Passed | 1h 13min | Comedy | 28 February 1931 (USA)
A man tries passing off a socially awkward fellow as a Casanova in the hopes of marrying off his would be sister-in-law.
Director: Edward Sedgwick
Writers: C.W. Bell, Mark Swan
Stars: Buster Keaton, Charlotte Greenwood, Reginald Denny
A man tries passing off a socially awkward fellow as a Casanova in the hopes of marrying off his would be sister-in-law.
Director: Edward Sedgwick
Writers: C.W. Bell, Mark Swan
Stars: Buster Keaton, Charlotte Greenwood, Reginald Denny
Category
🎥
Short filmTranscript
00:00:30♪
00:00:53Yep, come on.
00:00:55Come on, talk to me.
00:00:56Hey, you!
00:00:58Hey, what's up?
00:00:59Where have you been?
00:01:00Oh, pal.
00:01:01Oh, pal.
00:01:02Pal.
00:01:03Hey, Ginny, what if we get married right away?
00:01:12Oh, Jeff, don't start that again.
00:01:14I told you a thousand times I'll never marry
00:01:16until Angie's married.
00:01:17Angie better get on to herself.
00:01:19She's not getting any younger.
00:01:20That's just it.
00:01:21She's four years older than I am.
00:01:22If I get married first, people are going
00:01:23I'm going to call her an old maid, and nobody will marry her.
00:01:26Yes.
00:01:27And in the meantime, we have to wait and...
00:01:35Hey, watch her with Bertie.
00:01:37I'm sorry, Bertie, but I've decided that I can't marry you.
00:01:41Oh, but why?
00:01:43Why the sudden change?
00:01:44I mean to say, dash it.
00:01:46You don't come up with specifications.
00:01:48Specifications?
00:01:50What am I, a horse or a silly ass?
00:01:53Well, I wouldn't say that you were silly.
00:01:55But my dear, you know, you can't judge a husband in a bathing suit.
00:01:58No, but you can get a rough idea.
00:02:02Oh.
00:02:05Looks like another flop.
00:02:07Oh, let her alone, dear. She'll find the right man someday.
00:02:10Yeah, we won't live that long.
00:02:12Why did she turn down Jack Peters?
00:02:14Oh, she said he had no romance, no excitement.
00:02:16She wants a man that she'll never be sure of.
00:02:19Is that so?
00:02:21Well, what about, what about George Waters?
00:02:23He looked like he'd never been kissed.
00:02:25Oh, rot. I'll tell you one thing.
00:02:27I'm not going to let your sister interfere with our happiness.
00:02:29Oh, Jeff.
00:02:30I mean it. You're going to marry me next week.
00:02:32Nothing's going to stop us.
00:02:33But how can I...
00:02:34I know what I'll do. I'll marry Angie myself.
00:02:35What?
00:02:36Yeah, and then I'll poison her and marry you.
00:02:37Where are you going?
00:02:38Where am I going? To get the poison.
00:02:42Well, I must leave and take that train to town, honey.
00:02:45Oh, Fred, you think of nothing but business.
00:02:49A wife likes to have her husband at least one night a week.
00:02:54Hey, you. Cut that out. That's my wife.
00:02:56Sorry. Thought it was mine.
00:02:57Can you beat that?
00:03:02Honey, when I'm away nights, I hope you won't...
00:03:04You hope I never look at another man.
00:03:06Well, you just better not leave me alone so much.
00:03:08Take a little wifey's tip.
00:03:10Anita, why do you always start pulling that stuff?
00:03:12You know how I hate it.
00:03:13Oh, you two lovebirds. At it again.
00:03:17Well, Angie, how would you like your husband
00:03:19leaving you every night for business?
00:03:21Are you sure it's business?
00:03:22No, I'm not.
00:03:23Then I'd love it.
00:03:25Oh, if I only had a husband that could make me jealous.
00:03:27Why, I'd send him out nights
00:03:29just to get a thrill when he came home.
00:03:30Angie, you talk like a fool.
00:03:32How would Fred like it if I started going out nights?
00:03:34Oh, you wouldn't mind, Fred, would you?
00:03:36Not if the man was good-looking.
00:03:37Oh, no, I wouldn't mind
00:03:39because I'd have the extreme pleasure of twisting his neck.
00:03:43Bye, honey.
00:03:45Goodbye, Fred.
00:03:47Bye.
00:03:50Oh, Anita, the more I see of men,
00:03:53the more I love my dog.
00:03:56Don't wait for me.
00:03:57You go off and have your luncheon.
00:03:59All right.
00:04:00All right.
00:04:25Come on.
00:04:55Out there!
00:05:06Say, are you hurt?
00:05:08Say, answer me.
00:05:09Are you hurt?
00:05:10Speak!
00:05:18Help!
00:05:19Help somebody!
00:05:20Get a doctor!
00:05:22Help there!
00:05:23Help!
00:05:24Get a doctor!
00:05:25Get a doctor!
00:05:26I think he's dead!
00:05:36The poor dear.
00:05:38He has such a soulful, sad face.
00:05:42How could you be so careless?
00:05:45Suppose he dies!
00:05:47That's right, that's right.
00:05:48Be as cheerful as possible.
00:05:50Hello, what's this?
00:05:55Carpet tax!
00:05:57Let's see if there's any more.
00:06:01Easy, easy, easy.
00:06:15Well, there's a pretty bad scalp wound,
00:06:17but no apparent fracture.
00:06:19Probably some brain concussion.
00:06:22He must have perfect rest and quiet.
00:06:24I advise he have a nurse.
00:06:25Won't I do, doctor?
00:06:27I'll give him the best possible care.
00:06:29The poor thing.
00:06:32Well, all right, Miss Emery, if you want to.
00:06:34I'll go down and write out some instructions for you.
00:06:42I wonder who he is.
00:06:46He looks like one who has loved and suffered.
00:06:49Oh!
00:06:51Oh, oh, she's coming too!
00:06:54Oh, there was an accident, my poor man.
00:06:57And you're in my home.
00:06:59Don't worry.
00:07:00Everything will be all right.
00:07:02I'm going to take care of you.
00:07:05I won't be gone long.
00:07:06I'm just going down to see what the doctor tells me to do for you.
00:07:09Come on, Ginny, I may need you.
00:07:11Jeff, dear, now, there's the dear.
00:07:13You stay here and take care of him, won't you?
00:07:14You watch over him carefully.
00:07:15Come on, Ginny, we'll see what the doctor has to say.
00:07:17Hurry up.
00:07:21I'm awfully sorry, old man.
00:07:22I'm the fellow who hit you.
00:07:24But you weren't looking where you were going.
00:07:27Oh, I was looking at her.
00:07:29Oh, I... I don't blame you.
00:07:32And, uh...
00:07:34What do you think of her now that you've met her?
00:07:37Oh, she's beautiful.
00:07:39Hmm.
00:07:41Say, what's your name?
00:07:43Oh, my name?
00:07:44Oh, my name?
00:07:45Oh, my name?
00:07:46Oh, my name?
00:07:47Oh, my name?
00:07:49Say, what's your name?
00:07:51Reginald Irving.
00:07:53What business are you in?
00:07:55I'm a sign tacker.
00:07:57A what?
00:07:58A sign tacker.
00:08:00I go around putting signs on telegraph posts and fences and things.
00:08:04Oh, I see.
00:08:05In the advertising business, huh?
00:08:08Yeah.
00:08:10Are you, uh...
00:08:12married?
00:08:13Oh, no.
00:08:15Have you ever had anything to do with women?
00:08:18Oh, I used to sell vacuum cleaners.
00:08:21Oh, no, no. I mean...
00:08:22Have you ever had a love affair with a woman?
00:08:24Oh, gosh, no.
00:08:26Well, you're going to have.
00:08:28Oh, I can't.
00:08:29I don't get paid until Saturday.
00:08:32That's why this won't cost you anything.
00:08:35You like Miss Embry, don't you?
00:08:38Is that the...
00:08:39the lady that was just here?
00:08:41Mm-hmm.
00:08:42Oh, she's marvelous.
00:08:45How would you like to know her real well?
00:08:50I might fix it...
00:08:52so that she could be the mother of your children.
00:09:03Keep them continually up.
00:09:05I think the scaffold will show up very well in a few days.
00:09:07Thank you, Doctor.
00:09:08Goodbye, ladies.
00:09:09Goodbye, Doctor.
00:09:10Goodbye, ladies.
00:09:11Goodbye, Doctor.
00:09:13Goodbye.
00:09:15Well, I found out who our patient is.
00:09:18Really?
00:09:19Mm-hmm.
00:09:20You'd never guess.
00:09:21Come on, darling. Don't be so mysterious.
00:09:24Reggie Irving.
00:09:26Reggie Irving?
00:09:27Uh-huh. The Reggie Irving.
00:09:30I don't know him.
00:09:31What? You don't know Reggie Irving, the great outdoorsman?
00:09:34Does he run with our set?
00:09:36Oh, no, no. Hardly.
00:09:37No. He's better known in London and Paris.
00:09:40I'm surprised you never heard of the name.
00:09:42I never heard of him either.
00:09:43Oh, listen.
00:09:45He's figured in so many divorce cases...
00:09:47that all the lawyers in France wept when he left.
00:09:51Not really.
00:09:53Surely.
00:09:57Not...
00:09:58Mm-hmm. Reggie Irving.
00:10:01The little devil.
00:10:03And he has such a soulful, innocent look in his eyes.
00:10:06Innocent?
00:10:07Oh, that's just the way he works.
00:10:10Why, the very clothes he had on today were a disguise.
00:10:12He's probably on his way to a rendezvous...
00:10:14at the home of one of your neighbors.
00:10:15I wonder who it can be.
00:10:17Why, he's the worst boudoir snake in captivity.
00:10:20Pardon me.
00:10:21What are you going to do?
00:10:22What am I going to do?
00:10:23Phone for an ambulance.
00:10:24Not on your life.
00:10:25The doctor says he mustn't be moved.
00:10:27But he can't stay here. What will people say?
00:10:28Oh, don't be absurd.
00:10:30I can manage him perfectly.
00:10:31Well, how about Ginny?
00:10:32She'd probably fall for him, too.
00:10:33And I couldn't stand that.
00:10:34I'll take care of Ginny.
00:10:36All right. Have it your own way.
00:10:37But remember, I warned you.
00:10:39Warned me?
00:10:42You've intrigued me.
00:11:08Come in.
00:11:10A lady to see Mr. Herbie.
00:11:13Tell her that he can't see anyone.
00:11:15Yes, ma'am.
00:11:16Oh, I'm sure he'll see me.
00:11:20Reggie!
00:11:21My poor darling Reggie!
00:11:25To think of you lying here like this.
00:11:30Heavens!
00:11:31What's this?
00:11:35Porridge!
00:11:37Here.
00:11:38Here.
00:11:39Take this away.
00:11:40He detests porridge.
00:11:42Really, I must thank you.
00:11:44Don't you suppose I know what he likes for breakfast?
00:11:48Reggie!
00:11:49Reggie!
00:11:51Don't you know me?
00:11:52It's your little Gwennie!
00:11:54Your little Gwennie!
00:11:57Son, it's true.
00:11:58What they told me downstairs.
00:11:59He's lost his memory.
00:12:01Oh, Reggie!
00:12:04Reggie!
00:12:05My poor...
00:12:07Really, I must ask you to leave.
00:12:09You're disturbing him.
00:12:10All right, nurse.
00:12:14When you get on your feet again, sweetheart,
00:12:17remember, my arms will be waiting.
00:12:37Two ladies to see Mr. Hurley.
00:12:41Reggie! Reggie!
00:12:42Oh, Reggie, my darling!
00:12:44Oh, my sweet, my poor little baby!
00:12:47Will you please take your hands off of him?
00:12:49Listen, baby, how do you...
00:12:51Will you please take your hands off of him, Reggie, darling?
00:12:53I didn't know the two were sick, and I didn't know it was half so bad.
00:12:56Will you please take your hands off of him?
00:12:58Listen, Reggie, darling...
00:13:00Did you put it over?
00:13:01No, my dear, I couldn't have done any better.
00:13:03No, my dear, I couldn't have done any better.
00:13:06Good girl. Here's 50 extra.
00:13:16I can't have this a minute longer.
00:13:17As long as Mr. Irving is in my house and my charge,
00:13:19I can't have his temperature going up like this.
00:13:29And as far as you're concerned,
00:13:30I'm gonna sue you for breach of promise
00:13:32and have you thrown in jail.
00:14:03Oh!
00:14:10Stop him!
00:14:11$50 to the man who stops him!
00:14:32Stop him!
00:14:33Stop him!
00:14:40Come on, boys, I've got him!
00:14:49Here, here, thanks. That's it.
00:15:03Hey, never mind that! Quit!
00:15:05I want him alive! Come along, give him to me.
00:15:07Give him to me.
00:15:08Oh, have you killed him?
00:15:09No, I think he's all right.
00:15:12All right, I'll fix up with you later.
00:15:13Well, I'll see you later.
00:15:16He must have absolute rest and quiet, Marie.
00:15:18No one must enter or disturb him in any way.
00:15:21Yes, ma'am.
00:15:33I won't forget reading that book, darling.
00:15:36Hello, sweet!
00:15:37How are you?
00:15:38Hello, darling.
00:15:39Say, darling, I've got some good news for you.
00:15:41Really?
00:15:42Yes, I think Angie's just mad about that little shrimp upstairs.
00:15:44Is that so?
00:15:45Yes.
00:15:46Well, you know...
00:15:48She won't let anybody come near the room.
00:15:50No, I didn't think she would.
00:15:51Oh, she's going to have a devil of a time with that little brute.
00:15:54I don't know.
00:16:02Later, darling.
00:16:03Later.
00:16:04Why, just fixing the curtains, sweetheart.
00:16:05Oh, I see.
00:16:06Yes, they're badly hung.
00:16:07Well, I'm going upstairs, darling.
00:16:08Yes, darling.
00:16:09I'll have the curtains fixed.
00:16:10All right, sweet.
00:16:11When the wind blows, they have no resistance.
00:16:13All right, darling.
00:16:14You go out and change, and I'll fix the curtains.
00:16:21Hey, hey, hey!
00:16:22What did I tell you?
00:16:23Don't do that!
00:16:24I want him alive!
00:16:25I want him alive!
00:16:26Give me a minute.
00:16:27Come on, bring him over here.
00:16:28Make this happen.
00:16:29That's all right.
00:16:30Now beat it.
00:16:32All right.
00:16:33Come on, boys.
00:16:41Don't forget to put those glasses away, Bridget.
00:16:44And be very careful of them.
00:16:53Hello, Horace.
00:16:54How are you?
00:16:55Quite nicely, thank you, sir.
00:16:56I'm glad to see you.
00:16:57Yes, sir.
00:16:58Can I do anything for you, sir?
00:16:59No, nothing.
00:17:03Nice pantry you have, Horace.
00:17:05Thank you, sir.
00:17:06I'm glad you like it.
00:17:07Thank you, sir.
00:17:08Yes, sir.
00:17:17Hello, Horace.
00:17:18Glad to see you.
00:17:19Very glad to see you.
00:17:20Glad you're still with us.
00:17:21I feel fine.
00:17:22Don't you feel the same?
00:17:23Bring him here.
00:17:24This is the way to do it.
00:17:26Goodbye, Horace.
00:17:30Oh!
00:17:50What on earth's the matter?
00:17:54Carazania sat on the terrace of the Hotel de Paris,
00:17:57gazing out over the azure.
00:17:59I was afraid those screams might have wakened him.
00:18:02No, he's quite all right.
00:18:03I'm just reading him to sleep.
00:18:06An attentive waiter saw her, went to her,
00:18:08and hovered over her.
00:18:09Is there anything the madam desires?
00:18:11Yes.
00:18:12Oh, he's perspiring dreadfully.
00:18:13Is he?
00:18:14Well, that's splendid, yes.
00:18:15The fever has probably broken up.
00:18:16Being a waiter, he waited.
00:18:18But being...
00:18:21Being an intelligent waiter, he...
00:18:25Just a little, uh, irritation somewhere.
00:18:29Being an intelligent waiter, he didn't wait very long.
00:18:32And also being...
00:18:34No.
00:18:35He didn't do it, did he?
00:18:37So, she sat off the terrace.
00:18:40Lovely gown, Leila.
00:18:42I bet you'll be down soon.
00:18:44Yes, I want to see her, Angie.
00:18:47Have you seen this issue of the, uh, social gossip?
00:18:50No.
00:18:51Don't tell me there's more about her and Reggie Irving.
00:18:53Of course, we knew there'd be lots of broken hearts
00:18:55when Reggie Irving's engagement to Angelica Embree was announced.
00:18:59But we hardly expected that the prospective bridegroom's
00:19:01various explanations would necessitate a midnight supper
00:19:04last Monday in a private room at the Seaside Hotel
00:19:07with a certain lovely, blonde divorcee of Long Island.
00:19:10Oh, Leila, that's awful!
00:19:12And a week before the wedding.
00:19:14Angie already thinks that I have been making, uh,
00:19:17eyes and side glances at that impossible little schwimp of hers.
00:19:21And this atrocious paper accuses me of being his companion.
00:19:25And you weren't there at all, were you, darling?
00:19:27Thank goodness, I have a perfect alibi.
00:19:30Oh, Jeff!
00:19:31Oh, that's all right, darling.
00:19:32I'll go and see Reggie and demand an explanation.
00:19:34You do that, dear.
00:19:35Maybe it isn't true.
00:19:36I hope so, for Angie's sake.
00:19:40Uh, excuse me.
00:19:52Well?
00:19:53And how's everything?
00:19:54Oh, it's terrible.
00:19:56Terrible?
00:19:57What's happened?
00:19:58She's worth $8 million.
00:20:00Oh.
00:20:01And what's so terrible about that?
00:20:03Oh, I could never marry a woman for her money.
00:20:07Say, what's the matter with you?
00:20:09Oh, it's nothing.
00:20:10It's nothing.
00:20:11It's nothing.
00:20:12It's nothing.
00:20:13It's nothing.
00:20:14It's nothing.
00:20:15It's nothing.
00:20:16It's nothing.
00:20:17It's nothing.
00:20:18It's nothing.
00:20:19It's nothing.
00:20:20Say, what's the matter with you?
00:20:21You're managing her estate, and in another week, she'll be your wife.
00:20:25And I ought to tell her that I'm not the kind of man she thinks I am.
00:20:29Say, you do that, and I'll...
00:20:37Oh, there you are, darling.
00:20:40Really, darling, you mustn't work so hard.
00:20:44We're having tea on the terrace.
00:20:46You must come out.
00:20:47Wait a minute, Angelica.
00:20:49I want to talk to you.
00:20:50Why, of course, dear.
00:20:51What is it?
00:20:52I've got something I want to say to you...
00:20:55alone.
00:20:56Oh, I know what it is, dear.
00:21:00You want to tell me how much you love me.
00:21:04I know what it is, dear.
00:21:06You want to tell me how much you love me, and how happy you are.
00:21:12But suppose I told you that I'm not the man you think I am,
00:21:16and, uh, that I don't know these other women.
00:21:20I've never been out with them at all.
00:21:22You naughty, naughty boy, as if I'd believe it.
00:21:27No, darling, it's not your past I'm worried about.
00:21:30It's your future and your present.
00:21:34Bye-bye, dear.
00:21:41It's no use.
00:21:43She won't believe me.
00:21:46A sap.
00:21:49A sap.
00:21:50Do you want to spoil everything?
00:21:52Think of all I've done for you.
00:21:53Think of what this means to me.
00:21:54You're not going to weaken until Julie and I are married.
00:21:57And then, if you're determined to go ahead and wreck two lives,
00:21:59one of them human, go as far as you like.
00:22:01But until then, you'll stick.
00:22:03You'll stick.
00:22:05And as for that insignificant little nincompoop that you're so crazy about,
00:22:09I wouldn't give him a thought.
00:22:10Indeed.
00:22:11Well, many very attractive women have, my dear.
00:22:15And besides, he is not a nincompoop.
00:22:17Oh, Angie, my dear,
00:22:19if he were ever left alone in a dark room with a beautiful woman,
00:22:21he'd drop dead.
00:22:24Why, here's Freddy!
00:22:27Hello, Fred.
00:22:29Oh, I'm so glad to see you.
00:22:31I didn't know I was here.
00:22:32I telephoned over.
00:22:33How are you, Angie?
00:22:34Hello, Ginny.
00:22:35Hello, Freddy.
00:22:36You're going to stay to pee?
00:22:37Of course, Fred.
00:22:38No, thanks.
00:22:39I can't stop.
00:22:40Oh, Fred.
00:22:41I'm sorry, Anita.
00:22:42I've got to go out of town at once.
00:22:44I really dropped in to say goodbye.
00:22:46Oh, Fred, take me with you.
00:22:47Oh, Fred, take me with you.
00:22:49Oh, Fred, take me with you.
00:22:51Why?
00:22:52Oh, Fred, take me with you.
00:22:53I can't, dear.
00:22:54This is...
00:22:55This is business.
00:22:57Business again.
00:22:59Oh, perhaps you two would like to say your tender goodbyes in private.
00:23:03Come on, Ginny.
00:23:05I told you it was business, dear.
00:23:08Business.
00:23:13Mr. Irving, did you have this scandalous article put in here?
00:23:17No.
00:23:18Did you explain to Angie the story isn't true?
00:23:21There's no use explaining.
00:23:23She insists on believing that I'm bad.
00:23:26And I'm not.
00:23:27Honest, I'm not.
00:23:28Well, I should think she'd be able to take one look at you
00:23:30and realize that if you were left alone in the room with a woman, why...
00:23:34We'd both be safe.
00:23:36I...
00:23:37I was in a house one time all alone with the most beautiful French maid.
00:23:43She tried to kiss me.
00:23:45She was baking a pie.
00:23:47And what did you do?
00:23:49I ate the pie.
00:23:51Oh, this is perfectly dreadful.
00:23:54I'll wager everybody thinks I was there
00:23:56and that you held me in your arms and kissed me.
00:23:59Oh, I... I wouldn't know how.
00:24:01Why, you never get such thoughts, do you?
00:24:05Oh, I get the thoughts, but I'm scared to carry them out.
00:24:13Oh, Leela.
00:24:15I apologize for even thinking that story was true.
00:24:19Why, you have too much sense to even be seen with this poor little nitwit.
00:24:23Oh, you heard.
00:24:24Yes, and I'm happy I did.
00:24:26Say, Angie, what happened?
00:24:28Oh, nothing's happened. That's just it.
00:24:29Why, nothing's ever happened to Reggie.
00:24:31Why, he's not even a man.
00:24:34Oh, I am too.
00:24:36Even Professor Einstein couldn't make me believe that.
00:24:46Now, see what you've done.
00:24:48You sap.
00:24:49Oh, it's all I can do to keep my hands off you.
00:24:51I didn't know she was listening.
00:24:53Oh, you idiot.
00:24:54You've gummed up the whole works.
00:24:56Now we've got to do something at once, or else it's all off.
00:24:59I wish it was.
00:25:01I'm tired of being a villain.
00:25:03Say, I've got it. I've got it.
00:25:06You're going to be caught with the goods.
00:25:09I'm going to be a criminal.
00:25:12You're going to be caught with the goods.
00:25:14I'm going to be a crook?
00:25:16A crook, no.
00:25:18You're going to have an affair with a woman tonight.
00:25:21Oh, I'm a little nervous.
00:25:24Can't you make it tomorrow night?
00:25:26No, tonight.
00:25:29What woman?
00:25:30Oh, never mind. Any woman. I'll attend to that.
00:25:32Now, listen.
00:25:33You will go to the Seaside Hotel.
00:25:35You may have my rooms there.
00:25:36You will register as Mr. and Mrs. John Smith,
00:25:38and Angelica will catch you.
00:25:40You think that'll help me with Angelica?
00:25:42Help you?
00:25:43Why, it'll marry you to her.
00:25:48Oh, supposing Angelica is delayed.
00:25:51No, she won't be delayed.
00:25:53I'll attend to that.
00:25:55Well, what'll I do with this woman while I'm waiting?
00:25:59Gee, I'm not much at talking.
00:26:02Oh, well, I'll tell you.
00:26:04Here, I'll draw a diagram for you.
00:26:06Now, come along. Write this down.
00:26:10Now, first of all, you register as Mr. and Mrs. John Smith.
00:26:15Mr. and Mrs. John Smith.
00:26:17Right. Right.
00:26:20Now, when you first get to your room,
00:26:22order some champagne and broil lobster.
00:26:26Champ...
00:26:30Can't you make it beer?
00:26:32Beer, certainly not. Champagne.
00:26:34C-H-A-M-P...
00:26:37Oh, well, make it wine. W-I-N-E.
00:26:42Well, what'll I call her?
00:26:44Oh, call her kid, sweetheart, baby.
00:26:50Kid, sweetheart, baby.
00:26:53Uh-huh.
00:26:54And then when you're helping her to take off her...
00:26:57Take off her what?
00:26:59Wrap.
00:27:01R-A-P.
00:27:03No, wrap. W-R-A-P.
00:27:06W-A-P?
00:27:08W-A-P.
00:27:09What?
00:27:10Make it coat.
00:27:12K-O-T-E.
00:27:15Then slip your arm around her.
00:27:17Give her a little kiss.
00:27:19Kiss.
00:27:21Then pull her down onto your knee.
00:27:25Must I do that?
00:27:27Of course you must.
00:27:29Well, I'll put her down.
00:27:33After the knee, what happens?
00:27:35Haven't you any imagination?
00:27:37Yeah, but I'm afraid to depend on it.
00:27:40Oh, well, you've got enough there anyhow. Now come along.
00:27:42Run out to your room and pack your bags.
00:27:44I'll attend to everything else. Go ahead. Have a good time.
00:27:46I'll have a good time if it kills me.
00:27:50And make it so that whatever you do, don't weaken her.
00:27:53Quick as you can. Go ahead, boy.
00:27:57Hurry up!
00:28:06Is Jefferson Hayward in?
00:28:08I'll see, madam. Who shall I say is calling?
00:28:10Well, I have an appointment.
00:28:12What is the name, please?
00:28:14He expects me.
00:28:15What is the name, please?
00:28:17Say, what if I don't want to tell you?
00:28:19Well, then I shan't know who to say is here, madam.
00:28:21Well, good. Go tell him I'm here.
00:28:23Yes, but...
00:28:36What is it all about?
00:28:38I wasn't going to give my name after the article you made me put in my column.
00:28:41I'm so glad you came.
00:28:43I rushed the moment I got your note.
00:28:45Come along. Sit down.
00:28:49Good.
00:28:51Well, what is it? You've got me all goose pimples.
00:28:54Polly, I'm sorry.
00:28:56I'm sorry.
00:28:58I'm sorry.
00:29:00I'm sorry.
00:29:02I'm sorry.
00:29:04Polly, you know how anxious I am to get married.
00:29:07Well, not half as anxious as I am, and look how calm I act.
00:29:10Yeah, but I want to get married next week,
00:29:12and you're the one that's going to do it for me.
00:29:14Do it for you? Great Scott, when a man gets married,
00:29:16that's one thing he must do for himself.
00:29:18Oh, don't you understand?
00:29:20Tell me something. I'll understand it.
00:29:22All right. I want you to meet this Reggie Irving.
00:29:25You mean the man that I've been scandalizing in my column?
00:29:27Mm-hmm. I want you to meet him alone.
00:29:30No, it's all right.
00:29:32It's all right. This is just a trick.
00:29:34Yeah, well, you don't want me. You want a magician.
00:29:36No, but he's quite harmless.
00:29:38Why, if he were to find himself in a room alone with a woman,
00:29:40he'd probably faint.
00:29:42Well, sometimes they come to life.
00:29:44I'll be seeing you.
00:29:46Sarah! Great Scott, don't scare me.
00:29:49Now, listen, I only want you to have supper with him.
00:29:51Will you?
00:29:53Well, will he give me a good supper?
00:29:55Oh, sure. In my rooms at the Seaside Hotel.
00:29:58And then Miss Embry, his fiancée, will catch you there.
00:30:00That's all.
00:30:02That's enough. The last time I was caught by a fiancée,
00:30:04she had more hair on her hand than I had in my head.
00:30:06I'm not worrying about your hair.
00:30:08Well, I am. It's darn hard to match.
00:30:10Now, Jeff, you act so.
00:30:12You ought to see a doctor. Goodbye.
00:30:14Now, come here.
00:30:17Listen, Polly, we've always been good friends, haven't we?
00:30:20Yes, but you're scaring the friendship out of me.
00:30:23Now, come along, and let's get organized.
00:30:25I told you over the telephone
00:30:27what a terrible fix I was in, didn't I?
00:30:29Now, then, if we can only get Angelica
00:30:31to find her Reggie with another woman...
00:30:33Oh, I see.
00:30:35Looks don't mean anything. Anyone will do.
00:30:38Oh, so you picked me. Thanks.
00:30:41Oh, no, you're such a great scout.
00:30:43Yes, I'm Buffalo Bill.
00:30:45Now, listen, you will register as Mr. and Mrs. John Smith.
00:30:48Mr. and Mrs. John Smith.
00:30:50Now I'm Pocahontas.
00:30:52No, that's just to get in.
00:30:54You're supposed to be Reggie's wife,
00:30:56Mrs. John Smith, pro tem.
00:30:58Oh, I'd love to be a wife pro tem.
00:31:00You can have all the fun and none of the housework.
00:31:03You'd better see another architect.
00:31:05Oh, maybe you're right.
00:31:07I'd better find someone who can put a little pep into a man.
00:31:12Someone with enough it to teach a man how to act with a woman.
00:31:15Oh, yeah?
00:31:19What is the address of this seaside hotel?
00:31:22Nita, won't you listen to reason?
00:31:24If you don't take me, you'll be sorry.
00:31:26I've told you I can't.
00:31:28Then go.
00:31:30And I don't care if you never come back.
00:31:32Nita, you don't mean that.
00:31:34Yes, I do. Every word of it.
00:31:37Leave me alone.
00:31:39Oh, very well.
00:31:41I'll wire you when I arrive.
00:31:43Make my excuses to Miss Embry.
00:31:45You make them yourself.
00:31:47Bye, dear.
00:31:49Oh, Fred.
00:31:57Oh!
00:32:02Yes, you have. Here it is.
00:32:04Now, seaside hotel, 7 o'clock, Crotreggie and Supper.
00:32:06Gee, I love Supper. I hope they have me.
00:32:08So long, Jeff. I'll see you Thursday.
00:32:10Bye-bye, Polly.
00:32:12I know what I'll do.
00:32:14I'll raise the devil.
00:32:16I'm going out with the worst man I know to a terrible place.
00:32:20And I'm gonna let Freddy know about it.
00:32:23Then he'll have to come back.
00:32:25Well, after all, dear, it's your own affair.
00:32:28But don't do anything foolish.
00:32:32Alimony may be easy money,
00:32:34but it don't make up for a lot of lonesome nights.
00:32:47Hurry up!
00:32:53Oh!
00:33:11Say, what's the idea of the golf clubs?
00:33:14Oh, I thought maybe if Angelica was late, I could practice putting.
00:33:18Oh, go ahead. Beat it. Beat it. Go by the garden.
00:33:21Everything's all set.
00:33:31Reggie!
00:33:32Oh, hello.
00:33:34Why, Reggie, you wicked boy, where are you going?
00:33:37Oh, no place in particular.
00:33:41Oh, yes, you are.
00:33:44You're going to take me to supper to the worst place you know.
00:33:47Huh?
00:33:51Oh, I'm so glad it's you.
00:33:55Why, Reggie, who ever would have thought you were so wicked?
00:33:59Where shall we go?
00:34:00Oh, that's all arranged.
00:34:02Arranged?
00:34:03Seaside hotel, supper for two, private room.
00:34:06Oh, Reggie, you darling.
00:34:08Not yet.
00:34:14Reggie, I'm beginning to feel so wicked.
00:34:18So am I.
00:34:20Reggie, you understand this isn't really...
00:34:24Oh, I know. We're just playing.
00:34:27My car's out the garden gate. Let's take that.
00:34:30All right.
00:34:32Won't some people be surprised?
00:34:36I hope so.
00:34:38I overheard him making a date for this very evening.
00:34:43You wait and see.
00:34:45Well, listen, darling, I have some rather important business.
00:34:47So I'll run along. I'll call you later.
00:34:49Goodbye, sweetheart.
00:34:50Goodbye, darling.
00:34:54Oh, there you are.
00:34:56Where's that little wretch Reggie?
00:34:57I'm going to send him packing out of my life.
00:34:59Now, Angie, I'm done with him.
00:35:00He's made me a laughing stock.
00:35:04Oh, there he is.
00:35:05Really?
00:35:06Getting into a car.
00:35:07Alone?
00:35:08No.
00:35:09There's a woman in it.
00:35:10A woman?
00:35:20Why, it's Nita Leslie, the little hussy.
00:35:25Oh, Reggie, how I've wronged you.
00:35:30I beg your pardon.
00:35:31Where's Nita?
00:35:32Our car's starting.
00:35:33They're going away together.
00:35:34Oh, Reggie, how I've misjudged you.
00:35:37What is it?
00:35:38What's the matter?
00:35:39The matter?
00:35:40Nothing's the matter.
00:35:41Everything's perfect.
00:35:42My Reggie has just eloped with your Nita.
00:35:46What?
00:35:47Oh, isn't it grand?
00:35:57Oh, and they're taking the two caters.
00:36:00I'll murder him.
00:36:11Oh, Reggie.
00:36:26Oh, Reggie.
00:36:43Oh, Reggie.
00:36:58Oh, Reggie.
00:37:13Oh, Reggie.
00:37:28Oh, Reggie.
00:37:43Oh, Reggie.
00:37:57Oh, Reggie.
00:38:10Can you take us to the seaside hotel?
00:38:38What?
00:38:39The seaside...
00:38:41The seaside...
00:38:42The hotel down here.
00:38:57Hey!
00:39:00Seaside hotel!
00:39:25How much do I owe you?
00:39:27Hey!
00:39:28How much do I owe you?
00:39:29Do you think two dollars would be too much?
00:39:33Yes.
00:39:34Well, give me a dollar.
00:39:58I'm Mr. John Smith and wife.
00:40:07Oh.
00:40:08Would you like two rooms?
00:40:10Oh, no.
00:40:11I'll only be here one night.
00:40:13Do you prefer single or twin beds?
00:40:17Which is best?
00:40:19How do you generally sleep?
00:40:21On my back.
00:40:22On your...
00:40:24Then I'll give you a double bed.
00:40:27I'm Mr. Haywards.
00:40:29Mr. John Smith and wife.
00:40:31Oh, you're that Mr. and Mrs. John Smith.
00:40:33Well, why didn't you say so before, sir?
00:40:36Now, if you kindly register,
00:40:39we'll take care of you immediately, Mr. Smith.
00:40:46Right here, Mr. Smith.
00:40:47Mr. Smith, we'll take care of you immediately.
00:40:58Maybe I better sign it again.
00:41:00Yes, I think you better.
00:41:01Just...
00:41:03It must be raining out, isn't it?
00:41:10Boy, will you take care of these people, please?
00:41:12Where will I take them?
00:41:13To the laundry?
00:41:14No, room 636.
00:41:42Out of here.
00:41:43That's my hat.
00:41:44Don't...
00:41:45Don't...
00:41:46Don't hurt my hat.
00:41:47Hey, you got any mail from Mr. McGinnis, boy?
00:41:49Here.
00:41:58Yeah.
00:42:00I'm all right now.
00:42:02I'm all right now.
00:42:04You're all right now?
00:42:06Yeah.
00:42:08I'm all right now.
00:42:09I'm all right now.
00:42:11You're all right, Mr. Smith?
00:42:12Yeah.
00:42:14You're all right, Mr. Smith.
00:42:15Yeah.
00:42:16You're all right.
00:42:28You're all right.
00:42:29Come on.
00:42:30Come on.
00:42:31Come on.
00:42:32Come on, let's go.
00:42:59Anything else sir?
00:43:00No thanks.
00:43:01No supper, nothing to eat?
00:43:03Oh, yeah.
00:43:08Bring wine.
00:43:12Not so loud.
00:43:13What's the matter?
00:43:14Why, I'll get ten years if I'm caught selling that stuff.
00:43:17Well, if you don't get caught, how much will it cost?
00:43:21Fifteen dollars a quart.
00:43:24Bring champagne.
00:43:26That's twenty dollars a quart.
00:43:27Bring wine.
00:43:29Should have been beer, I told him.
00:43:30Hey, what are you going to eat?
00:43:33Lobster.
00:43:34Yeah? The lady two?
00:43:36Yes.
00:43:37That's three lobsters.
00:43:39No.
00:43:40One for me and the lady two.
00:43:43The lady two.
00:43:44That's three lobsters.
00:43:47I guess you'll have to eat two lobsters.
00:44:01Sure you can spare this?
00:44:06Say, do you favor your father or your mother?
00:44:10Oh, my mother.
00:44:11Yeah?
00:44:12My father left town the day before I was born.
00:44:16Probably knew what was coming.
00:44:31Oh, Reggie, give me a hanky.
00:44:49Aren't you afraid of thunder and lightning?
00:44:52I don't care for it either.
00:44:55Oh, Reggie, I'm so wet.
00:44:57Maybe you better take that coat off.
00:45:04Reggie.
00:45:06I wish I had something dry to put on.
00:45:10Maybe there's something in the grip.
00:45:21Why, Reggie, how did you happen to have this coat on?
00:45:25Reggie, how did you happen to have these in your suitcase?
00:45:29Oh, I always carry those things.
00:45:32Reggie, you wicked, wicked man.
00:45:36Where will I change?
00:45:46It looks like a bed.
00:45:51There's a bed.
00:45:52Oh, Reggie, I feel so wicked.
00:45:58Reggie, help me unhook my dress.
00:46:01Help me unhook my dress.
00:46:16Reggie, behave.
00:46:22Reggie.
00:46:28Reggie, don't look. Go into the other room and shut the door.
00:46:48Headache?
00:46:49Oh, no.
00:46:51I was just playing with the wife.
00:46:56I bet you two have a lot of fun together.
00:47:00Here's your wine and your lobster.
00:47:05That lobster's only got one big claw.
00:47:08They lose one sometimes in a fight, you know.
00:47:11Why didn't you bring me the winner?
00:47:15Anything else, sir?
00:47:16Yeah, I want you to take the missus' clothes out and have them dried.
00:47:22Okay.
00:47:24Don't you dare come in.
00:47:26Give me your clothes so I can send them down to have them dried.
00:47:29I'll give you the clothes, but don't you dare come in.
00:47:37She doesn't want me to come in. I noticed that.
00:47:40How about you? You better change, too.
00:47:49Don't you dare come out here.
00:47:54Still playing, huh?
00:48:10May I come out now?
00:48:12Yeah, come on out.
00:48:40Lobster.
00:48:42Kiss.
00:48:56Already?
00:48:58You know, you said you wouldn't really do that.
00:49:01It's in the book.
00:49:03The book?
00:49:06Hello?
00:49:08Hello, kid.
00:49:10Sweetheart. Baby.
00:49:12Reddy, you shouldn't say such things.
00:49:18Something here about your knee.
00:49:20My knee?
00:49:27Well, maybe it's my knee.
00:49:30Oh, I know what it is.
00:49:32You stand up.
00:49:37Oh, Reddy, you shouldn't.
00:49:39It's all right. It's in the book.
00:49:41Oh, Reddy, you shouldn't.
00:49:43No, you have to, because she's liable to be here now any minute.
00:49:46Oh, Reddy, let me go.
00:49:48Don't run around like that.
00:49:50Oh, Reddy. Reddy, let me go. Let me go.
00:49:53Reddy, don't you dare.
00:49:55Don't you dare take advantage of me.
00:49:57I told Reddy about you.
00:49:59Oh, please.
00:50:01She's liable to be here any minute.
00:50:03Reddy, I told Reddy on you.
00:50:05Don't you dare.
00:50:07Oh, Reddy.
00:50:13You can't do that.
00:50:15You've got to come out here. You've got to be here when she arrives.
00:50:20Reddy.
00:50:30Reddy.
00:50:32You are Reddy, aren't you?
00:50:34Yes, ma'am.
00:50:38This is going to be easy.
00:50:40Now, come here. Now, don't be scared.
00:50:42I'm not going to kidnap you or give you the needle.
00:50:44You're just as safe with me as you would be in jail.
00:50:46Jeff Haywood said.
00:50:48Jeff Haywood?
00:50:49Yes.
00:50:50Jeff Haywood?
00:50:52He sent you here?
00:50:54Yes.
00:50:56Well, what about it?
00:50:58What about what?
00:51:00Well, nothing.
00:51:02You know, when Jeff warned me about you,
00:51:04I didn't believe that it could be true.
00:51:05He was right.
00:51:07Now, he's explained everything to me and I'm going to coach you.
00:51:09Coach me?
00:51:11Yes. We're going to have a little rehearsal.
00:51:13Rehearsal?
00:51:14A little practice.
00:51:15Practice?
00:51:19Do you know what we're here for?
00:51:22To do something to deceive Angelica?
00:51:24Huh?
00:51:27Huh?
00:51:29What you're supposed to do now is to make love to me.
00:51:32Where do I begin?
00:51:33Up in Minnie's room.
00:51:36First, you seize me.
00:51:38Oh, one arm around my neck.
00:51:40Come see, come see.
00:51:43Well, come and get this.
00:51:45Are you anchored?
00:51:51I am here for a quiet evening.
00:51:54You know, you're dead and you won't lay down.
00:51:58I'm not here to give you dancing lessons.
00:52:04Come here.
00:52:06Oh, try that now.
00:52:15Your rough work is funny.
00:52:17I didn't mean to hurt you.
00:52:19Oh.
00:52:21Clinch, will you clinch?
00:52:22Get a half, Nelson.
00:52:25What's the matter with this thing?
00:52:27Hasn't it ever been used?
00:52:34Now say something like this.
00:52:36Darling, I love you madly.
00:52:38I cannot live without you.
00:52:40You must never leave me.
00:52:44Now you do that.
00:52:50Darling, I love you madly.
00:52:53I cannot live without you.
00:52:55You must never leave me.
00:53:03You have all the passion of an infuriated clam.
00:53:09Get up there.
00:53:11What do you think you're doing?
00:53:13This is a love scene.
00:53:15Oh, say it as if you really meant it.
00:53:17Say, darling, I love you madly.
00:53:20I cannot live without you.
00:53:22You must never leave me.
00:53:27I'll get you a piece of meat.
00:53:33Send up the hip of a horse.
00:53:38Oh, come on.
00:53:39Now you know what to say.
00:53:41Say it.
00:53:42Come on, say it.
00:53:44Oh, my darling, I love you madly.
00:53:47I cannot live without you.
00:53:49You must never leave me.
00:53:55He's moved in on me.
00:53:58Say, don't go to sleep here.
00:54:00This is not all home week, you know.
00:54:02Now you must kiss me.
00:54:04Huh?
00:54:06Not huh, kiss me.
00:54:32Now you hide.
00:54:345, 10, 21, 16, 49, 52, 68, 71.
00:54:40Here I come, ready or not.
00:54:47I'm not supposed to be your maiden aunt.
00:54:49I'm supposed to be the party of the city.
00:54:51I'm the queen of the city.
00:54:53I'm the queen of the city.
00:54:55I'm the queen of the city.
00:54:57I'm the queen of the city.
00:54:59I'm the queen of the city.
00:55:01I'm the second part in a regular orgy.
00:55:03In a regular orgy.
00:55:05In a kiss.
00:55:06Let me show you a kiss.
00:55:32Come on now, once more.
00:55:34Straight through this time.
00:55:36And I'll be flirting with you.
00:55:39You were meant for me.
00:55:41Kiss me.
00:55:43Kiss me.
00:55:45Oh my darling, I love you madly.
00:55:47You must never leave me.
00:55:49I cannot live without you.
00:55:52Kiss me.
00:55:54Kiss me.
00:55:56Kiss me.
00:55:58Kiss me.
00:55:59Kiss me.
00:56:03I beg your pardon.
00:56:30You've been holding out on me.
00:56:35Mama, do you want to play?
00:57:00Save me.
00:57:02Already save me.
00:57:04It's all right.
00:57:06It's all right.
00:57:08I know what to do now.
00:57:10Oh my darling, I love you madly.
00:57:12I cannot live without you.
00:57:14You must never leave me.
00:57:23I beg your pardon.
00:57:26I beg your pardon.
00:57:27I beg your pardon.
00:57:33Well, I...
00:57:43Just a moment.
00:57:45What on earth do you think you're doing?
00:57:47I'm practicing.
00:57:49Practicing?
00:57:50I'm doing pretty good, too.
00:57:52But, no, no, Nita, that's the wrong girl.
00:57:55Didn't you fix it with her?
00:57:57No, no, no.
00:57:58That was another girl, a friend of mine.
00:58:00Oh, that other woman.
00:58:02Oh, yes, she told me what to do.
00:58:04I love you madly.
00:58:05I cannot live without you.
00:58:06You must never leave me.
00:58:07Well, never mind that.
00:58:08Tell me, where is Polly?
00:58:10Polly?
00:58:11Yes, Polly.
00:58:12Polly, Mrs. John Smith.
00:58:14Mrs. John Smith?
00:58:16The woman I sent here for you.
00:58:18Oh, she went down the hall to another room
00:58:20to change her clothes.
00:58:21All right, I'll go get her.
00:58:23And listen, get Nita out of here.
00:58:25Her husband's found out all about it.
00:58:26He's out to get her and you.
00:58:28You think he'll be mad?
00:58:30Mad?
00:58:31He'll kill you.
00:58:32Now, listen, work fast.
00:58:34Angelica's on her way.
00:58:35She'll be here any moment.
00:58:41Don't you dare come in here!
00:58:42Oh, Nita, you've got to come out.
00:58:48Everything's been changed.
00:58:57Reggie Irving, is Nita in that room?
00:59:00You wretch!
00:59:07Nita!
00:59:08Oh, Lily, you came just in time.
00:59:10Well, that's something.
00:59:12You don't know what a terrible person that Reggie is.
00:59:15I'm afraid I've done him an injustice.
00:59:18Why?
00:59:19He held me on his knee and he tried
00:59:21to kiss me and everything.
00:59:23I can't believe it.
00:59:24But look, come on now, quick, get dressed.
00:59:26Your husband may be here any time.
00:59:28But he can't go without my clothes.
00:59:30They're drying them.
00:59:32Oh, phone for them quickly, Nita.
00:59:33Hurry.
00:59:35I'll take care of Reggie.
00:59:37Oh, you better be careful.
00:59:39He's a terrible, terrible man.
00:59:47Reggie Irving, do you realize you had
00:59:49that little girl scared sick?
00:59:51I thought she acted a little nervous.
00:59:52What on earth is the matter with you?
00:59:54Why don't you pick on a grown-up woman,
00:59:56somebody who knows how to play the game?
01:00:03Oh, my darling, I love you madly.
01:00:06I cannot live without you.
01:00:08You must never leave me.
01:00:16Oh, he's a Mormon.
01:00:23Reggie Irving, are you losing your mind?
01:00:42Reggie!
01:00:53Reggie Irving, let go of me!
01:01:01Will!
01:01:23So, I was right about you, Lila, all the time.
01:01:29What have you done with Nita?
01:01:31Nita?
01:01:32Yes, Nita.
01:01:33Where is she?
01:01:35Oh, Nita came with me,
01:01:37but she didn't know how to play the game,
01:01:39and Lila volunteered.
01:01:41Why, you little shrimp.
01:01:43If you'll only listen to me,
01:01:45I came here to save Nita from this, this monster.
01:01:47And the only way you could save Nita
01:01:49was to take Nita with you.
01:01:50The only way you could save Nita
01:01:52was to take Nita's place on Reggie's lap.
01:01:54Oh, don't be a fool, Angie.
01:02:02I didn't know you had company.
01:02:04Reggie!
01:02:06How could you, Reggie?
01:02:08You promised me cross your heart
01:02:10that you were going to cut out all these society dolls.
01:02:12Why did you lie to me, darling?
01:02:14Why did you lie to me?
01:02:16Why, why, why?
01:02:18What is Reggie to you?
01:02:20We were to be married next week.
01:02:26Oh, darling, how could you?
01:02:28You can't do this to me.
01:02:30Don't you realize that if this is what you do,
01:02:32it's what you're saying
01:02:34that's absolutely breaking my heart.
01:02:36You can't, Reggie, go on like this.
01:02:38Don't you realize how much...
01:02:40I've known her for...
01:02:42You really know that I've got you.
01:02:44You can't do it for me.
01:02:46Do it for Nita.
01:02:48Don't you know, I mean, really, we can't.
01:02:50You said I was the only one,
01:02:52your only little toodle.
01:02:54No, this is toodles.
01:03:12Where are you going?
01:03:16Get away from me.
01:03:18Where is Nita?
01:03:20Where is my wife, eh?
01:03:22She's not here.
01:03:25Where's my wife? Answer me.
01:03:27I can't keep track of everybody's wife.
01:03:33She's not here.
01:03:35She's not here, huh?
01:03:37No.
01:03:41Well, it's a good thing for you she's not here.
01:03:43What will I do with Mrs. Smith's clothes, Mr. Smith?
01:03:47Nita's things.
01:03:48She is here.
01:03:55Nita, are you in there?
01:03:57No.
01:03:59See, she's not in there.
01:04:01Come out or I'll break down that door.
01:04:06That guy's got a harem.
01:04:08Oh, here you are.
01:04:10Oh, Fred, he saved me.
01:04:12Get away from me. Look at her, all of you.
01:04:14What do you think of her?
01:04:16I think she's cute.
01:04:18I like everything.
01:04:20Yeah? Well, explain what you're doing here in these clothes.
01:04:22We got caught in the rain and we had to change our clothes.
01:04:24Yeah?
01:04:26Well, then explain what you're doing registered here
01:04:28as Mr. and Mrs. John Smith.
01:04:30Try and explain that.
01:04:32Yeah, try and explain that.
01:04:34Oh, Fred, he's a dreadful man.
01:04:36He said it was only a supper party
01:04:38and then he registered as Mr. and Mrs. Smith
01:04:40and he unhooked my dress and...
01:04:42Don't tell me any more.
01:04:44No, don't tell him any more.
01:04:46No, don't tell him any more.
01:04:48He's done everything.
01:04:50Everything? Why, you prick.
01:04:52Don't be a fool.
01:04:58Gee gobs, they got me.
01:05:02Hey, the boss just sent for the police.
01:05:04It's murder.
01:05:06Murder?
01:05:08Get me out of here.
01:05:12Get out. Get out of the hotel.
01:05:19Try and explain that to the police.
01:05:24Oh, Mr. Freddy.
01:05:48Oh, Mr. Freddy.
01:06:18I tell you something, I'm through with that in here.
01:06:49Wait a minute, you.
01:06:51What do you know, huh?
01:06:53I was just upstairs.
01:06:55Come on, stand still.
01:06:57Open up here.
01:06:59What do you know about this, huh?
01:07:01Somebody throw that out the window.
01:07:03Here, all of you, get over there now.
01:07:05Wait a minute here.
01:07:07No, you don't understand.
01:07:18All right, come on, officer.
01:07:20Get this bunch up there.
01:07:22We'll find out.
01:07:48Is that it?
01:07:50All right, out of the way.
01:07:54Anybody in there?
01:07:57Open that door.
01:07:59All right, take a leak.
01:08:01Get out of there.
01:08:03Come on, come on, open it, open it.
01:08:19Come on, come on, come on.
01:08:29Give me that key.
01:08:41All right, Clancy, bring him in.
01:08:43Get him in that room, quick.
01:08:45Come on, get in that room.
01:08:46Don't let him touch anything.
01:08:51Where's the body?
01:08:53What body?
01:08:55Anybody.
01:08:57There wasn't anybody here but me.
01:08:59Don't kid me, there was a woman shot in this room.
01:09:01What'd you do with her?
01:09:03Oh, her?
01:09:05I never saw her before in my life.
01:09:07Kid me?
01:09:09They got me!
01:09:11I tell you they got me!
01:09:13Somebody get them off me!
01:09:14They got me!
01:09:16Who are you?
01:09:18I'm the body.
01:09:20What's the matter with you?
01:09:34Get away from me, I don't want to get shot!
01:09:44Freddy!
01:09:46Freddy!
01:09:48Come on, down there!
01:09:58Freddy!
01:10:00Freddy, come back!
01:10:04Stop there!
01:10:06Freddy!
01:10:08I tell you, boys, let's go, he's got a gun!
01:10:10Where'd he go?
01:10:12I tell you he's in here somewhere!
01:10:15Get away from me, will you?
01:10:18There he is, boys, that Astram!
01:10:33Freddy!
01:10:35Freddy!
01:10:38Astram, that's the one down there!
01:10:42Freddy!
01:10:44Freddy!
01:10:46Get him, men!
01:11:15What do you speak as if it was all my fault?
01:11:18Come on, now, hurry.
01:11:20I'm tired of this whole thing.
01:11:22I came here for a quiet little supper
01:11:24and what do I get, a shot in the pajamas?
01:11:26But...
01:11:28Don't talk so much.
01:11:30I told you how to treat a woman.
01:11:32Now go in there and do it.
01:11:34Go on in there and do it.
01:11:36I wouldn't do it.
01:11:38I told you to go in there and do it.
01:11:40Go on in there and do it.
01:11:42I wouldn't do it.
01:11:44You wouldn't marry that Reggie Irving
01:11:46if you were the last man on earth.
01:11:51Say, now, listen.
01:12:01Oh, I love you madly.
01:12:04You must never leave me.
01:12:06I cannot live without you.
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