Drama (1987) 84 minutes ~ Color
Linda (Jodie Foster) is terrified. She has reason to be. Today, the man who raped her and crippled her boyfriend has been released from prison. And he doesn’t want revenge. He wants her. Hang on to the edge of your seat as Linda’s vicious stalker puts his evil plan into practice and makes sure there is nowhere to hide in Five Corners.
Director: Tony Bill
Writer: John Patrick Shanley
Stars: Jodie Foster, Tim Robbins and John Turturro
Linda (Jodie Foster) is terrified. She has reason to be. Today, the man who raped her and crippled her boyfriend has been released from prison. And he doesn’t want revenge. He wants her. Hang on to the edge of your seat as Linda’s vicious stalker puts his evil plan into practice and makes sure there is nowhere to hide in Five Corners.
Director: Tony Bill
Writer: John Patrick Shanley
Stars: Jodie Foster, Tim Robbins and John Turturro
Category
🎥
Short filmTranscript
00:00:00There are places I remember all my life, though some have changed, some forever, not for better.
00:00:18Some have gone, and some remain.
00:00:23All these places had their moments, with lovers and friends, I still can recall.
00:00:31Some are dead, and some are living.
00:00:36In my life, I've loved them all.
00:00:41But of all these friends and lovers, there is no one compares with you.
00:00:54And these memories lose their meaning, when I think of love as something new.
00:01:03Though I know I'll never lose affection for people and things that went before,
00:01:12I know I'll often stop and think about them.
00:01:17In my life, I love you more.
00:01:22...will transform the salient misdeeds of bloodthirsty mobs into the calculated good deeds of orderly citizens.
00:01:38I know there are temptations to turn to physical violence.
00:01:43I know the temptations that we all face.
00:01:46But let me urge you, as we go on in the days ahead, to recognize that we have a power.
00:01:52Greater than guns, greater than ammunition, greater than hand grenades, we have a power.
00:02:46Hello, Hines. Long time no see.
00:03:02I was in prison.
00:03:04We know. And now you're out.
00:03:07Yeah.
00:03:09We're just out.
00:03:11How much do you want?
00:03:15How much for the pie?
00:03:18One dollar.
00:03:29How much is the amount?
00:03:31No.
00:03:35No, it's nothing.
00:04:11Shit.
00:04:33Shit.
00:04:41Shit.
00:04:57Drop it.
00:05:05Wow.
00:05:07Am I not wonderful?
00:05:12What are you doing now?
00:05:14Look.
00:05:16What, did you just dump pills?
00:05:18Those gowns were garbage.
00:05:23Melanie, why don't you sit up here with me, huh?
00:05:26Don't mess up my thoughts, Sal.
00:05:29This is hard.
00:05:34Okay, that's it.
00:05:41Shit.
00:05:47I'm flying, man.
00:05:49I'm flying with my freaking feet.
00:05:59You pair of freaking debutantes.
00:06:01Melanie, you know...
00:06:04Come here. Come here.
00:06:06You got glue all over your freaking feet.
00:06:10All right. You want to fly?
00:06:12You want to fly? I could fly, too, all right?
00:06:15Let's fly.
00:06:19I'm flying, man.
00:06:23It is not as it should be.
00:06:26It's beautiful.
00:06:28There's too much space between the letters.
00:06:30My eye cannot see it together as one word.
00:06:35What are you doing?
00:06:37It's like 11 o'clock and nothing happened.
00:06:39Hey, you want a couple of broads?
00:06:42Paso, my friend.
00:06:44I want to know if you want to take a couple of broads off my hands.
00:06:47What's wrong with you?
00:06:48Look at them. They're ripped out of their cords.
00:06:50I'm sick of looking at them. I want them out of the country.
00:06:53You want them or not?
00:06:57What does it say?
00:06:59I want you to take these girls.
00:07:01Really? That's marvelous.
00:07:03Isn't it?
00:07:05Five bucks.
00:07:07Five dollars and you'll take the girls.
00:07:09I'm telling you, these dons...
00:07:12These dons were the most serious, kind of...
00:07:15Deep garbage I ever had.
00:07:18They're all yours.
00:07:25I'm sorry. I should really let you try one of them one day.
00:07:28Oh, my God.
00:07:32Where's your beer?
00:07:38Do you live around here?
00:07:40I live around here.
00:08:04What happened?
00:08:07Come on. Let's just take the stuff in.
00:08:09Did you say you wanted a sign?
00:08:11Save the sign.
00:08:13All right. Don't worry about it.
00:08:15Look, look, look. I know.
00:08:17It's just a pumpkin. They had some fun.
00:08:27What are you staring at?
00:08:29I'll kill you.
00:08:30Just caught a flash when you kissed me off.
00:08:32Yeah? Who asked you?
00:08:34What do you think? You think I don't think?
00:08:36I know what's going on here. I know exactly what's going on here.
00:08:39I don't know nothing. That's the only one.
00:08:41No, it ain't.
00:08:42Hines is back. I just saw him.
00:08:44Oh, he is?
00:08:45He's trying to protect you.
00:08:47No, I ain't.
00:08:48Well, it's me who should be protecting you.
00:08:50Yeah, like the last time.
00:08:58This fish is a female fish.
00:09:00So I don't want this one. I want that one.
00:09:03Take the freaking fish and get off my back, okay?
00:09:05Go pay my father at the register.
00:09:07All right.
00:09:09Dad, I'm going to take some lunch. You go down the floor, okay?
00:09:11Okay.
00:09:12James.
00:09:14James.
00:09:15Look, you're going to have to excuse me.
00:09:17I know I ain't going about this the ideal way.
00:09:19But, like, Hines tried to rape me.
00:09:21You tried to stop him, and now you live.
00:09:25So what?
00:09:27So Hines is back, and I got to get some protection.
00:09:29I'll protect you.
00:09:32What, are you going to go to the police?
00:09:33They ain't going to help you.
00:09:34You ain't done nothing.
00:09:35No, I ain't going to go to the cops.
00:09:36I'm going to go to Harry.
00:09:37Harry?
00:09:38Yeah, that's who stopped him the last time.
00:09:39Don't you know what Harry's been doing?
00:09:41That was then.
00:09:42He ain't going to help you with this.
00:09:44We'll see about that.
00:09:46Ain't you heard?
00:09:47Harry's non-violent now.
00:09:49...who will support the fight for democracy around the world.
00:09:53Vote for the man who believes
00:09:55extremism in the pursuit of liberty is no vice.
00:09:58...in the pursuit of freedom is no virtue.
00:10:22Harry!
00:10:24Grandma!
00:10:26You promised you'd walk the Buddha.
00:10:34Come on.
00:10:35Come on, Albedo.
00:10:36Come on.
00:10:39He won't cooperate with me.
00:10:41I don't really have that much time, Ma.
00:10:43Mother, I'm supposed to be meeting the gentleman from Snick and Hall in this afternoon.
00:10:48Excuse me, Harry.
00:10:49Who belongs to this dog?
00:10:51This is my dog.
00:10:52That's right.
00:10:54The Buddha belongs to you.
00:10:56I cannot walk the Buddha.
00:10:58I cannot do anything with the Buddha that the Buddha does not want me to do.
00:11:02Okay, I'll walk him.
00:11:04Come here, Buddha boy.
00:11:24Come on.
00:11:47Buddha.
00:11:51Buddha.
00:11:55Buddha.
00:11:56I got a headache.
00:11:58Where are we?
00:12:01I don't know.
00:12:04This ain't my house.
00:12:07This ain't my house either.
00:12:11Whose house is this?
00:12:14What did we do last night?
00:12:16You witched out.
00:12:17This ain't Sal's house.
00:12:19Wait a minute.
00:12:22There were some guys.
00:12:24Yeah.
00:12:26Yeah.
00:12:31I ain't wearing no clothes.
00:12:38I ain't wearing no clothes, neither.
00:12:45Mrs. Fitzgerald.
00:12:47Hi.
00:12:49Hi.
00:12:51I'm Linda Klinkowski.
00:12:53Is Harry here?
00:12:54No, I'm sorry. He's not.
00:12:56He'll be right back.
00:12:58Do you want to come in and wait for him?
00:13:00Sure.
00:13:19Hello.
00:13:21Hello.
00:13:23Hello.
00:13:49Hello, Heinz.
00:13:51Fuck you.
00:13:53I should have let you out.
00:13:56Don't let no hair grow over the hydra star you gave me, Harry.
00:14:00You should. You look like shit.
00:14:02I don't want to forget.
00:14:04What?
00:14:05Something goon hit you over the head with a beer pitcher?
00:14:07Don't seem like no golden memory to me.
00:14:09Why don't you forget it?
00:14:11I'm trying to forget it. I'm not proud of it.
00:14:14I had a lot of time to think when I was in that fucking hole.
00:14:17Yeah, with the shame you didn't use it.
00:14:21Yeah.
00:14:23What's up?
00:14:26Why don't you go walk your dog?
00:14:29Leave me to smoke my cigarette.
00:14:32Look, Heinz, I...
00:14:36I want to say something to you.
00:14:42I loved you.
00:14:47I did a lot of soul searching while you were gone.
00:14:49I had a lot of bad shit happen.
00:14:52I don't want to do that caveman stuff no more.
00:14:55I want to help people.
00:15:03You love me?
00:15:06Yeah.
00:15:20Funny how things are, you know?
00:15:22How things are set up.
00:15:24You're the first girl ever to come here asking for Harry,
00:15:26and he's out walking the door.
00:15:29You know him from Fordham?
00:15:31No, not from the neighborhood.
00:15:33That's funny.
00:15:35I figured he'd go to school,
00:15:37meet some girl and get married.
00:15:41I don't know.
00:15:43I don't know.
00:15:45I figured he'd go to school,
00:15:47meet some girl and get married.
00:15:51And here he graduated in June,
00:15:53and he's still a single in the yellow ones, right?
00:15:55Right.
00:15:57I guess so.
00:16:02It got so serious after his father died.
00:16:05His father was a hero cop.
00:16:08He had to be a hero cop or he'd be killed.
00:16:10Yeah.
00:16:12I know about that.
00:16:14Yeah.
00:16:21You with the student not-violent-Negro thing?
00:16:24No.
00:16:26Harry's got it in himself to be a hero, too.
00:16:30Harry's going to go down to Mississippi.
00:16:33Meet a bunch of other heroes.
00:16:37Register Negroes for the vote.
00:16:44Those hillbilly cops down there with their
00:16:46third-grade educations and their shotguns
00:16:48and their love of the Negro people,
00:16:50they're going to welcome Harry the hero, my son.
00:16:53Make him feel at home.
00:16:56Maybe I should go.
00:16:58I'm sorry.
00:17:01It's back in his bag. It was just on my mind.
00:17:05Why do you want to see Harry?
00:17:10Who's that?
00:17:15Excuse me.
00:17:17Excuse me, Mrs. Fitzgerald.
00:17:19I'm in this for you, right?
00:17:21James, what are you doing here?
00:17:23I just figured it out.
00:17:25You got a thing for this guy.
00:17:27This number about protection, that's just smoke.
00:17:29You're throwing me over, so you can make a play for Harry Fitzgerald.
00:17:31Your son.
00:17:33Excuse me, Mrs. Fitzgerald, but I'm in love with this girl.
00:17:35She's pulling a number on me.
00:17:37I figured it out.
00:17:39You're wrong.
00:17:41Maybe you don't understand what's going on,
00:17:43but I'm in love with my girl.
00:17:45Last night, she breaks up with me.
00:17:47I feel bad. You can understand that?
00:17:49Sure.
00:17:51And she don't tell me why.
00:17:53So today, I'm eating my heart out when I see Hines.
00:17:55Hines?
00:17:57A bad boy from way back.
00:17:59He busted my hip. He tried to rape Linda, et cetera, et cetera.
00:18:01Harry saved the situation.
00:18:03Iced Hines completely with a pitcher of beer.
00:18:05So, now she tells me she's breaking up with me
00:18:07on account of Hines being back.
00:18:09You said that.
00:18:11For protection.
00:18:13Now, the whole world knows that Harry's out to lunch with this Gandhi thing.
00:18:15Would you like some coffee?
00:18:17No, I think a cup of coffee right now would give me a heart attack.
00:18:21So, when I got a minute to think about it,
00:18:23I'm thinking, it definitely don't add up.
00:18:25And then, bam, I understand.
00:18:27It must be like she got obsessed
00:18:29with Harry Fitzgerald
00:18:31and that she's using Hines
00:18:33for smoke, to blow on me.
00:18:35James, please.
00:18:37Well, what else could it be?
00:18:39I can't sit down, Miss Fitzgerald. I'm a man on the move.
00:18:41Sit down.
00:18:49What's this?
00:18:51This?
00:18:53This is your life, clown.
00:19:05Well,
00:19:07what's that?
00:19:17Good morning, Maxine.
00:19:19Good morning.
00:19:21Hold on a second.
00:19:23Don't you wait a little while, will you?
00:19:25They'll turn up.
00:19:27Their own mothers ain't heard from them.
00:19:29Well, why ain't their own mothers down here complaining about it, then, huh?
00:19:31Because they got a shitty attitude, like you.
00:19:33Oh, yeah?
00:19:35Just sit down.
00:19:37And just don't worry about it.
00:19:39How's it going, Phil?
00:19:41Good, Sully. How would it look like?
00:19:43On the side.
00:19:45Look, you've got to help me find these chicks, all right?
00:19:47I feel responsible for them.
00:19:49Go, go, go and find them. Go with God.
00:19:51Just leave me alone, will you? Crying out loud?
00:19:5333rd Precinct.
00:19:59So it was really in that room?
00:20:01Yeah.
00:20:03What do you make of that?
00:20:05Indians. What happened there? Somebody tag you?
00:20:07No.
00:20:09It's a temple.
00:20:11You know, there used to be Indians around here.
00:20:13You're right.
00:20:15Sure.
00:20:17This whole area here was Indians.
00:20:19It was called Kiskieskek.
00:20:21Is that right?
00:20:23Sure.
00:20:25What happened?
00:20:27What do you mean?
00:20:29Why ain't they here now?
00:20:3133rd Precinct.
00:20:35So who killed this?
00:20:37Who was he?
00:20:41Algebra teacher.
00:20:43I don't know.
00:20:47Mine zapatino's back on the street now.
00:20:49Yeah.
00:20:51I know. Think it might be him?
00:20:53Maybe.
00:20:55But where did he learn the art of a bow and arrow?
00:20:57He could have picked it up in the pen.
00:21:01Who from?
00:21:03An Indian.
00:21:05A camp counselor. I don't know.
00:21:09So, uh,
00:21:11we moved in,
00:21:13and the Indians moved out.
00:21:15That's right. The Indians moved out.
00:21:17A Dutch couple moved in.
00:21:19Who were they?
00:21:21They were the Bronx.
00:21:23Something like John and Katrina Bronx.
00:21:25People used to say,
00:21:27let's go over and visit the Bronx tonight.
00:21:31Why, this is weird.
00:21:33This is, like, the weirdest thing
00:21:35that's ever happened to me.
00:21:41Oh, you guys missed me.
00:21:43Hi, Brita. Did you get some good sleep?
00:21:45That was my name.
00:21:47And he's French or something.
00:21:49Chairman.
00:21:51Chairman.
00:21:53Is that your apartment?
00:21:55No, not exactly.
00:21:57This is an apartment over which we have use.
00:21:59Until the superintendent finds out.
00:22:01Listen, someone murdered our teacher,
00:22:03so we got the day off.
00:22:05You want to go for a ride?
00:22:09A ride?
00:22:15All right.
00:22:29Come on.
00:22:31Come on.
00:22:57Someone there?
00:23:01Someone there?
00:23:03It's me.
00:23:05Is that you?
00:23:11I can't believe it's you.
00:23:31God.
00:23:41I did play it a little loud,
00:23:43but it's so beautiful.
00:23:45It makes me feel so good.
00:23:47I got your letters
00:23:49all the time you was gone.
00:23:51I didn't write.
00:23:53I know you did.
00:23:55Maybe I didn't get them all the time,
00:23:57but I know you wrote your mother.
00:23:59I've had asthma
00:24:01since I was 12.
00:24:03Yeah, you've been gone a long time.
00:24:05Ooh, what a weird haircut.
00:24:09I'm sure it's the style now.
00:24:11This is what I have.
00:24:13They call it printing curls.
00:24:15You like it?
00:24:17I want to change my clothes.
00:24:19Are my clothes still here?
00:24:21Yeah.
00:24:29I want...
00:24:31I want to change my clothes.
00:24:33It's the bathroom.
00:24:35Hey, Doc.
00:24:59Look, you don't even know he's gonna bother you.
00:25:01When I talked to him today, he was like...
00:25:03Whoa, whoa, whoa.
00:25:05You talked to Heinz?
00:25:07Yeah.
00:25:09And I told him I loved him.
00:25:11You told Heinz Sabatino you loved him?
00:25:13Yeah, I did.
00:25:17And this is who you're going to for protection.
00:25:19I'm sorry,
00:25:21but I gotta have a chuckle over this one.
00:25:23This guy's further up than Sputnik.
00:25:25Look.
00:25:27When you want my help,
00:25:29you know where to find me.
00:25:31Harry, all the best in Mississippi.
00:25:33It ain't worth it
00:25:35being jealous with you.
00:25:37You're a wacko,
00:25:39and you live in town.
00:25:41It ain't worth it.
00:25:43This is not a rival.
00:25:45This is a phenomenon.
00:25:49You gotta excuse him.
00:25:51He's just kind of nervous
00:25:53about himself, you know.
00:25:55You saved him, too, right?
00:25:57I guess...
00:25:59It makes me feel kind of weird.
00:26:01He yimps around,
00:26:03and I...
00:26:05At least he don't feel like, uh...
00:26:07You know, like enough of a mess.
00:26:09Okay.
00:26:11Hey.
00:26:13Mr.
00:26:15Good afternoon, Esther.
00:26:17Hi, Jimmy.
00:26:21Quiet on it?
00:26:23So far.
00:26:25Hey, Mr.
00:26:27Mr.
00:26:29Mr.
00:26:31Mr.
00:26:33Mr.
00:26:35Mr.
00:26:37Mr.
00:26:39So far.
00:26:41Hey, how's he doing?
00:26:43One more and it's a knock.
00:26:49What you drinking, Esther?
00:26:51Nothing.
00:26:53What was in that glass?
00:26:55Let's see.
00:26:59That one.
00:27:03Uh, excuse me.
00:27:05Jimmy, I'm looking for Melanie.
00:27:07Maybe you seen her?
00:27:09No.
00:27:11Nothing?
00:27:13I just got on.
00:27:15All right.
00:27:17Thanks.
00:27:21I understand you got things
00:27:23you gotta do.
00:27:25You scared or something?
00:27:27I guess that's my problem, all right?
00:27:29Probably won't even hear
00:27:31from the guy. All that junk
00:27:33was a long time ago.
00:27:35All right.
00:27:37If you hear from him, call me.
00:27:39Thanks.
00:27:41Listen, uh,
00:27:43probably only gonna be around a couple more days
00:27:45and then you're strictly on your own.
00:27:47He probably won't bother you.
00:27:53All right. Take it easy.
00:27:59I've been back, like,
00:28:01two hours. The group was like a friggin' rock.
00:28:03What a shame. Okay.
00:28:05Okay, what?
00:28:07What not, Willie?
00:28:09This is a what not.
00:28:11It's a four.
00:28:13We're on the tenth floor, right?
00:28:15Right.
00:28:17So I push nine, and can you hold this?
00:28:19This?
00:28:21Yeah. And...
00:28:27I put this here.
00:28:33Oh, this is a rather
00:28:35promiscuous.
00:28:37This one is for us.
00:28:39On this?
00:28:41Come on, let's go.
00:28:47That's you.
00:28:55Come on, don't be afraid.
00:28:57Fuck.
00:29:01Stop.
00:29:13So,
00:29:15what do we do now?
00:29:17We wait.
00:29:21Oh.
00:29:23They're gone.
00:29:27They'll be back.
00:29:31Melanie,
00:29:33take this. It's like out of space.
00:29:35Yeah, it's like that down here, too.
00:29:53Ah!
00:29:57Ah!
00:30:19Ah!
00:30:21Ah!
00:30:41Ah!
00:30:51Ah!
00:30:53Ah!
00:30:55Ah!
00:31:09Ah!
00:31:11I'm gonna come over there.
00:31:13I'm gonna come over there.
00:31:15I'm gonna come over there.
00:31:17I'm gonna come over there.
00:31:19I'm gonna come over there.
00:31:21What you want, dear?
00:31:23You don't want nothing, Nancy. Just faith, right?
00:31:26I mean a couple friends.
00:31:28Shoot. Ain't nobody got no friends in this town.
00:31:33Hey!
00:31:34Give me a dollar.
00:31:36I'll make you, if it gets you out of here alive.
00:31:39Hello, Arthur.
00:31:41Hello, Brother Harold.
00:31:43Sit down.
00:31:45We haven't met, have we?
00:31:47You're not sure?
00:31:50I'm Harry Fitzgerald.
00:31:53This is Brother Samuel Kemp.
00:31:56He's been down in Mississippi for us for a long time now.
00:31:59He's been working with Brother Scopely Carmichael.
00:32:02Can I get you something?
00:32:04Yeah, I'll have coffee, too.
00:32:11The purpose of the Mississippi Project is to get rich white kids
00:32:17working down there beside those of us Negroes
00:32:19who've been beaten up enough to satisfy a lifetime
00:32:21in the cause of the movement
00:32:23without the population up north getting upset about it.
00:32:26Now, we figured if we can get these rich white kids
00:32:29to get beat up in the cause of the movement,
00:32:32that'll get the TV cameras rolling real good.
00:32:36Here you go.
00:32:42I, uh, I want you to like me, Mr. Kemp.
00:32:50I don't like you.
00:32:53I don't like the idea of you.
00:32:56What I mean is I want you to approve me for this project.
00:33:00I want to be on that bus the day after tomorrow.
00:33:05Why should I approve you?
00:33:08Why should Brother Arthur here approve you?
00:33:12Look at you.
00:33:14You look to me like you're made out of sweet butter.
00:33:18And when that Mississippi sun lands on you,
00:33:20you're gonna melt down to nothing but grease.
00:33:23They got state troopers down there waiting for you, uh,
00:33:26harlot types with a knife and fork.
00:33:30Now, why don't you go home?
00:33:33Um, I can understand if you don't like me, Mr. Kemp.
00:33:40I can't.
00:33:42Why not?
00:33:44Why am I not like you?
00:33:47I don't know.
00:33:51I don't know.
00:33:53Yet.
00:33:55Let me set you straight on a couple things.
00:33:58I'm not rich.
00:34:00I didn't go to Harvard.
00:34:02I went to Fordham, which ain't Harvard.
00:34:05And I come from a place in the Bronx called Five Corners.
00:34:09Now, the movement has, has not been to this place.
00:34:15If a Negro, if you, for instance, were to walk through Five Corners,
00:34:20before you'd gone one block, people would come out of their houses
00:34:23and stomp your ass into the ground.
00:34:26Now, two years ago, I would have been one of those people.
00:34:29But something happened.
00:34:31And I, and I had a change of heart.
00:34:36You see, my, uh...
00:34:41My father was killed. My father was shot.
00:34:44He was a cop, and he was shot by some kid, some crazy kid.
00:34:50And, uh, when I was sitting home with my mother watching the news about it on TV,
00:34:57the next thing they showed after that was Dr. Martin Luther King speaking.
00:35:03And he was talking about the power of love in the face of senseless cruelty and violence.
00:35:11I heard him, Mr. Kemp.
00:35:15I guess something knocked the wax out of my ears because I heard him loud and clear.
00:35:22And that's why I am sitting here now.
00:35:29Was this a kid who killed your father, Blush?
00:35:37You know, I don't remember.
00:35:42Hey!
00:35:43Hey, you two.
00:35:44What's up?
00:35:45Hey, come up on this one. We'll all be on one.
00:35:47Yeah.
00:35:48All right.
00:35:52Come on, Melvin.
00:35:53Come on.
00:35:54I ain't walking around in here.
00:35:55I'm not that chicken-ass. You know, it's like a sidewalk.
00:35:57Come on.
00:36:02Come on.
00:36:07Come on.
00:36:11Oh, shit.
00:36:13Hurry up.
00:36:14Come down now.
00:36:15Come down.
00:36:16Just step down. This is a little wild.
00:36:17Hurry up. Quickly.
00:36:18Come on.
00:36:19Come on, Melvin.
00:36:20Just step down.
00:36:21Come on.
00:36:22Come on, Melvin.
00:36:23All right, all right, all right, all right.
00:36:31That's it.
00:36:36Melvin.
00:36:41Come on.
00:36:43Come on.
00:36:46A little more.
00:36:50Oh, my God.
00:36:51Oh, my God.
00:36:54Step down.
00:37:01Oh, Melvin.
00:37:06Shit.
00:37:17I think I'm going to throw up.
00:37:19Don't throw up.
00:37:21Let me down.
00:37:24Oh, my God.
00:37:32Oh, my God.
00:37:33I'm probably sorry for having offended thee.
00:37:34And I flushed all my sins because I dreamt a lot of heaven and hell.
00:37:44Let go.
00:37:46Hey, let him go.
00:37:47Hurry up before it moves.
00:37:49Hey, Melanie.
00:37:50Just jump, man.
00:37:51Fuck it.
00:37:52Why do you jump off something if you're so freaking hot and then jump?
00:37:56Melanie, I'll give you five hours if you jump.
00:38:00I know where you got that five hours.
00:38:02So I'm morphing it to you.
00:38:04You can take it and shove it up the guy's nose.
00:38:08Hmm.
00:38:13I thought you were just going to stand there.
00:38:14You're going to help me down.
00:38:22Let go.
00:38:26The stage.
00:38:27It's wonderful.
00:38:28Oh, man.
00:38:30I think I broke a nail.
00:38:40Oh, my God.
00:38:48Oh, my God.
00:38:57Oh, my God.
00:39:07Oh, my God.
00:39:17Oh, my God.
00:39:48Hello?
00:39:49Hello, Linda.
00:39:52Hi, Hans.
00:39:54Did you know I was back?
00:39:57Yeah, yeah, I did.
00:40:01Oh, you did, huh?
00:40:03Listen.
00:40:04Listen, I got you a present.
00:40:06Guess what it is.
00:40:08I don't know.
00:40:09What?
00:40:10I said guess.
00:40:12Sal's?
00:40:13No.
00:40:16You're wrong.
00:40:18Listen.
00:40:19Listen, I want you to meet me at 12 o'clock at the Oval Fountain.
00:40:24No.
00:40:25No, I don't meet nobody at midnight nowhere.
00:40:28You'll meet me.
00:40:30At what?
00:40:31You'll meet me.
00:40:33Because if you don't meet me, I don't know, something might happen.
00:40:41How's your friend?
00:40:42What's his name?
00:40:44I ain't even going out with him anymore.
00:40:46We broke up.
00:40:47Oh, yeah?
00:40:48Well, maybe you won't mind if I pay him a visit.
00:40:52All right.
00:40:53I'll meet you.
00:40:55Be late.
00:40:56No, I'll be there.
00:40:57Bye, Linda.
00:41:02...weeks of uncertainty has ended in the knowledge of the murder of our son, Andrew Goodman,
00:41:09and his companions, James Chaney and Michael Schwert.
00:41:13Hope, slim though it was, has passed away, and a painful certainty has come.
00:41:20Audrey, go personal.
00:41:25Hello, Harry?
00:41:27Oh, I guess Harry's not there then, huh?
00:41:31Who is this?
00:41:32It's Linda.
00:41:33Do you know when Harry will be home?
00:41:35I don't know when he'll be back.
00:41:37Well, could you just tell him that I've got to meet Heinz at the Oval by the fountain at 12 o'clock?
00:41:42I don't know.
00:41:43I'd feel a heck of a lot better if Harry was there, too.
00:41:46Will you tell him that?
00:41:47All right, I'll tell him.
00:41:49Okay.
00:41:50Good night.
00:41:56People don't like to go to Mississippi.
00:41:59They will go because many believe.
00:42:03I have received hundreds of letters from young people all over the country expressing this belief.
00:42:08And if they go, if they choose to fight for equality along with the other young people there,
00:42:15I have my part, and I have much strength.
00:42:31Trick or treat.
00:42:32Harry?
00:42:34Where you been?
00:42:36Out walking.
00:42:39You want a drink?
00:42:41Come on.
00:42:44All right.
00:42:50Guess it didn't go so well, huh?
00:42:52Why do you say that?
00:42:56Because you haven't said yes to a drink in about a century.
00:43:00You're right.
00:43:02Didn't go great.
00:43:04Went okay.
00:43:12Where's Buddha?
00:43:13I locked him in the kitchen.
00:43:15Why'd you lock him in the kitchen?
00:43:18You're lucky I didn't send him out after you.
00:43:20I told you not to lock him in the kitchen.
00:43:22Harry, you've been gone eight hours.
00:43:24You want six and a half hours.
00:43:26All right, six and a half hours.
00:43:28Six and a half hours is a very long time in Harlem.
00:43:33Mother, you worry too much.
00:43:35You know what happened today?
00:43:37No, what happened?
00:43:38You know those three kids in Mississippi?
00:43:40Yeah, Goodman, Chang, and Schroeder.
00:43:41What about them?
00:43:42They're dead.
00:43:45I know they're dead, Mom.
00:43:47What do you mean you know they're dead?
00:43:48Their parents just found out.
00:43:50Everybody knows it's been several weeks.
00:43:52What do you mean everybody?
00:44:23I would have gotten a strike, but without my thumbnail, I'm no good.
00:44:29Listen, if we do anything else, I'm in.
00:44:33What do you mean?
00:44:35I mean I woke up without clothes on.
00:44:38Come on.
00:44:39No, I didn't.
00:44:44Don't forget to sign up for the book of deeds.
00:44:46It's the start of next week.
00:44:48Excuse me?
00:44:50Where the hell have you been?
00:44:52I've been to three friggin' neighborhoods looking for you.
00:44:55Where have you been?
00:44:56You've been all your time with these guys?
00:44:58Where have I been?
00:44:59Yeah.
00:45:01Excuse me if I don't feel like explaining that to you, Sal.
00:45:04I got a five dollar bill that you gave these guys.
00:45:08You big shot.
00:45:09What?
00:45:10What?
00:45:11What?
00:45:12Don't give me that what.
00:45:16Your mother is like insane.
00:45:19She don't know where you are.
00:45:20She's sitting by the phone staring at the phone like it was a crystal ball or some shit, Melanie, but it don't ring.
00:45:24Because you don't call.
00:45:25Shut up about my mother.
00:45:26Don't you mention my friggin' mother to me.
00:45:29They're engaged.
00:45:30I was supposed to tell you about it.
00:45:32I swear to God they were already married.
00:45:34I told you to stop.
00:45:35We had to sleep last night.
00:45:37That's none of your goddamn business.
00:45:46I'm engaged too.
00:45:48Really?
00:45:49Yeah.
00:45:52Her brother Ronnie is in the Navy.
00:45:54Well, you know I don't want to do nothing.
00:45:56What do you mean I don't want to do nothing?
00:45:57Are we going to give the guys some money?
00:45:59Oh, oh.
00:46:01I got a peg.
00:46:02This guy's safe.
00:46:03Oh, that is rich.
00:46:07You got like kidney dancing.
00:46:10Come on.
00:46:14I got to apologize to you for selling me for five.
00:46:17At least I'm worth 25.
00:46:40Hi, guys.
00:46:50Ben, huh?
00:47:08I missed you.
00:47:12You did, huh?
00:47:14Yeah.
00:47:16Out of the whole world, you were the only one I missed.
00:47:20Thanks.
00:47:22That's nice.
00:47:24I brought you a present.
00:47:26Yeah.
00:47:28I'll turn you back.
00:47:32Why?
00:47:36Why?
00:47:38Because it's a surprise.
00:47:40Okay.
00:47:42Okay.
00:47:50Don't turn around until I say.
00:47:53I won't.
00:48:03I didn't think it's something you would like.
00:48:06It's nice.
00:48:10I just don't want you to like it.
00:48:13I like you guys.
00:48:26Okay.
00:48:41You can turn around now.
00:48:49I don't see nothing.
00:48:51Seems you're not looking in the right place.
00:48:56Look at the water.
00:49:15It's so cute.
00:49:18I wanted to get you a present.
00:49:22I just think it's something that you'd like.
00:49:25Wow, they're unbelievable.
00:49:26Where'd you get them?
00:49:29From the zoo.
00:49:32You stole them out of the Bronx, huh?
00:49:34Yeah.
00:49:35Climbed over the fence with a bag.
00:49:37Easy.
00:49:40Hey, keep them outside.
00:49:41You got to take them back, you know.
00:49:43Why?
00:49:45Otherwise they'll die.
00:49:46They need special stuff.
00:49:48They're a present.
00:49:50Yeah, I know.
00:49:51But seriously, you got to take them back.
00:49:53But you like them because you like animals.
00:49:56I do like them.
00:49:57They're a good boy.
00:49:58Then you take them then.
00:49:59I can't.
00:50:02I won't be right.
00:50:03They're like wild things.
00:50:05They ain't like dogs.
00:50:07They belong in a zoo.
00:50:08You sure?
00:50:09Huh?
00:50:10No?
00:50:16You don't want my present?
00:50:19No.
00:50:20No.
00:50:51It's all right.
00:50:53It's all right.
00:50:55I'm just saying when somebody gives you a present, you should take it.
00:51:01It's all right.
00:51:03It's all right.
00:51:05There's another one over there.
00:51:08It's all right.
00:51:10It's all right.
00:51:12It's all right.
00:51:14It's all right.
00:51:17There's another one over there.
00:51:20I'll give you that one.
00:51:24And this time you take it, right?
00:51:27Huh?
00:51:41Come here.
00:51:46Come here.
00:52:02Here's your present, Linda.
00:52:06Take it.
00:52:12What do you say?
00:52:15You're welcome.
00:52:18Are you going to give me something?
00:52:22What do you want?
00:52:25Thank you, kiss.
00:52:35That's good.
00:52:37That's good.
00:52:38I'd better be getting home.
00:52:40No, no, not yet.
00:52:41Yeah, I got to get home.
00:52:42My father ain't feeling good.
00:52:44I got to take care of your present.
00:52:46I got to fix my floor and stuff.
00:52:48All right.
00:52:50Give me another kiss.
00:53:15Jen.
00:53:18I'm going to bed.
00:53:21If you want another drink, make it yourself.
00:53:23I got to get going.
00:53:24Arthur's calling me tomorrow.
00:53:26Arthur the Negro?
00:53:27Yeah, Arthur the Negro is going to call me
00:53:29and give me the verdict whether I go or not.
00:53:31Not that it didn't seem pretty clear, like I said.
00:53:33Speaking of calls, you got a call.
00:53:35I did.
00:53:36Who?
00:53:37That girl, what's her name?
00:53:38She was here today.
00:53:40Nicole, what'd she say?
00:53:42Well, you know, something like this afternoon.
00:53:45You already said no.
00:53:46Be more specific, please.
00:53:49Don't play the cop with me, sonny boy.
00:53:51What did she say?
00:53:53She had to meet Heinz somewhere, and she was scared.
00:53:57Where?
00:53:58The Oval, at the fountain at midnight.
00:54:02Why didn't you tell me?
00:54:04You already said no.
00:54:06Why didn't you tell me?
00:54:08Figure it out!
00:54:12You're so determined to kill yourself one way or the other.
00:54:15If they won't let you go to Mississippi,
00:54:17then you'll go out and lock horns with some nutcase here.
00:54:20You're just like your goddamn father, Lord have mercy
00:54:23on his dumbass hero soul.
00:54:25I'm going to bed.
00:54:27I'm going out.
00:54:28Take the Buddha.
00:54:29What?
00:54:30Take the Buddha.
00:54:31He needs to walk.
00:54:32All right, so am I.
00:54:38Bye.
00:54:39Bye.
00:54:41Bye.
00:54:54It's open.
00:55:00You got to help me do something.
00:55:02Come on.
00:55:11Come on.
00:55:30I want to leave this penguin with you, James.
00:55:33Oh, no.
00:55:34You got to take care of this penguin for me.
00:55:36Why don't you take him to your shop?
00:55:38You got the cages and everything.
00:55:40I can't go back there.
00:55:42Heinz could be waiting for me.
00:55:44I don't know.
00:55:45Why don't you go to the police?
00:55:46Police?
00:55:47What's that going to do?
00:55:48What, because he murdered the penguin?
00:55:49How much time do you think he's going to get for that?
00:55:51I got to get some sleep.
00:55:53I could go stay at my Aunt Pam's house.
00:55:55Now, she don't give a shit if I stay out late.
00:55:57We can figure out all this tomorrow.
00:55:59But that means you got to take care of this penguin for me
00:56:03tonight, OK?
00:56:05OK?
00:56:07OK.
00:56:10Oh, I'd like that.
00:56:16No, baby.
00:56:17I will not hit the kid.
00:56:18I don't care what he did.
00:56:19Here, mister.
00:56:20Hold on.
00:56:21Yeah, I just don't believe in hitting my own kid, will you?
00:56:23There's plenty of other guys down here to hit if I want to hit somebody.
00:56:26All right?
00:56:28Hey!
00:56:29Hey!
00:56:40Excuse me.
00:56:42Can I help you?
00:56:44I need help.
00:56:45Could you explain your problem to the sergeant at the desk?
00:56:48Hey!
00:56:50You look just like Ed Fitzgerald, may he rest in peace.
00:56:54I'm his son.
00:56:56Anybody ever tell you he saved my life?
00:56:59You mean Bigfoot Sullivan?
00:57:04The very same.
00:57:07Listen, I need help now, fast.
00:57:19Come on, kiddo.
00:57:20Here we go.
00:57:21Come here.
00:57:26That ought to hold you.
00:57:28You young fish.
00:57:30Fish?
00:57:31Well, I thought he might be hungry.
00:57:33Oh, I thought he'd be fish.
00:57:36Just didn't think he'd be like spear.
00:57:39Thanks, Jack.
00:57:56I don't want to walk into the main entrance.
00:57:59Why not?
00:58:00Well, I told you, my parents are only two stops away on the trains.
00:58:03We could take the trains.
00:58:05What? We?
00:58:07Absolutely.
00:58:08Look, I'm protecting you now.
00:58:10No.
00:58:16No, wait a minute.
00:58:20Come on.
00:58:22Come on.
00:58:24Come on.
00:58:25Linda?
00:58:27What?
00:58:29You got to kiss me about six times right now.
00:58:34Oh.
00:58:36Come on, we're in a hurry.
00:58:37No, there's got to be time for this.
00:58:38What if I don't want it, huh?
00:58:39You got it. It's your duty. It's like a medical emergency.
00:58:47One.
00:58:48No, it's not.
00:58:49Two.
00:58:51Three.
00:58:53Four.
00:58:55Six.
00:59:11Come on, chocolate.
00:59:21What is it?
00:59:22I think the dog sees something.
00:59:28It's a bird.
00:59:31It's a big, dead bird.
00:59:33I thought it was a bloody foot or some shit.
00:59:35It's just a big, dead penguin.
00:59:37Saw some nutcase kill the bird.
00:59:39That's bird blood over there.
00:59:41It's just bird blood.
00:59:42I think it's a penguin.
00:59:45Where's Linda?
00:59:46Probably where we ought to be, home in bed.
00:59:51Come on.
00:59:56What did you call me?
00:59:57Chocolate.
00:59:59You want to stay pretty?
01:00:01You like bird brain better?
01:00:02Yeah, bird brain.
01:00:04It's right up there.
01:00:05Yeah, it's right up there with the beak thing.
01:00:10Hi, Linda.
01:00:12No!
01:00:20Leave her alone!
01:00:22Get away from her!
01:00:30Get away from her!
01:00:36Get away!
01:00:39Get off her!
01:00:40Hey, hey, hey!
01:00:42Look at me!
01:00:44Look at me!
01:00:46Get the fuck off her!
01:00:48Run!
01:00:49Run!
01:00:53Linda!
01:01:03No!
01:01:19No!
01:01:21No!
01:01:47Who's he calling?
01:01:48He's calling the girl's house to see if she's there.
01:01:54Penguin?
01:01:56Yeah.
01:01:58Who'd kill a penguin?
01:02:01An Eskimo might, I suppose.
01:02:03An Eskimo, huh?
01:02:06Ain't no Eskimos around here.
01:02:08No.
01:02:09But an Eskimo is a kind of Indian.
01:02:13You trying to pin this on the Indians, too?
01:02:15Uh, no.
01:02:16Uh, no.
01:02:17No, no, no, no, no, no, no.
01:02:21Nah, this is what's hiding.
01:02:24There ain't no Eskimos in the Bronx.
01:02:26Yet.
01:02:28She's not there. She never got home.
01:02:31Call in, okay?
01:02:32See if anything's been reported.
01:02:35Hell of a dog.
01:02:36Says Benoit, right?
01:02:37Yeah.
01:02:38He acts like a freedom blower.
01:02:40Yeah, but the rest of the dogs, you know,
01:02:41he isn't for finding people who've been lost in the Alps.
01:02:44Okay, we'll be right in.
01:02:46Hey.
01:02:47They just brought in a guy we should see.
01:02:53Did you see where he went?
01:02:54No, they were gone.
01:02:55This is all I found.
01:02:57Somebody check on Heinz's mother?
01:02:58We sent a patrolman over there,
01:02:59but the mother said she ain't seen him.
01:03:01Did the patrolman stay?
01:03:03No, but I sent over a plainclothes.
01:03:04Good.
01:03:06Then let's go.
01:03:08I think we both had the same stupid idea.
01:03:13Excuse me.
01:03:19Hey, I've seen Sullivan just gone.
01:03:22Travels with a dog now, huh?
01:03:23Yeah, he's a regular Sergeant Preston.
01:03:2933rd Precinct.
01:03:30Sully?
01:03:31Sullivan?
01:03:32No, he just left.
01:03:33I'm just checking to see that I'm here.
01:03:36Yeah.
01:03:38I'm looking up there right now.
01:03:39Yeah.
01:03:40Yeah.
01:03:42I'm looking up there right now.
01:03:43Any action?
01:03:44No.
01:03:45Nothing's going on.
01:03:46All right, check in on the hour.
01:03:47And don't fall asleep.
01:03:48Right.
01:03:52Call you tomorrow.
01:03:53All right.
01:03:58Ready to sit up here with me?
01:04:08Happy?
01:04:10You know, Melanie,
01:04:12I don't like it you're always sitting in the backseat with Brita.
01:04:16I can't believe that I broke this nail.
01:04:18I'm talking to you.
01:04:19I'm talking to you.
01:04:21And you're all the time getting high.
01:04:23Tonight is the first time I've seen you and Brita straight at one and the same time
01:04:27in like, I don't know, forever.
01:04:32Sal.
01:04:33What?
01:04:34Could you please take me home?
01:04:36I'm very tired.
01:04:41All right.
01:04:47Look, what's the dog's name?
01:04:49The Buddha.
01:04:50The Buddha.
01:04:51All right.
01:04:53Give the Buddha the sweater, you know.
01:04:55Listen, I don't know if this is going to work, you know.
01:04:57This ain't exactly the Alps.
01:04:59I don't know why you drafted this nutcase to do your job in the first place, Officer Dragnet.
01:05:04Hey, look.
01:05:06I got all points out for Heinz right now.
01:05:09I got his apartment staked out.
01:05:12Now, that's about all I can do that makes any real sense.
01:05:15But that's not enough for me, all right?
01:05:17So I'm down here in the friggin' subway with a Saint Bernard
01:05:21doing something that like is not back in the precinct
01:05:23that's going to get me nominated for Who Pulled the Yeet.
01:05:27Now, I can live with that, but please, don't make me think about it too much.
01:05:33Now, this guy is here because he owns a dog.
01:05:35I'm not going to start asking why you're here unless you start busting my hump.
01:05:39All right?
01:05:42So get the stupid dog, the stupid sweater, the smell, and let's see what happens.
01:05:53I smell him.
01:05:55What the hell is he doing?
01:06:00I think he's doing it.
01:06:02I think he picked up the trail.
01:06:04He just went following the dog.
01:06:09Oh, shit.
01:06:39Shit.
01:07:09Shit.
01:07:39Shit.
01:07:44Look, I'm sorry I gave you such a hard time before.
01:07:47I appreciate what you're doing.
01:07:49She's our friend.
01:07:50Yeah.
01:07:51And that.
01:07:52You know, it's on and off.
01:07:54Don't worry about nothing.
01:07:55Guys like this Hines, they get wound up real good, then they bust like a $2 watch.
01:07:59Stay where you are or I'll get him.
01:08:03Let's go.
01:08:04Don't get ahead of me.
01:08:10Come on.
01:08:23All right, my friend, don't move, please.
01:08:40Shit.
01:08:52Goodness, look at that.
01:09:09Shit.
01:09:17He's over.
01:09:20Yeah.
01:09:22Are you dead?
01:09:24No.
01:09:25It's Hines' dead.
01:09:28No.
01:09:31It's over for me, but not for you.
01:09:36I'll be in Jacobi Emergency in 10 minutes.
01:09:40That's it for you guys.
01:09:42From here on in, it's strictly okay corral time.
01:09:49All right, I'm sorry.
01:09:50Okay?
01:09:51I apologize.
01:09:53Well, that's very sweet, but I do not accept.
01:09:59Come on, Melanie.
01:10:01What do you want me to say?
01:10:03I'm sorry I said.
01:10:05Don't do this to me, Melanie.
01:10:07I've been sick about doing what I did, okay?
01:10:09I've been sick about it.
01:10:10But you've been fucked up all the time, and I...
01:10:14I figure one day we're gonna have kids.
01:10:18I don't want their mother in the back seat, popping pills with Brita.
01:10:36Ah!
01:10:45You all right?
01:10:46What?
01:10:47You all right?
01:10:48Yeah.
01:10:49You?
01:10:51Yeah.
01:10:53What was that?
01:10:54I don't know. Some freaking total maniac.
01:10:57In Dublin's fair city, where the girls are so pretty.
01:11:04Mm-hmm, mm-hmm, mm-hmm, mm-hmm, mm-hmm.
01:11:08Oh, no, no, no.
01:11:09And the wheelbarrow through the streets broad and narrow.
01:11:14The writing carpools and the bus lanes...
01:11:23Car honks.
01:11:26Car honks.
01:11:27Car honks.
01:11:28Car honks.
01:11:30Car honks.
01:11:31Car honks.
01:11:57Who is it?
01:11:58It's me.
01:12:02Maybe you should come back in the morning and we can have a nice breakfast.
01:12:06Open the fucking door!
01:12:13Oh, you brought home a friend.
01:12:14Yeah, I brought home a girlfriend.
01:12:17A girlfriend, that's nice.
01:12:20You'd probably be getting married soon and leave the nest.
01:12:23Should I play some music?
01:12:24No.
01:12:25No music.
01:12:27But you're a friend, I've something to eat.
01:12:30The sandwich?
01:12:31No.
01:12:33No.
01:12:34She's tired, ain't she?
01:12:36Let her sleep.
01:12:37I'll put a blankie on her.
01:12:38No, I said no!
01:12:40Okay.
01:12:42Oh, I was having the most beautiful dream when you rang the bell.
01:12:46Your father was still alive and we was eating fish.
01:12:51You're dreaming right now.
01:12:53Me?
01:12:54No.
01:12:55I'm awake now, Hans.
01:12:56Can I play some music?
01:12:57No.
01:12:59You're sleeping.
01:13:00No, I'm not.
01:13:01Wake up.
01:13:03Wake up, Ma!
01:13:05I'm not sleeping.
01:13:06Look at me.
01:13:09Look.
01:13:10At.
01:13:11Me.
01:13:12What do you see?
01:13:15My boy.
01:13:16My little boy.
01:13:17Wake up, I'm telling you!
01:13:20What was that?
01:13:28Have the cops been here?
01:13:29Yeah.
01:13:30The policeman came and asked about you before, but I told him he wasn't lost.
01:13:33He was just out.
01:13:34Listen!
01:13:36I'm gonna die tonight, Ma.
01:13:38No.
01:13:40Let me play some music.
01:13:41I'm gonna die tonight, Ma.
01:13:44Just once.
01:13:46Just once.
01:13:48Before I die.
01:13:51I'd like you to see me.
01:13:53I see you.
01:13:55Who am I?
01:13:57You're my little Hans.
01:13:59Where have I been?
01:14:01I don't know.
01:14:02I've been in jail, Ma.
01:14:04No.
01:14:05I've been in jail.
01:14:06And now I'm out and the cops are coming for me again.
01:14:10And they're gonna kill me.
01:14:11No.
01:14:12I'm gonna go.
01:14:13What's my name?
01:14:14Hans.
01:14:15Hans!
01:14:17And who am I to you?
01:14:19You're my boy.
01:14:21And what's your boy gonna do tonight?
01:14:27Tell me.
01:14:31Tell me!
01:14:34He's gonna die.
01:15:09Thank you, Ma.
01:15:14Hans!
01:15:16Hans!
01:15:25Watch his dog.
01:15:31Call an ambulance!
01:15:40Anybody in there?
01:15:43Victor!
01:16:07Yeah, I'll be right there, sir.
01:16:08Where the hell's the stakeout?
01:16:09Under that mess.
01:16:25The woman on the side wants dead neighbors say it's Hans' mother.
01:16:31Let's go in.
01:16:32He's got a gun.
01:16:33I don't care, we gotta get her.
01:16:34But he's got a gun.
01:16:35I don't care!
01:16:36I don't care!
01:16:37James!
01:16:39James!
01:16:40You know, forget about the gun, Harry.
01:16:41I could just kill myself banging into this door over and over.
01:16:59I want the two of you to go cover the fire escape.
01:17:02Michael, why don't you go get a doctor?
01:17:06Now, I want you on the front door, all right?
01:17:08Yes, sir, you got it.
01:17:11He's on the roofs.
01:17:26He's gonna throw her off.
01:17:27No, he won't.
01:17:29Collie, we got a guy up on the roof over there.
01:17:31Where? Up here?
01:17:32No, right behind you.
01:17:34Let's go.
01:17:39Let's rush him.
01:17:40We'll knock him right off.
01:17:43What are you nuts?
01:17:45Save that shit for Mrs. Sidney.
01:17:58All right.
01:18:23Nice.
01:18:29Let her go.
01:18:31You still love me?
01:18:34Yeah.
01:18:39Come here.
01:18:42Come here to me.
01:18:44I'm not gonna lift a finger to you, Hines.
01:18:48These days are gone for me.
01:18:49These days are gone for me.
01:18:56Just let me take the girl off the ledge before she falls.
01:19:04Do whatever you want to me.
01:19:06Just let me take the girl off the ledge.
01:19:09If we get a clear shot, take him down. He's a cop killer.
01:19:12I'll try, but one nudge and the girl's dead.
01:19:20You don't want to hurt her now, do you?
01:19:38I'm taking him out.
01:19:50Let's go.
01:19:53Hold it.
01:19:54There's too much going on here.
01:19:55We can't risk another shot.
01:20:14Let her go.
01:20:16Let her go.
01:20:17No!
01:20:18No!
01:20:19Fred!
01:20:20Fred, don't look at me.
01:20:22Let her go!
01:20:23Don't look at me!
01:20:24Let her go!
01:20:25Dad!
01:20:26James!
01:20:27Behind you.
01:20:30Don't look!
01:20:32Dad!
01:20:33No!
01:20:34No!
01:20:36Oh, God!
01:20:47Come here!
01:21:00Come on!
01:21:01Come on!
01:21:02Come on!
01:21:05Come on!
01:21:08Come on!
01:21:47Sorry. I'm sorry.
01:22:07Harry! I know you, Harry.
01:22:12You've always been good. And I've always been bad.
01:22:16I ain't done right, Harry!
01:22:19You love me. You ain't got the right.
01:22:25If I let you go, would you kill me now?
01:22:29I gave you the shot.
01:22:32Would you throw my ass off this roof, huh? Please?
01:22:41Good boy, you tell me this.
01:22:45What could he do to me now?
01:23:00Okay.
01:23:15I love you.
01:23:45Maybe there are Indians in the frigid neighborhood.
01:24:16Hey.
01:24:18Let somebody take a look.
01:24:45I love you.
01:25:16Fell? He threw her out the window.
01:25:19Such a cheerful woman.
01:25:21She had her screw loose.
01:25:23Still, I saw the stain on the sidewalk.
01:25:27Sad. Sad.
01:25:31Excuse me.
01:25:33Hello.
01:25:35Oh, my.
01:25:37Could you tell me which way is Leland Avenue?
01:25:39Two blocks. Blocks. That way.
01:25:52You know, uh...
01:25:55Someone who I intend to work with once told me that a Negro couldn't walk through this neighborhood.
01:26:00Have you ever heard anything so absurd?
01:26:03Thanks for directions.
01:26:14Excuse me.
01:26:27Excuse me. Is this the Sheriff's residence?
01:26:30Yeah, it is.
01:26:31Is Harry home?
01:26:33I'm Samuel Kemp. Have you ever seen him?
01:26:36It's nice to see you, Samuel.
01:26:39Come on.
01:26:43Come on.
01:27:14And some remain
01:27:16All these places have their moments
01:27:21These lovers and friends
01:27:23I still can recall
01:27:25Some are dead and some are living
01:27:30In my life
01:27:32I've loved them all
01:27:39But of all these friends and lovers
01:27:43There is no one who compares with you
01:27:48And these memories lose their meaning
01:27:52Then I think of love as something new
01:27:57Oh, I know I'll never lose affection
01:28:01For people and things that went before
01:28:06I know I'll often stop and think about them
01:28:10In my life
01:28:12I love you more
01:28:32Oh, I know I'll never lose affection
01:28:37For people and things that went before
01:28:42I know I'll often stop and think about them
01:28:46In my life
01:28:48I love you more
01:28:55In my life
01:28:58I love you more
01:29:07Little old flower on the ground
01:29:11Standing by her pillow
01:29:14Never had the nerve to take a chance
01:29:17So let the little girl dance
01:29:19Let the little girl dance
01:29:22Let the little girl dance
01:29:25She never danced before
01:29:29So let her on the floor
01:29:31On the floor
01:29:32Let the little girl dance
01:29:34Let the little girl dance