Black Trash aka "Death of a Snowman" (1976)
R | 86 min | Action, Crime | September 1978 (USA)
A white cop and a black reporter join forces to investigate apparent vigilante killings in the South African underworld.
Director: Christopher Rowley
Writer: Bima Stagg
Stars: Nigel Davenport, Ken Gampu, Peter Dyneley
R | 86 min | Action, Crime | September 1978 (USA)
A white cop and a black reporter join forces to investigate apparent vigilante killings in the South African underworld.
Director: Christopher Rowley
Writer: Bima Stagg
Stars: Nigel Davenport, Ken Gampu, Peter Dyneley
Category
🎥
Short filmTranscript
00:00:00Lefty, I've got to talk to you.
00:00:29Talk.
00:00:30The fight.
00:00:31It's on tonight.
00:00:32It won't take a dime.
00:00:33Then persuade him.
00:00:34Persuade him.
00:00:35Ask him.
00:00:36Ask him how he's got a box without any fingers.
00:00:37Baby?
00:00:38Bedside.
00:00:39Chaps?
00:00:40I got 15 G's late on that fight, so don't disappoint me.
00:01:03It's not that simple, Lefty.
00:01:05Make it that simple.
00:01:07He throws the fight.
00:01:08Or I'll make a big ol' act.
00:01:15He lies.
00:01:16He don't.
00:01:17In you go.
00:01:18Do it.
00:02:19Oh hi, how did you get here so soon?
00:02:38You've beaten the ambulance to it.
00:02:39Well, my grandmother was a vulture.
00:02:41This is Lefty McQuarrie's car.
00:02:44I suppose that's him inside.
00:02:47It'd be easy to tell if he had a facelift.
00:02:49Well, there's one thing we know about the killer.
00:02:51What's that?
00:02:52He was not a nice man.
00:02:57Girl looks pretty young.
00:02:59It fits.
00:03:00Lefty was always playing around with young dolls.
00:03:02Well, you got a real blast out of this one.
00:03:07I've got a deadline, Ben.
00:03:09Just tell me who did it.
00:03:10Oh, look, Steve, I've only just got here.
00:03:13You mean you haven't figured it out yet?
00:03:15You're slipping.
00:03:17I'll wait for your story.
00:03:18It's a rival hood.
00:03:20Maybe Chaps is getting ambitious.
00:03:22Hmm.
00:03:23And what does that mean?
00:03:26That means, hmm.
00:03:29I'm writing it as a gangland hit, OK?
00:03:33I thought reporters stuffed the facts.
00:03:36No, only cops.
00:03:39Just a moment.
00:03:42Run like the wind.
00:04:08Hold it.
00:04:10Hold it.
00:04:11Rewrite.
00:04:12What's going on?
00:04:13Here, read this.
00:04:14As you read this, Lefty Malangu will be dead.
00:04:42Malangu was a parasite preying on the people of Soweto.
00:04:46We are responsible for his death.
00:04:49For too long, the people have been victims of organized crime.
00:04:52It's time we defended ourselves and made the streets safe for the people.
00:04:57You will be notified in advance of other executions.
00:05:00But not long enough in advance to stop them, I'll bet.
00:05:06That's all we need.
00:05:08Bunch of bloody amateurs getting themselves killed.
00:05:10Oh, I don't know.
00:05:11Push them into a wall with a truck so they couldn't get out.
00:05:14Then shoot them.
00:05:15Didn't look very amateur to me, Captain.
00:05:17Don't print these details, Chaka.
00:05:19How do you know it was a truck?
00:05:21They left a very nice set of tar prints.
00:05:24You ought to give this guy promotion.
00:05:26Don't print that about the truck, either.
00:05:28Captain, you know that I always cooperate with you.
00:05:31You printed the text of their letter.
00:05:33Did it occur to you that some people might look on these killings in a favorable light?
00:05:38We're dealing with criminals, Chaka.
00:05:39No one denies that, Captain.
00:05:41Then why make them sound like a bunch of Robin Hoods?
00:05:43Hey, I'm just trying to understand them.
00:05:46If we can get into their heads, maybe we'll catch them sooner.
00:05:49We'll catch them.
00:05:50Don't you worry.
00:05:53Well, I'll let you get on with it.
00:05:59Quite a wink, Lieutenant.
00:06:01Oh, Chaka's okay, Captain.
00:06:04Only a bit flamboyant.
00:06:06Too flamboyant.
00:06:08I don't trust it.
00:06:10He's careful about what he prints.
00:06:12Not careful enough.
00:06:14He's always on the thin edge, and one day he'll go too far.
00:06:17And then you put him down.
00:06:20Yes.
00:06:31Hello, Chaka.
00:06:32This is war on crime.
00:06:34I've heard of a pimp, Stiles Twala.
00:06:37Well, true prostitution, Twala runs a highly profitable sideline.
00:06:42Blackmail and extortion.
00:06:44That's misery and ruin, Chaka, for the victim and his unfortunate family.
00:06:49In a clean city, there's no room for a vermin like Stiles Twala.
00:06:54What?
00:07:04Hey, Stiles.
00:07:08How are you?
00:07:12Yes, and maybe you got it an hour ago.
00:07:14That call could have come through a week ago, for all I know.
00:07:17Why wouldn't I tell you?
00:07:19Because it's a hell of a good story, Chaka, and you'd hate to kill the good story.
00:07:23That's ridiculous.
00:07:25My editor was with me when the call came.
00:07:28It was he who called you, remember?
00:07:30Is that why you didn't get there sooner?
00:07:33You know what I think?
00:07:36I think you're on their side.
00:07:38I know it, and they know it.
00:07:40And either you're lying, or you're such an idiot that you don't know it.
00:07:44You've been the great crusading crime reporter for years.
00:07:48And now, all of a sudden, they start dropping like flies, and you always know in advance.
00:07:54That's very neat, Chaka.
00:07:56When do you expect to hear from them again?
00:07:58If they call me again.
00:08:00We'll trace the call when they do.
00:08:03If you don't mind.
00:08:06Ready for the girl, Captain?
00:08:08Chaka?
00:08:10May I stay?
00:08:11What for?
00:08:12He speaks the language.
00:08:13All right, but it's off the record.
00:08:16Come in.
00:08:18Sit down.
00:08:21You feeling better?
00:08:24I'm sorry to have to start questioning you right away, but we must get all the information we can.
00:08:29I don't know anything.
00:08:31I didn't hear you.
00:08:32I didn't see a thing.
00:08:34A car screams around the corner, blasts her out of the front, screams off again, and you didn't see anything?
00:08:41I don't remember.
00:08:43Stiles didn't shoot himself, you know.
00:08:50How will you come to it, my friend?
00:08:52You'd be scared.
00:08:54I would be.
00:08:55Can you shoot?
00:08:56Or are you afraid to shoot?
00:09:11The hang?
00:09:12One day.
00:09:19Captain, what do you want from me?
00:09:30War on crime got Stiles.
00:09:34Now, if we don't get together, they're going to wipe us all out.
00:09:42They seem only interested in the black scene.
00:09:46Mohammed and I don't operate in your enterprise.
00:09:49It is not our problem.
00:09:52Forget you.
00:09:55If that's the way you want to play it, I warn you, I won't forget this.
00:10:01I've got a long memory.
00:10:09Won't help you if you're dead.
00:10:14When is the next delivery due?
00:10:16Tomorrow afternoon.
00:10:17I'm bringing it in at Beverly Airport.
00:10:19Isn't that dangerous?
00:10:20On the contrary.
00:10:21Aircraft attract less attention during the day.
00:10:29That's what you think, my friend.
00:10:54Hi, Steve.
00:10:55Hi, Howard.
00:10:56I got trouble with my woman, Steve.
00:10:57Yeah?
00:10:58But your woman is so nice.
00:10:59That's the trouble.
00:11:00Sometimes she's so nice.
00:11:01Sometimes she's so mean.
00:11:02So it goes.
00:11:03So it goes.
00:11:04So it goes.
00:11:05So it goes.
00:11:06So it goes.
00:11:07So it goes.
00:11:08So it goes.
00:11:09So it goes.
00:11:10So it goes.
00:11:11So it goes.
00:11:12So it goes.
00:11:13So it goes.
00:11:14So it goes.
00:11:15So it goes.
00:11:16So it goes.
00:11:17So it goes.
00:11:18So it goes.
00:11:19So it goes.
00:11:20So it goes.
00:11:21So it goes.
00:11:22So it goes.
00:11:23So it goes.
00:11:24So it goes.
00:11:25So it goes.
00:11:26So it goes.
00:11:27Yeah.
00:11:31Mr. Jaka.
00:11:34Yeah?
00:11:35The Warren crime has decided to give you an exclusive interview.
00:11:38If you're interested.
00:11:39A car will pick you up in exactly five minutes in front of the club.
00:11:43Who are you?
00:11:44Come along.
00:11:47My room is his, my room's alone.
00:11:50Oh I can feel the love comin' on.
00:11:54And I feel so strong since I had your love comin' on.
00:12:00Woo!
00:12:01And I feel so strong since I had your love comin' on.
00:12:08Woo!
00:12:09And I feel so strong since I had your love comin' on.
00:12:18Woo!
00:12:19And I feel so strong since I had your love comin' on.
00:12:36Lots of love comin' on...
00:12:39Listen to that.
00:12:40Watch your step, friend. Always.
00:12:47Welcome to my house, Mr. Chalker.
00:12:51Thank you for coming.
00:12:53What do you want from me?
00:12:54Of all the coverage our campaign has received, yours has been the most objective.
00:12:59Months of research went into this project.
00:13:02Because we're black, we've been able to infiltrate the criminal subculture...
00:13:07and acquire information that the police will never get.
00:13:11Now we have enough information to actively combat crime.
00:13:15But that's taking the law into your own hands.
00:13:17We're outlaws, Mr. Chalker, in the service of the law.
00:13:20Once crime has been reduced, the resources that have been sucked out of this community can be put back.
00:13:26Think about it, Steve.
00:13:28If we diverted the millions now being spent on protection, drugs, gambling...
00:13:35we'd be able to clothe and feed every black child in this city.
00:13:39Now I hope you agree the ends justify the means.
00:13:43The ends I support all the way, but not the means.
00:13:47That's why I invited you here tonight, to correct this image of us as indiscriminate killers.
00:13:53I hadn't planned to tell you this, Steve, but it might be worth your while to be at Beverly Airport tomorrow.
00:13:59Why?
00:14:00Check it out for yourself, brother.
00:14:02A stronger jaw. You're very good, you know.
00:14:05I know.
00:14:06Thank you, Dad.
00:14:08Oh, I'll never get to sleep now.
00:14:13Yeah. That's the man.
00:14:18Who is he, son?
00:14:20Just playing a hunch, Dad.
00:14:22Finished?
00:14:23Uh-huh.
00:14:24Can I get to bed now?
00:14:25Sure, man. Come in late. I'll cover for you.
00:14:29Thanks.
00:14:31It's the leader of the war on crime, Dad.
00:14:34You met him?
00:14:35Uh-huh.
00:14:36Don't tell anyone about the picture, okay?
00:14:38Sure, sure.
00:15:30Did you see that?
00:15:31Seemed to. You've seen them all.
00:15:33Recognize him?
00:15:34Yeah. No. Maybe. Why?
00:15:37Remember Steve Chaka in Johannesburg?
00:15:39Uh-huh.
00:15:40Wants us to run an I.D.
00:15:45Don't recognize him.
00:15:47Comes on African, but Steve thinks he picked up some American soul brother's stick.
00:15:51Wants us to check militants and politicos.
00:15:54That's a hell of a lot of checking.
00:15:56I know, but we owe him one.
00:15:58Fraternity of journalists and all that.
00:16:01Foxtrot Charlie Yankee to Beverly Tower.
00:16:03Request permission to land.
00:16:06Beverly Tower to Foxtrot Charlie Yankee, you are clear to land on runway two.
00:16:20Why do I have to carry the tools?
00:16:22Well, because I'm older than you.
00:16:24But you're stronger.
00:16:25Yeah, but that's why you have to carry the tools.
00:16:28Look, poke around in the engine, look mechanical.
00:16:33I hope the owner doesn't show up.
00:16:35Yeah, he might call the police.
00:16:37I had a chat with the main man last night.
00:16:41Read.
00:16:54What are you doing, Steve?
00:16:55Taking off the head.
00:16:57Make sure you put it back where you found it.
00:17:12When will we know what we're waiting for?
00:17:14Oh, we shall know.
00:17:16Strange man you're, Mr. X.
00:17:18You like him?
00:17:20I like his ideas.
00:17:21Yeah, I've noticed.
00:17:22Now, listen.
00:17:23There are thousands of kids in the city who could use some decent food and clothes.
00:17:28He begins to sound like good sense.
00:17:30Until you think what happens to the people who get in his way.
00:17:33I care about the kids.
00:17:36Did you see him at all?
00:17:38Too dark.
00:17:39I just heard his voice.
00:17:42Well, I better get a copy of this to headquarters before the captain reads it in the papers.
00:17:47Three copies went by messenger this morning.
00:17:53I shouldn't be surprised if we put a tail on you.
00:17:56What the hell for?
00:17:59It's okay.
00:18:01But Mr. X may get in touch with you again.
00:18:05So if you do see a tail, relax. It's too important.
00:18:09I'm sorry, Ben. I didn't go to bed last night.
00:18:22Hey, grub's up.
00:18:26How long have I slept?
00:18:27About a couple of hours.
00:18:29Ah, that was good.
00:18:32False leader.
00:18:34Looks like it.
00:18:52Funny, how a car doing nothing can be so intriguing.
00:19:22SIREN BLARES
00:19:52SIREN BLARES
00:20:22SIREN BLARES
00:20:36Billy!
00:20:38SIREN BLARES
00:20:46SIREN BLARES
00:20:52SIREN BLARES
00:20:58SIREN BLARES
00:21:03After challenging the five men, the tenancy was fired upon.
00:21:06Great stuff. Everybody in town will be reading about it.
00:21:09Perhaps, but the other papers worry me.
00:21:13Police suspect reporter behind war on crime.
00:21:15That's just sour grapes.
00:21:17You and I know that, but nobody else does.
00:21:19PHONE RINGS
00:21:20Hello, Chalker.
00:21:21Hello, my brother.
00:21:23Did you follow my advice?
00:21:24Yes.
00:21:25And?
00:21:26Mohammed Khan showed up.
00:21:28And?
00:21:29Got shot full of bulls resisting arrest.
00:21:31Pity.
00:21:32Death is such an easy way out.
00:21:34Thank you, Mr. Chalker.
00:21:35Wait a minute.
00:21:37You said that being black you could infiltrate black criminals.
00:21:40But these men weren't black.
00:21:42How did you know that?
00:21:43Surely, Steve, you don't expect us to tell you that.
00:21:45Okay, okay.
00:21:467-1-2. Come in, 7-1-2.
00:21:497-1-2. I'll take it.
00:21:51Telephone call traced to disused warehouse at 1-3-0.
00:21:56Repeat, 1-3-0, Ford Avenue.
00:22:01One more question.
00:22:02What is it?
00:22:04Last night, the police raided a well-known gambling...
00:22:09I have the feeling that you're trying to prolong this conversation, Mr. Chalker.
00:22:13Goodbye.
00:22:48Goodbye.
00:23:181-3-0.
00:23:491-3-0.
00:23:591-3-0.
00:24:151-3-0.
00:24:181-3-0.
00:24:491-3-0.
00:24:57Yes?
00:24:58Lieutenant Dale is here.
00:25:00Police?
00:25:01Yes. Can we see him?
00:25:02Of course, Cindy.
00:25:13This way, sir.
00:25:15Alcock.
00:25:17Lieutenant Dale.
00:25:18Please sit down, Lieutenant.
00:25:21Now, what can I do for you?
00:25:31I believe all the company telephones are handled by this office.
00:25:35Yes.
00:25:37Can you tell me about the ones at the Jermiston Warehouse,
00:25:40the one on Ford Avenue?
00:25:43That warehouse has been deserted for years.
00:25:46All phones were removed ages ago.
00:25:49There are two phones there now.
00:25:53You must be mistaken.
00:25:55The phones are taped together to form what is called a dormant line.
00:25:59They're connected potentially to every phone in the city.
00:26:03Unless somebody closes the circuit,
00:26:05that is to say, they ring that number,
00:26:08that the call's going to be traced.
00:26:11And you've seen these phones?
00:26:13Mm-hmm.
00:26:14Extraordinary.
00:26:16I look into this immediately.
00:26:19Please, Dale.
00:26:21I'm always happy to cooperate with the police.
00:26:26I appreciate that.
00:26:29I told them I knew nothing about it, of course.
00:26:32So, you have nothing to worry about.
00:26:34Nothing to worry about?
00:26:36I don't like the police coming to my office.
00:26:38I'm a respectable businessman.
00:26:40I was happy to help your little gambling operation, but...
00:26:43I'm sure the 500 a month is a consideration, Mr. Alcock.
00:26:47Yes, of course.
00:26:50But now, this is more than I bargained for.
00:26:53I don't want to have anything more to do with you.
00:26:55In fact, I think I should tell the police everything.
00:26:57I've committed no crime.
00:26:59No crime, Mr. Alcock? I'm not so sure.
00:27:03You'll have a lot of explaining to do.
00:27:06Doubtless, you'll lose your job.
00:27:09If I were you, I'd just wait.
00:27:13Don't act recklessly and try not to worry.
00:27:16That's easy for you to say. They don't know you.
00:27:19Easy to say, Mr. Alcock.
00:27:21Simply because I've learned that it's useless ever to worry.
00:27:26Goodbye, Mr. Alcock.
00:27:44The post office tells me he put them in three months ago.
00:27:47So Alcock was lying, and now he's wise that we're onto him.
00:27:50Well, we might turn that to our advantage.
00:27:52I'd like to put a bug in his phone,
00:27:54then wave this in his face, and see what happens.
00:27:57Authorization for the bug may be difficult to get.
00:28:02Ten dead in five days.
00:28:05A bloody massacre.
00:28:06And what gets me is that somebody's cleaning up this town,
00:28:09and I can't figure out why.
00:28:11I sure don't go for this war on crime bit.
00:28:14Well, we are dealing with professionals.
00:28:17Maybe the war on crime is just a cover.
00:28:19Cover for what?
00:28:21You've been reading too many paperbacks, Lieutenant.
00:28:24Besides, it makes no difference to me who's pulling the trigger.
00:28:26If foreigners are shooting up this country, I'll put them away forever.
00:28:29No matter who they're working for.
00:28:31Well, anyway, that doesn't explain Mohammed Khan.
00:28:33I got him, not them.
00:28:34Charker takes you to the airport,
00:28:36points a finger at him, and you shoot him down like a good boy.
00:28:39That's bloody well not true, sir.
00:28:42Lieutenant, your friendship is clouding your judgment.
00:28:44But he's cooperating with us.
00:28:46I held that guy on the phone long enough to trace, didn't I?
00:28:49If he knew about the dormant line,
00:28:51he would know that if it was traced, it would lead nowhere.
00:28:54Oh, come on, Captain.
00:28:56You just never liked him,
00:28:58and that's clouding your judgment.
00:29:00My judgment is backed by seniority.
00:29:03I don't want you to give any more information to Charker.
00:29:05And if you can't accept that,
00:29:07I'll take you off the case.
00:29:09You're being used.
00:29:11And the sooner you realize it, the better.
00:29:28Picking another collection this morning.
00:29:30Penop's Far.
00:29:32You've got an hour.
00:29:34Is everything hidden?
00:29:35Yes.
00:29:36Yes, it's all covered.
00:29:38Right. Let's get out of here.
00:30:06That's them.
00:30:36Let's go.
00:31:00No, not in this one.
00:31:06Good morning, officer.
00:31:12You've got a lot of chickens here.
00:31:14I own a restaurant. I buy in bulk.
00:31:16I bet you can't see a thing through all these chickens.
00:31:18But, officer, I have a side mirror.
00:31:21I want you to unload them and restack them.
00:31:23But, officer...
00:31:24Now.
00:31:25Yes, officer.
00:31:26Along here.
00:31:28Out.
00:31:31Come on.
00:31:37Come on.
00:31:50Hold it.
00:31:51What have you got in the sacks?
00:31:55Chicken feed?
00:31:56Yes, that's right.
00:31:58Let's see one.
00:32:02Oh, be ashamed to blow a hole in such a nice hat.
00:32:05Or such a nice head.
00:32:07Drop it.
00:32:09Come on. Move it.
00:32:13Get up there.
00:32:14Get that stuff down.
00:32:15Go on. Get up there.
00:32:18I'll tell you one thing, Adam.
00:32:35I'll tell you one thing.
00:33:05Oh, no.
00:33:21Oh, no.
00:33:36Three months ago.
00:33:38You were telling the truth, Mr. Alcock.
00:33:41Wait a minute, lieutenant.
00:33:42I just forgot.
00:33:45See, I checked our files after you left.
00:33:48Yes, here it is.
00:33:51You see, that site we've scheduled for redevelopment.
00:33:56I thought it would be useful to have phones.
00:33:58There are no readers.
00:34:00Well, yes.
00:34:01The plan has been, well, shelved.
00:34:04But it's only temporary.
00:34:06If those are site phones,
00:34:08why are they being used by unlawful persons?
00:34:11I don't know.
00:34:13We both know.
00:34:15You installed those phones because...
00:34:19Yes?
00:34:22It's for you.
00:34:23What?
00:34:24They were shot.
00:34:26I'll be right there.
00:34:28Is that Hennep River?
00:34:29Yeah, I know the place.
00:34:33Three men have just been butchered by your friends.
00:34:36You'd better practice telling lies in front of a mirror, Mr. Alcock.
00:34:40Because I'll be too.
00:34:42I'll be too.
00:34:43I'll be too.
00:34:44I'll be too.
00:34:45I'll be too.
00:34:46I'll be too.
00:34:47I'll be too.
00:34:48I'll be too.
00:34:49I'll be too.
00:34:50I'll be too.
00:34:51Alcock, because I'll be talking to you again.
00:35:06Hello?
00:35:07That lieutenant was just here.
00:35:10He knows I authorized the phones.
00:35:12You're still clear.
00:35:13They have no...
00:35:14Damn it!
00:35:15They said three men have been killed and that I'm...
00:35:18I'm implicated.
00:35:19That has nothing to do with us.
00:35:21They're trying to scare you into doing something stupid.
00:35:24Well, they're bloody well succeeding.
00:35:26I'm going to tell them everything.
00:35:27No, you won't tell them anything.
00:35:30Go away for a little while, till things cool down.
00:35:33No!
00:35:34If I run away, they'll think I've done something wrong.
00:35:38I have to tell them, that's all there is to it.
00:35:40Mr. Alcock.
00:35:42Look, just get it, will you?
00:35:45Listen, Alcock.
00:35:46Alcock.
00:35:48Do nothing until we meet today.
00:35:50Hold it.
00:35:51Four o'clock at the usual place.
00:35:53All right.
00:35:55All right.
00:36:00Yeah?
00:36:01It was a broken play, man.
00:36:02We got him, but they got George.
00:36:04I had to dump him.
00:36:05We have a small problem on this end, too.
00:36:07Alcock.
00:36:08You want me to see him?
00:36:09No.
00:36:10I'll send Tulio.
00:36:12Funny man, you clear all the hurdles and then you trip on a...
00:36:14Hello, stranger.
00:36:16Hello, woman.
00:36:17What happened?
00:36:18Hey, hey, easy.
00:36:23Are we going away?
00:36:25No, not yet.
00:36:27Listen, I just came to get some clothes.
00:36:29I don't see you for four days.
00:36:31Yeah, I know.
00:36:32Are we ever going to fatherland?
00:36:34Yeah, yeah, maybe in a few days.
00:36:36Great.
00:36:37Yeah, fine.
00:36:39Why do you have to disappear for days at a time?
00:36:41Because I'm minding my business.
00:36:44Craig.
00:36:47I'm sorry.
00:36:50I got you some flowers.
00:36:53Oh.
00:37:07Oh, you are very pretty.
00:37:12Not so hard.
00:37:13I'm not a pretty girl.
00:37:16Punching bag.
00:37:20Feel like I'm bending over?
00:37:41712, come in 712.
00:37:44712.
00:37:45Subject has arranged a meeting for four o'clock.
00:37:48Place under.
00:37:50Okay, put a tail on him.
00:37:52I'll join up when I'm finished.
00:37:54Out.
00:37:55Roger, 712.
00:37:58It worked.
00:38:16Hi, Ben.
00:38:18You didn't tip me on this one.
00:38:21Nobody tipped me.
00:38:22Oh, really?
00:38:24Say, it sounds as if you don't believe me.
00:38:26I don't disbelieve you.
00:38:30You're coming?
00:38:32Excuse me.
00:38:34I'm not coming.
00:38:36I'm not coming.
00:38:38I'm not coming.
00:38:39I'm not coming.
00:38:40I'm not coming.
00:38:41I'm not coming.
00:38:42I'm not coming.
00:38:43I'm not coming.
00:38:44Excuse me.
00:38:50Good afternoon, sir.
00:38:51Good afternoon.
00:38:54Now, who are these two?
00:38:55Oh, that's a bogus policeman, sir, and a Chinaman.
00:38:58Did you get a make of the truck yet?
00:39:00No, not yet, sir.
00:39:02Okay.
00:39:07Now, let's see what we have.
00:39:12One dead policeman.
00:39:14Two dead Chinaman.
00:39:19About three sacks of grass.
00:39:22And a lot of chickens.
00:39:24Clear as day.
00:39:26Know who they are?
00:39:28You'll get an official statement later, Steve.
00:39:31Let's have a talk, Ben.
00:39:33What's on your mind?
00:39:34Not now.
00:39:35Right now!
00:39:36Let somebody else count the bullet holes.
00:39:41All right.
00:39:45What's this statement business?
00:39:47I've got orders not to talk to the press.
00:39:49To the press or to me?
00:39:51Look, I've told you about each phase of the investigation.
00:39:54So?
00:39:55Well, every time they're one jump ahead of us.
00:39:57And you think I'm passing it on to them?
00:39:59Somebody is.
00:40:00Don't give me that crap.
00:40:02You know you're implying it's me.
00:40:04Well, I can't ignore those articles you've written.
00:40:07But you?
00:40:08You can ignore ten years' friendship.
00:40:12Fine.
00:40:13Mail me.
00:40:14Tap my phone.
00:40:15Read my mail.
00:40:17And see what you come up with, Mr. Cop.
00:40:25Sergeant!
00:40:30Newton Wharton Vaughn,
00:40:31Professor of Black History,
00:40:32University of Georgia,
00:40:3362 to 67.
00:40:34Known to have been in Africa.
00:40:35Too old.
00:40:36Chuck McKillum, Black Panthers,
00:40:38Cleveland, 1971.
00:40:39Police ambush?
00:40:40Mansour's our best bet.
00:40:41We know he's been in Africa
00:40:42since Malcolm X got killed in 65.
00:40:44Look, after we put this under wire,
00:40:46let's go through the black criminal files.
00:40:48Good idea.
00:40:49You go through the files.
00:40:50I'm seeing a woman.
00:40:51Yeah, she's a lucky lady.
00:40:52Beverly, advertising?
00:40:54You mean...
00:40:55And I'd rather spend the night
00:40:56with her than with the files.
00:40:57Hey, is she a friend?
00:40:59Yeah, but I don't.
00:41:05Hello, Beverly.
00:41:06Steve Cohen here.
00:41:07Hey, what are you doing?
00:41:09Hey, Beverly, can you come upstairs and give us a hand?
00:41:10Give me that phone.
00:41:12I didn't get a date,
00:41:13but Jim says this is more important.
00:41:14The hell I'd do.
00:41:15No, no, everything's all right, man.
00:41:16Thanks. Bye-bye.
00:41:18Now you can spend the night with Beverly,
00:41:19the criminal files, and me.
00:41:21You are unbelievable.
00:41:23Bet you sweet ass I am.
00:41:24Hey, where are you going?
00:41:25Intercept her at the elevator.
00:41:26You lose.
00:41:28I want a blow-by-blow account.
00:41:30With any luck.
00:41:412-4 calling 7-1-2.
00:41:44Come in, 7-1-2.
00:41:467-1-2.
00:41:48He's proceeding along Boyson's Road.
00:41:50Has he spotted you?
00:41:52No, I don't think so, sir.
00:41:54Good. I'll wait for you at Rifle Road,
00:41:56and we'll switch.
00:41:57Very good, sir.
00:42:107-1-2.
00:42:29Calling 7-1-2.
00:42:327-1-2, over.
00:42:34He's pulling over opposite Uncle Charlie's.
00:42:40Okay, I've got him.
00:42:42On your way.
00:42:45Don't wave, idiot.
00:43:11Hey, Mr. Harcourt.
00:43:13Come here.
00:43:24Yes?
00:43:26Mr. Daniel asked me to give you this.
00:43:32I told him I'm not going anywhere.
00:43:35I'm not going anywhere.
00:43:37I told him I'm not going anywhere.
00:43:40Oh, yes.
00:43:42You are.
00:44:067-1-2.
00:44:367-1-2.
00:45:067-1-2.
00:45:367-1-2.
00:46:067-1-2.
00:46:077-1-2.
00:46:087-1-2.
00:46:097-1-2.
00:46:107-1-2.
00:46:117-1-2.
00:46:127-1-2.
00:46:137-1-2.
00:46:147-1-2.
00:46:157-1-2.
00:46:167-1-2.
00:46:177-1-2.
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00:46:197-1-2.
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00:46:427-1-2.
00:46:437-1-2.
00:46:447-1-2.
00:46:457-1-2.
00:46:467-1-2.
00:46:477-1-2.
00:46:487-1-2.
00:46:497-1-2.
00:46:507-1-2.
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00:46:527-1-2.
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00:46:557-1-2.
00:46:567-1-2.
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00:47:057-1-2.
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00:47:447-1-2.
00:47:457-1-2.
00:47:467-1-2.
00:47:477-1-2.
00:47:487-1-2.
00:47:497-1-2.
00:47:507-1-2.
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00:47:527-1-2.
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00:48:157-1-2.
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00:48:177-1-2.
00:48:187-1-2.
00:48:197-1-2.
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00:48:227-1-2.
00:48:237-1-2.
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00:48:287-1-2.
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00:48:327-1-2.
00:48:337-1-2.
00:48:347-1-2.
00:48:357-1-2.
00:48:367-1-2.
00:48:377-1-2.
00:48:387-1-2.
00:48:397-1-2.
00:48:407-1-2.
00:48:417-1-2.
00:48:447-1-2.
00:48:477-1-2.
00:48:507-1-2.
00:48:537-1-2.
00:48:567-1-2.
00:48:597-1-2.
00:49:027-1-2.
00:49:057-1-2.
00:49:087-1-2.
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00:49:297-1-2.
00:49:337-1-2.
00:49:367-1-2.
00:49:397-1-2.
00:49:427-1-2.
00:49:457-1-2.
00:49:487-1-2.
00:49:51Hey! I'm just making some coffee. You want some?
00:50:13Playing out our game alone?
00:50:14Oh, no, no, no. That's the third Spassky-Petrozzi match of 71.
00:50:20I said I didn't want any.
00:50:21Well, I thought you might change your mind.
00:50:23I did.
00:50:28I must give you the mail back.
00:50:30When are you finished?
00:50:32Any good?
00:50:35Why did you come, Steve?
00:50:36You said something.
00:50:37Oh, we both said some things we didn't mean.
00:50:39Yes, we did.
00:50:40It's not true, Ben.
00:50:43What?
00:50:43Damn it. You know what I'm talking about.
00:50:45Today, a scared little accountant
00:50:48got his head blown off by your wonderful war on crime.
00:50:51Protection of the people's rights.
00:50:54You knew him?
00:50:57Yeah. Hey, man.
00:50:58It wasn't your fault.
00:51:00Well, sure as hell it was somebody's fault.
00:51:03You don't think I knew about it?
00:51:06It's been decided.
00:51:10But you're a risk.
00:51:11Who's decided?
00:51:14The captain.
00:51:15And if you weren't my friend, I couldn't fault his reasoning.
00:51:18Man, you know it's a personal thing he's got for me.
00:51:21Yes, I know.
00:51:23But there is evidence.
00:51:25Circumstantial, maybe.
00:51:26But he'd be a bad cop if he didn't make sure.
00:51:30You can't give information to a potential leak.
00:51:33To hell with information.
00:51:34That's not what I'm talking about.
00:51:36What are you talking about?
00:51:37You and me.
00:51:38Ah, no.
00:51:39Don't get yourself in a knot.
00:51:41Nothing's changed.
00:51:42Get myself in a knot?
00:51:43When my best friend is accusing me?
00:51:45Nobody's accusing you of anything.
00:51:47You said leak.
00:51:48Potential.
00:51:49Word games.
00:51:50The captain's words.
00:51:51Cop out.
00:51:53Damn it, man, it's got bugger all to do with me.
00:51:56I'm in the middle and I've got orders.
00:51:58It's got everything to do with you.
00:52:00You just sat there while he accused me.
00:52:02And you had me tailed.
00:52:04No, not me.
00:52:05Not me, not me.
00:52:06Your people are sitting on me.
00:52:08And you hardly lift a finger.
00:52:09I'm not enjoying it.
00:52:10Too bad.
00:52:12Maybe when you are under suspicion,
00:52:14I'll feel sorry for you.
00:52:15Meanwhile, you'll feel sorry for yourself.
00:52:17Oh, damn.
00:52:18I didn't come here to fight.
00:52:27Listen, I think the guy's an American.
00:52:30I've been toying with the idea that he's an American myself.
00:52:34Whoever they are, they're too damn good to be local.
00:52:36You mean, uh, what do you mean?
00:52:38Oh, a CIA, CIA narcotic agent.
00:52:41I don't know.
00:52:42But you might kill one of their men.
00:52:44Poem's in the garden.
00:52:48Spassky offered a poem.
00:52:51But he didn't say why.
00:52:53What if Petrosian doesn't take the poem?
00:52:58Ah.
00:53:01Well, let's see.
00:53:08Don't print any of this, Steve.
00:53:11Only in the chest column.
00:53:14Hold it, Choco.
00:53:21Hold it, Chat.
00:53:32I want to talk to you, Choco.
00:53:34What do you want, Chops?
00:53:36I want the guys who are busy bumping off everyone.
00:53:39I want them, too, Chops, but I don't know who they are.
00:53:41I want them too, Chops, but I don't know who they are.
00:53:44Oh, don't give me that crap.
00:53:46Everybody knows that you're their front.
00:53:48Listen, Chops, they just feed me stories, that's all.
00:53:50So they look like good guys in the papers.
00:53:53Bunch of bastards. That's what they are.
00:53:56Okay, okay. But they're bastards who know how to advertise.
00:54:00Maybe they'll call you again.
00:54:02Maybe.
00:54:03Okay, Chapa, listen.
00:54:06You tell those guys I want to meet them, okay?
00:54:08Forget it, man. You're up against the best.
00:54:11They don't want to talk to you. They want to kill you.
00:54:15Yeah, maybe I'll get them first.
00:54:17With a bicycle spoke?
00:54:20Listen, I know you got guts.
00:54:23Maybe too much.
00:54:24But guts won't help you against these guys.
00:54:26What the hell do they want?
00:54:28They want you out, Chops.
00:54:30Somebody's coming, boss.
00:54:32In there, Chapa.
00:54:39Tell them I'm out.
00:54:40What do you mean, out?
00:54:41Oh, damn it. I'm out.
00:54:44I resign. I'll even leave this damn country.
00:54:48Tell them they win.
00:54:49Well, they might not call me for days.
00:54:51Oh, damn it, Chapa.
00:54:53You've got to help me.
00:54:55All I can do is write a story.
00:54:58Okay, write it.
00:54:59Front page. Headlines.
00:55:02I'm out.
00:55:04I don't want to die.
00:55:06Water. Some lousy record.
00:55:09It's not worth it.
00:55:11Okay, but if I were you, I'd lie low a while.
00:55:15Yeah.
00:55:17Yeah, you're right.
00:55:19I'll hide out.
00:55:26Really tear a hole in that guy, wouldn't it?
00:55:29Big enough to put your hand through.
00:55:31No, thanks.
00:55:33What do you feel when you shoot someone?
00:55:36Nothing.
00:55:37Except a part of me the rest doesn't listen to.
00:55:40So they got two, Leo.
00:55:43No problem. He was clean.
00:55:45So one of them nearly got away from you today.
00:55:48Hell, man. He was 100 yards away.
00:55:50Shot like that, you've got to aim high.
00:55:52Compensate for the gravity of the Earth.
00:55:55Of course, you have to allow for the gravitational attraction of the moon as well.
00:55:58All that in a split second?
00:56:00No, I just close my eyes and shoot.
00:56:02Can you set up the show, Frankie?
00:56:03Sure.
00:56:04Figures coming together?
00:56:05Well, it's only a projection.
00:56:08But it gives us a picture.
00:56:10Of?
00:56:11He's not exactly starving.
00:56:16Gordon makes enough money legitimately,
00:56:18but his kickbacks as advisor to the underworld make him a very rich man.
00:56:22I don't think he's aroused police suspicion.
00:56:25So he's probably complacent.
00:56:26Perhaps, but...
00:56:28Mr. Johnson, your girlfriend is here.
00:56:31Hello, darling.
00:56:32Heather, why didn't you call?
00:56:35Did you forget tonight?
00:56:37Forget what?
00:56:39You forgot.
00:56:41Look, we're going to be here another half hour and then we can go, okay?
00:56:45Okay.
00:56:52Let's finish up here and then I'll get rid of her.
00:56:55You shouldn't have brought her here in the first place.
00:56:57Oh, man, we've been through that already.
00:56:59She is here.
00:57:00She sure is.
00:57:02It's difficult to estimate his turnover,
00:57:30but he's pushing at least two million a year into New York.
00:57:33Last year...
00:57:34The girl just left.
00:57:36Left?
00:57:37She ran away.
00:57:45Shit.
00:57:47Look at this.
00:57:49Stupid bitch.
00:57:51Stupid bitch.
00:57:52Take care of her.
00:57:57Reggie.
00:57:59Get all that dope out.
00:58:00All of it.
00:58:04Heather.
00:58:05Shut up.
00:58:06Don't say a word.
00:58:07Don't say a word.
00:58:09Hey, come on.
00:58:10Listen to me.
00:58:11You rotten bastard.
00:58:13Go on.
00:58:14Lie to me.
00:58:16Tell me more lies.
00:58:17What is it?
00:58:18Heroin?
00:58:19Cocaine?
00:58:21You don't understand.
00:58:22I understand.
00:58:23Bastard.
00:58:27Get as far away from you as I can.
00:58:30Don't worry.
00:58:31I won't tell anyone.
00:58:34Go on with your rotten business.
00:58:38I'm going to vomit you out of my mind.
00:58:41I'll get something rotten.
00:58:44So quiet, bastard.
00:58:46You want out alive?
00:58:54Go on.
00:58:56Shoot me.
00:58:58I deserve it.
00:59:00Capital punishment for stupidity.
00:59:03Right here.
00:59:06Don't you know where her heart is?
00:59:14Bastard.
00:59:26Come on.
00:59:27Come on.
00:59:57Stop it.
01:00:21Please, man.
01:00:23No, please.
01:00:25Hello, Chops.
01:00:35Well?
01:00:37Well, that took out Chops.
01:00:40What, to the movies?
01:00:42To hell with Chops.
01:00:43What about the girl?
01:00:45She's gone.
01:00:46What do you mean, she's gone?
01:00:48She's flying out.
01:00:49You let her go?
01:00:52You let her go?
01:00:54She won't say anything.
01:00:55Don't give me that, man.
01:00:58There isn't a flight for a few hours.
01:01:01Take care of her.
01:01:05No.
01:01:06Listen.
01:01:08I'm not asking you.
01:01:09I'm telling you.
01:01:11Take care of her, man.
01:01:12I don't care how you do it.
01:01:14But if that girl gets on to a plane, you're dead.
01:01:18Don't talk like that.
01:01:20Don't move.
01:01:22Man, we're friends.
01:01:24Friends don't talk like that.
01:01:26Take care of her, man.
01:01:28Fast.
01:01:30Just don't talk to me like that.
01:01:38I told you to lay off Chops, didn't I?
01:01:40Didn't I tell you to leave him alone?
01:01:53Heather.
01:01:54Go away.
01:01:55No, we're going to talk.
01:01:58Come on, you've got to listen.
01:02:01Damn it, Heather.
01:02:02I'm not interested.
01:02:03I'm going.
01:02:04Come back with me.
01:02:05Ah!
01:02:06Ah!
01:02:07Ah!
01:02:08Oh.
01:02:09Oh.
01:02:10Don't you ever take these things off?
01:02:36Are you out of your mind?
01:02:37What's the matter?
01:02:38Can't you take a joke?
01:02:39Son of a bitch!
01:02:41Yeah, old time son of a bitch.
01:02:44Where is she?
01:02:46She wouldn't come.
01:02:48Each man kills the thing he loves to coin a praise.
01:02:51You killed her? Where?
01:02:53Airport.
01:02:54Witnesses?
01:02:56No.
01:02:57Good.
01:02:59Yeah, great.
01:03:01We better get you out of the way.
01:03:02I'm not going anywhere, friend.
01:03:04You're hot. They'll be looking for you.
01:03:07Never loved anything before.
01:03:09You didn't love her. She loved you.
01:03:12You kept her to feed your ego.
01:03:14You used her, that's all.
01:03:16Shut up!
01:03:17Such a thing as being too right, bastard.
01:03:22Yeah, lost count of the times you called me bastard.
01:03:26Rotten bastard.
01:03:28She was right, too.
01:03:30Too right, just like you.
01:03:33Look what happened to her.
01:03:35Watch your step.
01:03:38Damn, I'm going to get smashed.
01:04:36Son, what are you doing here?
01:04:38Story.
01:04:40Chuck just got hit.
01:04:42War or a crime? I thought he was quitting.
01:04:45He was.
01:04:47Doesn't make sense.
01:04:49They didn't have to kill him.
01:04:54Don't let it get to you, son.
01:04:57Dad.
01:04:59Dad.
01:05:01Dad.
01:05:03Dad.
01:05:05You always wanted me to be a good journalist.
01:05:08That means getting involved.
01:05:20Nothing.
01:05:22Nothing.
01:05:24That's it, then.
01:05:26You set him for the mafia, and he sure has nothing to tell you.
01:05:30Two points for the big O.
01:05:33That's it, the mafia.
01:05:35Give me the Gallo file.
01:05:37Get it yourself.
01:05:38Why crazy Joe?
01:05:40Beverly, could you please get me the file on Joey Gallo?
01:05:43Sure.
01:05:48Hey, Jim.
01:05:50Are they real, then?
01:05:52Real as anything can be.
01:05:54Hey, what did you do? Did you take her to dinner?
01:05:56Oh, yeah.
01:05:57Come on, you promised me a blow-by-blow description.
01:05:59Hey, man.
01:06:01This lady doesn't talk with her mouth full.
01:06:03Oh, boy.
01:06:05Ah, thank you, my dear.
01:06:14Here it is.
01:06:16Why the hell wasn't there a cross-reference with the black criminals?
01:06:19No arrest, my friend.
01:06:21This guy is Mr. Clean.
01:06:26I'm sorry.
01:06:52Message, Steve Chaka, The World, Johannesburg.
01:06:55Steve, this is your man.
01:06:57Luther Daniels, also known as Martin King,
01:07:00also known as Snowman,
01:07:02also known as Mr. Clean,
01:07:05born Cleveland, Ohio, 3536,
01:07:08became major drug dealer in Harlem.
01:07:111966, met Joey Gallo, Brooklyn Mafia.
01:07:15Hit it off, despite personality differences.
01:07:18Gallo, gunned down in restaurant, 1972.
01:07:21Daniel disappears, presumed murdered by mafia.
01:07:24You've got a good one, Steve.
01:07:26I suspect war on crime is a device to kill all competition.
01:07:29I hope we've been of some help.
01:07:55It's him?
01:07:57Yeah, it's him all right.
01:08:00It's big.
01:08:02Yeah, Barry.
01:08:04See you later, son.
01:08:24He eliminated all competition by pretending to be the savior of the people.
01:08:28And now he'll stab the people in the back with needles.
01:08:32Addicts in America must pay up to $100 a day for their drugs,
01:08:36and the only way to get it is to steal.
01:08:39400,000 addicts in New York have totally terrorized a city of 8 million.
01:08:44Imagine what would happen in our society.
01:08:47A crime wave like nothing ever seen before anywhere.
01:08:50He would have had to give it away free until he had his people addicted.
01:08:54And then no house, no man, no woman or child in the city would be safe from addicts
01:08:59who must have their fix or die.
01:09:01Ben, you were right.
01:09:03He handled me.
01:09:05I thought he was Robin Hood and he's the most vicious bastard alive.
01:09:08Now I'm going after him.
01:09:10I give you the evidence in case something happens.
01:09:14I know the town, I know the people, I know Daniels.
01:09:18And Ben, I want him.
01:09:21No, man, I know nothing.
01:09:23I'm sorry, I'd like to help, but there's nothing.
01:09:26Okay, man, see you.
01:09:28Yeah, see you.
01:09:45It's me.
01:09:46Hello, me.
01:09:48I'm looking for those guys, Chance.
01:09:51Those who killed Chops?
01:09:53Uh-huh.
01:09:55I've been playing here in this spot about a week.
01:09:58Take's not so good, but I keep coming back.
01:10:02Why?
01:10:03You know me, Steve.
01:10:05See no evil.
01:10:06But things happen here.
01:10:08Like what?
01:10:10Oh, no, people come and go.
01:10:12People come and go all the time.
01:10:15I hear them all day.
01:10:18These people I smell.
01:10:21I don't understand.
01:10:23Me too.
01:10:24Stick around.
01:10:26Tell me what you see.
01:10:39Thanks, Steve.
01:10:42What do you smell?
01:10:44Someone's waiting across the street.
01:10:46Only one?
01:10:48And another.
01:10:50There'll be more.
01:10:51Soon.
01:10:58What's happening, Steve?
01:11:00The big smeller's here.
01:11:01He knows me.
01:11:06Careful, he doesn't hear you.
01:11:45Ten bucks?
01:11:47I don't make that kind of bread, man.
01:11:49I don't care what you make.
01:11:51You have ten bucks, we do business.
01:11:54And if not, you don't exist.
01:12:00Okay, man, okay.
01:12:02But you're gonna have to pay me.
01:12:04I'll pay you.
01:12:06I'll pay you.
01:12:08I'll pay you.
01:12:10I'll pay you.
01:12:12Okay, man, okay.
01:12:14But you're gonna let me have one now.
01:12:16You didn't say anything about bread last time, did you?
01:12:34Sweetheart.
01:12:35Beautiful, man.
01:12:37Next time, don't wear short sleeves, stupid.
01:12:39I'm bringing ten bucks.
01:12:41Okay, man, sure.
01:13:11I'm bringing ten bucks.
01:13:42There you go.
01:13:44Okay.
01:13:49I was here the other night, remember?
01:13:51Yeah, I remember.
01:13:53Oh, before that.
01:13:55A guy came up to speak to me.
01:13:57Shop dresser, dark glasses.
01:13:59Remember him?
01:14:00Oh, yeah, he was with one of the girls.
01:14:02Which one?
01:14:05Lady in green.
01:14:08Hey, baby, let's talk.
01:14:10Get lost.
01:14:11After we talk.
01:14:12Hey, sit.
01:14:13I hear you've been keeping back company.
01:14:15Tall, dark, and handsome company.
01:14:17What the hell?
01:14:20You were sewing, and the needle slipped, right?
01:14:23What are you talking about?
01:14:28I'm sorry.
01:14:30I'm sorry.
01:14:32I'm sorry.
01:14:34I'm sorry.
01:14:37You're a stupid bitch to be carrying this around.
01:14:39Nick!
01:14:40Bastard!
01:14:42I'll give you it back.
01:14:44But I want handsome.
01:14:45I don't know where he is.
01:14:46You'll be seeing him soon enough.
01:14:48We'll wait.
01:14:49Tomorrow.
01:14:51You'll be shaking.
01:14:52You'll start to scream, baby.
01:14:56I don't know where he is.
01:14:58I'll give this, then, to the cop with the beard.
01:15:00Remember him?
01:15:01It's in your hands.
01:15:02I'm clean.
01:15:04You set up Stiles.
01:15:06I didn't.
01:15:07Have you ever been to prison?
01:15:10No.
01:15:11There are hungry women there who will make a meal out of you.
01:15:14Leave me alone.
01:15:16Call handsome.
01:15:18He won't come.
01:15:20If there's anything you know, baby, it's how to make a man come.
01:15:28Okay.
01:15:29It's the man with the beard, then.
01:15:31No way.
01:15:33Hey!
01:16:03Come on.
01:16:33Come on.
01:17:03Come on.
01:17:33Come on.
01:17:34Come on.
01:17:35Come on.
01:17:36Come on.
01:17:37Come on.
01:17:38Come on.
01:17:39Come on.
01:17:40Come on.
01:17:41Come on.
01:17:42Come on.
01:17:43Come on.
01:17:44Come on.
01:17:45Come on.
01:17:46Come on.
01:17:47Come on.
01:17:48Come on.
01:17:49Come on.
01:17:50Come on.
01:17:51Come on.
01:17:52Come on.
01:17:53Come on.
01:17:54Come on.
01:17:55Come on.
01:17:56Come on.
01:17:57Come on.
01:17:58Come on.
01:17:59Come on.
01:18:00Come on.
01:18:01Come on.
01:18:02Come on.
01:18:03Come on.
01:18:04Come on.
01:18:05Come on.
01:18:06Come on.
01:18:07Come on.
01:18:08Come on.
01:18:09Come on.
01:18:10Come on.
01:18:11Come on.
01:18:12Come on.
01:18:13Come on.
01:18:14Come on.
01:18:15Come on.
01:18:16Come on.
01:18:17Come on.
01:18:18Come on.
01:18:19Come on.
01:18:20Come on.
01:18:21Come on.
01:18:22Come on.
01:18:23Come on.
01:18:24Come on.
01:18:25Come on.
01:18:26Come on.
01:18:27Come on.
01:18:28Come on.
01:18:29Come on.
01:18:30Come on.
01:18:32Chalker's no problem.
01:18:33It's covered.
01:18:36Tiny's waiting at the newspaper.
01:18:37Get the car.
01:18:40And Simon's at his flat.
01:18:41Hit him tonight.
01:18:42Took the police in school.
01:18:43Two birds with one stone.
01:18:46No one suspects us.
01:18:48They think Chalker's our boy.
01:18:53But you let's go.
01:18:58Ah, what a lovely evening.
01:19:01Look at that moon. Reggie, just look at that moon.
01:19:05So much like a woman, waiting to be filled.
01:19:10There's a lot of the beeping tongue in me, I guess.
01:19:13Which explains my affinity with our newspaper friend.
01:19:18Shall I shoot you for a burger, my brother?
01:19:21Why couldn't you leave it alone?
01:19:23I liked you. Now I'll have to kill you.
01:19:27I'm insured.
01:19:29So cruel.
01:19:31I could use someone like you.
01:19:33You couldn't afford me.
01:19:35I just wanted to see if you'd crawl.
01:19:37You wouldn't have believed it.
01:19:38No. We only met once, but we recognized each other.
01:19:41Yes, we recognized each other. Snowman.
01:19:44Snowman? What's that?
01:19:46It's another way of saying Luther Daniels.
01:19:48The file is sitting right on my desk, where they can find it.
01:19:51Son of a bitch!
01:19:53We're gonna get that file, son of a bitch! Get up!
01:19:57I said get up!
01:20:10It's like some newer hands.
01:20:16Brought some friends with me.
01:20:18Would you like me to make you some coffee?
01:20:20No, leave us alone, old man.
01:20:21Sure. Let me know when you go.
01:20:27Tiny, stand by the door.
01:20:29Very clever, Snowman. You had us fooled.
01:20:32But not you, Wright. You're the hero, Wright.
01:20:35We'll give you a posthumous medal, and I'll get the file.
01:20:38How did you get the dope in?
01:20:40Shut up and get me the file.
01:20:48Come on, get it.
01:20:50I need light.
01:20:57No!
01:21:03Come on, man.
01:21:13Reaching up the stairs. Fido, come with me.
01:21:26Damn it. Fido, get the car.
01:21:28Right.
01:21:56Come on.
01:22:26Come on.
01:22:28Come on.
01:22:54The other staircase, quick.
01:22:58Come on.
01:23:28Come on.
01:23:58Come on.
01:24:29Born to King's Bishop Ford.
01:24:35That's not your usual athlete.
01:24:37Well, it's a different game.
01:24:48How about a little fishing this afternoon?
01:24:50Sorry, then. Weekend editions won't wait.
01:24:53Come on, let's go.
01:25:23Come on, let's go.