
00:48:34He's money in the bank.
00:48:35Oh, no, he isn't.
00:48:36You wouldn't do that to him.
00:48:37Here, here.
00:48:39Hold this little pepper plant.
00:48:41It isn't necessary to tie him up.
00:48:43No, Rico said he'd go with us after we sang a song.
00:48:46That is true.
00:48:47We have to get a wagon before we can move him.
00:48:49He's hurt bad.
00:48:50Don't worry.
00:48:51All we have to do is deliver the body, leave him to us.
00:48:54I said keep your hands off of him.
00:48:56I suppose you want to sing him another song.
00:48:59Marcus!
00:49:00Harry, can't you stop this?
00:49:04We'll see who's gonna take him back to town.
00:49:06Go get him.
00:49:07I'll help you, kid.
00:49:34That a boy, Roy.
00:49:36Give it to him.
00:49:37Give it to him once for me with the right.
00:49:52No, no, no.
00:49:53Not two against one.
00:50:03Rico!
00:50:04Be careful, you'll hurt.
00:50:33Harry!
00:51:03That a boy, Roy.
00:51:04Come on.
00:51:34Oh, Rico.
00:51:41Well, Blaise Dell, is there any doubt in your mind now who's gonna take Rico in?
00:51:45No, he's all yours.
00:51:47You won't need a wagon to get him there either.
00:51:54For a dying man just a few minutes ago, you did all right.
00:51:57I feel much better now.
00:51:59Say, what are you trying to pull?
00:52:01Look at that.
00:52:02He's only scratched.
00:52:03Oh, Rico, you better.
00:52:05I'm so glad.
00:52:06He isn't hurt.
00:52:07He was lying.
00:52:10So, you tricked me again.
00:52:12He's no good.
00:52:13You can have him.
00:52:18Oh, fool.
00:52:20Oh, fool.
00:52:31You won't get lost in there.
00:52:33You're so right.
00:52:35A lot of people want to talk to you, but that'll wait till morning.
00:52:39Well, we can put a face with this now.
00:52:43Come on, I'm gonna hit the hay.
00:52:44You go on ahead.
00:52:45I want to have a talk with Rico.
00:52:46All right.
00:52:47Turn the lights off, will you?
00:52:48Okay.
00:52:56Say, Rico, why did you pull that phony dying act out there?
00:53:00I only wanted to make my Lola sorry for me.
00:53:03How could I know she was going to bring Miss Martin,
00:53:05and then you and all the others would come?
00:53:07Al fin mujer.
00:53:08And you said the shot was fired at you.
00:53:11That is true.
00:53:12Lola and the rest of the gypsies will tell you.
00:53:14Well, can you think of any reason why anyone would want you dead?
00:53:18No.
00:53:20Some people will do things like that for money.
00:53:22Yes, I know.
00:53:24But if they were after the reward, they wouldn't try to kill you.
00:53:28Si.
00:53:29Then I could not talk.
00:53:31Maybe that's it.
00:53:32Maybe someone doesn't want you to talk.
00:53:38Royers.
00:53:45I don't think the sheriff will mind.
00:53:49Gracias, amigo.
00:53:50Good night.
00:54:01Oh, hello, Mr. Rogers.
00:54:02Hiya, Red.
00:54:03Say, how about seeing if I got any mail?
00:54:05Wait, I'll see.
00:54:18All right, you got such a good hand, I'll call you and raise you five.
00:54:37Let's see what you got.
00:54:39Not good enough.
00:54:42My unlucky day.
00:54:44Just think, we'd have had that gypsy easy if Rogers hadn't messed things up.
00:54:48Yeah.
00:54:49The boss feels pretty bad about it.
00:54:51And he ruined one of my best shirts.
00:54:54But I'll be able to handle him next time.
00:54:56I'll stay away from that right hand.
00:54:58Come on, come on, come on.
00:54:59There's no use wailing about it now.
00:55:00Just be sure that everything runs smooth tomorrow.
00:55:03Now that Rogers has got Rico just where we don't want him.
00:55:07In jail.
00:55:09Hey.
00:55:10Hey, maybe that's the break for us.
00:55:12Yeah.
00:55:13I'll bet.
00:55:15Where are you going?
00:55:16Nowhere.
00:55:18If that gypsy escapes from jail tomorrow, they'll be sure he's the man they're after.
00:55:22Especially if there's a robbery the same day.
00:55:24Yeah.
00:55:26And then we won't have to clear out of town so fast.
00:55:28Of course.
00:55:29Maybe we'll have time to pull another job.
00:55:31Or maybe two.
00:55:32Yeah.
00:55:33Tomorrow morning, you boys are going to make a social call on that fat constable.
00:55:36Oh, let me go along.
00:55:37I'll hit him so hard he'll be acting like I am.
00:55:40Hey, will you stop that?
00:55:46Yeah, sure, boss.
00:56:11Morning, Red.
00:56:12Morning, Constable.
00:56:13Well, I've got to get over to jail and get that prisoner some breakfast.
00:56:16We haven't had anybody in there in so long.
00:56:18I had to let the cook go.
00:56:21Hey, I had the funniest dream last night.
00:56:24I dreamt that Blaisdell sent two of his men over to break into jail and let the gypsy escape.
00:56:30Probably something he ate because they seemed awfully anxious to put him in jail last night.
00:56:34I know that, and they sure didn't seem anxious to get him out of jail, too.
00:56:38I couldn't mistake Blaisdell's voice any place.
00:56:41I could hear it just as plain, just like I was standing there.
00:56:45Couldn't have been much of a dream.
00:56:47He's still in there.
00:56:51Well, that's something to be happy about.
00:56:53I'm going to run over and see the pioneers.
00:56:55I'll drop by and have a talk with Rico after you've fed him.
00:56:57See you later.
00:56:58I'm going to run over and see the pioneers.
00:56:59I'll drop by and have a talk with Rico after you've fed him.
00:57:02See you later.
00:57:06Dreams.
00:57:28La la la dee
00:57:32La la la dee ha ha
00:57:41La la la dee
00:57:45La la la dee
00:57:50La la la dee
00:57:59Good morning!
00:58:01Como cantante gordito, no soplas.
00:58:04Oh, thank you. I always sing when I'm happy.
00:58:07I'm happy. My lonita loves me.
00:58:11Oh, love.
00:58:14I'll never love again
00:58:22If you forget me
00:58:28My heart won't let me
00:58:34Love someone new
00:58:39I'll never dream again
00:58:44How could I go on dreaming
00:58:49If each dream that we make
00:58:52Were to suddenly fade in the blue
00:58:59I'll never thrill again
00:59:04To someone's kiss
00:59:08Oh, what good would it do
00:59:13It's you I'll miss
00:59:18My heart is yours alone
00:59:23So be careful, don't break it
00:59:28For if you ever should
00:59:31Darling, I'll never do love again
00:59:37Yo le quise traer
00:59:43Dijo que no
00:59:47Que si había de llorar
00:59:52Pa' que volver
00:59:56Borrachita me voy
01:00:03Hasta la capital
01:00:10Y a servirle al patrón
01:00:15Que me mando llamar ante ayer
01:00:22No, no, no, no
01:00:29I'll never love again
01:00:41How does love affect your appetite?
01:00:44It doesn't. I'm hungry.
01:00:53Dig in, boys.
01:00:54Good morning.
01:00:55Hi, Roy.
01:00:56What's going on here?
01:00:57What are these things, blanks?
01:00:58Yeah, we're getting ready
01:00:59for the big stagecoach robbery.
01:01:00Stagecoach robbery?
01:01:01Uh-huh.
01:01:02Yeah, it's Blaisdell's idea
01:01:03for Misty, a big fake holdup
01:01:04for the folks.
01:01:05Good ballyhoo for the show.
01:01:06You can play the sheriff today.
01:01:07Here's your ammunition.
01:01:08And believe me,
01:01:09they're plenty loud, too, Roy.
01:01:10You know, the way the show's going now,
01:01:12we'll have that 10,000 in no time.
01:01:14Oh, we don't need to worry
01:01:15about the money.
01:01:16We've got the gypsy.
01:01:17I don't think we'll have much trouble
01:01:18proving that he's our man.
01:01:21Well, I'd better run along.
01:01:22I want to have a talk with him
01:01:23before the oil investigators get here.
01:01:25Be seeing you.
01:01:26Okay, Roy.
01:01:34How'd it go?
01:01:35Nothing to it.
01:01:36So easy it wasn't even fun.
01:01:48Cookie!
01:01:50How'd you get yourself
01:01:51in a mess like this?
01:02:02What happened, Cookie?
01:02:03I don't know.
01:02:06I was standing there
01:02:07washing the dishes,
01:02:08and somebody clung me from behind.
01:02:12Boy, what a goose ache.
01:02:13The next thing I knew,
01:02:14I was hanging up there.
01:02:16Well, don't feel too badly about it.
01:02:18It can happen to anyone.
01:02:19Well, I told you
01:02:20you couldn't trust a gypsy.
01:02:22He's about the smartest operator
01:02:23I ever saw.
01:02:24Sure made a fool out of me.
01:02:26Well, I'm not.
01:02:27He put on my head
01:02:28ain't gonna make me any smarter either.
01:02:29I'm gonna get on the phone
01:02:30and spread the news about it.
01:02:33Put your hands up, please.
01:02:35I just heard your conversation,
01:02:37and I don't want to be shot
01:02:38before I can explain.
01:02:42This is the first time
01:02:43I broke into a jail.
01:02:45Oh, boy, Rico,
01:02:46are you in for it now?
01:02:48A molten battery
01:02:49with a deadly weapon
01:02:50on an officer in the law,
01:02:51and I can prove it.
01:02:52Look right there, look.
01:02:53Oh, that is a beauty.
01:02:55But I couldn't do that.
01:02:56I did not even touch you.
01:02:58And what did happen?
01:02:59He was washing dishes.
01:03:00I was playing music.
01:03:01The first thing I knew,
01:03:02a couple of men walked in
01:03:03and hit him from behind.
01:03:05You see, what did I tell you?
01:03:06Who were they?
01:03:07I couldn't tell.
01:03:08They had masks on.
01:03:09Then I suppose
01:03:10they let you out of jail.
01:03:11That's exactly what they did.
01:03:13They had a horse waiting for me,
01:03:14and they told me
01:03:15to escape over the border.
01:03:16Well, why didn't you do that?
01:03:17Because.
01:03:18Oh, you...
01:03:20I gave you my word
01:03:21and you trusted me.
01:03:26Now I would not leave here
01:03:27until you say so.
01:03:28Okay, Rico, come on out.
01:03:30Oh, no, you don't.
01:03:32Oh, wait a minute, Cookie.
01:03:33Now, Roy,
01:03:35don't experience teach you anything.
01:03:37You're gonna put Rico
01:03:38in my custody.
01:03:40Remember that dream
01:03:41you had last night?
01:03:43Yeah, I remember.
01:03:44Gee, that's funny.
01:03:46I could hear him talking
01:03:47just as plain about
01:03:48turning Rico loose and...
01:03:50Hey, maybe I'm psychic.
01:03:53Maybe you're not.
01:03:54Maybe you didn't dream it.
01:03:56Maybe you heard it
01:03:57when you were outside
01:03:58of Blaisdell's room
01:03:59with the water cooler.
01:04:01Blaisdell's room?
01:04:02Water cooler?
01:04:04Where did that happen?
01:04:06In dreamland.
01:04:08In dreamland?
01:04:14I still think a gypsy in jail
01:04:16is worth two in the bushes.
01:04:24Ladies and gentlemen,
01:04:26our new star, Roy Rogers,
01:04:27will be playing the sheriff
01:04:28in your own Constable Bullfincher,
01:04:30whom you all know
01:04:31has consented to be
01:04:32the stagecoach driver.
01:04:34Candy Martin will be
01:04:35the charming young lady
01:04:36rescued by the brave sheriff.
01:04:38The sons of the pioneers
01:04:39will be the villainous outlaws.
01:04:40Now this event
01:04:41will take place promptly
01:04:42at 12 o'clock
01:04:43at the corner of Main
01:04:44and Second Streets.
01:04:45Please stay on the sidewalk
01:04:46and avoid the danger
01:04:47of being hurt
01:04:48during this exciting event.
01:04:49Remember now,
01:04:50at 2 o'clock this afternoon
01:04:51there will be a big matinee
01:04:52in the tent.
01:04:53You're all invited.
01:04:54The price is only 75 cents.
01:05:01Constable, I want to thank you
01:05:02for helping us out today.
01:05:03All right.
01:05:04Well, in a few minutes
01:05:05the boys will be off.
01:05:06Remember, make lots of noise
01:05:07and give them a good show
01:05:08like we always do.
01:05:09All right, put on your masks.
01:05:12Oh, say, Rogers,
01:05:13you're a little new to this,
01:05:14so give us a good head start
01:05:16before you come after us.
01:05:17Right.
01:05:20We're ready.
01:05:24Keep an eye open
01:05:25for anything that isn't in the act.
01:05:26That's what I'm here for.
01:05:31It's about 12, ain't it?
01:05:32Should be along in a minute now.
01:05:36Oh.
01:05:38Oh.
01:05:43Oh.
01:05:58What do you want?
01:05:59The payroll and the gypsy.
01:06:00You are correct, my friend.
01:06:01I'm very nervous today.
01:06:02Hurry.
01:06:03Hurry.
01:06:04The gypsy.
01:06:08This is well straight up, all ready, Constable?
01:06:10Just take a deep seat and you'll get the thrill of a lifetime.
01:06:13Maybe we all will.
01:06:17Okay, Cookie, let's go.
01:06:35Where's McIntyre?
01:06:37He's probably outside watching the show.
01:06:39Get with it, Gus.
01:06:46Hey!
01:06:48What a break.
01:06:50The old goof must have forgot the lock.
01:06:52In the tin boxes. I watched him bring it in.
01:06:54Easiest job we ever pulled.
01:07:04Just a minute.
01:07:14Here comes the sheriff, folks.
01:07:16That'll put them on the run.
01:07:19Oh!
01:07:32Sure is realistic acting, ain't it?
01:07:34Hey, Constable, the show's getting better all the time.
01:07:37Yeah.
01:07:39Things are not going so good, boss. What shall we do?
01:07:41Is this a part of the show?
01:07:43Yeah, yeah, part of the act.
01:07:45Get those things in here.
01:07:49Okay, take it away!
01:07:51Ha!
01:08:14Hey, the new part of the act is pretty good,
01:08:16but why didn't you tell us about it?
01:08:18Oh, no! That's loaded with blanks!
01:08:20Yeah, that's what you think.
01:08:22Look. Uh-oh.
01:08:24If you want to stay alive, keep driving it faster.
01:08:26Yes, sir.
01:08:32Harry, those aren't blanks. Those are real bullets.
01:08:34You're telling me this is the last part of the act.
01:08:41I told you to leave those things alone.
01:08:43So it wasn't an act. You stole this money.
01:08:45It was you and Marcus all the time.
01:08:48So what?
01:08:50For the last time, sit back there and be quiet.
01:08:52Maybe you won't get hurt.
01:08:59Keep going! We'll be over the border in a few minutes.
01:09:02Help!
01:09:14Help, turkey! Help!
01:09:16Help, turkey!
01:09:21Help! Help!
01:09:32Help!
01:09:58Help, turkey! Help!
01:10:02Help, turkey!
01:10:33Help!
01:10:44Help!
01:11:02Help!
01:11:10Give him up to me, Roy!
01:11:16Thanks a lot, constable.
01:11:19You're welcome.
01:11:32Help!
01:12:03Hurry up, Roy. I can't hold him much longer.
01:12:06Okay, cookie. Hand him down. I'll take him.
01:12:09Boy, that act ought to get the show plenty of publicity.
01:12:12For a while there, it was certainly realistic.
01:12:15We've got a great finish for the act,
01:12:17and you and your friend are going to play the leading roles.
01:12:20You're worried about me, boss. I'm all right.
01:12:25Gee, I'm sorry I had to do that, Rogers,
01:12:27but that guy makes me so nervous.
01:12:29Roy, the gypsy held up the oil company
01:12:31and got away with all the money.
01:12:33The gypsy? But he couldn't have.
01:12:35The cash boxes are in here.
01:12:38Here.
01:12:42Roy!
01:12:44Roy, they're all empty.
01:12:47Looks like you made a mistake, Rogers.
01:12:49Gypsy was your man after all.
01:12:51I'm not sore. Good luck in catching him.
01:12:53Just a minute.
01:12:55I know we should have kept that Rico in jail when we had him.
01:13:02What's this I hear about you holding up the oil company's office?
01:13:05That is true, Roy.
01:13:07I just wanted to make sure that the money got into the right hands.
01:13:10Here's more. Take him.
01:13:15Okay, boys. Take him away.
01:13:18Looks like part of the reward money is yours.
01:13:21There is more important things in life than money.
01:13:25A la vista, Roy.
01:13:27Yeah. Be seeing you.
01:13:30Hey, somebody help me out of here.
01:13:33I'm stuck by my...
01:13:36by my gun belt.
01:13:59Down the old Spanish trail
01:14:02Ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay, ay
01:14:32Only now and again, when together they ride, side by side, down the old steady trail.