Film Gorillas
  • 9 years ago
Horror (1962) 78 minutes ~ Black & White

Mary Henry is enjoying the day by riding around in a car with two friends. When challenged to a drag, the women accept, but are forced off of a bridge. It appears that all are drowned, until Mary, quite some time later, amazingly emerges from the river. After recovering, Mary accepts a job in a new town as a church organist, only to be dogged by a mysterious phantom figure that seems to reside in an old run-down pavilion. It is here that Mary must confront the personal demons of her spiritual insouciance.

Director: Herk Harvey

Writers: John Clifford (written by) and Herk Harvey (story)

Stars: Candace Hilligoss, Frances Feist and Sidney Berger
Transcript
00:00:00Hey, Joe, drag your foot, boy. Look what we got here.
00:00:04Hey, you want to drag, huh?
00:00:06Sure.
00:00:08Come on, man. Get ready.
00:00:10I'll show him how to drive. Just watch me.
00:02:40Sir, as high as this river is right now,
00:03:09and with all the mud and sand it's carrying,
00:03:11they may never find that car.
00:03:13See, there were three cars here.
00:03:19Uh-uh.
00:03:23Right there.
00:03:25All right, now let's hear your story about how it happened.
00:03:27It wasn't our fault, sir.
00:03:29Yeah?
00:03:30We were the first ones on the bridge,
00:03:32and coming along, following the tracks,
00:03:35and they wanted to get around us, I guess,
00:03:37and they lost control when they dropped off...
00:03:39You sure you didn't crowd them off?
00:03:53Three hours.
00:03:55Yeah?
00:03:56Not sure I want to find that car now.
00:03:58It's sand, and with that current, we may never find it.
00:04:02Yeah, all I guess we can do is keep trying.
00:04:09What is that?
00:04:33Come on, let's get down there.
00:04:55It's Mary Henry.
00:04:57Are you all right?
00:04:59How'd you get out?
00:05:01Here, put this on.
00:05:02We better get you back to town.
00:05:07What about the other girls?
00:05:13I don't remember.
00:05:36I don't know.
00:06:03I don't know.
00:06:31I don't know.
00:07:00I don't know.
00:07:29I don't know.
00:07:50Is this like the one I'll be playing in Utah?
00:07:52It's quite similar.
00:07:54I supervised the installation myself.
00:07:57The accident won't delay your going, will it?
00:07:59No.
00:08:00I'm leaving this morning.
00:08:02There's nothing I can do here.
00:08:03That's right.
00:08:05Well, Mary, you'll make a fine organist for that church.
00:08:08Be very satisfying to you, I think.
00:08:10It's just a job to me.
00:08:12Well, it's not quite the attitude for going into church work.
00:08:16I'm not taking the vows.
00:08:17I'm only going to play the organ.
00:08:19Oh, you want more than that?
00:08:21Of course, it doesn't pay much, but...
00:08:23well, at least it's a start.
00:08:27Are you driving by Benton to see your folks?
00:08:30No, I can't.
00:08:31I must hurry.
00:08:33I've got to leave.
00:08:34I'm going to drive straight through.
00:08:36Mary, it takes more than intellect to be a musician.
00:08:41Put your soul into it a little.
00:08:43Okay?
00:08:51Good luck, Mary.
00:08:53Stop by and see us the next time you're in.
00:08:56Thank you, but I'm never coming back.
00:09:24No.
00:09:26No.
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00:12:59May I help you?
00:13:00Fill it up.
00:13:01All right.
00:13:18Have you anything else, lady?
00:13:31Could you tell me what that big structure is back a few miles by the lake?
00:13:35Oh, you mean the old bathhouse.
00:13:37That used to be a pretty ritzy place in the old days.
00:13:41Then the lake went down and they made a dance hall out of it.
00:13:45Then they put those buildings up out there and made some sort of a carnival there for
00:13:48a while.
00:13:49Ah, that's years ago, though.
00:13:52Just stands out there now.
00:13:54I see.
00:13:59I have an address here of a rooming house.
00:14:01Could you direct me?
00:14:02Oh, sure.
00:14:04Oh, sure.
00:14:05Well, that's just right over here a little ways.
00:14:10Been saving it for you since I got your letter.
00:14:18Could have rented it yesterday if I'd wanted.
00:14:24Oh, it's fine.
00:14:26It's just about what I expected.
00:14:27I knew you'd like it.
00:14:30This ain't no regular rooming house, you know.
00:14:33I only got you and Mr. Linden across the hall.
00:14:43Each room's got its own private bathroom, too.
00:14:49You can take all the baths you want.
00:14:51I'm not one to fuss about things like that.
00:14:55I think I'll be quite comfortable.
00:14:57Well, hope you'll stay a while.
00:15:00I'm downstairs in the back part of the house, so if there's anything else you need,
00:15:05I guess I'll have to wait till morning.
00:15:12Good night.
00:15:13Good night, Mrs. Thomas.
00:15:27Good night.
00:15:57And this, Miss Henry, is our pride and joy.
00:16:17You know, this was made in the same town where I've been studying.
00:16:20Of course.
00:16:21That's where we heard about you.
00:16:23Oh, by the way, you have found a place to stay.
00:16:25Yes, I have a room.
00:16:26Good.
00:16:27Well, we hope you're going to like it here.
00:16:30We're not the largest church in this area, of course, but we have a nice congregation.
00:16:37We'll have to have some sort of reception.
00:16:39They'll want to meet you.
00:16:40Couldn't we just skip that?
00:16:42Skip that?
00:16:44Well, I don't suppose it's an absolute necessity.
00:16:47I don't know what some of the ladies will say.
00:16:50If they say I'm a fine organist, that should be enough, shouldn't it?
00:16:54Well, yes, of course.
00:16:56We'll let it go at that for the time being.
00:16:59But, my dear, you cannot live in isolation from the human race, you know.
00:17:07Mind if I try this now?
00:17:09I want you to.
00:17:32You go right ahead.
00:17:34I'll be next door at the vents, if you need me.
00:17:53We have an organist capable of stirring the soul.
00:18:07We have an organist capable of stirring the soul.
00:18:53What do you see?
00:18:55Oh, nothing.
00:18:57Nothing at all.
00:18:58I've practiced the whole afternoon and it's gotten me in the mood.
00:19:01You need some fresh air.
00:19:03I've got to make a call out past the lake.
00:19:05Would you like to come along for the ride?
00:19:07You know that old pavilion out there?
00:19:10Will we pass it?
00:19:11Go right by it.
00:19:12Stop and look at it, if you like.
00:19:14I would, with you along.
00:19:16Good.
00:19:53This used to be quite a place.
00:19:55It's been deserted for a long time now.
00:19:58Will you take me in?
00:19:59My goodness, no.
00:20:01It isn't safe out there anymore.
00:20:03That's why they put up this barrier.
00:20:05It'd be very easy to step around it.
00:20:09What attraction could there be for you out there?
00:20:12I'm not sure.
00:20:14I'm a reasonable person, I don't know.
00:20:17Maybe I want to satisfy myself that the place is nothing more than it appears to be.
00:20:22Would you take me out there?
00:20:24No.
00:20:25The law has placed it off limits.
00:20:27Wouldn't be very seemly for a minister to break the law, would it?
00:20:31No.
00:20:32Maybe I can come back some other time.
00:20:36Shall we go along now?
00:21:03I thought that'd be you.
00:21:05Good evening.
00:21:07That organ playing must take a long time.
00:21:09You've been gone most the whole day.
00:21:11I went for a long drive in the country with my new boss.
00:21:15An elderly minister.
00:21:17Oh.
00:21:19That must have been a kick in the head.
00:21:23I learned that from the other border, Mr. Lyndon.
00:21:27Did you get your supper?
00:21:29Oh, I forgot.
00:21:31Well, this ain't no boarding house, but I got some coffee and sandwich makings left.
00:21:37I could bring you some up after a while.
00:21:39Good.
00:21:40I'll be taking one of those bags you're so generous with.
00:21:43Take as many as you want.
00:21:45I ain't one to make a fuss about a thing like that.
00:22:37Come in, Mrs. Thomas.
00:22:40Just a minute.
00:23:02Oh!
00:23:03I thought you were Mrs. Thomas.
00:23:05Yeah, I wondered when you asked me in.
00:23:08I'm John Lyndon. I'm your neighbor right across the hall.
00:23:11Nice to meet you. Would you excuse me for a moment?
00:23:13Hey, I...
00:23:14I was just wondering...
00:23:15Stand right there.
00:23:32I forgot to introduce myself. I'm Mary Henry.
00:23:35Yeah, I know.
00:23:37I heard you tell Mrs. Thomas you haven't ate anything yet, huh?
00:23:41I just thought you'd be a neighbor in all this.
00:23:44See, I haven't eaten anything either.
00:23:46I just thought we ought to ask you out to dinner.
00:23:49That's very thoughtful of you, Mr. Lyndon.
00:23:51Well, it's a pleasure to meet you.
00:23:53Oh, it's a pleasure to meet you, too.
00:23:55I'm John Lyndon. I'm your neighbor across the hall.
00:23:58We ought to ask you out to dinner.
00:24:00That's very thoughtful of you, but I can't accept.
00:24:02I know, I know. We haven't met or anything yet.
00:24:04But I just thought...
00:24:05I'm sorry. You'll have to excuse me.
00:24:07Look, there's a real nice restaurant right down the street.
00:24:10And I just thought...
00:24:12I'm the kind of guy who doesn't like to eat by himself.
00:24:14I've made arrangements to eat in my room tonight.
00:24:18If you change your mind, you just holler.
00:24:25It looks kind of lonesome in here.
00:24:27Good night, Mr. Lyndon.
00:24:57Oh, God!
00:25:21Oh, God!
00:25:27Oh, God!
00:25:52Miss Henry?
00:25:54It's Miss Thomas.
00:25:57Come in.
00:26:15Who's the man in the hall?
00:26:19Man?
00:26:21Oh!
00:26:23You must mean Mr. Lyndon.
00:26:25There's a room across the hall.
00:26:27No.
00:26:29I mean the other one.
00:26:31There is no other.
00:26:34Me and you and Mr. Lyndon.
00:26:37Us three is all there is in this house.
00:26:40But you must have passed him out there.
00:26:43You're needing this food.
00:26:46On the back.
00:26:47Eating makes you jumpy sometimes.
00:26:50Maybe you heard the boards pop or something.
00:26:53These old houses creep worse than my knees.
00:26:55I didn't hear him, Mrs. Thomas.
00:26:57I saw him.
00:27:02Now, don't talk that way.
00:27:05I don't sleep so good as it is.
00:27:09It's these old houses.
00:27:11They're big enough so that you could hide a man in every corner.
00:27:18You just gotta not let your imagination run away, Miss Henry.
00:27:22Are you going out there?
00:27:23Why, of course.
00:27:45There's nobody there.
00:27:49Now, you just go and eat that sandwich I made for you.
00:27:55Don't drink the coffee.
00:27:57If coffee keeps you awake, it won't.
00:28:03Coffee never keeps me awake.
00:28:48Coffee never keeps me awake.
00:29:18Well, good morning.
00:29:21I heard your alarm. I knew you'd be up.
00:29:23Guess what I got.
00:29:24I can't imagine.
00:29:26Just what it takes to start the day off right.
00:29:29I make it in my room.
00:29:30You know, it saves me having to go out and get dressed up.
00:29:32I guess I had to get dressed to come over here anyway.
00:29:36Oh, it looks just like you.
00:29:38Oh, it does.
00:29:39It's just like you.
00:29:40It's just like you.
00:29:41It's just like you.
00:29:42It's just like you.
00:29:43It's just like you.
00:29:44It's just like you.
00:29:45It's just like you.
00:29:47Oh, it looks just like what I need.
00:29:49Well, then, two cups of coffee coming up.
00:29:56Say, I guess you took a wrong last night about me coming to your door and all.
00:30:02I'm not a very sociable person ordinarily.
00:30:05How can I resist an inducement like this?
00:30:08What?
00:30:10Come on, I don't know all those big words.
00:30:12I'm just an ordinary guy who works in a warehouse, that's all.
00:30:15I make pretty good money, though.
00:30:17Hey, look, I got a couple of shots left over from last night.
00:30:20Do you want a little bit in yours?
00:30:21No, thanks.
00:30:22It's not the recommended breakfast for a church organist.
00:30:25Oh, is that what you do?
00:30:27Hey, you mean they pay somebody to play the organ in church?
00:30:30Some churches do.
00:30:33Hey, I hope you don't mind about this.
00:30:35I just didn't know you were a church woman.
00:30:37To me, a church is just a place of business.
00:30:40Well, that's a funny way to look at it.
00:30:42Why?
00:30:43People seem shocked because I took a job in a church,
00:30:46and I regard it simply as a job.
00:30:49I'm a professional organist, and I play for pay, that's all.
00:30:53Thinking like that, don't that give you nightmares?
00:30:57Strange you should say that.
00:31:00As a matter of fact, not for that reason, mind you,
00:31:04but I had the strangest feeling last night.
00:31:07Yeah, I had kind of a lost night myself.
00:31:10That's funny.
00:31:13The world is so different in the daylight.
00:31:16But in the dark, your fantasies get so out of hand.
00:31:21But in the daylight, everything falls back into place again.
00:31:26Let's have no more nights.
00:31:29Or let's make them more interesting, huh?
00:31:35Say, how'd you get to be a church organist?
00:31:37I studied it in college.
00:31:39I could have gone to college.
00:31:42Yeah, I used to play pretty good football,
00:31:44but they wanted me to take a lot of classes and things, you know?
00:31:47Well, they're that way.
00:31:48Well, I'm just as smart as the next guy.
00:31:51Yeah, but I just didn't dig what they were teaching in school, you know?
00:31:54And the thing I hated most was principal products.
00:31:58Principal products?
00:32:00Yeah, you know, like the principal products of Brazil.
00:32:04Coffee, beans, snake oil, you know, like that.
00:32:08When I was in school, I couldn't care less.
00:32:10You know, what I cared about was girls.
00:32:12Didn't they offer a course in that?
00:32:15If they would have done that, I would have graduated.
00:32:19What's the matter? Can you still taste the coffee?
00:32:22Come on, what do you think, I'm an alcoholic?
00:32:25Look, I just like to start the day off in a good mood, that's all.
00:32:28You must be hilarious.
00:32:30Look, I'm just the kind of a guy employers want.
00:32:32You know, the happy worker.
00:32:35Come on, come on.
00:32:36Did I make you all morning happy?
00:32:38This morning, you're exactly what I needed.
00:32:41You're going to need me in the evening, too.
00:32:42You just don't know it yet.
00:32:45I'll rinse off these cups.
00:32:47Oh, no, no, no.
00:32:48It just spoils the flavor for tomorrow.
00:32:51Well, thank you for the coffee.
00:32:53It was unsanitary, but delicious.
00:32:55Oh, no, no, no, no.
00:32:57Well, uh, should have put some of the germ killer inside.
00:33:02Well, I, uh, hate to leave so early.
00:33:05I think you can get through the door.
00:33:08You know, you got the wrong impression of me.
00:33:10Well, I meant because you had so many things to carry.
00:33:13Oh.
00:33:15Like I said, I hate to leave.
00:33:17Well, it's been a pleasure, Mr. Linden,
00:33:19but I'm sure you have to get to work.
00:33:21Well, don't you?
00:33:22No, I have the whole day free for shopping.
00:33:24Well, don't you?
00:33:25No, I have the whole day free for shopping.
00:33:40Does the hem hang right in back?
00:33:42We might change the hemline a little.
00:33:44The drape is just fine.
00:33:46Otherwise, it looks very nice.
00:33:48I'm sure it isn't very chic to take the second dress,
00:33:51but I like it.
00:33:52We altered a little here to make it straight all the way around.
00:33:56Claire, do you want to go back to your dressing room?
00:34:22♪
00:34:52♪
00:35:20Would you like a balloon?
00:35:21I believe I'll have you deliver the dress if you don't mind.
00:35:25I did say I'd take it.
00:35:43What's the matter with her?
00:35:48What's the matter with everyone?
00:35:51Why don't they answer me?
00:36:21♪
00:36:51♪
00:37:22♪
00:37:37What is it?
00:37:38That man.
00:37:41I didn't mean any harm. I just stopped to get a drink.
00:37:44No.
00:37:46No.
00:37:47It was that man.
00:37:51That man.
00:37:55There was someone else there.
00:37:57That strange man was there.
00:37:59Now, look, look. You've had a fright.
00:38:01Hysteria won't solve anything.
00:38:03Now, control yourself.
00:38:05Look, I'm Dr. Samuels.
00:38:07My office is right across the street there.
00:38:10You've had a shock.
00:38:12If you would like my assistance, I'll be glad to offer it.
00:38:17Could I come with you now?
00:38:18Certainly.
00:38:19I'll take her over to my office.
00:38:21We'll see that she's all right.
00:38:38It was more than just not being able to hear anything.
00:38:42Or make contact with anyone.
00:38:45It was as though...
00:38:47As though for a time I didn't exist.
00:38:51As though I had no place in the world.
00:38:55No part of the life around me.
00:38:58And then you saw this... this man.
00:39:03Yes.
00:39:07You'll excuse my back, but I wanted to get some of that written down.
00:39:11I must have been talking for an hour.
00:39:13Anything else? Anything you haven't told me?
00:39:17That's all there is.
00:39:19That's the whole story.
00:39:21He's been following me. That's all there is to it.
00:39:23It isn't that simple, though, is it?
00:39:26What do you mean?
00:39:27He could hardly have been in the park this afternoon,
00:39:29or one of us men would have seen him.
00:39:31And that night in the hallway, you said yourself
00:39:33the landlady came up a minute later,
00:39:35and she didn't see him, did she?
00:39:37What are you driving at?
00:39:39It's been less than a week since you were in a car
00:39:41that crashed into the river.
00:39:43How you got out of that, no one seems to know.
00:39:46But that experience must have been a serious emotional shock.
00:39:49You think I imagined all of it, don't you?
00:39:51You think I'm insane?
00:39:52I didn't say that. I don't mean that.
00:39:54I'm a competent person.
00:39:56If anything, I'm a realist. I'm not given to imagining anything.
00:39:59Hogwash.
00:40:01All of us imagine things.
00:40:04Have you never heard two men talking behind your back
00:40:06and imagined they were talking about you?
00:40:08Have you never imagined you saw someone you knew
00:40:10and walked up to them and found they were a perfect stranger?
00:40:13I don't see what this has to do with it.
00:40:15The point is this.
00:40:17Our imaginations play tricks on us.
00:40:19They often misinterpret what we see and hear.
00:40:21Do you agree?
00:40:23I suppose so.
00:40:25If that can happen in ordinary times,
00:40:27go a step further.
00:40:29Look what can happen in a high fever
00:40:31or following a serious emotional shock.
00:40:33It doesn't seem possible that I could imagine
00:40:35Does this man, this figure,
00:40:37resemble anyone you've ever known?
00:40:39An acquaintance or your father?
00:40:41No.
00:40:42Do you have a boyfriend here or back home?
00:40:44No, and I have no desire for one.
00:40:46Never?
00:40:47No.
00:40:49I'm surprised to find myself saying that.
00:40:52But it's true.
00:40:54I have no desire for the close company of other people.
00:40:58Have you always felt this way?
00:41:00No.
00:41:02I don't know.
00:41:04Don't you want to join in the things that other people do?
00:41:07Share the experiences of other people?
00:41:09I don't seem capable of being very close to people.
00:41:12I do feel that perhaps I am trying to reach out for those other things.
00:41:17Do you feel guilty wanting them?
00:41:19I don't understand you.
00:41:22I'm not a psychiatrist,
00:41:24and perhaps I'm being clumsy at all this.
00:41:26But I am suggesting that perhaps this man
00:41:29Oh, that's ridiculous.
00:41:31Maybe.
00:41:33Frankly, I don't know.
00:41:35Well, I know one thing.
00:41:37My imagination is playing tricks on me.
00:41:40I'm going to put a stop to it.
00:41:42You're a very strong-willed person, aren't you?
00:41:45I survive, if that's what you mean.
00:41:48That old pavilion out by the lake,
00:41:51somehow you associate it with all this, don't you?
00:41:54I could go out there.
00:41:56I could put an end to that, too.
00:41:59I could go out...
00:42:00Now, don't be hasty.
00:42:02If it is all my imagination,
00:42:05I could put a stop to it.
00:42:07Maybe, but at least someone should be with you.
00:42:09Now, I can't possibly...
00:42:10As you say, Doctor, I'm a person of strong will.
00:42:13And the time to go out there is now.
00:42:16And if I have to,
00:42:18I can go alone.
00:42:21And if I have to,
00:42:23I can go alone.
00:42:50I can go alone.
00:43:20I can go alone.
00:43:50I can go alone.
00:44:20I can go alone.
00:44:22I can go alone.
00:44:24I can go alone.
00:44:26I can go alone.
00:44:28I can go alone.
00:44:30I can go alone.
00:44:32I can go alone.
00:44:34I can go alone.
00:44:36I can go alone.
00:44:38I can go alone.
00:44:40I can go alone.
00:44:42I can go alone.
00:44:44I can go alone.
00:44:50I can go alone.
00:45:20I can go alone.
00:45:22I can go alone.
00:45:24I can go alone.
00:45:26I can go alone.
00:45:28I can go alone.
00:45:30I can go alone.
00:45:50I can go alone.
00:46:20I can go alone.
00:46:22I can go alone.
00:46:24I can go alone.
00:46:26I can go alone.
00:46:28I can go alone.
00:46:30I can go alone.
00:46:32I can go alone.
00:46:34I can go alone.
00:46:36I can go alone.
00:46:38I can go alone.
00:46:40I can go alone.
00:46:42I can go alone.
00:46:44I can go alone.
00:46:46I can go alone.
00:46:48I can go alone.
00:46:50I can go alone.
00:46:56I can go alone.
00:47:04What did you do?
00:47:06I didn't want to say that again.
00:47:08I thought about what to ask you for lunch.
00:47:10I will ask you to stay and eat with me.
00:47:12Anyway...
00:47:14I have to go practice church.
00:47:16Look, uh, how's about if I take you up afterward and we'll go someplace and dance or something?
00:47:23I'm sorry. I'm not much for dancing.
00:47:29Hey, uh, you mind if I ask you a question?
00:47:33I won't know until I hear it.
00:47:35What, are you afraid of men?
00:47:37No, I'm not afraid of men.
00:47:40Well, you seem sort of cold.
00:47:44This morning when I brought you the coffee, you were friendly.
00:47:48This morning I needed company.
00:47:51Well, maybe you'll need company tonight.
00:47:54It's better than walking home alone.
00:47:58Yes, it is.
00:48:02I should be finished around nine. Will that be all right?
00:48:05That's okay by me.
00:48:08Say, uh, I'll see you in church.
00:48:14All right.
00:48:44Good night.
00:49:14Good night.
00:49:44Good night.
00:50:14Good night.
00:50:44Good night.
00:51:14Good night.
00:51:38Profane! Sacrilege!
00:51:41Why are you playing in this church?
00:51:44Have you no respect?
00:51:46Do you feel no reverence?
00:51:49And I feel sorry for you and your lack of soul.
00:51:53This organ, the music of this church, these things have meaning and significance to us.
00:52:00I assume they did to you.
00:52:03But without this awareness, I'm afraid you cannot be our organist.
00:52:09In your conscience, I must ask you to resign.
00:52:13That does not mean that I am abandoning you, nor should you turn your back on the church.
00:52:41There is help here, and I urge you to accept it.
00:53:12Well, hi there. I've been waiting an awful long time for you.
00:53:15My car's just over there. I know just the right place to go.
00:53:42What's the matter? Don't you drink, either?
00:53:44Not really.
00:53:46Not really.
00:53:48Alice is there. If you don't drink really, answer me that.
00:53:52Now, me, I not only drink really, I really drink.
00:54:04What's the matter? Do you like the music, either?
00:54:06I like it fine.
00:54:08You don't like it. You don't like to dance, and you don't like to drink.
00:54:13You don't like for a man to hold you close. That's it, isn't it?
00:54:17I didn't say that.
00:54:19You haven't said anything all evening.
00:54:24Why don't I go play that song again? You like it so much.
00:54:33Hey, Johnny, who's the doll?
00:54:35Nobody you know, chicken.
00:54:37Oh, come on, now. You've been holding out on me.
00:54:39That's not the kind of pig you usually drag around.
00:54:42You quit licking your chops. She's out of your class.
00:54:46You want to bet?
00:54:48Lay off, huh?
00:54:50I got something on the stove there, man.
00:54:53Well, listen, I'll help you put it over.
00:54:55I don't want her to think I even know creeps like you.
00:55:00Good luck.
00:55:03Good luck.
00:55:09Meet someone you know?
00:55:11Yeah.
00:55:13He's a college fella.
00:55:18He told me about this girl. He's been wanting to meet me.
00:55:23He wanted me to meet her.
00:55:25What'd you tell him?
00:55:27I said, how could I? You're my date, you know.
00:55:33He said you didn't seem to enjoy my company much.
00:55:38That's not true.
00:55:40I really appreciate you taking me out this evening.
00:55:43I'd had a miserable night if you hadn't.
00:55:47Forget it. Come on. Here, join the party. Drink up.
00:55:57Look, I paid good money for that stuff. It ain't poison.
00:56:00I'm sorry if I annoy you.
00:56:04No, I don't get you.
00:56:06First, you stand me off. That's okay. That's class.
00:56:10Think you got something, you're just holding back.
00:56:13Now, everything I say is okay. You're a mouse.
00:56:16Yesterday, I didn't care.
00:56:19Tonight, I want to be with you.
00:56:22Me or just with anybody?
00:56:24With you.
00:56:31Why don't you thaw out?
00:56:37Maybe you want to be alone. I'll leave you alone if that's what you want.
00:56:41I like being with you. Really, I do.
00:56:45I don't want to be alone tonight.
00:56:48I want to be near you.
00:57:00You mean that?
00:57:02Yes.
00:57:13Why don't you and me get out of here, huh?
00:57:16You know, my room's only a couple of feet from yours.
00:57:20Ain't likely to get very far from me, are you?
00:57:30No.
00:57:43Now geesh.
00:57:46You'll wake Mrs. Thomas.
00:57:48That old girl is on the back of the house. She won't hear nothing.
00:58:00Honey, you don't want to go in there all by yourself, do you?
00:58:07It's dark and it's lonely in there.
00:58:12You don't have to be alone tonight.
00:58:14Just let me come in a while.
00:58:16Let me stay with you, huh?
00:58:19You don't want to be alone, do you?
00:58:21No.
00:58:31I'm sorry. I can't.
00:58:34Look, honey.
00:58:36Honey, you asked me in.
00:58:38You dislike me a little, huh?
00:59:00Hey, what's the matter with you?
00:59:11What's going on around here?
00:59:16What's the matter with you?
00:59:19That man's after me.
00:59:21You got to stop or he's after me again.
00:59:24I'm getting out of here.
00:59:25No, you have to go.
00:59:26Not me, sister.
00:59:28That's just what I need.
00:59:30Get mixed up with some girl who's off her rocker.
00:59:32I don't want to be left alone.
00:59:58I don't want to be left alone.
01:00:28What'd you find out, doctor?
01:00:31Not very much, I'm afraid.
01:00:34I'm sure glad you just happened around.
01:00:38I was gonna call somebody, but I was afraid you'd have to pay the bill.
01:00:42I came on purpose.
01:00:44I've been thinking about her ever since she left my office yesterday.
01:00:48What's she been up to?
01:00:51Only the devil knows that.
01:00:54I heard her moving things all around that room all night.
01:00:59Never heard such goings-on.
01:01:01And she wouldn't let me in her room this morning.
01:01:04She's a strange one.
01:01:06She absolutely refuses my help.
01:01:09I can't say that I blame her.
01:01:11There's something about her that completely baffles me.
01:01:14I've urged her to call upon me if she feels she needs help, and I hope she will.
01:01:19I can't let her stay in this house.
01:01:22You won't have to worry about that.
01:01:24She's determined to leave the city, and she wants to get away as soon as possible.
01:01:28I hope she does leave.
01:01:33I hope she can.
01:01:52I hope she can.
01:02:17Decided to leave, did ya?
01:02:20I can't refund none of your week's rent when you go off like that.
01:03:21Excuse me.
01:03:24Sounds like your transmission.
01:03:26Can you pull it up on the rack?
01:03:41Okay, fine.
01:03:43Will it take long?
01:03:45Well, I have to check it first.
01:03:47Would you like to get out?
01:03:49Yeah, I'll just sit here.
01:03:51Sure, suit yourself.
01:04:17Okay.
01:04:47Okay.
01:05:17Ow!
01:05:48Ow!
01:05:50Ow!
01:05:52Ow!
01:06:16When is the next eastbound bus?
01:06:20When does the next bus leave? I must get on.
01:06:39I want to get out of here.
01:06:41I want to get away from here.
01:06:49Eastbound bus.
01:06:52Now loading.
01:06:55Gate nine.
01:07:19Gate nine.
01:07:50Gate nine.
01:08:10Don't close the gate. Wait, wait.
01:08:13Let me in. You've got to let me in.
01:08:15I've got to get on that train. I've got to get away from here.
01:08:17Please. Please.
01:08:24You'll hear me.
01:08:26You can hear me.
01:08:40Why can't I hear anything?
01:08:48Will you help me? I need your help.
01:08:55Just a moment, please.
01:08:58Why can't anybody hear me?
01:09:28Gate nine.
01:09:59Gate nine.
01:10:10I came to you, doctor, because you're my last hope.
01:10:17If you don't help me, I'll have to go back there.
01:10:23He's trying to take me back somewhere.
01:10:28Doctor, you've got to tell me what to do.
01:10:58Gate nine.
01:11:28Gate nine.
01:11:58Gate nine.
01:12:28Gate nine.
01:12:58Gate nine.
01:13:28Gate nine.
01:13:58Gate nine.
01:14:28Gate nine.
01:14:58Gate nine.
01:15:28Gate nine.
01:15:31Gate nine.
01:15:34Gate nine.
01:15:37Gate nine.
01:15:40Gate nine.
01:15:43Gate nine.
01:15:46Gate nine.
01:15:49Gate nine.
01:15:52Gate nine.
01:15:55Gate nine.
01:16:09The car's still over there.
01:16:12And then a footprint's leading up to here.
01:16:16And then nothing.
01:16:46Okay, Walt.
01:16:49Hey, Timmy, right down there.
01:16:51Wind it up.